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Kokak's latest ink jet paper

Kokak's latest ink jet paper

2004-01-30 by Tom Baker

Here's a link to an article on Kodak's newest paper which they claim to have 100 year life under 'home' display conditions.
 
http://www.creativepro.com/story/news/20794.html?cprose=daily
 
Tom Baker


[Non-text portions of this message have been removed]

Re: Kokak's latest ink jet paper

2004-01-30 by Steven Karafyllakis

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tom Baker 
<tbaker1328@s...> wrote:
> Here's a link to an article on Kodak's newest paper which they 
claim to have 100 year life under 'home' display conditions.
>  
> http://www.creativepro.com/story/news/20794.html?cprose=daily
>  
> Tom Baker
> 
There's a whole lot of Company Hoopla there, and very little useable 
information; Did you happen to spot which inks the claims are good 
for? 

Steve Karafyllakis

Re: [Digital BW] Re: Kokak's latest ink jet paper

2004-01-30 by Tom Baker

The Kodak site said that it was intended for all photo inks.  However, one other area in the article said dye.  So, I don't know.  I didn't look hard at the details.  It is apparently not targeted to a specific ink brand.

One interesting thing was a comment on the Kodak site that said it was a photographic paper with the new special coating.  I don't know exactly what that implies, but, if they put this coating on some of their existing paper based stock, it could be interesting.
 
Tom Baker

Steven Karafyllakis <steve@...> wrote:
--- In DigitalBlackandWhiteThePrint@...m, Tom Baker 
<tbaker1328@s...> wrote:
> Here's a link to an article on Kodak's newest paper which they 
claim to have 100 year life under 'home' display conditions.
>  
> http://www.creativepro.com/story/news/20794.html?cprose=daily
>  
> Tom Baker
> 
There's a whole lot of Company Hoopla there, and very little useable 
information; Did you happen to spot which inks the claims are good 
for? 

Steve Karafyllakis



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BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.



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[Non-text portions of this message have been removed]

RE: [Digital BW] Kokak's latest ink jet paper

2004-01-30 by Paul Roark

Tom,

>Here's a link to an article on Kodak's newest paper which they claim to
>have 100 year life under 'home' display conditions.
 
>www.creativepro.com/story/news/20794.html?cprose=daily 
 
This could be the dye breakthrough I've been expecting.  I'm glad it's
Kodak.  (They desperately need a place in the new photo scene.)

Most of the color pigments in the inkjet printers appear to be what are
called "dye stacks."  That is, they are dyes that have been formed into
solid chunks of insoluble material, unlike the dye inks that are dissolved
in a liquid base (mostly water).  The only reason color pigments are more
light and gas fast is that they are larger chunks of matter that present a
lower ratio of surface area to mass than do the tiny crystals of dye that
form on the paper as the base evaporates. 

The swellable emulsion was one attempt to reduce the ability to gas to get
to the dye, and it was better than nothing.

What I've been waiting for is a way to turn the dye into a solid chunk of
material that was closer to the mass of a pigment, but only after the dye
hit the paper.  My thought was that an epoxy-like, 2 component system would
be a good model.

It sounds like Kodak may have found a solution that is close to this.  The
Kodak release states, "Using a unique blend of mordants (additives to "fix"
the dyes) ...."

The following is the best explanation of a "mordant" I found in a quick
search:  "A mordant is a metal with a valency of at least two. The two
commonest metals used in histotechnology are aluminum and ferric iron, both
with valencies of three. The attachment of mordants to dyes is by means of a
covalent and a coordinate bond."  (see
http://members.pgonline.com/~bryand/StainsFile/theory/mordant.htm)

I think Kodak has found a way to chemically lock the dyes up in, presumably,
relatively large and inert particles.

Now, I'm not saying Kodak isn't hyping this achievement, but their paper
sounds consistent with what I've been looking for.  I think Big Yellow's R&D
department has just raised the bar substantially.  Their test procedures
also look to be very thorough.

I don't think the new development will overtake carbon pigments (if -- big
if -- the Epson Archival pigs are 200 years, we're over 300), but I think
Epson's color pigment approach could be in trouble.   

Paul
www.PaulRoark.com

RE: [Digital BW] Kokak's latest ink jet paper

2004-01-30 by Tom Baker

Paul  -
 
Can all of this happen with dye and still preserve the color advantage dye has over pigs in terms of vibrancy, saturation, etc.?
 
Tom Baker

Paul Roark <paul.roark@...> wrote:
Tom,

>Here's a link to an article on Kodak's newest paper which they claim to
>have 100 year life under 'home' display conditions.

>www.creativepro.com/story/news/20794.html?cprose=daily 

This could be the dye breakthrough I've been expecting.  I'm glad it's
Kodak.  (They desperately need a place in the new photo scene.)

Most of the color pigments in the inkjet printers appear to be what are
called "dye stacks."  That is, they are dyes that have been formed into
solid chunks of insoluble material, unlike the dye inks that are dissolved
in a liquid base (mostly water).  The only reason color pigments are more
light and gas fast is that they are larger chunks of matter that present a
lower ratio of surface area to mass than do the tiny crystals of dye that
form on the paper as the base evaporates. 

The swellable emulsion was one attempt to reduce the ability to gas to get
to the dye, and it was better than nothing.

What I've been waiting for is a way to turn the dye into a solid chunk of
material that was closer to the mass of a pigment, but only after the dye
hit the paper.  My thought was that an epoxy-like, 2 component system would
be a good model.

It sounds like Kodak may have found a solution that is close to this.  The
Kodak release states, "Using a unique blend of mordants (additives to "fix"
the dyes) ...."

The following is the best explanation of a "mordant" I found in a quick
search:  "A mordant is a metal with a valency of at least two. The two
commonest metals used in histotechnology are aluminum and ferric iron, both
with valencies of three. The attachment of mordants to dyes is by means of a
covalent and a coordinate bond."  (see
http://members.pgonline.com/~bryand/StainsFile/theory/mordant.htm)

I think Kodak has found a way to chemically lock the dyes up in, presumably,
relatively large and inert particles.

Now, I'm not saying Kodak isn't hyping this achievement, but their paper
sounds consistent with what I've been looking for.  I think Big Yellow's R&D
department has just raised the bar substantially.  Their test procedures
also look to be very thorough.

I don't think the new development will overtake carbon pigments (if -- big
if -- the Epson Archival pigs are 200 years, we're over 300), but I think
Epson's color pigment approach could be in trouble.   

Paul
www.PaulRoark.com 




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BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.



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[Non-text portions of this message have been removed]

RE: [Digital BW] Kokak's latest ink jet paper

2004-01-30 by Paul Roark

Tom,
 
>Can all of this happen with dye and still preserve the color advantage dye
>has over pigs in terms of vibrancy, saturation, etc.?

I don't know, but it suspect it can.  All the surface artifacts of the
pigments are avoided also.  Look at the pains Epson is going to in the R800
order to hide the differential gloss.  By their nature, the pigs are going
to sit on top of the paper.  Dyes can go into the emulsion while they are
still liquid. 

Of course, what the Kodak advance can't do is give us a dye that can last on
cotton paper.  Perhaps this will help the "fine art" and "color glossy
photos" markets diverge.  This could be good.

Paul
www.PaulRoark.com

____________________________________
 

Paul Roark <paul.roark@...> wrote:
Tom,

>Here's a link to an article on Kodak's newest paper which they claim to
>have 100 year life under 'home' display conditions.

>www.creativepro.com/story/news/20794.html?cprose=daily 

This could be the dye breakthrough I've been expecting.  I'm glad it's
Kodak.  (They desperately need a place in the new photo scene.)

Most of the color pigments in the inkjet printers appear to be what are
called "dye stacks."  That is, they are dyes that have been formed into
solid chunks of insoluble material, unlike the dye inks that are dissolved
in a liquid base (mostly water).  The only reason color pigments are more
light and gas fast is that they are larger chunks of matter that present a
lower ratio of surface area to mass than do the tiny crystals of dye that
form on the paper as the base evaporates. 

The swellable emulsion was one attempt to reduce the ability to gas to get
to the dye, and it was better than nothing.

What I've been waiting for is a way to turn the dye into a solid chunk of
material that was closer to the mass of a pigment, but only after the dye
hit the paper.  My thought was that an epoxy-like, 2 component system would
be a good model.

It sounds like Kodak may have found a solution that is close to this.  The
Kodak release states, "Using a unique blend of mordants (additives to "fix"
the dyes) ...."

The following is the best explanation of a "mordant" I found in a quick
search:  "A mordant is a metal with a valency of at least two. The two
commonest metals used in histotechnology are aluminum and ferric iron, both
with valencies of three. The attachment of mordants to dyes is by means of a
covalent and a coordinate bond."  (see
http://members.pgonline.com/~bryand/StainsFile/theory/mordant.htm)

I think Kodak has found a way to chemically lock the dyes up in, presumably,
relatively large and inert particles.

Now, I'm not saying Kodak isn't hyping this achievement, but their paper
sounds consistent with what I've been looking for.  I think Big Yellow's R&D
department has just raised the bar substantially.  Their test procedures
also look to be very thorough.

I don't think the new development will overtake carbon pigments (if -- big
if -- the Epson Archival pigs are 200 years, we're over 300), but I think
Epson's color pigment approach could be in trouble.   

Paul
www.PaulRoark.com 




Please visit the Group Homepage to check the Files, and other resources as
they are often being updated.

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unsubscribe, please edit your Membership preferences by visiting this same
page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep
them short.
- Good manners are required at all time. No personal attacks or flames.
Hostile, aggressive or argumentative users may be removed from the
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W
printing. Users who persistently make off-topic posts may be removed from
the membership.
- By posting on this forum you agree to abide by the group rules and
guidelines, and to abide by the actions and decisions of the group Owner and
Moderators. See "Group Topic, Rules and Guidelines" in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS,
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.



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[Non-text portions of this message have been removed]


Please visit the Group Homepage to check the Files, and other resources as
they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep
them short.
- Good manners are required at all time. No personal attacks or flames.
Hostile, aggressive or argumentative users may be removed from the
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W
printing. Users who persistently make off-topic posts may be removed from
the membership.
- By posting on this forum you agree to abide by the group rules and
guidelines, and to abide by the actions and decisions of the group Owner and
Moderators. See "Group Topic, Rules and Guidelines" in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS,
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.
 


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RE: [Digital BW] Kodak's latest ink jet paper

2004-01-30 by Roger L Sopher

Paul,

Why couldn't the mordant chemistry be incorporated in the receptor layers
(coating) on matte papers? Mordents are the "glue" that binds the dye to a
more or less specific target molecule and if  gelatin (for example) was used
in the coating it could provide a site for dye binding I would think.  Maybe
a type N surface might be possible and we could have something more akin to
darkroom prints. It would be nice to have a dye based system without the
clog problems that would open up other printer systems to the fine art
market.

To partially answer my own question, $$$ since the demand for such a system
would be limited but maybe Kodak's present financial problems might make
them open to licensing their patents.

Tissue slides still have a significant fading problem with time, usually
some years even with dark storage. It is a particular problem when slides
are exposed to strong light, but then the chemistry is not designed to be
"archival" and the tissue can usually be restained.

Roger
Show quoted textHide quoted text
  -----Original Message-----
  From: Paul Roark [mailto:paul.roark@...]
  Sent: Friday, January 30, 2004 1:18 PM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: RE: [Digital BW] Kokak's latest ink jet paper


  Tom,

  >Can all of this happen with dye and still preserve the color advantage
dye
  >has over pigs in terms of vibrancy, saturation, etc.?

  I don't know, but it suspect it can.  All the surface artifacts of the
  pigments are avoided also.  Look at the pains Epson is going to in the
R800
  order to hide the differential gloss.  By their nature, the pigs are going
  to sit on top of the paper.  Dyes can go into the emulsion while they are
  still liquid.

  Of course, what the Kodak advance can't do is give us a dye that can last
on
  cotton paper.  Perhaps this will help the "fine art" and "color glossy
  photos" markets diverge.  This could be good.

  Paul
  www.PaulRoark.com

  ____________________________________




[Non-text portions of this message have been removed]

RE: [Digital BW] Kokak's latest ink jet paper

2004-01-30 by Tom Baker

Paul  -
 
If the trick here is in the caoting, why can't the coating be put on cotton?  Or, why couldn't it be put on on of the traditional wet darkroom papers instead of an emulsion?
 
 
Tom Baker

Paul Roark <paul.roark@...> wrote:
Tom,

>Can all of this happen with dye and still preserve the color advantage dye
>has over pigs in terms of vibrancy, saturation, etc.?

I don't know, but it suspect it can.  All the surface artifacts of the
pigments are avoided also.  Look at the pains Epson is going to in the R800
order to hide the differential gloss.  By their nature, the pigs are going
to sit on top of the paper.  Dyes can go into the emulsion while they are
still liquid. 

Of course, what the Kodak advance can't do is give us a dye that can last on
cotton paper.  Perhaps this will help the "fine art" and "color glossy
photos" markets diverge.  This could be good.

Paul
www.PaulRoark.com


[Non-text portions of this message have been removed]

Re: Kokak's latest ink jet paper

2004-01-30 by digikdm

Would have prefered to hear that they've developed a lite -jet 
printer for <$1000 that would print digital files on halide coated 
photographic paper.




--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tom Baker 
<tbaker1328@s...> wrote:
> Here's a link to an article on Kodak's newest paper which they 
claim to have 100 year life under 'home' display conditions.
Show quoted textHide quoted text
>  
> http://www.creativepro.com/story/news/20794.html?cprose=daily
>  
> Tom Baker
> 
> 
> [Non-text portions of this message have been removed]

Re: [Digital BW] Kokak's latest ink jet paper

2004-01-30 by Mark Hahn

And why would you want that to happen or think it was good?  I always 
printed b&w on glossy paper in the traditional darkroom and I only 
went to matte with my inkjets because that's all that I could use 
with pigmented inks... of course RC gloss is not quite the same as FB 
gloss... but still.

mark

...
> Of course, what the Kodak advance can't do is give us a dye that 
can last on
> cotton paper.  Perhaps this will help the "fine art" and "color 
glossy
> photos" markets diverge.  This could be good.
> 
> Paul
...

RE: [Digital BW] Kodak's latest ink jet paper

2004-01-31 by Paul Roark

Tom & Roger,

You're probably correct that the "mordant" approach might work on matte &
cotton papers.  

I'm not sure how much it would add there.  With matte paper and pigs there
are no reflective artifacts to deal with, and the glossy v. matte dmax
difference is mostly a question of how the light is reflected.  

I think the big market is glossy color.   

Kodak also noted the "refrigerator door" use of photos.  That's one of the
places I test also.  My interest in the sprayed RC papers was for a display
that didn't need glass.  

I suspect the fine art bunch will not be interested in this approach,
however.  Matte under glass may still be the ticket there.

All very interesting.  Technology marches on.

Paul 
www.PaulRoark.com 
_________________
Show quoted textHide quoted text
-----Original Message-----
From: Roger L Sopher [mailto:rlsopher@...] 
Sent: Friday, January 30, 2004 12:48 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] Kodak's latest ink jet paper

Paul,

Why couldn't the mordant chemistry be incorporated in the receptor layers
(coating) on matte papers? Mordents are the "glue" that binds the dye to a
more or less specific target molecule and if  gelatin (for example) was used
in the coating it could provide a site for dye binding I would think.  Maybe
a type N surface might be possible and we could have something more akin to
darkroom prints. It would be nice to have a dye based system without the
clog problems that would open up other printer systems to the fine art
market.

To partially answer my own question, $$$ since the demand for such a system
would be limited but maybe Kodak's present financial problems might make
them open to licensing their patents.

Tissue slides still have a significant fading problem with time, usually
some years even with dark storage. It is a particular problem when slides
are exposed to strong light, but then the chemistry is not designed to be
"archival" and the tissue can usually be restained.

Roger
  -----Original Message-----
  From: Paul Roark [mailto:paul.roark@...]
  Sent: Friday, January 30, 2004 1:18 PM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: RE: [Digital BW] Kokak's latest ink jet paper


  Tom,

  >Can all of this happen with dye and still preserve the color advantage
dye
  >has over pigs in terms of vibrancy, saturation, etc.?

  I don't know, but it suspect it can.  All the surface artifacts of the
  pigments are avoided also.  Look at the pains Epson is going to in the
R800
  order to hide the differential gloss.  By their nature, the pigs are going
  to sit on top of the paper.  Dyes can go into the emulsion while they are
  still liquid.

  Of course, what the Kodak advance can't do is give us a dye that can last
on
  cotton paper.  Perhaps this will help the "fine art" and "color glossy
  photos" markets diverge.  This could be good.

  Paul
  www.PaulRoark.com

  ____________________________________




[Non-text portions of this message have been removed]


Please visit the Group Homepage to check the Files, and other resources as
they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep
them short.
- Good manners are required at all time. No personal attacks or flames.
Hostile, aggressive or argumentative users may be removed from the
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W
printing. Users who persistently make off-topic posts may be removed from
the membership.
- By posting on this forum you agree to abide by the group rules and
guidelines, and to abide by the actions and decisions of the group Owner and
Moderators. See Group Topic, Rules and Guidelines in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE OWNER AND
MODERATORS OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS,
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  OWNER AND
MODERATORS OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
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Re: [Digital BW] Re: Kokak's latest ink jet paper

2004-01-31 by Editor P.O.V. Image Service

Read the suggested settings for the 2200 in their info..

Print at 720 dpi etc.... aggghh

It seems not to like pigment inks of with any significant load.


 
Keith Krebs

"Just some guy," caretaker of the Multiverse's largest EPSON printer 
User Community (highly recommended by Vogon Poets and MegaDodo 
Publications), at:
http://groups.yahoo.com/group/EPSON_Printers/
and  the Multiverse's largest Canon printer User  Community at:
http://groups.yahoo.com/group/Canon-printers
"For the rest of you out there, the secret is to bang the rocks together 
guys"

Re: [Digital BW] Kokak's latest ink jet paper

2004-01-31 by Editor P.O.V. Image Service

There are some very illuminating posts (vis pigment/dye mordants, etc.) 
by Arthur Entlich and Walt Mucha on this Kodak paper over in my EPSON 
printer group.

I don't wish to crosspost a ton of data so, if interested, just head 
there and search the message archive for "Kodak Entlich" to get 
started.  The address/URL for the list is in my signature.

 
Keith Krebs

"Just some guy," caretaker of the Multiverse's largest EPSON printer 
User Community (highly recommended by Vogon Poets and MegaDodo 
Publications), at:
http://groups.yahoo.com/group/EPSON_Printers/
and  the Multiverse's largest Canon printer User  Community at:
http://groups.yahoo.com/group/Canon-printers
"For the rest of you out there, the secret is to bang the rocks together 
guys"

RE: [Digital BW] Kokak's latest ink jet paper

2004-01-31 by Ed Mathews

I feel the same way.  I've been rooting for them for some time.  They
NEED something like this and I really hope they have something here that
will boost them into the digital arena as a major player.  Obviously,
they had this up their sleeve when they released that last statement and
I'm sure they are banking on this.  I hope they have patented this to
the hilt and have many years of profit from it.  Let's not forget where
the Bayer pattern came from.  Their contributions to photography in
general, both film and digital have been sorely trampled upon.

Ed
http://lightandsilver.com 

> -----Original Message-----
> From: Paul Roark [mailto:paul.roark@...] 
<snip>  
> This could be the dye breakthrough I've been expecting.  I'm glad it's
> Kodak.  (They desperately need a place in the new photo scene.)
<snip>

Re: [Digital BW] Kokak's latest ink jet paper

2004-01-31 by Truman Prevatt

Don't shed too many tears for poor old Kodak. They have enough defense 
work to keep them busy for years. They have slipped in the consumer 
sector, just because I think they have put too much of their talent 
supporting their defense sector.

Hopefully they will get back to a proper balance.

Truman

Ed Mathews wrote:
Show quoted textHide quoted text
> I feel the same way.  I've been rooting for them for some time.  They
> NEED something like this and I really hope they have something here that
> will boost them into the digital arena as a major player.  Obviously,
> they had this up their sleeve when they released that last statement and
> I'm sure they are banking on this.  I hope they have patented this to
> the hilt and have many years of profit from it.  Let's not forget where
> the Bayer pattern came from.  Their contributions to photography in
> general, both film and digital have been sorely trampled upon.
>
> Ed
> http://lightandsilver.com
>

RE: [Digital BW] Kodak's latest ink jet paper

2004-01-31 by Ed Mathews

> -----Original Message-----
> From: Paul Roark [mailto:paul.roark@...] 
> All very interesting.  Technology marches on.

I wonder if today's digital will enjoy the same relatively long toothed
approach as chemical processes have thus far to our perspective.  And
will our children and grandchildren ever stop and think about the rapid
changes we went through as photographers, and how our thoughts,
problems, complaints, needs, and voices helped set the direction for
development of the technology they will take for granted on a daily
basis?  I hope history is kind to us all, and the pioneers of today,
like Paul Roark, are not forgotten when the world of zeros and ones seem
to have always existed.

Ed
http://lightandsilver.com

Re: [Digital BW] Kodak's latest ink jet paper

2004-01-31 by Editor P.O.V. Image Service

Ed Mathews wrote:

>
> I hope history is kind to us all, and the pioneers of today,
>like Paul Roark, are not forgotten when the world of zeros and ones seem
>to have always existed.
>
>  
>
Speaking of which the inventor of "Ctrl-Alt-Delete" just retired from IBM.

 
Keith Krebs

"Just some guy," caretaker of the Multiverse's largest EPSON printer 
User Community (highly recommended by Vogon Poets and MegaDodo 
Publications), at:
http://groups.yahoo.com/group/EPSON_Printers/
and  the Multiverse's largest Canon printer User  Community at:
http://groups.yahoo.com/group/Canon-printers
"For the rest of you out there, the secret is to bang the rocks together 
guys"

Re: [Digital BW] Kokak's latest ink jet paper

2004-01-31 by sceptre12345

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" 
<paul.roark@v...> wrote:
> This could be the dye breakthrough I've been expecting.  

According to Arthur Entlich who posted on another group says that 
he's read Kodak's white paper on Ultima paper, it seems that:

"Fading up to 30% loss of density is considered acceptable."

Not to me it isn't. Not anymore. Not since the UT inksets have been 
available.

Cheers,
Andre

Re: [Digital BW] Kokak's latest ink jet paper

2004-01-31 by Tom Baker

Let's hope that was the old Ultima paper, not the new.
 
Tom Baker

sceptre12345 <am1000@...> wrote:
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" 
<paul.roark@v...> wrote:
> This could be the dye breakthrough I've been expecting.  

According to Arthur Entlich who posted on another group says that 
he's read Kodak's white paper on Ultima paper, it seems that:

"Fading up to 30% loss of density is considered acceptable."

Not to me it isn't. Not anymore. Not since the UT inksets have been 
available.

Cheers,
Andre







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Re: [Digital BW] Kodak's latest ink jet paper

2004-01-31 by Editor P.O.V. Image Service

What really scares me is the idea of 100+ year Lexmark output..

As I've said elsewhere, that's like preserving SPAM (the original 
"meaty" kind), SnowBalls (the pink sponge cake kind), Twinkies, Vienna 
Sausage, or a Moonpie for 100 years.  Sure, you might be ABLE to do it.. 
But for GOD's sake, WHY man, WHY would anyone WANT to?!

 
Keith Krebs

"Just some guy," caretaker of the Multiverse's largest EPSON printer 
User Community (highly recommended by Vogon Poets and MegaDodo 
Publications), at:
http://groups.yahoo.com/group/EPSON_Printers/
and  the Multiverse's largest Canon printer User  Community at:
http://groups.yahoo.com/group/Canon-printers
"For the rest of you out there, the secret is to bang the rocks together 
guys"

Re: [Digital BW] Kokak's latest ink jet paper

2004-01-31 by sceptre12345

Yes, he was talking about the new Kodak Ultima paper!
Message #22451 @
http://groups.yahoo.com/group/EPSON_Printers/
Cheers,
Andre


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tom Baker 
<tbaker1328@s...> wrote:
> Let's hope that was the old Ultima paper, not the new.
>  
> Tom Baker
> 
> sceptre12345 <am1000@v...> wrote:
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" 
> <paul.roark@v...> wrote:
> > This could be the dye breakthrough I've been expecting.  
> 
> According to Arthur Entlich who posted on another group says that 
> he's read Kodak's white paper on Ultima paper, it seems that:
> 
> "Fading up to 30% loss of density is considered acceptable."
> 
> Not to me it isn't. Not anymore. Not since the UT inksets have been 
> available.
> 
> Cheers,
> Andre
> 
> 
> 
> 
> 
> 
> 
> Please visit the Group Homepage to check the Files, and other 
resources as they are often being updated.
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> If you wish to receive no emails or just a daily digest, or you 
wish to unsubscribe, please edit your Membership preferences by 
visiting this same page.
> 
> Please follow these basic guidelines:
> - As threads develop, trim off excess portions of earlier messages 
to keep them short.
> - Good manners are required at all time. No personal attacks or 
flames. Hostile, aggressive or argumentative users may be removed 
from the membership without notice.
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B&W printing. Users who persistently make off-topic posts may be 
removed from the membership.
> - By posting on this forum you agree to abide by the group rules 
and guidelines, and to abide by the actions and decisions of the 
group Owner and Moderators. See "Group Topic, Rules and Guidelines" 
in the Files section:
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> 
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Re: [Digital BW] Kodak's latest ink jet paper

2004-01-31 by Truman Prevatt

How many people know that it was John VonNeumann who was the designer of 
the modern high speed electronic computer? 

Sadly to say the true pioneers are many times forgotten.

Truman

Ed Mathews wrote:

>
> basis?  I hope history is kind to us all, and the pioneers of today,
> like Paul Roark, are not forgotten when the world of zeros and ones seem
> to have always existed.
>
> Ed
> <http://lightandsilver.com>



[Non-text portions of this message have been removed]

Re: [Digital BW] Kodak's latest ink jet paper

2004-01-31 by Ernst Dinkla

>All very interesting.  Technology marches on.

Paul
www.PaulRoark.com
_________________<


The technical publications on the Kodak site are interesting.

http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=36/98&pq-locale=en_US

at the bottom of that page two links:



            Technology behind new Ultima paper   506 K

            Typical home display conditions   414 K

            Not a word about Wilhelm-Research. This time they
want to improve on his tests.

            Ernst

Re: [Digital BW] Kodak's latest ink jet paper

2004-02-01 by Tom Baker

Maybe.  But, remember, if you happen to have some of the old "Cracker Jacks" toys from the '50's they're worth some money.  You can never tell what someone will think is useful.
 
On the more serious side though, some have said that family 'shapshots' are the only 'real' photographs.  At the very least they preserve memories, and in some cases serious bits of history.  I think preserving these is worthwhile, even if printed on a dot matrix.  Not as elegant as a fine art print of the same subject, but still worthwhile.
 
Tom Baker

"Editor P.O.V. Image Service" <editor@...> wrote:
What really scares me is the idea of 100+ year Lexmark output..

As I've said elsewhere, that's like preserving SPAM (the original 
"meaty" kind), SnowBalls (the pink sponge cake kind), Twinkies, Vienna 
Sausage, or a Moonpie for 100 years.  Sure, you might be ABLE to do it.. 
But for GOD's sake, WHY man, WHY would anyone WANT to?!


Keith Krebs

"Just some guy," caretaker of the Multiverse's largest EPSON printer 
User Community (highly recommended by Vogon Poets and MegaDodo 
Publications), at:
http://groups.yahoo.com/group/EPSON_Printers/
and  the Multiverse's largest Canon printer User  Community at:
http://groups.yahoo.com/group/Canon-printers
"For the rest of you out there, the secret is to bang the rocks together 
guys"








Please visit the Group Homepage to check the Files, and other resources as they are often being updated.

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- Good manners are required at all time. No personal attacks or flames. Hostile, aggressive or argumentative users may be removed from the membership without notice.
- Keep your posts and threads related to the group topic of digital B&W printing. Users who persistently make off-topic posts may be removed from the membership.
- By posting on this forum you agree to abide by the group rules and guidelines, and to abide by the actions and decisions of the group Owner and Moderators. See �Group Topic, Rules and Guidelines� in the Files section:
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BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.




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[Non-text portions of this message have been removed]

Re: [Digital BW] Kokak's latest ink jet paper

2004-02-02 by Editor P.O.V. Image Service

Tom Baker wrote:

>Here's a link to an article on Kodak's newest paper which they claim to have 100 year life under 'home' display conditions.
> 
>http://www.creativepro.com/story/news/20794.html?cprose=daily
> 
>  
>

Just figured people would like to know that according to Kodak's 
standards fading up to 30% loss of density is considered acceptable.

 
Keith Krebs

"Just some guy," caretaker of the Multiverse's largest EPSON printer 
User Community (highly recommended by Vogon Poets and MegaDodo 
Publications), at:
http://groups.yahoo.com/group/EPSON_Printers/
and  the Multiverse's largest Canon printer User  Community at:
http://groups.yahoo.com/group/Canon-printers
"For the rest of you out there, the secret is to bang the rocks together 
guys"

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.