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Shooting Digitally

Shooting Digitally

2002-01-16 by steven0356

I am planning to shoot with my Canon D-30, which will give me a
8-bit,  
17 meg file if I save it as a raw file in the camera.   If needed, I 
will use Genuine Fractals to interpolate the file size up.  Does any 
one see a problem with this approach?

Does any one shoot digitally or are most people still shooting film? 

How does a digital image compare to a scanned neg. in print quality?

 Is Genuine Fractals the best  way interpolate a digital file?

Re: Shooting Digitally

2002-01-16 by qdfb

Hi,

You raise some big issues...

A number of photographers believe D30 / Fuji S1 / D1X etc output 
matches the quality of a scanned 35mm transparency. Michael Reichmann 
of the Luminous Landscape, who uses a D30, is one well known 
subscriber to this view. 

I shoot with an S1 (and other stuff), and in my opinion, for some 
subjects it is considerably *better* than film - portraits being the 
best example - and that includes conversion to B&W.  I prefer the S1 
to scanned medium format film for portraits.  I think, however it is 
a more difficult choice with landscape or architecture above A4 
size.  You don't say what you shoot, so it is difficult to advise. 

It is a personal choice, influenced by subject matter.  I simply find 
I get the medium format kit out much less often now that I own an 
S1.  However, I still use 5x4...

Loads of people still shoot film, and will do for some time to come.  
I prefer to shoot digitally wherever possible.  Genuine Fractals is a 
good way to interpolate up, but there is an almost as good 
alternative, called stair interpolation (simply a Photoshop action to 
increase an image size in multiple stages).  Also try out Lanczos 
interpolation that comes with Qimage (there is a trial version - 
superb program).

You should get very good results with the D30.
--
Quentin

--- In DigitalBlackandWhiteThePrint@y..., "steven0356" <stevenr@m...> 
wrote:
> I am planning to shoot with my Canon D-30, which will give me a
> 8-bit,  
> 17 meg file if I save it as a raw file in the camera.   If needed, 
I 
> will use Genuine Fractals to interpolate the file size up.  Does 
any 
> one see a problem with this approach?
> 
> Does any one shoot digitally or are most people still shooting 
film? 
Show quoted textHide quoted text
> 
> How does a digital image compare to a scanned neg. in print quality?
> 
>  Is Genuine Fractals the best  way interpolate a digital file?

Re: Shooting Digitally

2002-01-16 by tomoc

Steve-

I have Nikons, but from what I read about the D30, you will  be quite 
happy with the results ... especially up to letter sized prints... 
After that, lighting, lens, etc will need to be critically correct to 
continue to produce excellent prints (but what else is new?).

You might want to check out the http://www.fredmiranda.com site This 
guy is a developer who favors Canons and has a number of plugins for 
sale that improve the banding issues on D30s and has some other very 
useful plugins (I've used all of his Nikon ones and I'm pretty happy 
with them).

There is a lot of religious arguments about Genuine Fractals. 
Consensus seems to be not to bother with it until you are printing 
larger than 11x17 (Photoshop resampling seems to be slightly 
different but just as "good" up to this size). For larger upsampling, 
GF has serious fans.

Tom O'Connell

TomOC@...
www.thomasoconnell.com


--- In DigitalBlackandWhiteThePrint@y..., "steven0356" <stevenr@m...> 
wrote:
> I am planning to shoot with my Canon D-30, which will give me a
> 8-bit,  
> 17 meg file if I save it as a raw file in the camera.   If needed, 
I 
> will use Genuine Fractals to interpolate the file size up.  Does 
any 
> one see a problem with this approach?
> 
> Does any one shoot digitally or are most people still shooting 
film? 
Show quoted textHide quoted text
> 
> How does a digital image compare to a scanned neg. in print quality?
> 
>  Is Genuine Fractals the best  way interpolate a digital file?

Re: Shooting Digitally

2002-01-16 by scho_2000

I'm using a Canon D30 and just recently converted my Epson 
1270 to use MIS VM inks with Paul's curves.  I used to shoot 
B&W with technical pan in a 35 mm and I think the D30 does just 
as well, if not better up to A3+.  The RAW files are 17 meg 16 bit 
and not 8 bit.  I've used both Genuine Fractals and the various 
step intepolation actions and it seems to be a toss up in terms 
of quality - at least when resizing up to 12x18, which is as large 
as I go.  The quality and tonal range possible with the VM inkset 
is really outstanding.

RE: [Digital BW] Re: Shooting Digitally

2002-01-16 by Austin Franklin

> A number of photographers believe D30 / Fuji S1 / D1X etc output
> matches the quality of a scanned 35mm transparency. Michael Reichmann
> of the Luminous Landscape, who uses a D30, is one well known
> subscriber to this view.

Though it is true for SOME combinations of film and development, and up to a
certain sized output, it certainly isn't true for ALL 35mm film/development
combinations.  Choice of scanner and operator skill also enter into the
equation too.

Austin

RE: [Digital BW] Shooting Digitally

2002-01-16 by Austin Franklin

> I am planning to shoot with my Canon D-30, which will give me a
> 8-bit,
> 17 meg file if I save it as a raw file in the camera.   If needed, I
> will use Genuine Fractals to interpolate the file size up.  Does any
> one see a problem with this approach?

Just understand that interpolation can not make up detail where there was
none in the original file.

> Does any one shoot digitally or are most people still shooting film?

I shoot both.

> How does a digital image compare to a scanned neg. in print quality?

For up to 5x7, a good digital works fine...but beyond that I prefer film.  I
also only shoot color with digital, and find B&W film far better.

>  Is Genuine Fractals the best  way interpolate a digital file?

Certainly is one of the best ways out there IMO.

Austin

Re: [Digital BW] Re: Shooting Digitally

2002-01-16 by Bill Morse

Hi Quentin- I'm writing off-list as this is fairly OT-

I am considering the S1, as well as the Olympus E-20.  Have you produced any
quad prints from S1 photos?  How large have you tried printing?  What are
the limitations of the S1?

Thanks for any guidance you can give.

Bill Morse
PhotoProspect
Cambridge, MA 02139


on 1/16/02 12:02 PM, qdfb wrote:

Hi,

You raise some big issues...

A number of photographers believe D30 / Fuji S1 / D1X etc output
matches the quality of a scanned 35mm transparency. Michael Reichmann
of the Luminous Landscape, who uses a D30, is one well known
subscriber to this view.

I shoot with an S1 (and other stuff), and in my opinion, for some
subjects it is considerably *better* than film - portraits being the
best example - and that includes conversion to B&W.  I prefer the S1
to scanned medium format film for portraits.  I think, however it is
a more difficult choice with landscape or architecture above A4
size.  You don't say what you shoot, so it is difficult to advise.

It is a personal choice, influenced by subject matter.  I simply find
I get the medium format kit out much less often now that I own an
S1.  However, I still use 5x4...

Loads of people still shoot film, and will do for some time to come.
I prefer to shoot digitally wherever possible.  Genuine Fractals is a
good way to interpolate up, but there is an almost as good
alternative, called stair interpolation (simply a Photoshop action to
increase an image size in multiple stages).  Also try out Lanczos
interpolation that comes with Qimage (there is a trial version -
superb program).

You should get very good results with the D30.
--
Quentin



[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-16 by shashinka@aol.com

In a message dated 1/16/02 3:13:38 PM, willym@... writes:

<< I am considering the S1, as well as the Olympus E-20.  Have you produced 
any
quad prints from S1 photos?  How large have you tried printing?  What are
the limitations of the S1?

Thanks for any guidance you can give.

Bill Morse
PhotoProspect
Cambridge, MA 02139 >>

Check out dpreview.com for some great reviews.  You'll see that the Sony 5 
megapixel camera did much better in sharpness and lack of shadow noise as 
compared with the E-20.  I'm not sure about the other Sony specs though.

Andy Darlow

Photography, Digital Print Consulting and Custom Editions
Andrew Darlow Images International
www.andydarlow.com
andy@...

Non chipped letter/A4 printers

2002-01-16 by the Don

I am currently using the MIS FS quads with an 1160. I am looking to add
a second printer to do some experimentation with- to try new inksets.
Are there any letter/A4 printers still out there that are not chipped?
If not, does anyone have any advice of what letter/A4 size printer to
get. Also, what kind of work arounds are people using with the chipped
printers? I have never used one, and I don't really know what is
involved, if I have to go that route.

Thanks,

Don Eby

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[Digital BW] Re: Shooting Digitally

2002-01-16 by qdfb

--- In DigitalBlackandWhiteThePrint@y..., Bill Morse <willym@b...> 
wrote:
> Hi Quentin- I'm writing off-list as this is fairly OT-
> 

Hi - I have responded off list by email.
--
Q

Re: [Digital BW] Re: Shooting Digitally

2002-01-16 by Jerry Olson

The D-30 does give that size file, but it's in 16 bit. So it's only have
that size when you convert to 8 bit

Jerry




grdglass@... wrote:
Show quoted textHide quoted text
> 
> Try starting off with 16-bit files and do as much as possible on those in
> Photoshop before converting to 8-bits.
> 
> > I am planning to shoot with my Canon D-30, which will give me a
> > 8-bit,
> > 17 meg file if I save it as a raw file in the camera.
> 
> Tom, you have the D30 confused with the 1D.
> 
> >>You might want to check out the http://www.fredmiranda.com site This
> guy is a developer who favors Canons and has a number of plugins for
> sale that improve the banding issues on D30s <<
> 
> Helene
> 
> 
> [Non-text portions of this message have been removed]
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> Please follow these basic guidelines:
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Re: [Digital BW] Re: Shooting Digitally

2002-01-16 by Jerry Olson

What is the S-1?

Jer

shashinka@... wrote:
Show quoted textHide quoted text
> 
> In a message dated 1/16/02 3:13:38 PM, willym@... writes:
> 
> << I am considering the S1, as well as the Olympus E-20.  Have you produced
> any
> q

Re: [Digital BW] Re: Shooting Digitally

2002-01-16 by Bill Morse

on 1/16/02 5:17 PM, Jerry Olson wrote:

What is the S-1?

Jer

It's the Fuji S1 (S-1?) Pro Digital body.

Bil 


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Michael Kravit

I just bought the Sony 5 megapixel for my son as a College Graduation gift. It is an awesome camera.

Mike
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: shashinka@... 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Wednesday, January 16, 2002 2:22 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally



  In a message dated 1/16/02 3:13:38 PM, willym@... writes:

  << I am considering the S1, as well as the Olympus E-20.  Have you produced 
  any
  quad prints from S1 photos?  How large have you tried printing?  What are
  the limitations of the S1?

  Thanks for any guidance you can give.

  Bill Morse
  PhotoProspect
  Cambridge, MA 02139 >>

  Check out dpreview.com for some great reviews.  You'll see that the Sony 5 
  megapixel camera did much better in sharpness and lack of shadow noise as 
  compared with the E-20.  I'm not sure about the other Sony specs though.

  Andy Darlow

  Photography, Digital Print Consulting and Custom Editions
  Andrew Darlow Images International
  www.andydarlow.com
  andy@...

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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Pics4U@en.com

On 16 Jan 2002, at 17:33, Bill Morse wrote:

> What is the S-1?
> 
> Jer
> 
> It's the Fuji S1 (S-1?) Pro Digital body.
> 
> Bil 
> 

errr, not exactly a "Pro Body". It's actually built on a now discontinued 
Nikon mid-priced consumer frame. Not even one of their higher end 
consumer flavors.  It's the cameras biggest downfall IMHO. It lacks many of 
the features, computer horsepower and durability required by most pro 
shooters.

Greg

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Jerry Olson

Mike, do you think that the Sonnar lens on that camera is up to Zeiss
standards? It seems the price of the Sony is incredibly low with a good
zeiss lens on it. 35mm Zeiss lenses of that type run over $2000.

Jerry



Michael Kravit wrote:
Show quoted textHide quoted text
> 
> I just bought the Sony 5 megapixel for my son as a College Graduation gift. It is an awesome camera.
> 
> Mike
>   ----- Original Message -----
>   From: shashinka@...
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Wednesday, January 16, 2002 2:22 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   In a message dated 1/16/02 3:13:38 PM, willym@... writes:
> 
>   << I am considering the S1, as well as the Olympus E-20.  Have you produced
>   any
>   quad prints from S1 photos?  How large have you tried printing?  What are
>   the limitations of the S1?
> 
>   Thanks for any guidance you can give.
> 
>   Bill Morse
>   PhotoProspect
>   Cambridge, MA 02139 >>
> 
>   Check out dpreview.com for some great reviews.  You'll see that the Sony 5
>   megapixel camera did much better in sharpness and lack of shadow noise as
>   compared with the E-20.  I'm not sure about the other Sony specs though.
> 
>   Andy Darlow
> 
>   Photography, Digital Print Consulting and Custom Editions
>   Andrew Darlow Images International
>   www.andydarlow.com
>   andy@...
> 
>         Yahoo! Groups Sponsor
>               ADVERTISEMENT
> 
> 
> 
> 
>   Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
>   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
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> [Non-text portions of this message have been removed]
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
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Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by toomagenta@aol.com

In a message dated 1/16/2002 3:13:27 PM Eastern Standard Time, 
willym@... writes:


> I am considering the S1, as well as the Olympus E-20.  Have you produced any
> quad prints from S1 photos

FWIW if you can aford the S 1, I would go for it. I don't think it has the 
noise issues, and it definately has to process faster than the Oly 20.
George J Kunze


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by SKID Photography

Ok, I'll jump in here.

First, I vote for the Sonys.  We have one of the smaller ones, and if we could
afford it, we'd get one of the 'top of the line' models.  Their drawback is
needing to use Sony's relatively small and expensive 'Memorysticks', and the
biggest plus is their battery system.  At least 3 straight hours of shooting
with the LCD screen active.  I don't think any other camera brand can claim
that.

That said, the subject of megapixel size of *all* these capture devices is a big
lie, that all the manufacturers seem to get away with.  They claim a pixel count
for *each* sensor.  When in reality, it takes an R, G, & B component to make up
each pixel.  What this means is that there is a phenomenally large amount of
interpolation going on in all of these cameras.  And these capture chips use an
R-G-G-B, not just RGB.

That in turn, explains why these digital cameras (actually filmless cameras, as
the 'captures' are analog, and then 'written' digitally after the fact) are good
at certain types of scenes and terrible at others.

The digital cameras are good when there are areas of broad tone (where the
algorithms can interpolate the spaces 'between' the actual captured information
without too much error), and are terrible when there is a lot of fine detail
(like the information between the branches in a forest in the winter).  They
*are* good at hard edges (like branches), but are not good at interpolating the
color information between the branches.

Harvey Ferdschneider
partner, SKID Photography, NYC


Jerry Olson wrote:

>  Mike, do you think that the Sonnar lens on that camera is up to Zeiss
> standards? It seems the price of the Sony is incredibly low with a good
> zeiss lens on it. 35mm Zeiss lenses of that type run over $2000.
>
> Jerry
>
>
>
> Michael Kravit wrote:
> >
> > I just bought the Sony 5 megapixel for my son as a College Graduation gift.
> It is an awesome camera.
> >
> > Mike
> >   ----- Original Message -----
> >   From: shashinka@...
> >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
> >   Sent: Wednesday, January 16, 2002 2:22 PM
> >   Subject: Re: [Digital BW] Re: Shooting Digitally
> >
> >   In a message dated 1/16/02 3:13:38 PM, willym@... writes:
> >
> >   << I am considering the S1, as well as the Olympus E-20.  Have you
> produced
> >   any
> >   quad prints from S1 photos?  How large have you tried printing?  What are
> >   the limitations of the S1?
> >
> >   Thanks for any guidance you can give.
> >
> >   Bill Morse
> >   PhotoProspect
> >   Cambridge, MA 02139 >>
> >
> >   Check out dpreview.com for some great reviews.  You'll see that the Sony 5
>
> >   megapixel camera did much better in sharpness and lack of shadow noise as
> >   compared with the E-20.  I'm not sure about the other Sony specs though.
> >
> >   Andy Darlow
> >
> >   Photography, Digital Print Consulting and Custom Editions
> >   Andrew Darlow Images International
> >   www.andydarlow.com
> >   andy@...
> >
>





[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Michael Kravit

Jerry,

Obviously the quality of the lens is not what one might expect from a $2000-4000 MF lens. However, it appears that for a small P&S zoom optic in a compact package it is superb. I would love to see some tests on it to tell you the truth.

The bottom line is that Cory is having a ball with the camera. I am a softy and gave it to hime while he was home for Christmas. He and 8 of his buds went down to the Orange Bowl game and I wanted him to have it to play with.

Is the camera as good as my D1x w/ Nikkor optics, or my 4x5 with Schneider Optics, probably not., but for a 5 mega pixel digital w/ a 10x zeiss zoom, it is worth every bit of $999. Besides it has a built in microphone and will record mpeg movies. ;-) My 4x5 won't do that!

Mike
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Wednesday, January 16, 2002 8:38 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Mike, do you think that the Sonnar lens on that camera is up to Zeiss
  standards? It seems the price of the Sony is incredibly low with a good
  zeiss lens on it. 35mm Zeiss lenses of that type run over $2000.

  Jerry



  Michael Kravit wrote:
  > 
  > I just bought the Sony 5 megapixel for my son as a College Graduation gift. It is an awesome camera.
  > 
  > Mike
  >   ----- Original Message -----
  >   From: shashinka@...
  >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >   Sent: Wednesday, January 16, 2002 2:22 PM
  >   Subject: Re: [Digital BW] Re: Shooting Digitally
  > 
  >   In a message dated 1/16/02 3:13:38 PM, willym@... writes:
  > 
  >   << I am considering the S1, as well as the Olympus E-20.  Have you produced
  >   any
  >   quad prints from S1 photos?  How large have you tried printing?  What are
  >   the limitations of the S1?
  > 
  >   Thanks for any guidance you can give.
  > 
  >   Bill Morse
  >   PhotoProspect
  >   Cambridge, MA 02139 >>
  > 
  >   Check out dpreview.com for some great reviews.  You'll see that the Sony 5
  >   megapixel camera did much better in sharpness and lack of shadow noise as
  >   compared with the E-20.  I'm not sure about the other Sony specs though.
  > 
  >   Andy Darlow
  > 
  >   Photography, Digital Print Consulting and Custom Editions
  >   Andrew Darlow Images International
  >   www.andydarlow.com
  >   andy@...
  > 
  >         Yahoo! Groups Sponsor
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  > 
  > 
  > 
  > 
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  > 
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  > 
  > [Non-text portions of this message have been removed]
  > 
  > 
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  > 
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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by shashinka@aol.com

In a message dated 1/16/02 9:43:38 PM, jerryolson@... writes:

<< Mike, do you think that the Sonnar lens on that camera is up to Zeiss
standards? It seems the price of the Sony is incredibly low with a good
zeiss lens on it. 35mm Zeiss lenses of that type run over $2000.

Jerry >>

As I mentioned the test results on dpreview are very nice on the Sony.  The 
main drawback is the need to use the memory stick, which is pricy.  I'd love 
to see an example file (or piece of one) from you Mike.   I'll contact you 
offlist.

All the best!

-Andy Darlow

Photography, Digital Print Consulting and Custom Editions
Andrew Darlow Images International
www.andydarlow.com
andy@...

[Digital BW] Re: Shooting Digitally

2002-01-17 by qdfb

Hmm, that raises an interesting point.  A scanning back operates like 
a film scanner, with seperate RGB sensors scanning the image.  I have 
not thought about this before, but I assume this means that there is 
therefore no interpolation with a scanning camera back, so its 
resolution should be regarded as 3 times that of an equivalent single 
shot sensor.  Would that be right?

Bit OT, but I'd be interested in the answer :-)
--
Quentin

--- In DigitalBlackandWhiteThePrint@y..., SKID Photography 
<skid@b...> wrote:
> Ok, I'll jump in here.
> 
> First, I vote for the Sonys.  We have one of the smaller ones, and 
if we could
> afford it, we'd get one of the 'top of the line' models.  Their 
drawback is
> needing to use Sony's relatively small and 
expensive 'Memorysticks', and the
> biggest plus is their battery system.  At least 3 straight hours of 
shooting
> with the LCD screen active.  I don't think any other camera brand 
can claim
> that.
> 
> That said, the subject of megapixel size of *all* these capture 
devices is a big
> lie, that all the manufacturers seem to get away with.  They claim 
a pixel count
> for *each* sensor.  When in reality, it takes an R, G, & B 
component to make up
> each pixel.  What this means is that there is a phenomenally large 
amount of
> interpolation going on in all of these cameras.  And these capture 
chips use an
> R-G-G-B, not just RGB.
> 
> That in turn, explains why these digital cameras (actually filmless 
cameras, as
> the 'captures' are analog, and then 'written' digitally after the 
fact) are good
> at certain types of scenes and terrible at others.
> 
> The digital cameras are good when there are areas of broad tone 
(where the
> algorithms can interpolate the spaces 'between' the actual captured 
information
> without too much error), and are terrible when there is a lot of 
fine detail
> (like the information between the branches in a forest in the 
winter).  They
> *are* good at hard edges (like branches), but are not good at 
interpolating the
> color information between the branches.
> 
> Harvey Ferdschneider
> partner, SKID Photography, NYC
> 
> 
> Jerry Olson wrote:
> 
> >  Mike, do you think that the Sonnar lens on that camera is up to 
Zeiss
> > standards? It seems the price of the Sony is incredibly low with 
a good
> > zeiss lens on it. 35mm Zeiss lenses of that type run over $2000.
> >
> > Jerry
> >
> >
> >
> > Michael Kravit wrote:
> > >
> > > I just bought the Sony 5 megapixel for my son as a College 
Graduation gift.
> > It is an awesome camera.
> > >
> > > Mike
> > >   ----- Original Message -----
> > >   From: shashinka@a...
> > >   To: DigitalBlackandWhiteThePrint@y...
> > >   Sent: Wednesday, January 16, 2002 2:22 PM
> > >   Subject: Re: [Digital BW] Re: Shooting Digitally
> > >
> > >   In a message dated 1/16/02 3:13:38 PM, willym@b... writes:
> > >
> > >   << I am considering the S1, as well as the Olympus E-20.  
Have you
> > produced
> > >   any
> > >   quad prints from S1 photos?  How large have you tried 
printing?  What are
> > >   the limitations of the S1?
> > >
> > >   Thanks for any guidance you can give.
> > >
> > >   Bill Morse
> > >   PhotoProspect
> > >   Cambridge, MA 02139 >>
> > >
> > >   Check out dpreview.com for some great reviews.  You'll see 
that the Sony 5
> >
> > >   megapixel camera did much better in sharpness and lack of 
shadow noise as
> > >   compared with the E-20.  I'm not sure about the other Sony 
specs though.
Show quoted textHide quoted text
> > >
> > >   Andy Darlow
> > >
> > >   Photography, Digital Print Consulting and Custom Editions
> > >   Andrew Darlow Images International
> > >   www.andydarlow.com
> > >   andy@a...
> > >
> >
> 
> 
> 
> 
> 
> [Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Derek Clarke

On Thursday 17 Jan 2002 2:09 am, Pics4U@... wrote:
> On 16 Jan 2002, at 17:33, Bill Morse wrote:
> > What is the S-1?
> >
> > Jer
> >
> > It's the Fuji S1 (S-1?) Pro Digital body.
> >
> > Bil
>
> errr, not exactly a "Pro Body". It's actually built on a now discontinued
> Nikon mid-priced consumer frame. Not even one of their higher end
> consumer flavors.  It's the cameras biggest downfall IMHO. It lacks many of
> the features, computer horsepower and durability required by most pro
> shooters.

Critically, it can't meter with manual focus lenses fitted and can't 
autofocus AF-S lenses.

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Derek Clarke

There are several kinds of scanning backs!

Some use multiple passes, and so have "genuine RGB" pixels at the cost of not 
being able to shoot moving subjects.

Others have single-shot sensors that are RGBG (or sometimes CMYG), and use 
colour interpolation.
Show quoted textHide quoted text
On Thursday 17 Jan 2002 10:52 am, qdfb wrote:
> Hmm, that raises an interesting point.  A scanning back operates like
> a film scanner, with seperate RGB sensors scanning the image.  I have
> not thought about this before, but I assume this means that there is
> therefore no interpolation with a scanning camera back, so its
> resolution should be regarded as 3 times that of an equivalent single
> shot sensor.  Would that be right?
>
> Bit OT, but I'd be interested in the answer :-)

[Digital BW] Re: Shooting Digitally

2002-01-17 by qdfb

The typical scan back (Dicomed, Betterlight) work in single pass 
mode, but have trilinear sensors, ie one set of sensors each for RGB, 
similar to a film scanner, so I don't see where the interpolation 
comes in.
--
Quentin 

--- In DigitalBlackandWhiteThePrint@y..., Derek Clarke <derek_c@c...> 
wrote:
> There are several kinds of scanning backs!
> 
> Some use multiple passes, and so have "genuine RGB" pixels at the 
cost of not 
> being able to shoot moving subjects.
> 
> Others have single-shot sensors that are RGBG (or sometimes CMYG), 
and use 
> colour interpolation.
> 
> 
> On Thursday 17 Jan 2002 10:52 am, qdfb wrote:
> > Hmm, that raises an interesting point.  A scanning back operates 
like
> > a film scanner, with seperate RGB sensors scanning the image.  I 
have
> > not thought about this before, but I assume this means that there 
is
> > therefore no interpolation with a scanning camera back, so its
> > resolution should be regarded as 3 times that of an equivalent 
single
Show quoted textHide quoted text
> > shot sensor.  Would that be right?
> >
> > Bit OT, but I'd be interested in the answer :-)

RE: [Digital BW] Re: Shooting Digitally

2002-01-17 by Austin Franklin

> Hmm, that raises an interesting point.  A scanning back operates like
> a film scanner, with seperate RGB sensors scanning the image.  I have
> not thought about this before, but I assume this means that there is
> therefore no interpolation with a scanning camera back, so its
> resolution should be regarded as 3 times that of an equivalent single
> shot sensor.  Would that be right?
>
> Bit OT, but I'd be interested in the answer :-)

You are correct that scanning backs require no color interpolation, and full
frame sensors do.  It really isn't 3x, since color information really isn't
as important as luminance information (or your color TV wouldn't work near
as well ;-), but having both a scanning back and a one shot back of the same
"size", there is a marked difference in image quality with the scanning
back...but it's hard to tell what effect other elements of the equation
have.

What would be a good experiment would be to take a scanning back and treat
the data just like a full frame CCD, and make an image that way.  It would
take a bit of work...but none the less, would be a very definitive test on
that methodology.

Austin

RE: [Digital BW] Re: Shooting Digitally

2002-01-17 by Austin Franklin

> There are several kinds of scanning backs!
>
> Some use multiple passes, and so have "genuine RGB" pixels at the
> cost of not
> being able to shoot moving subjects.

That IS a scanning back, and it gives you the exact same result as a back
with a tri-linear sensor.

> Others have single-shot sensors that are RGBG (or sometimes
> CMYG), and use
> colour interpolation.

That's not a scanning back, and that is how full frame digital cameras
work...

Austin

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Jerry Olson

That 5.2 megapixel/zeiss lens combo sounds wonderful. I have to find out
how good this lens is. Might be a good backup to my D-30.  Do you know
what the aperture of that lens is, and how close it focuses? Its the 10X
zoom part that worries me. I can't imagine any lens in the world that
would be sharp at all focal lengths, or not suffer from bad pincushion
or barrel distortion, at any price.



Thanks


Michael Kravit wrote:
Show quoted textHide quoted text
> 
> Jerry,
> 
> Obviously the quality of the lens is not what one might expect from a $2000-4000 MF lens. However, it appears that for a small P&S zoom optic in a compact package it is superb. I would love to see some tests on it to tell you the truth.
> 
> The bottom line is that Cory is having a ball with the camera. I am a softy and gave it to hime while he was home for Christmas. He and 8 of his buds went down to the Orange Bowl game and I wanted him to have it to play with.
> 
> Is the camera as good as my D1x w/ Nikkor optics, or my 4x5 with Schneider Optics, probably not., but for a 5 mega pixel digital w/ a 10x zeiss zoom, it is worth every bit of $999. Besides it has a built in microphone and will record mpeg movies. ;-) My 4x5 won't do that!
> 
> Mike
>   ----- Original Message -----
>   From: Jerry Olson
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Wednesday, January 16, 2002 8:38 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   Mike, do you think that the Sonnar lens on that camera is up to Zeiss
>   standards? It seems the price of the Sony is incredibly low with a good
>   zeiss lens on it. 35mm Zeiss lenses of that type run over $2000.
> 
>   Jerry
> 
>   Michael Kravit wrote:
>   >
>   > I just bought the Sony 5 megapixel for my son as a College Graduation gift. It is an awesome camera.
>   >
>   > Mike
>   >   ----- Original Message -----
>   >   From: shashinka@...
>   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   >   Sent: Wednesday, January 16, 2002 2:22 PM
>   >   Subject: Re: [Digital BW] Re: Shooting Digitally
>   >
>   >   In a message dated 1/16/02 3:13:38 PM, willym@... writes:
>   >
>   >   << I am considering the S1, as well as the Olympus E-20.  Have you produced
>   >   any
>   >   quad prints from S1 photos?  How large have you tried printing?  What are
>   >   the limitations of the S1?
>   >
>   >   Thanks for any guidance you can give.
>   >
>   >   Bill Morse
>   >   PhotoProspect
>   >   Cambridge, MA 02139 >>
>   >
>   >   Check out dpreview.com for some great reviews.  You'll see that the Sony 5
>   >   megapixel camera did much better in sharpness and lack of shadow noise as
>   >   compared with the E-20.  I'm not sure about the other Sony specs though.
>   >
>   >   Andy Darlow
>   >
>   >   Photography, Digital Print Consulting and Custom Editions
>   >   Andrew Darlow Images International
>   >   www.andydarlow.com
>   >   andy@...
>   >
>   >         Yahoo! Groups Sponsor
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Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Jerry Olson

Thanks Harvey. I didn't know you had to use a memory stick for that
camera. That lets it out for me, I don't want yet another format to have
hassles with. I agree with all you say. Closeups are as good as velvia
film with my D-30. But landscapes, especially at infinity just don't
make it. (For 13x19 images). I think it would probably take an 8
megapixel camera to do justice to infinity landscapes. The batteries in
the D-30 seem to last a long time, and of course I have spare always
with me. 

Jerry

SKID Photography wrote:
Show quoted textHide quoted text
> 
> Ok, I'll jump in here.
> 
> First, I vote for the Sonys.  We have one of the smaller ones, and if we could
> afford it, we'd get one of the 'top of the line' models.  Their drawback is
> needing to use Sony's relatively small and expensive 'Memorysticks', and the
> biggest plus is their battery system.  At least 3 straight hours of shooting
> with the LCD screen active.  I don't think any other camera brand can claim
> that.
> 
> That said, the subject of megapixel size of *all* these capture devices is a big
> lie, that all the manufacturers seem to get away with.  They claim a pixel count
> for *each* sensor.  When in reality, it takes an R, G, & B component to make up
> each pixel.  What this means is that there is a phenomenally large amount of
> interpolation going on in all of these cameras.  And these capture chips use an
> R-G-G-B, not just RGB.
> 
> That in turn, explains why these digital cameras (actually filmless cameras, as
> the 'captures' are analog, and then 'written' digitally after the fact) are good
> at certain types of scenes and terrible at others.
> 
> The digital cameras are good when there are areas of broad tone (where the
> algorithms can interpolate the spaces 'between' the actual captured information
> without too much error), and are terrible when there is a lot of fine detail
> (like the information between the branches in a forest in the winter).  They
> *are* good at hard edges (like branches), but are not good at interpolating the
> color information between the branches.
> 
> Harvey Ferdschneider
> partner, SKID Photography, NYC
>

Re: [Digital BW] Re: Shooting Digitally

2002-01-17 by Bill Morse

I don't disagree.  "S1 Pro" is Fuji's name ;-)

Bill

on 1/16/02 9:09 PM, Pics4U@... wrote:

On 16 Jan 2002, at 17:33, Bill Morse wrote:
> What is the S-1?
> Jer
> 
> It's the Fuji S1 (S-1?) Pro Digital body.
> Bil 
> errr, not exactly a "Pro Body". It's actually built on a now discontinued
Nikon mid-priced consumer frame. Not even one of their higher end
consumer flavors.  It's the cameras biggest downfall IMHO. It lacks many of
the features, computer horsepower and durability required by most pro
shooters.

Greg



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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-18 by shashinka@aol.com

In a message dated 1/17/02 12:02:34 PM, jerryolson@... writes:

<< That 5.2 megapixel/zeiss lens combo sounds wonderful. I have to find out
how good this lens is. Might be a good backup to my D-30.  Do you know
what the aperture of that lens is, and how close it focuses? Its the 10X
zoom part that worries me. I can't imagine any lens in the world that
would be sharp at all focal lengths, or not suffer from bad pincushion
or barrel distortion, at any price.
 >>

If my memory serves me, it only has a f2.8-f6  or so of an aperture range.

-Andy Darlow

Photography, Digital Print Consulting and Custom Editions
Andrew Darlow Images International
www.andydarlow.com
andy@...

Re: Shooting Digitally

2002-01-18 by riskdr8138

--- In DigitalBlackandWhiteThePrint@y..., Derek Clarke <derek_c@c...> 
wrote:
> What dpi did you scan that 4x5 at?
> 
> On Friday 18 Jan 2002 12:44 am, Michael Kravit wrote:
> > Jerry,
> >
> > I think tha visually you are seeing an image that looks like 
film, but in
> > reality the camera would need to approach 16 megapixels to 
resolve the
> > finest films today.
> >
> > For example, I recently shot an image in a Charleston Cemetary on 
4x5 T-Max
> > 100. In the distance, oh perhaps 2 miles away is what looks like 
a 6 story
> > office building. I can zoom in on my scan and see a guy sitting 
at his desk
> > on the top floor.

can i chime in here. i have been using 4x5 for all of my photograph 
for about 10 years. when i went digital for printing (epson 1200, mis 
cfs system) i aquired a heidleberg saphir ultra ii. i scan my 4x5 negs
at 1200 dpi. this gives me a 300 dpi output on at a 16x20 print size. 
of course i can only print 13x19. my prints are VERY sharp. the 
heidleberg flatbed is supperb. of course you could not use it for
35mm, but i have made nice prints to 12x17 from 2 1/4 negs using 
genuine fractiles. 

i shoot large format conventional black and white and infrared. i 
develop these negs 9including the infrared in PMK which is a staining 
developer. 

larry pirrone

 D30 or D1x.
> >
> > Mike

Re: Shooting Digitally

2002-01-18 by mkravit

Larry,

I think the point is...I am spoiled with film. I shoot T-Max 100 4x5 
and scan it on  Howtek D4000 drum scanner up to 4000 dpi. I find 
myself comparing the images from my Nikon D1x and this is not really 
fair.

BTW, I have used Pyro for over 6 years and find that it has no great 
advantage with T-Max 100 as the staining is minimal. Now soup it with 
Tri-X and you have a whole different puppy.

Mike


--- In DigitalBlackandWhiteThePrint@y..., "riskdr8138" 
<L.PIRRONE@A...> wrote:
> --- In DigitalBlackandWhiteThePrint@y..., Derek Clarke 
<derek_c@c...> 
> wrote:
> > What dpi did you scan that 4x5 at?
> > 
> > On Friday 18 Jan 2002 12:44 am, Michael Kravit wrote:
> > > Jerry,
> > >
> > > I think tha visually you are seeing an image that looks like 
> film, but in
> > > reality the camera would need to approach 16 megapixels to 
> resolve the
> > > finest films today.
> > >
> > > For example, I recently shot an image in a Charleston Cemetary 
on 
> 4x5 T-Max
> > > 100. In the distance, oh perhaps 2 miles away is what looks 
like 
> a 6 story
> > > office building. I can zoom in on my scan and see a guy sitting 
> at his desk
> > > on the top floor.
> 
> can i chime in here. i have been using 4x5 for all of my photograph 
> for about 10 years. when i went digital for printing (epson 1200, 
mis 
> cfs system) i aquired a heidleberg saphir ultra ii. i scan my 4x5 
negs
> at 1200 dpi. this gives me a 300 dpi output on at a 16x20 print 
size. 
> of course i can only print 13x19. my prints are VERY sharp. the 
> heidleberg flatbed is supperb. of course you could not use it for
> 35mm, but i have made nice prints to 12x17 from 2 1/4 negs using 
> genuine fractiles. 
> 
> i shoot large format conventional black and white and infrared. i 
> develop these negs 9including the infrared in PMK which is a 
staining 
Show quoted textHide quoted text
> developer. 
> 
> larry pirrone
> 
>  D30 or D1x.
> > >
> > > Mike

Re: Shooting Digitally

2002-01-18 by riskdr8138

--- In DigitalBlackandWhiteThePrint@y..., "mkravit" 
<michael.kravit@w...> wrote:
> Larry,
> 
> I think the point is...I am spoiled with film. I shoot T-Max 100 
4x5 
> and scan it on  Howtek D4000 drum scanner up to 4000 dpi. I find 
> myself comparing the images from my Nikon D1x and this is not 
really 
> fair.
> 
> BTW, I have used Pyro for over 6 years and find that it has no 
great 
> advantage with T-Max 100 as the staining is minimal. Now soup it 
with 
> Tri-X and you have a whole different puppy.
> 
> Mike

> Mike, i use it(pyro) with illford hp5. and kodak highspeed infra 
red.works great with both films. when scanning it i scan in rgb. i 
can go to channel mixer in photoshop  and tweek the tonal range quite 
well, then convert to greyscale. these negs are quite smooth. i still 
wonder about that 4000 dpi scan. i think it would crash my system.
larry 
> --- In DigitalBlackandWhiteThePrint@y..., "riskdr8138" 
> <L.PIRRONE@A...> wrote:
> > --- In DigitalBlackandWhiteThePrint@y..., Derek Clarke 
> <derek_c@c...> 
> > wrote:
> > > What dpi did you scan that 4x5 at?
> > > 
> > > On Friday 18 Jan 2002 12:44 am, Michael Kravit wrote:
> > > > Jerry,
> > > >
> > > > I think tha visually you are seeing an image that looks like 
> > film, but in
> > > > reality the camera would need to approach 16 megapixels to 
> > resolve the
> > > > finest films today.
> > > >
> > > > For example, I recently shot an image in a Charleston 
Cemetary 
> on 
> > 4x5 T-Max
> > > > 100. In the distance, oh perhaps 2 miles away is what looks 
> like 
> > a 6 story
> > > > office building. I can zoom in on my scan and see a guy 
sitting 
> > at his desk
> > > > on the top floor.
> > 
> > can i chime in here. i have been using 4x5 for all of my 
photograph 
Show quoted textHide quoted text
> > for about 10 years. when i went digital for printing (epson 1200, 
> mis 
> > cfs system) i aquired a heidleberg saphir ultra ii. i scan my 4x5 
> negs
> > at 1200 dpi. this gives me a 300 dpi output on at a 16x20 print 
> size. 
> > of course i can only print 13x19. my prints are VERY sharp. the 
> > heidleberg flatbed is supperb. of course you could not use it for
> > 35mm, but i have made nice prints to 12x17 from 2 1/4 negs using 
> > genuine fractiles. 
> > 
> > i shoot large format conventional black and white and infrared. i 
> > develop these negs 9including the infrared in PMK which is a 
> staining 
> > developer. 
> > 
> > larry pirrone
> > 
> >  D30 or D1x.
> > > >
> > > > Mike

Re: [Digital BW] Re: Shooting Digitally

2002-01-18 by Jerry Olson

Nice image, Alex.

Which filter did you use, the 87, 89, or one of the lighter reds?

Jerry




a_pettit_jr wrote:
Show quoted textHide quoted text
> 
> For Your Evaluation,
> Here is one of my IRs with my modest 4.3Mpix Olympus E10.
> 
> The first is a low qual jpeg reduction with the image
> reduced to 1/5th the size used for printing.
> The second, a small snip of full size at less compression.
> 
> Perhaps 50+ yr eyes are less critical, but I feel that 4.3Mpix
> is outstanding for 8x10s and I have a wall full of 12x16s that
> I'd not be ashamed to show anyone .. I am currently more concerned
> with content than perfect clarity.
> 
> http://www.evcom.com/~apettit/WPFountainIRsm.jpg
> http://www.evcom.com/~apettit/WPFountainIRsnip.jpg
> 
> Best,
> Alex P
> Orlando Fla
> 
> --- In DigitalBlackandWhiteThePrint@y..., "Patrick Paulin" <ppaulin@a...> wrote:
> > Just thought I'd mention, there is a guy doing nice infrared work with a
> > Canon G1 and a Heliopan filter
> >
> > http://www.photo.net/photodb/folder?folder_id=145900
> >
> > --- Patrick
> >
> > [Non-text portions of this message have been removed]
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep them short.
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> - Before posting a question, search the message archives and the various resources on the homepage.
> 
> 
> 
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[Digital BW] Re: Shooting Digitally

2002-01-18 by qdfb

Absolutely, and it would not be true, for example, for Tech Pan, a 
film of awsome resolution.  Never seen that film's grain at Max res 
on the Imacon, and the shots I took using it with a Mamiya 7II, 65mm 
lens, tripod mounted, are really something.
--
Quentin

--- In DigitalBlackandWhiteThePrint@y..., "Austin Franklin" 
<darkroom@i...> wrote:
> 
> > A number of photographers believe D30 / Fuji S1 / D1X etc output
> > matches the quality of a scanned 35mm transparency. Michael 
Reichmann
> > of the Luminous Landscape, who uses a D30, is one well known
> > subscriber to this view.
> 
> Though it is true for SOME combinations of film and development, 
and up to a
> certain sized output, it certainly isn't true for ALL 35mm 
film/development
> combinations.  Choice of scanner and operator skill also enter into 
the
Show quoted textHide quoted text
> equation too.
> 
> Austin

[Digital BW] Re: Shooting Digitally

2002-01-19 by a_pettit_jr

Hello Jerry,

That was done with the Hoya R72. The Oly E10 does not appear to have
outstanding IR response. The frames were 55mm, 1/2 sec exposures.
That is actually  about 2/3rds of the 3 frame panorama I shot.

All my IR images are very noisy due to the poor response and the length
of exposure.  Each pano frame was a composite average of 4 images to
help reduce the noise about 50%.

Thanks,
Alex P



--- In DigitalBlackandWhiteThePrint@y..., Jerry Olson <jerryolson@r...> wrote:
Show quoted textHide quoted text
> Nice image, Alex.
> 
> Which filter did you use, the 87, 89, or one of the lighter reds?
> 
> Jerry
> 
> 
> 
>

Re: [Digital BW] Re: Shooting Digitally

2002-01-19 by Jerry Olson

Is that one of the opaque filters?

The canon is supposed to have a built in feature that removes the noise
out of long exposures, but I haven't tried a long exposure yet. I didn't
see any noise in the pictures you showed.

Jerry



a_pettit_jr wrote:
Show quoted textHide quoted text
> 
> Hello Jerry,
> 
> That was done with the Hoya R72. The Oly E10 does not appear to have
> outstanding IR response. The frames were 55mm, 1/2 sec exposures.
> That is actually  about 2/3rds of the 3 frame panorama I shot.
> 
> All my IR images are very noisy due to the poor response and the length
> of exposure.  Each pano frame was a composite average of 4 images to
> help reduce the noise about 50%.
> 
> Thanks,
> Alex P
> 
> --- In DigitalBlackandWhiteThePrint@y..., Jerry Olson <jerryolson@r...> wrote:
> > Nice image, Alex.
> >
> > Which filter did you use, the 87, 89, or one of the lighter reds?
> >
> > Jerry
> >
> >
> >
> >
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various resources on the homepage.
> 
> 
> 
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/

Re: [Digital BW] Re: Shooting Digitally

2002-01-19 by Diane Fields

Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.

http://www.pbase.com/picnic/infrared_gallery
Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, January 18, 2002 8:28 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Is that one of the opaque filters?

  The canon is supposed to have a built in feature that removes the noise
  out of long exposures, but I haven't tried a long exposure yet. I didn't
  see any noise in the pictures you showed.

  Jerry




[Non-text portions of this message have been removed]

Re: Shooting Digitally

2002-01-19 by grdglass@aol.com

Right, it was David Hemmings.

And, then there is "Blow Out."  John Travolta is a sound guy who matches his 
recorded sounds to movie film to prove that a politican was murdered and not 
accidently killed in a car crash.  I love the part where he syncs his sound 
with the film.

Helene


> Subject: Re: Shooting Digitally
> 
> David Hemmings, wasn't it?  One of my all time favourite movies.  
> Casts the B&W photographer as a hero.  I like that in a movie :-)
> --
> Quentin
> 
> -- In DigitalBlackandWhiteThePrint@y..., grdglass@a... wrote:
> > Reminds me of that old movie, "Blowup."  The photographer solves a 
> murder by 
> > repeatedly blowing up the tiniest section of a 35mm frame.  Each 
> successive 
> > blowup gets clearer and sharper and more detailed.  Wonderful 
> movie, but 
> > those of us in the know...
> > 
> > Helene



[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-19 by Jerry Olson

Thanks Diane. 

I enjoyed looking at your Infrared gallery. I thought the Japanese Maple
was  wonderful. What shutter speed and ISO did you end up using for this?

Jerry

Diane Fields wrote:
Show quoted textHide quoted text
> 
> Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
> 
> http://www.pbase.com/picnic/infrared_gallery
> Diane

Re: [Digital BW] Re: Shooting Digitally

2002-01-19 by Diane Fields

Jerry, I would have to go back to my original photo to check the settings, but I  almost always shoot  in ISO 50 with the G1 and I used relatively longer shutter times---start at 1" and try from there.  I would guess, remembering this was a darker day, I probably went to 2".  The G1 has noise reduction after 1.3 as I remember (I'm using my E10 a lot more day to day so have to check that).

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Saturday, January 19, 2002 12:08 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Thanks Diane. 

  I enjoyed looking at your Infrared gallery. I thought the Japanese Maple
  was  wonderful. What shutter speed and ISO did you end up using for this?

  Jerry

  Diane Fields wrote:
  > 
  > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
  > 
  > http://www.pbase.com/picnic/infrared_gallery
  > Diane

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[Non-text portions of this message have been removed]

Re: Shooting Digitally

2002-01-19 by qdfb

Yeah, but Blow Up was a great film...Blow Out was a good but routine 
thriller.  But I always like Travolta in movies.  

--- In DigitalBlackandWhiteThePrint@y..., grdglass@a... wrote:
> Right, it was David Hemmings.
> 
> And, then there is "Blow Out."  John Travolta is a sound guy who 
matches his 
> recorded sounds to movie film to prove that a politican was 
murdered and not 
> accidently killed in a car crash.  I love the part where he syncs 
his sound 
> with the film.
> 
> Helene
> 
> 
> > Subject: Re: Shooting Digitally
> > 
> > David Hemmings, wasn't it?  One of my all time favourite movies.  
> > Casts the B&W photographer as a hero.  I like that in a movie :-)
> > --
> > Quentin
> > 
> > -- In DigitalBlackandWhiteThePrint@y..., grdglass@a... wrote:
> > > Reminds me of that old movie, "Blowup."  The photographer 
solves a 
> > murder by 
> > > repeatedly blowing up the tiniest section of a 35mm frame.  
Each 
Show quoted textHide quoted text
> > successive 
> > > blowup gets clearer and sharper and more detailed.  Wonderful 
> > movie, but 
> > > those of us in the know...
> > > 
> > > Helene
> 
> 
> 
> [Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Jerry Olson

Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars. 

PLEASE tell me this salesman's villiage is missing their idiot!  Surely
the price is not that much. I would NEVER pay that much for any filter!

Jerry




Diane Fields wrote:
Show quoted textHide quoted text
> 
> Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
>

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Diane Fields

He's crazy as a bedbug LOL.  Go to one of the filter sites online--they are somewhere between 45 and 65 most of the time depending upon the size as I remember.  Do you honestly think I'd pay that --not on your life. 

 Try the Filter Connection http://www.2filter.com/  no shipping over $50

Its 35.81 for G1 and 65.82 for the E10
Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Saturday, January 19, 2002 7:46 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
  quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars. 

  PLEASE tell me this salesman's villiage is missing their idiot!  Surely
  the price is not that much. I would NEVER pay that much for any filter!

  Jerry




  Diane Fields wrote:
  > 
  > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
  >

  Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:

  http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

  Please follow these basic guidelines:
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  - Before posting a question, search the message archives and the various resources on the homepage. 




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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Carl Schofield

Jerry, are you looking for a 77mm filter?  They are pricey at that size.
B&H Photo has a 77mm B+W 092 (89B) for $145.  You could also try Harrison &
Harrison to see if they have a better price.  Some of the Nikon people like
the Harrison & Harrison 89B for infrared work.  There is a link here with
contact info.
http://www.pixelagogo.com/infrared_howto.html
Show quoted textHide quoted text
From: Jerry Olson <jerryolson@...>
Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
Date: Sat, 19 Jan 2002 18:46:45 -0600
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: Shooting Digitally


Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.

PLEASE tell me this salesman's villiage is missing their idiot!  Surely
the price is not that much. I would NEVER pay that much for any filter!

Jerry




Diane Fields wrote:
> 
> Just thought I'd throw in some links to my IR gallery--99% shot with the
G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with
Hoya R72 also.
>

Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

Please follow these basic guidelines:
- Include your full name with your message.
- Include the address of your website, if you have one.
- As threads develop, trim off excess portions of earlier messages to keep
them short.
- As the topic of a thread changes remember to change the subject header.
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- Before posting a question, search the message archives and the various
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Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service
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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by shashinka@aol.com

If you like infrared, there was some great info about shooting it w/ digital 
cameras in the Feb. 2002 Shutterbug issue.  I mention it because they 
recommended some cut wratten type filter options which are obviously much 
less expensive.  I thought the idea of wedging a cut piece of a filter behind 
the lens was quite unique.  

In addition it seems as though the new Sony 5 megapixel camera can easily 
adapt to infrared by pushing a button.  

The Epson 2450 got rave reviews as well.

Enjoy reading!

-Andy Darlow

Photography, Digital Print Consulting and Custom Editions
Andrew Darlow Images International
www.andydarlow.com
andy@...

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Diane Fields

Yes, there's someone in my Oly forum at dpreview.com that uses the Wratten gel also--works great.

Thanks for the information about the article.

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: shashinka@... 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Saturday, January 19, 2002 9:36 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  If you like infrared, there was some great info about shooting it w/ digital 
  cameras in the Feb. 2002 Shutterbug issue.  I mention it because they 
  recommended some cut wratten type filter options which are obviously much 
  less expensive.  I thought the idea of wedging a cut piece of a filter behind 
  the lens was quite unique.  

  In addition it seems as though the new Sony 5 megapixel camera can easily 
  adapt to infrared by pushing a button.  

  The Epson 2450 got rave reviews as well.

  Enjoy reading!

  -Andy Darlow

  Photography, Digital Print Consulting and Custom Editions
  Andrew Darlow Images International
  www.andydarlow.com
  andy@...



        Yahoo! Groups Sponsor 
              ADVERTISEMENT
             
       
       

  Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:

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  Please follow these basic guidelines:
  - Include your full name with your message.
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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Carl Schofield

There is a companion web site to the Shutterbug infrared article here:
http://InfraredDreams.com/
Show quoted textHide quoted text
From: "Diane Fields" <picnic@...>
Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
Date: Sat, 19 Jan 2002 21:45:11 -0500
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Subject: Re: [Digital BW] Re: Shooting Digitally


Yes, there's someone in my Oly forum at dpreview.com that uses the Wratten
gel also--works great.

Thanks for the information about the article.

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
 ----- Original Message -----
 From: shashinka@...
 To: DigitalBlackandWhiteThePrint@yahoogroups.com
 Sent: Saturday, January 19, 2002 9:36 PM
 Subject: Re: [Digital BW] Re: Shooting Digitally


 If you like infrared, there was some great info about shooting it w/
digital 
 cameras in the Feb. 2002 Shutterbug issue.  I mention it because they
 recommended some cut wratten type filter options which are obviously much
 less expensive.  I thought the idea of wedging a cut piece of a filter
behind 
 the lens was quite unique.

 In addition it seems as though the new Sony 5 megapixel camera can easily
 adapt to infrared by pushing a button.

 The Epson 2450 got rave reviews as well.

 Enjoy reading!

 -Andy Darlow

 Photography, Digital Print Consulting and Custom Editions
 Andrew Darlow Images International
 www.andydarlow.com
 andy@...



       Yahoo! Groups Sponsor
             ADVERTISEMENT
            
      
      

 Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:

 http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

 Please follow these basic guidelines:
 - Include your full name with your message.
 - Include the address of your website, if you have one.
 - As threads develop, trim off excess portions of earlier messages to keep
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 - As the topic of a thread changes remember to change the subject header.
 - Good manners are required at all time. No personal attacks or "flames."
 - Complete your Yahoo profile.
 - Before posting a question, search the message archives and the various
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 Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.



[Non-text portions of this message have been removed]


Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

Please follow these basic guidelines:
- Include your full name with your message.
- Include the address of your website, if you have one.
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Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service
<http://docs.yahoo.com/info/terms/> .




[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by shashinka@aol.com

In a message dated 1/19/02 9:59:54 PM, scho@... writes:

<< There is a companion web site to the Shutterbug infrared article here:
http://InfraredDreams.com/
Show quoted textHide quoted text
From: "Diane Fields" <picnic@...> >>

Hi Diane:

Thanks a lot for this link.  I'm sure you made a lot of infrared lovers very 
happy.  Interesting to note is that the artist uses a Canon S800 w/ 
heavyweight matte.

All the best!

-Andy Darlow

Photography, Digital Print Consulting and Custom Editions
Andrew Darlow Images International
www.andydarlow.com
Author: Inkjet Tip of the Month Club (newsletter) 
To subscribe, send e-mail to: Inkjettips-subscribe@yahoogroups.com


-Andy Darlow

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Diane Fields

You better thank Carl Schofield.  Somehow in these threads, quotes end up giving the impression that someone else is responsible for a statement or quote.  Just to give credit where credit is due *smile*

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
  Hi Diane:

  Thanks a lot for this link.  I'm sure you made a lot of infrared lovers very 
  happy.  Interesting to note is that the artist uses a Canon S800 w/ 
  heavyweight matte.

  All the best!

  -Andy Darlow




[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Michael Kravit

Jerry,

I paid $37 for the Lee 87.

Mike
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Saturday, January 19, 2002 6:46 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
  quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars. 

  PLEASE tell me this salesman's villiage is missing their idiot!  Surely
  the price is not that much. I would NEVER pay that much for any filter!

  Jerry




  Diane Fields wrote:
  > 
  > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
  >

  Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:

  http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

  Please follow these basic guidelines:
  - Include your full name with your message.
  - Include the address of your website, if you have one.
  - As threads develop, trim off excess portions of earlier messages to keep them short.
  - As the topic of a thread changes remember to change the subject header.
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  - Complete your Yahoo profile.
  - Before posting a question, search the message archives and the various resources on the homepage. 




  Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service. 



[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Jerry Olson

Hi Diane,

The tiffen filter 87  is selling for $115, which is still terribly
expensive, but at least It's within range of affordability. The bigger
sizes are much more expensive than the smaller ones.

Jerry




Diane Fields wrote:
Show quoted textHide quoted text
> 
> He's crazy as a bedbug LOL.  Go to one of the filter sites online--they are somewhere between 45 and 65 most of the time depending upon the size as I remember.  Do you honestly think I'd pay that --not on your life.
> 
>  Try the Filter Connection http://www.2filter.com/  no shipping over $50
> 
> Its 35.81 for G1 and 65.82 for the E10
> Diane
> ----------
> Diane B. Fields
> picnic@...
> photo site    http://www.pbase.com/picnic
>   ----- Original Message -----
>   From: Jerry Olson
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Saturday, January 19, 2002 7:46 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
>   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
> 
>   PLEASE tell me this salesman's villiage is missing their idiot!  Surely
>   the price is not that much. I would NEVER pay that much for any filter!
> 
>   Jerry
> 
>   Diane Fields wrote:
>   >
>   > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
>   >
> 
>   Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
>   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
>   Please follow these basic guidelines:
>   - Include your full name with your message.
>   - Include the address of your website, if you have one.
>   - As threads develop, trim off excess portions of earlier messages to keep them short.
>   - As the topic of a thread changes remember to change the subject header.
>   - Good manners are required at all time. No personal attacks or "flames."
>   - Complete your Yahoo profile.
>   - Before posting a question, search the message archives and the various resources on the homepage.
> 
>   Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.
> 
> [Non-text portions of this message have been removed]
> 
> 
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Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Jerry Olson

Mike, the tiffen 87 is $115. (size 72mm). Where did you get yours?

Jerry

Michael Kravit wrote:
Show quoted textHide quoted text
> 
> Jerry,
> 
> I paid $37 for the Lee 87.
> 
> Mike
>

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Jerry Olson

Carl, I need a 72mm.

It seems the square filters are much cheaper, but then I'd have to get
the holder, and all that, which I wouldn't use except for the IR.
However, the Tiffen filter looks more affordable, compared to the
ridiculous price of the Hoya.

Jerry

Carl Schofield wrote:
Show quoted textHide quoted text
> 
> Jerry, are you looking for a 77mm filter?  They are pricey at that size.
> B&H Photo has a 77mm B+W 092 (89B) for $145.  You could also try Harrison &
> Harrison to see if they have a better price.  Some of the Nikon people like
> the Harrison & Harrison 89B for infrared work.  There is a link here with
> contact info.
> http://www.pixelagogo.com/infrared_howto.html
> 
> From: Jerry Olson <jerryolson@...>
> Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Date: Sat, 19 Jan 2002 18:46:45 -0600
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Re: Shooting Digitally
> 
> Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
> quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
> 
> PLEASE tell me this salesman's villiage is missing their idiot!  Surely
> the price is not that much. I would NEVER pay that much for any filter!
> 
> Jerry
> 
> Diane Fields wrote:
> >
> > Just thought I'd throw in some links to my IR gallery--99% shot with the
> G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with
> Hoya R72 also.
> >
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
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Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Moreno Polloni

> Carl, I need a 72mm.
>
> It seems the square filters are much cheaper, but then I'd have to get
> the holder, and all that, which I wouldn't use except for the IR.
> However, the Tiffen filter looks more affordable, compared to the
> ridiculous price of the Hoya.

Lee has a decent line of ND grads; if these are useful to you then the
holder would be a good investment. I have the holder and several adapters,
which means I can use one set of grads and IR filters with all my lenses and
cameras, both 35mm and 120.

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Jerry Olson

Thank you Moreno!
I'll call Calumet and see what they have tomorrow. I believe they sell
Lee Filters, no? If not, where did you get yours?

Jerry
Show quoted textHide quoted text
> Lee has a decent line of ND grads; if these are useful to you then the
> holder would be a good investment. I have the holder and several adapters,
> which means I can use one set of grads and IR filters with all my lenses and
> cameras, both 35mm and 120.
>

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Jerry Olson

Thanks Mike, This is SO much better than the screw ins. Is that all you
need, the filter and the holder? Nothing to screw into the 72mm Lens?  

Love that terminology! Elastomeric Tension Device! :)

Jerry

Michael Kravit wrote:
Show quoted textHide quoted text
> 
> Jerry,
> 
> The problem is the 87 is opaque. Therefore one has to screw it on, and then screw it off. With the inexpensive Lee system (Not the standard holder with adapter rings) you slip the filter in and slip it off. The holder is attached to teh camera lens with rubber bands.
> 
> B&H Photo lists it as....
> The Gel Snap is Lee's easy and affordable filter holder. Simply insert your 4 x 4" filter, snap it shut, and "snap" it on to any lens 82mm or smaller using the included "Elastomeric Tension Device", also known as an "E.T.D.", i.e, rubber band.
> 
> This kit consists of the Lee Gel Snap and some 3 x 3" cardboard gel frames (with a 4 x 4" outer size). $37.95
> 
> Lee 87 4"x4" Polyester Filter......$37.95
> 
> 
> 
> 
> 
> Mike
> 
>   ----- Original Message -----
>   From: Jerry Olson
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Sunday, January 20, 2002 3:09 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   Hi Diane,
> 
>   The tiffen filter 87  is selling for $115, which is still terribly
>   expensive, but at least It's within range of affordability. The bigger
>   sizes are much more expensive than the smaller ones.
> 
>   Jerry
> 
>   Diane Fields wrote:
>   >
>   > He's crazy as a bedbug LOL.  Go to one of the filter sites online--they are somewhere between 45 and 65 most of the time depending upon the size as I remember.  Do you honestly think I'd pay that --not on your life.
>   >
>   >  Try the Filter Connection http://www.2filter.com/  no shipping over $50
>   >
>   > Its 35.81 for G1 and 65.82 for the E10
>   > Diane
>   > ----------
>   > Diane B. Fields
>   > picnic@...
>   > photo site    http://www.pbase.com/picnic
>   >   ----- Original Message -----
>   >   From: Jerry Olson
>   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   >   Sent: Saturday, January 19, 2002 7:46 PM
>   >   Subject: Re: [Digital BW] Re: Shooting Digitally
>   >
>   >   Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
>   >   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
>   >
>   >   PLEASE tell me this salesman's villiage is missing their idiot!  Surely
>   >   the price is not that much. I would NEVER pay that much for any filter!
>   >
>   >   Jerry
>   >
>   >   Diane Fields wrote:
>   >   >
>   >   > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
>   >   >
>   >
>   >   Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
>   >
>   >   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
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>   >
>   > [Non-text portions of this message have been removed]
>   >
>   >
>   > Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
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Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Michael Kravit

Jerry,

I had Calumet order it. It is a 4x4 Polyester with the plastic holder. Lee makes a holder that is very inexpensive and attaches to any lens w/ rubber bands.

Mike
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Sunday, January 20, 2002 3:10 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Mike, the tiffen 87 is $115. (size 72mm). Where did you get yours?

  Jerry

  Michael Kravit wrote:
  > 
  > Jerry,
  > 
  > I paid $37 for the Lee 87.
  > 
  > Mike
  >

  Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:

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[Non-text portions of this message have been removed]

[Digital BW] Re: Filters, was, Shooting Digitally

2002-01-20 by marktuckerdotcom

I also own a more professional version of a Lee Pro Shade for 
my Fuji GX680. It's solid as a rock. It accepts 4" "hard" filters; not 
the thin ones from Kodak. 

The way it's designed, you just buy retaining rings for each of 
your lenses, and then the ProShade has this simple yet 
firm-gripping little metal spring-loaded post that holds it to each 
retaining ring. It goes off and on each lens in literally three 
seconds. The shade itself is bellows-style, like a view camera; in 
and out.

The only drag is that on some lenses, the outer ring diameter of 
the retaining ring is larger than the lens itself, so the old lens 
caps don't fit any longer. My solution to that was to order a bunch 
of 95mm Hasselblad caps that go on the 40mm, and then put 
layers of duct tape inside the Hasselblad lens cap to get them to 
fit each lens.

But the Lee thing rocks. It might be overkill for some cameras, 
but for medium format and larger, it can't be beat. Much more 
macho than the Hasselblad proshade.

I use #25 reds, not the 87. It's about three stops.

I bought the Lee System at Samy's in LA; http://www.samys.com/.

-Mark Tucker

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Michael Kravit

Jerry,

The problem is the 87 is opaque. Therefore one has to screw it on, and then screw it off. With the inexpensive Lee system (Not the standard holder with adapter rings) you slip the filter in and slip it off. The holder is attached to teh camera lens with rubber bands.

B&H Photo lists it as....
The Gel Snap is Lee's easy and affordable filter holder. Simply insert your 4 x 4" filter, snap it shut, and "snap" it on to any lens 82mm or smaller using the included "Elastomeric Tension Device", also known as an "E.T.D.", i.e, rubber band. 

This kit consists of the Lee Gel Snap and some 3 x 3" cardboard gel frames (with a 4 x 4" outer size). $37.95

Lee 87 4"x4" Polyester Filter......$37.95




           
        
     


Mike
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Sunday, January 20, 2002 3:09 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Hi Diane,

  The tiffen filter 87  is selling for $115, which is still terribly
  expensive, but at least It's within range of affordability. The bigger
  sizes are much more expensive than the smaller ones.

  Jerry




  Diane Fields wrote:
  > 
  > He's crazy as a bedbug LOL.  Go to one of the filter sites online--they are somewhere between 45 and 65 most of the time depending upon the size as I remember.  Do you honestly think I'd pay that --not on your life.
  > 
  >  Try the Filter Connection http://www.2filter.com/  no shipping over $50
  > 
  > Its 35.81 for G1 and 65.82 for the E10
  > Diane
  > ----------
  > Diane B. Fields
  > picnic@...
  > photo site    http://www.pbase.com/picnic
  >   ----- Original Message -----
  >   From: Jerry Olson
  >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >   Sent: Saturday, January 19, 2002 7:46 PM
  >   Subject: Re: [Digital BW] Re: Shooting Digitally
  > 
  >   Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
  >   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
  > 
  >   PLEASE tell me this salesman's villiage is missing their idiot!  Surely
  >   the price is not that much. I would NEVER pay that much for any filter!
  > 
  >   Jerry
  > 
  >   Diane Fields wrote:
  >   >
  >   > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
  >   >
  > 
  >   Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
  > 
  >   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  > 
  >   Please follow these basic guidelines:
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  > [Non-text portions of this message have been removed]
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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Michael Kravit

Jerry,

Yup, you but the filter holder $37.95 and the filter $37.00. You place the polyester filter (nicer than gel, you can clean them) in the frame, then place the fram in the holder. You just snap this thing onto your lens with rubberbands. You only need one device and it will fit all your cameras and lenses.

Mike
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Sunday, January 20, 2002 3:55 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Thanks Mike, This is SO much better than the screw ins. Is that all you
  need, the filter and the holder? Nothing to screw into the 72mm Lens?  

  Love that terminology! Elastomeric Tension Device! :)

  Jerry

  Michael Kravit wrote:
  > 
  > Jerry,
  > 
  > The problem is the 87 is opaque. Therefore one has to screw it on, and then screw it off. With the inexpensive Lee system (Not the standard holder with adapter rings) you slip the filter in and slip it off. The holder is attached to teh camera lens with rubber bands.
  > 
  > B&H Photo lists it as....
  > The Gel Snap is Lee's easy and affordable filter holder. Simply insert your 4 x 4" filter, snap it shut, and "snap" it on to any lens 82mm or smaller using the included "Elastomeric Tension Device", also known as an "E.T.D.", i.e, rubber band.
  > 
  > This kit consists of the Lee Gel Snap and some 3 x 3" cardboard gel frames (with a 4 x 4" outer size). $37.95
  > 
  > Lee 87 4"x4" Polyester Filter......$37.95
  > 
  > 
  > 
  > 
  > 
  > Mike
  > 
  >   ----- Original Message -----
  >   From: Jerry Olson
  >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >   Sent: Sunday, January 20, 2002 3:09 PM
  >   Subject: Re: [Digital BW] Re: Shooting Digitally
  > 
  >   Hi Diane,
  > 
  >   The tiffen filter 87  is selling for $115, which is still terribly
  >   expensive, but at least It's within range of affordability. The bigger
  >   sizes are much more expensive than the smaller ones.
  > 
  >   Jerry
  > 
  >   Diane Fields wrote:
  >   >
  >   > He's crazy as a bedbug LOL.  Go to one of the filter sites online--they are somewhere between 45 and 65 most of the time depending upon the size as I remember.  Do you honestly think I'd pay that --not on your life.
  >   >
  >   >  Try the Filter Connection http://www.2filter.com/  no shipping over $50
  >   >
  >   > Its 35.81 for G1 and 65.82 for the E10
  >   > Diane
  >   > ----------
  >   > Diane B. Fields
  >   > picnic@...
  >   > photo site    http://www.pbase.com/picnic
  >   >   ----- Original Message -----
  >   >   From: Jerry Olson
  >   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >   >   Sent: Saturday, January 19, 2002 7:46 PM
  >   >   Subject: Re: [Digital BW] Re: Shooting Digitally
  >   >
  >   >   Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
  >   >   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
  >   >
  >   >   PLEASE tell me this salesman's villiage is missing their idiot!  Surely
  >   >   the price is not that much. I would NEVER pay that much for any filter!
  >   >
  >   >   Jerry
  >   >
  >   >   Diane Fields wrote:
  >   >   >
  >   >   > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
  >   >   >
  >   >
  >   >   Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
  >   >
  >   >   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
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  >   >   Please follow these basic guidelines:
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  >   > [Non-text portions of this message have been removed]
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Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by shashinka@aol.com

Here's a nice picture of the Lee Gel snap thing:

http://www.shutterbug.net/archives/story.cfm?StoryID=71

Thanks for the info:

Andy Darlow

Photography, Digital Print Consulting and Custom Editions
Andrew Darlow Images International
www.andydarlow.com
Author: Inkjet Tip of the Month Club (newsletter) 
To subscribe, send e-mail to: Inkjettips-subscribe@yahoogroups.com

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Moreno Polloni

> I'll call Calumet and see what they have tomorrow. I believe they sell
> Lee Filters, no? If not, where did you get yours?

I got mine from B&H. I think their prices were better at the time and they
had stock. With the Lee filters, you can get acetate-gel type filters or the
hard resin type. The acetate ones are less expensive, of course, but they
are more delicate and you must be very gentle when cleaning them. Lee sells
plastic snap-together frames for the acetate filters, which makes them
usable in filterholders.

Re: [Digital BW] Re: Shooting Digitally

2002-01-20 by Diane Fields

That sounds good to me.  Who knows how much you would use it and if you would even like doing IR.

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Sunday, January 20, 2002 4:55 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Thanks Mike, This is SO much better than the screw ins. Is that all you
  need, the filter and the holder? Nothing to screw into the 72mm Lens?  




[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Jerry Olson

Thanks Mike, Will order one tomorrow!

Jerry 

I still can't get over the $358 Hoya!!!!





Michael Kravit wrote:
Show quoted textHide quoted text
> 
> Jerry,
> 
> Yup, you but the filter holder $37.95 and the filter $37.00. You place the polyester filter (nicer than gel, you can clean them) in the frame, then place the fram in the holder. You just snap this thing onto your lens with rubberbands. You only need one device and it will fit all your cameras and lenses.
> 
> Mike
>   ----- Original Message -----
>   From: Jerry Olson
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Sunday, January 20, 2002 3:55 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   Thanks Mike, This is SO much better than the screw ins. Is that all you
>   need, the filter and the holder? Nothing to screw into the 72mm Lens?
> 
>   Love that terminology! Elastomeric Tension Device! :)
> 
>   Jerry
> 
>   Michael Kravit wrote:
>   >
>   > Jerry,
>   >
>   > The problem is the 87 is opaque. Therefore one has to screw it on, and then screw it off. With the inexpensive Lee system (Not the standard holder with adapter rings) you slip the filter in and slip it off. The holder is attached to teh camera lens with rubber bands.
>   >
>   > B&H Photo lists it as....
>   > The Gel Snap is Lee's easy and affordable filter holder. Simply insert your 4 x 4" filter, snap it shut, and "snap" it on to any lens 82mm or smaller using the included "Elastomeric Tension Device", also known as an "E.T.D.", i.e, rubber band.
>   >
>   > This kit consists of the Lee Gel Snap and some 3 x 3" cardboard gel frames (with a 4 x 4" outer size). $37.95
>   >
>   > Lee 87 4"x4" Polyester Filter......$37.95
>   >
>   >
>   >
>   >
>   >
>   > Mike
>   >
>   >   ----- Original Message -----
>   >   From: Jerry Olson
>   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   >   Sent: Sunday, January 20, 2002 3:09 PM
>   >   Subject: Re: [Digital BW] Re: Shooting Digitally
>   >
>   >   Hi Diane,
>   >
>   >   The tiffen filter 87  is selling for $115, which is still terribly
>   >   expensive, but at least It's within range of affordability. The bigger
>   >   sizes are much more expensive than the smaller ones.
>   >
>   >   Jerry
>   >
>   >   Diane Fields wrote:
>   >   >
>   >   > He's crazy as a bedbug LOL.  Go to one of the filter sites online--they are somewhere between 45 and 65 most of the time depending upon the size as I remember.  Do you honestly think I'd pay that --not on your life.
>   >   >
>   >   >  Try the Filter Connection http://www.2filter.com/  no shipping over $50
>   >   >
>   >   > Its 35.81 for G1 and 65.82 for the E10
>   >   > Diane
>   >   > ----------
>   >   > Diane B. Fields
>   >   > picnic@...
>   >   > photo site    http://www.pbase.com/picnic
>   >   >   ----- Original Message -----
>   >   >   From: Jerry Olson
>   >   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   >   >   Sent: Saturday, January 19, 2002 7:46 PM
>   >   >   Subject: Re: [Digital BW] Re: Shooting Digitally
>   >   >
>   >   >   Hi Dianne, I just called and asked the price of a Hoya R72 filter. They
>   >   >   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
>   >   >
>   >   >   PLEASE tell me this salesman's villiage is missing their idiot!  Surely
>   >   >   the price is not that much. I would NEVER pay that much for any filter!
>   >   >
>   >   >   Jerry
>   >   >
>   >   >   Diane Fields wrote:
>   >   >   >
>   >   >   > Just thought I'd throw in some links to my IR gallery--99% shot with the G1/Hoyra R72, but I do process often in duotones.  I now use an E10 with Hoya R72 also.
>   >   >   >
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Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Jerry Olson

Diane, I think I'll really like infrared. I used to do it many years ago
with the kodak film but was always so disappointed in the grain and
unsharpness. From the few digital samples I've seen that people on these
lists have sent, they blow away anything I could do with the 35mm film.
Sharper, and grainless, too!!!

I don't suppose I can do much infrared in the winter time up here, in
the snow. Unless the evergreen trees come out white. THAT could be interesting!

When using digital infra red, do you still have to change the focus like
with film cameras?

Jerry




Diane Fields wrote:
Show quoted textHide quoted text
> 
> That sounds good to me.  Who knows how much you would use it and if you would even like doing IR.
> 
> Diane
> ----------
> Diane B. Fields
> picnic@...
> photo site    http://www.pbase.com/picnic
>   ----- Original Message -----
>   From: Jerry Olson
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Sunday, January 20, 2002 4:55 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   Thanks Mike, This is SO much better than the screw ins. Is that all you
>   need, the filter and the holder? Nothing to screw into the 72mm Lens?
> 
> [Non-text portions of this message have been removed]
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
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Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Diane Fields

There is a site where the IR shots were taken of mountain tops with snow.   It was a demo site--I'll see if I can find it.  If you have decent sun, I'd try it.

I'd experiment with the focus.  I can't remember what  digicam you are using.

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Sunday, January 20, 2002 7:12 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Diane, I think I'll really like infrared. I used to do it many years ago
  with the kodak film but was always so disappointed in the grain and
  unsharpness. From the few digital samples I've seen that people on these
  lists have sent, they blow away anything I could do with the 35mm film.
  Sharper, and grainless, too!!!

  I don't suppose I can do much infrared in the winter time up here, in
  the snow. Unless the evergreen trees come out white. THAT could be interesting!

  When using digital infra red, do you still have to change the focus like
  with film cameras?

  Jerry




  Diane Fields wrote:
  > 
  > That sounds good to me.  Who knows how much you would use it and if you would even like doing IR.
  > 
  > Diane
  > ----------
  > Diane B. Fields
  > picnic@...
  > photo site    http://www.pbase.com/picnic
  >   ----- Original Message -----
  >   From: Jerry Olson
  >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >   Sent: Sunday, January 20, 2002 4:55 PM
  >   Subject: Re: [Digital BW] Re: Shooting Digitally
  > 
  >   Thanks Mike, This is SO much better than the screw ins. Is that all you
  >   need, the filter and the holder? Nothing to screw into the 72mm Lens?
  > 
  > [Non-text portions of this message have been removed]
  > 
  > Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
  > 
  > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  > 
  > Please follow these basic guidelines:
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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Carl Schofield

Diane, this may be the page you were looking for.  I believe Jerry is also
using a D30.
http://www.xmission.com/~roybaty/pageone.html
Show quoted textHide quoted text
From: "Diane Fields" <picnic@...>
Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
Date: Sun, 20 Jan 2002 20:06:45 -0500
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Subject: Re: [Digital BW] Re: Shooting Digitally


There is a site where the IR shots were taken of mountain tops with snow.
It was a demo site--I'll see if I can find it.  If you have decent sun, I'd
try it.

I'd experiment with the focus.  I can't remember what  digicam you are
using.

Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
 ----- Original Message -----
 From: Jerry Olson 
 To: DigitalBlackandWhiteThePrint@yahoogroups.com
 Sent: Sunday, January 20, 2002 7:12 PM
 Subject: Re: [Digital BW] Re: Shooting Digitally


 Diane, I think I'll really like infrared. I used to do it many years ago
 with the kodak film but was always so disappointed in the grain and
 unsharpness. From the few digital samples I've seen that people on these
 lists have sent, they blow away anything I could do with the 35mm film.
 Sharper, and grainless, too!!!

 I don't suppose I can do much infrared in the winter time up here, in
 the snow. Unless the evergreen trees come out white. THAT could be
interesting!

 When using digital infra red, do you still have to change the focus like
 with film cameras?

 Jerry




 Diane Fields wrote:
 > 
 > That sounds good to me.  Who knows how much you would use it and if you
would even like doing IR.
 > 
 > Diane
 > ----------
 > Diane B. Fields
 > picnic@...
 > photo site    http://www.pbase.com/picnic
 >   ----- Original Message -----
 >   From: Jerry Olson
 >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
 >   Sent: Sunday, January 20, 2002 4:55 PM
 >   Subject: Re: [Digital BW] Re: Shooting Digitally
 > 
 >   Thanks Mike, This is SO much better than the screw ins. Is that all you
 >   need, the filter and the holder? Nothing to screw into the 72mm Lens?
 > 
 > [Non-text portions of this message have been removed]
 > 
 > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
 > 
 > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
 > 
 > Please follow these basic guidelines:
 > - Include your full name with your message.
 > - Include the address of your website, if you have one.
 > - As threads develop, trim off excess portions of earlier messages to
keep them short.
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 > 
 > 
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Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Derek Clarke

Let's get this straight - It's not film that you're spoiled with but that 
drum scanner!

My shooting style isn't compatible with medium format let alone 4x5, but if I 
had access to say a 16000dpi scanner for 35mm, AND the film and lenses could 
cope, then I too would be a digital knocker.

Alternatively, would anyone like to put me together a 4x5 , 2000mm lens and a 
motor drive for $2000? :-) 
Show quoted textHide quoted text
On Friday 18 Jan 2002 5:46 pm, mkravit wrote:
> Larry,
>
> I think the point is...I am spoiled with film. I shoot T-Max 100 4x5
> and scan it on  Howtek D4000 drum scanner up to 4000 dpi. I find
> myself comparing the images from my Nikon D1x and this is not really
> fair.
>
> BTW, I have used Pyro for over 6 years and find that it has no great
> advantage with T-Max 100 as the staining is minimal. Now soup it with
> Tri-X and you have a whole different puppy.
>
> Mike
>
>
> --- In DigitalBlackandWhiteThePrint@y..., "riskdr8138"
>
> <L.PIRRONE@A...> wrote:
> > --- In DigitalBlackandWhiteThePrint@y..., Derek Clarke
>
> <derek_c@c...>
>
> > wrote:
> > > What dpi did you scan that 4x5 at?
> > >
> > > On Friday 18 Jan 2002 12:44 am, Michael Kravit wrote:
> > > > Jerry,
> > > >
> > > > I think tha visually you are seeing an image that looks like
> >
> > film, but in
> >
> > > > reality the camera would need to approach 16 megapixels to
> >
> > resolve the
> >
> > > > finest films today.
> > > >
> > > > For example, I recently shot an image in a Charleston Cemetary
>
> on
>
> > 4x5 T-Max
> >
> > > > 100. In the distance, oh perhaps 2 miles away is what looks
>
> like
>
> > a 6 story
> >
> > > > office building. I can zoom in on my scan and see a guy sitting
> >
> > at his desk
> >
> > > > on the top floor.
> >
> > can i chime in here. i have been using 4x5 for all of my photograph
> > for about 10 years. when i went digital for printing (epson 1200,
>
> mis
>
> > cfs system) i aquired a heidleberg saphir ultra ii. i scan my 4x5
>
> negs
>
> > at 1200 dpi. this gives me a 300 dpi output on at a 16x20 print
>
> size.
>
> > of course i can only print 13x19. my prints are VERY sharp. the
> > heidleberg flatbed is supperb. of course you could not use it for
> > 35mm, but i have made nice prints to 12x17 from 2 1/4 negs using
> > genuine fractiles.
> >
> > i shoot large format conventional black and white and infrared. i
> > develop these negs 9including the infrared in PMK which is a
>
> staining
>
> > developer.
> >
> > larry pirrone
> >
> >  D30 or D1x.
> >
> > > > Mike
>
>
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Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Jerry Olson

Hi Diane, I'm using the Canon D30. I'm ordering the filter today, and am
wondering how it will handle evergreen trees in the snow? That might be
beautiful. Nearly white trees, white snow and a black sky.

Jerry



Diane Fields wrote:
Show quoted textHide quoted text
> 
> There is a site where the IR shots were taken of mountain tops with snow.   It was a demo site--I'll see if I can find it.  If you have decent sun, I'd try it.
> 
> I'd experiment with the focus.  I can't remember what  digicam you are using.
>

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Jerry Olson

Thanks Carl!

That is a weird image, but it does show that the evergreens do go quite
light. We don't have mountains, but do have a lot of snow. It might be
best to take a normal image at the same time for the snow. The straight
infrared picture seems to show snow as a negative. Nice black sky.

Jerry






Carl Schofield wrote:
Show quoted textHide quoted text
> 
> Diane, this may be the page you were looking for.  I believe Jerry is also
> using a D30.
> http://www.xmission.com/~roybaty/pageone.html
> 
> From: "Diane Fields" <picnic@...>
> Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Date: Sun, 20 Jan 2002 20:06:45 -0500
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: Re: [Digital BW] Re: Shooting Digitally
> 
> There is a site where the IR shots were taken of mountain tops with snow.
> It was a demo site--I'll see if I can find it.  If you have decent sun, I'd
> try it.
> 
> I'd experiment with the focus.  I can't remember what  digicam you are
> using.
> 
> Diane
> ----------
> Diane B. Fields
> picnic@...
> photo site    http://www.pbase.com/picnic
>  ----- Original Message -----
>  From: Jerry Olson
>  To: DigitalBlackandWhiteThePrint@yahoogroups.com
>  Sent: Sunday, January 20, 2002 7:12 PM
>  Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>  Diane, I think I'll really like infrared. I used to do it many years ago
>  with the kodak film but was always so disappointed in the grain and
>  unsharpness. From the few digital samples I've seen that people on these
>  lists have sent, they blow away anything I could do with the 35mm film.
>  Sharper, and grainless, too!!!
> 
>  I don't suppose I can do much infrared in the winter time up here, in
>  the snow. Unless the evergreen trees come out white. THAT could be
> interesting!
> 
>  When using digital infra red, do you still have to change the focus like
>  with film cameras?
> 
>  Jerry
> 
>  Diane Fields wrote:
>  >
>  > That sounds good to me.  Who knows how much you would use it and if you
> would even like doing IR.
>  >
>  > Diane
>  > ----------
>  > Diane B. Fields
>  > picnic@...
>  > photo site    http://www.pbase.com/picnic
>  >   ----- Original Message -----
>  >   From: Jerry Olson
>  >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>  >   Sent: Sunday, January 20, 2002 4:55 PM
>  >   Subject: Re: [Digital BW] Re: Shooting Digitally
>  >
>  >   Thanks Mike, This is SO much better than the screw ins. Is that all you
>  >   need, the filter and the holder? Nothing to screw into the 72mm Lens?
>  >
>  > [Non-text portions of this message have been removed]
>  >
>  > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
>  >
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Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Diane Fields

Not sure about the trees.  Evergreens here in the south do not usually register white.  Worth a try though and will look forward to seeing it.  

Nice camera *smile*.
Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Monday, January 21, 2002 12:38 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Hi Diane, I'm using the Canon D30. I'm ordering the filter today, and am
  wondering how it will handle evergreen trees in the snow? That might be
  beautiful. Nearly white trees, white snow and a black sky.

  Jerry



  Diane Fields wrote:
  > 
  > There is a site where the IR shots were taken of mountain tops with snow.   It was a demo site--I'll see if I can find it.  If you have decent sun, I'd try it.
  > 
  > I'd experiment with the focus.  I can't remember what  digicam you are using.
  >

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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by SKID Photography

T-Max is not a chromogenic film.  It is a true silver based b&w film, and
contains no dyes that can fade.

Harvey Ferdschneider
partner, SKID Photography

Derek Clarke wrote:

>  Of course modern chromogenic mono films like T-Max are colour films in
> disguise and have no better archive life than colour.
>
> And don't resin-coated papers also have shorter lifetimes?
>
> Back to that printer chiselling away at the granite slab idea...
>
> On Friday 18 Jan 2002 10:33 pm, Bruce Kinch wrote:
> > >David Hemmings, wasn't it?  One of my all time favourite movies.
> > >Casts the B&W photographer as a hero.  I like that in a movie :-)
> >
> > Especially since the color prints I've seen of late have faded
> > dramatically. And in a film where director Antonioni went around
> > repainting everything just so, including the grass in the park:-)
> >
> > Bruce
>





[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Todd Flashner

on 1/21/02 12:38 PM, Jerry Olson wrote:

> Hi Diane, I'm using the Canon D30. I'm ordering the filter today, and am
> wondering how it will handle evergreen trees in the snow? That might be
> beautiful. Nearly white trees, white snow and a black sky.

In my experience with Kodak and Konica infrared films, evergreen trees emit
much less infrared radiation than deciduous trees. They might be a bit
brighter than on regular BW film, but not white like your leaf droppers.

But then I usually use an orange filter, as I don't go for an intense
effect, and that's with film, so YMMV.

Todd

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Diane Fields

Jerry, here is a link to one I took here in the Blue Ridge, western NC.  This was taken with Canon G1/Hoya R72.  The dark trees are everygreen/spruce and the light ones are hardwoods.  This was taken on a fairly sunny day in mid summer.
http://www.pbase.com/image/246095


Diane
----------
Diane B. Fields
picnic@...
photo site    http://www.pbase.com/picnic
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Jerry Olson 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Monday, January 21, 2002 12:42 PM
  Subject: Re: [Digital BW] Re: Shooting Digitally


  Thanks Carl!

  That is a weird image, but it does show that the evergreens do go quite
  light. We don't have mountains, but do have a lot of snow. It might be
  best to take a normal image at the same time for the snow. The straight
  infrared picture seems to show snow as a negative. Nice black sky.

  Jerry




[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-21 by Jerry Olson

I can hardly wait to get my filter!

Jerry





Diane Fields wrote:
Show quoted textHide quoted text
> 
> Jerry, here is a link to one I took here in the Blue Ridge, western NC.  This was taken with Canon G1/Hoya R72.  The dark trees are everygreen/spruce and the light ones are hardwoods.  This was taken on a fairly sunny day in mid summer.
> http://www.pbase.com/image/246095
> 
> Diane

RE: [Digital BW] Re: Shooting Digitally

2002-01-22 by R.P.de Graaff

I only found the Lee's Gel Snap Filters on the USA website  Nothing
mentioned on the UK sites of Lee.
 
Does anybody know if they can be puchased in Europe?
 
Did anybody found what the Tri-Color Red, No. 25  IR Filters mean?
 
remko
Show quoted textHide quoted text
-----Original Message-----
From:
sentto-3702311-8068-1011563831-degraaff=compuserve.com@...
hoo.com
[mailto:sentto-3702311-8068-1011563831-degraaff=compuserve.com@returns.g
roups.yahoo.com] On Behalf Of Jerry Olson
Sent: zondag 20 januari 2002 22:55
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: Shooting Digitally


Thanks Mike, This is SO much better than the screw ins. Is that all you
need, the filter and the holder? Nothing to screw into the 72mm Lens?  

Love that terminology! Elastomeric Tension Device! :)

Jerry

Michael Kravit wrote:
> 
> Jerry,
> 
> The problem is the 87 is opaque. Therefore one has to screw it on, and
then screw it off. With the inexpensive Lee system (Not the standard
holder with adapter rings) you slip the filter in and slip it off. The
holder is attached to teh camera lens with rubber bands.
> 
> B&H Photo lists it as....
> The Gel Snap is Lee's easy and affordable filter holder. Simply insert
your 4 x 4" filter, snap it shut, and "snap" it on to any lens 82mm or
smaller using the included "Elastomeric Tension Device", also known as
an "E.T.D.", i.e, rubber band.
> 
> This kit consists of the Lee Gel Snap and some 3 x 3" cardboard gel
frames (with a 4 x 4" outer size). $37.95
> 
> Lee 87 4"x4" Polyester Filter......$37.95
> 
> 
> 
> 
> 
> Mike
> 
>   ----- Original Message -----
>   From: Jerry Olson
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Sunday, January 20, 2002 3:09 PM
>   Subject: Re: [Digital BW] Re: Shooting Digitally
> 
>   Hi Diane,
> 
>   The tiffen filter 87  is selling for $115, which is still terribly
>   expensive, but at least It's within range of affordability. The
bigger
>   sizes are much more expensive than the smaller ones.
> 
>   Jerry
> 
>   Diane Fields wrote:
>   >
>   > He's crazy as a bedbug LOL.  Go to one of the filter sites
online--they are somewhere between 45 and 65 most of the time depending
upon the size as I remember.  Do you honestly think I'd pay that --not
on your life.
>   >
>   >  Try the Filter Connection http://www.2filter.com/  no shipping
over $50
>   >
>   > Its 35.81 for G1 and 65.82 for the E10
>   > Diane
>   > ----------
>   > Diane B. Fields
>   > picnic@...
>   > photo site    http://www.pbase.com/picnic
>   >   ----- Original Message -----
>   >   From: Jerry Olson
>   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   >   Sent: Saturday, January 19, 2002 7:46 PM
>   >   Subject: Re: [Digital BW] Re: Shooting Digitally
>   >
>   >   Hi Dianne, I just called and asked the price of a Hoya R72
filter. They
>   >   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
>   >
>   >   PLEASE tell me this salesman's villiage is missing their idiot!
Surely
>   >   the price is not that much. I would NEVER pay that much for any
filter!
>   >
>   >   Jerry
>   >
>   >   Diane Fields wrote:
>   >   >
>   >   > Just thought I'd throw in some links to my IR gallery--99%
shot with the G1/Hoyra R72, but I do process often in duotones.  I now
use an E10 with Hoya R72 also.
>   >   >
>   >
>   >   Please visit the Group Homepage to check the Files, Bookmarks,
Polls and other resources as they are often being updated. The page is
at:
>   >
>   >   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>   >
>   >   Please follow these basic guidelines:
>   >   - Include your full name with your message.
>   >   - Include the address of your website, if you have one.
>   >   - As threads develop, trim off excess portions of earlier
messages to keep them short.
>   >   - As the topic of a thread changes remember to change the
subject header.
>   >   - Good manners are required at all time. No personal attacks or
"flames."
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various resources on the homepage.
>   >
>   >   Your use of Yahoo! Groups is subject to the Yahoo! Terms of
Service.
>   >
>   > [Non-text portions of this message have been removed]
>   >
>   >
>   > Please visit the Group Homepage to check the Files, Bookmarks,
Polls and other resources as they are often being updated. The page is
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>   >
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> 
> 
> 
> 
>   Please visit the Group Homepage to check the Files, Bookmarks, Polls
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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Shooting Digitally

2002-01-22 by Derek Clarke

I bought the Lee polyester IR filter and holder from Speed graphic - 
www.speedgraphic.co.uk, although a UK pages search on www.google.co.uk brings 
up quite a few other suppliers.
Show quoted textHide quoted text
On Tuesday 22 Jan 2002 9:33 am, R.P.de Graaff wrote:
> I only found the Lee's Gel Snap Filters on the USA website  Nothing
> mentioned on the UK sites of Lee.
>
> Does anybody know if they can be puchased in Europe?
>
> Did anybody found what the Tri-Color Red, No. 25  IR Filters mean?
>
> remko
>
> -----Original Message-----
> From:
> sentto-3702311-8068-1011563831-degraaff=compuserve.com@...
> hoo.com
> [mailto:sentto-3702311-8068-1011563831-degraaff=compuserve.com@returns.g
> roups.yahoo.com] On Behalf Of Jerry Olson
> Sent: zondag 20 januari 2002 22:55
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Re: Shooting Digitally
>
>
> Thanks Mike, This is SO much better than the screw ins. Is that all you
> need, the filter and the holder? Nothing to screw into the 72mm Lens?
>
> Love that terminology! Elastomeric Tension Device! :)
>
> Jerry
>
> Michael Kravit wrote:
> > Jerry,
> >
> > The problem is the 87 is opaque. Therefore one has to screw it on, and
>
> then screw it off. With the inexpensive Lee system (Not the standard
> holder with adapter rings) you slip the filter in and slip it off. The
> holder is attached to teh camera lens with rubber bands.
>
> > B&H Photo lists it as....
> > The Gel Snap is Lee's easy and affordable filter holder. Simply insert
>
> your 4 x 4" filter, snap it shut, and "snap" it on to any lens 82mm or
> smaller using the included "Elastomeric Tension Device", also known as
> an "E.T.D.", i.e, rubber band.
>
> > This kit consists of the Lee Gel Snap and some 3 x 3" cardboard gel
>
> frames (with a 4 x 4" outer size). $37.95
>
> > Lee 87 4"x4" Polyester Filter......$37.95
> >
> >
> >
> >
> >
> > Mike
> >
> >   ----- Original Message -----
> >   From: Jerry Olson
> >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
> >   Sent: Sunday, January 20, 2002 3:09 PM
> >   Subject: Re: [Digital BW] Re: Shooting Digitally
> >
> >   Hi Diane,
> >
> >   The tiffen filter 87  is selling for $115, which is still terribly
> >   expensive, but at least It's within range of affordability. The
>
> bigger
>
> >   sizes are much more expensive than the smaller ones.
> >
> >   Jerry
> >
> >   Diane Fields wrote:
> >   > He's crazy as a bedbug LOL.  Go to one of the filter sites
>
> online--they are somewhere between 45 and 65 most of the time depending
> upon the size as I remember.  Do you honestly think I'd pay that --not
> on your life.
>
> >   >  Try the Filter Connection http://www.2filter.com/  no shipping
>
> over $50
>
> >   > Its 35.81 for G1 and 65.82 for the E10
> >   > Diane
> >   > ----------
> >   > Diane B. Fields
> >   > picnic@...
> >   > photo site    http://www.pbase.com/picnic
> >   >   ----- Original Message -----
> >   >   From: Jerry Olson
> >   >   To: DigitalBlackandWhiteThePrint@yahoogroups.com
> >   >   Sent: Saturday, January 19, 2002 7:46 PM
> >   >   Subject: Re: [Digital BW] Re: Shooting Digitally
> >   >
> >   >   Hi Dianne, I just called and asked the price of a Hoya R72
>
> filter. They
>
> >   >   quoted $350!!!! Thats THREE HUNDRED and FIFTY dollars.
> >   >
> >   >   PLEASE tell me this salesman's villiage is missing their idiot!
>
> Surely
>
> >   >   the price is not that much. I would NEVER pay that much for any
>
> filter!
>
> >   >   Jerry
> >   >
> >   >   Diane Fields wrote:
> >   >   > Just thought I'd throw in some links to my IR gallery--99%
>
> shot with the G1/Hoyra R72, but I do process often in duotones.  I now
> use an E10 with Hoya R72 also.
>
> >   >   Please visit the Group Homepage to check the Files, Bookmarks,
>
> Polls and other resources as they are often being updated. The page is
>
> at:
> >   >   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >   >
> >   >   Please follow these basic guidelines:
> >   >   - Include your full name with your message.
> >   >   - Include the address of your website, if you have one.
> >   >   - As threads develop, trim off excess portions of earlier
>
> messages to keep them short.
>
> >   >   - As the topic of a thread changes remember to change the
>
> subject header.
>
> >   >   - Good manners are required at all time. No personal attacks or
>
> "flames."
>
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>
> various resources on the homepage.
>
> >   >   Your use of Yahoo! Groups is subject to the Yahoo! Terms of
>
> Service.
>
> >   > [Non-text portions of this message have been removed]
> >   >
> >   >
> >   > Please visit the Group Homepage to check the Files, Bookmarks,
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Re: [Digital BW] Re: Shooting Digitally

2002-01-22 by Derek Clarke

Oops!

I was obviously thinking of T400, although there was a chromogenic Kodak film 
with a snappy name rather than a number once that I've clearly forgotten 
about...
Show quoted textHide quoted text
On Monday 21 Jan 2002 5:50 pm, SKID Photography wrote:
> T-Max is not a chromogenic film.  It is a true silver based b&w film, and
> contains no dyes that can fade.
>
> Harvey Ferdschneider
> partner, SKID Photography
>
> Derek Clarke wrote:
> >  Of course modern chromogenic mono films like T-Max are colour films in
> > disguise and have no better archive life than colour.
> >
> > And don't resin-coated papers also have shorter lifetimes?
> >
> > Back to that printer chiselling away at the granite slab idea...
> >
> > On Friday 18 Jan 2002 10:33 pm, Bruce Kinch wrote:
> > > >David Hemmings, wasn't it?  One of my all time favourite movies.
> > > >Casts the B&W photographer as a hero.  I like that in a movie :-)
> > >
> > > Especially since the color prints I've seen of late have faded
> > > dramatically. And in a film where director Antonioni went around
> > > repainting everything just so, including the grass in the park:-)
> > >
> > > Bruce
>
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[Digital BW] Re: Shooting Digitally

2002-01-22 by mkravit

--- In DigitalBlackandWhiteThePrint@y..., Derek Clarke <derek_c@c...> 
wrote:
> Oops!
> 
> I was obviously thinking of T400, although there was a chromogenic 
Kodak film 
> with a snappy name rather than a number once that I've clearly 
forgotten 
> about...

Kodak now sells a Portra version of it's film in B/W Chromogenic. I 
have not tried it as I have become a T-Max 100 junkie.

Mike

Shooting Digitally- Any comments on the Kodak 460?

2002-02-01 by Bill Morse

I'm considering buying the 460 used from a camera store-  Does anyone have
any experience with this camera, especially as to image quality, and any
ease of use issues given that it is an older design.  What won't it do that
the newer cameras will (albeit with fewer pixels).

Thanks

Bill Morse
PhotoProspect
Cambridge, MA 02139

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