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What's with MIS?

What's with MIS?

2007-08-15 by hflockwood

I started using MIS inks some years ago, converting an 1160 to CIS quadtones.  I happily 
made many, many beautiful prints with very few problems.  And when there was a problem, 
MIS responded quickly with the solution.

More recently I bought an R2400 with the idea of switching to MIS refillable cartridges.  (The 
1160 still chugs along after converting back to Epson inks.)  But after reading of all the 
problems people are having with MIS cartridges and MIS support, I'm having second 
thoughts.

I did buy MIS (non-refillable) cartidges to try with QTR (also purchased) to eliminate the 
yellow ink addition, but they have been sitting on a shelf for a month now.  For the near term 
I'll stick with the Epson UC inks.

The question in my mind is whether MIS is just going through a bad patch, or is there a more 
serious problem.

Comments appreciated, especially from MIS if they monitor this forum.

Harry

Re:What's with MIS?

2007-08-16 by arlenelove3@aol.com

Harry, you're not the only one wondering.
Right now I have 3 printers desktops  that refuse to recognize MIS  carts. 
This problem has been dragging on since May, when I replaced the  chips,  and 
tried changing from the CIS system to filled carts  for  the EZ b&w inks on a 
C86.  Now I have bottles of EZ and their  carts  plus pre-filled carts that are 
useless.The color carts in  the R220 are useless too. The printers do 
recognize Epson carts.Tech help by  e-mail since May has been awful - and I gave up  
in frustration for lack of  time. The SK  188 chip re-setter stopped working  
and - yes I put  in new batteries. 
 From the time   UT 7 inks were introduced for the 7600,  (about 4 years 
ago?) I've had NO problem using the CFS system  until now. (The clogs were always 
cleared up using the windex treatment and as a  last resort, a couple of  KK2 
cleanings). The inks and the curves set up by  Paul Roark worked perfectly.  
Phone tech is helpful if you ask for  Mark and he's been very accommodating in 
talking to my tech guy, but  I'm spending a fortune on new carts, fresh ink,  
and overnight  shipping, trying one thing after another to figure out why the 
#5 Lt  Cyan nozzle won't work.  My tech guy has taken everything apart,  
replaced dampers  & the nozzle is still not firing. At this  point we don't know if 
it's the ink or the printer. But MIS is now very  frustrating to work with, 
whereas in the past they were a joy. I already have so  much invested in their 
inks for my 5 printers, and I've never used any  other inks, so  it's scary to 
think of switching - and to  what?   
                                Arlene
 
_arlenelove3@..._ (mailto:arlenelove3@...) 
www.arlenelove.com



************************************** Get a sneak peek of the all-new AOL at 
http://discover.aol.com/memed/aolcom30tour


[Non-text portions of this message have been removed]

Re: What's with MIS?

2007-08-17 by djon43

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "hflockwood"
<hflockwood@...> wrote:
>
> I started using MIS inks some years ago, converting an 1160 t 
> More recently I bought an R2400 with the idea of switching to MIS
refillable cartridges.   

That doesn't seem logical to me. 2400 and 1150 are entirely different
concepts. 2400 is more technically demanding.  2400 is known for what
it can do with 2400 pigments.

I'm beginning to think it'd be smarter to use MIS inks only with an
ink machine, not with a pigment machine (ie not with 2400 or my 2200s).

> 
> I did buy MIS (non-refillable) cartidges to try with QTR ...to
eliminate the 
> yellow ink...

There's no yellow with QTR and OEM in a 2200 (don'tknow about 2400) if
you select a cool balance (eg with Entrada Natural profile)..and OEM
pigments make it  99.99999% reliable.

MIS UT7 with 2200 has proven  a serious hassle, though it can look
better than OEM/QTR with some papers...maybe. MIS is a lot better than
OEM if you work Black Only ...which doesn't make sense to me, given
the excellence of QTR with OEM. I'll persist (just a little bit more)
in using my MIS-dedicated machine if I can somehow beat the current
clog.

Re: [Digital BW] Re: What's with MIS?

2007-08-17 by Harry Lockwood

I¹m a bit confused by this message, djon.  The MIS inks I¹m referencing are
carbon pigments.  What doesn¹t make sense in using refillable cartridges,
with pigment inks, in the 2400?

With the 1160, I had no serious clogging issues when I printed frequently.
But when it sat for a time unused, it was sometimes a bear to unclog.
Finally, after a long period of inactivity the bear won, and I scrapped the
CIS system in favor of the 2400.  The 1160 now works fine with Epson inks.

Sorry if I missed your point.

Harry

[P.S. I¹m top posting because that seems to be an accepted norm in this
group.  In other forums, people go batty over top posting.]


On 8/16/07 8:34 PM, "djon43" <djon43@...> wrote:
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , "hflockwood"
> <hflockwood@...> wrote:
>> >
>> > I started using MIS inks some years ago, converting an 1160 t
>> > More recently I bought an R2400 with the idea of switching to MIS
> refillable cartridges.
> 
> That doesn't seem logical to me. 2400 and 1150 are entirely different
> concepts. 2400 is more technically demanding.  2400 is known for what
> it can do with 2400 pigments.
> 
> I'm beginning to think it'd be smarter to use MIS inks only with an
> ink machine, not with a pigment machine (ie not with 2400 or my 2200s).
> 
>> > 
>> > I did buy MIS (non-refillable) cartidges to try with QTR ...to
> eliminate the 
>> > yellow ink...
> 
> There's no yellow with QTR and OEM in a 2200 (don'tknow about 2400) if
> you select a cool balance (eg with Entrada Natural profile)..and OEM
> pigments make it  99.99999% reliable.
> 
> MIS UT7 with 2200 has proven  a serious hassle, though it can look
> better than OEM/QTR with some papers...maybe. MIS is a lot better than
> OEM if you work Black Only ...which doesn't make sense to me, given
> the excellence of QTR with OEM. I'll persist (just a little bit more)
> in using my MIS-dedicated machine if I can somehow beat the current
> clog.  


-- 

Harry F. Lockwood




[Non-text portions of this message have been removed]

[Digital BW] Re: What's with MIS?

2007-08-17 by djon43

Harry, I'm definitely no expert but I think the issue is that 
particles in MIS carbons (or anybody else's inks) are not as fine as
particles in Epson 2400 and 2200 OEM pigments. 

I think we're trying to run gravel through a hose. 

I hope somebody will correct this if I'm wrong.

John



--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Harry Lockwood
<hflockwood@...> wrote:
>
> I¹m a bit confused by this message, djon.  The MIS inks I¹m
referencing are
> carbon pigments.  What doesn¹t make sense in using refillable
cartridges,
Show quoted textHide quoted text
> with pigment inks, in the 2400?
> 
 
> 
> Sorry if I missed your point.
> 
> Harry
>

Re: [Digital BW] Re: What's with MIS?

2007-08-17 by Harry Lockwood

John,

Thanks for the warning, but I hope that’s not true.  I’m planning to replace
the Epson Y cartridge with their EZW-Y carbon to give me 4 grays.  I’ll
report back when I do.
And if anyone here has additional experience, please share.

Harry


On 8/17/07 3:32 PM, "djon43" <djon43@yahoo.com> wrote:
> 
> Harry, I'm definitely no expert but I think the issue is that
> particles in MIS carbons (or anybody else's inks) are not as fine as
> particles in Epson 2400 and 2200 OEM pigments.
> 
> I think we're trying to run gravel through a hose.
> 
> I hope somebody will correct this if I'm wrong.
> 
> John
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , Harry Lockwood
> <hflockwood@...> wrote:
>> >
>> > I¹m a bit confused by this message, djon.  The MIS inks I¹m
> referencing are
>> > carbon pigments.  What doesn¹t make sense in using refillable
> cartridges,
>> > with pigment inks, in the 2400?
>> > 
>  
>> > 
>> > Sorry if I missed your point.
>> > 
>> > Harry
-- 

Harry F. Lockwood




[Non-text portions of this message have been removed]

Re: What's with MIS?

2007-08-17 by matt@matthaber.com

For what it's worth, I've been using the MIS inks (K4)(first, a set of carts, then bulk inks filled into those same cartridges) in my 2400 for almost 2 years.

I find that I generally have had no clogs, except under two circumstances: 1) when the printer has been unused for several weeks and 2) right after I refill the carts, I generally must run 2 or 3 cleaning cycles, and then I'm fine.

I have had several chips go bad, but I've simply replaced them with other MIS ones or Epson chips that I have around. 

-matt


> -------- Original Message --------
> Subject: [Digital BW] Re: What's with MIS?
> From: "djon43" <djon43@...>
> Date: Fri, August 17, 2007 12:32 pm
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> 
> Harry, I'm definitely no expert but I think the issue is that 
> particles in MIS carbons (or anybody else's inks) are not as fine as
> particles in Epson 2400 and 2200 OEM pigments. 
> 
> I think we're trying to run gravel through a hose. 
> 
> I hope somebody will correct this if I'm wrong.
> 
> John
hoo.com/info/terms/

Re: What's with MIS?

2007-08-17 by john dean

The Cone K7 inks are nothing like that. They have been completely
reformulated. I guess MIS can't knock them off yet like the did the
original Cone quads. K7 never cloggs and are as smooth as you can get
in a monochrome pigment, smoother than Epson and a lot more beautiful.
A lot of research went into them. They are also much tougher on the
paper and are pretty much water proof when dried. You get what you pay
for. As for bad chips you better hope the bad ones are not out of
place, or bent, because that can destroy the chip sensors on your
printer. That is scary having bad chips. 

john
Show quoted textHide quoted text
 > 
> > Harry, I'm definitely no expert but I think the issue is that 
> > particles in MIS carbons (or anybody else's inks) are not as fine as
> > particles in Epson 2400 and 2200 OEM pigments. 
> > 
> > I think we're trying to run gravel through a hose. 
> > 
> > I hope somebody will correct this if I'm wrong.
> > 
> > John
> hoo.com/info/terms/
>

Re: What's with MIS?

2007-08-17 by Terry Ritz

I have been running MIS Pro inks for a year or so in my 2200. My
images look better (matte included) and I can actually print to gloss
media now. However, they definitely require more "care and feeding"
than Epson Ultrachrome inks did.

I switch back and forth between Cone K7 inks and MIS inks.I will often
need a number of cleaning cycles to get the colour inks working and
have had subsequent problems where a cart that checked good, dropping
out unexpectedly. 

I believe the cause has been air in the cartridge, rather than nozzle
clogging. Keeping the cartridges topped up will likely take care of
this, along with an occasional cartridge prime. Although the problem
looks initially like a head clog / ink issue, I really think most/all
of my problems have been cartridge related. The MIS cartridges are
simply not as foolproof as Epson's. But then again, they are user
refillable.

The second problem I've had is when the humidity falls below 28%,
which happens every winter where I am in Canada. Things clog like
crazy. Running a humidifier in my studio addresses the issue. I never
had to worry about this with Epson Ultrachromes. 

I have also had chips fail, which can be a bit frustrating. The fix is
easy, as long as you have a few extras.

Bottom line. . .  the inks are a lot less expensive than Ultrachromes
and I can print on gloss media now. The learning curve was a bit
frustrating but I think/hope I've dealt with the key issues. I will
continue using them. If you're not prepared to invest some time to
learn the pitfalls and how to address them the cost savings
(significant) may not warranted.

Terry.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, matt@... wrote:
>
> For what it's worth, I've been using the MIS inks (K4)(first, a set
of carts, then bulk inks filled into those same cartridges) in my 2400
for almost 2 years.
> 
> I find that I generally have had no clogs, except under two
circumstances: 1) when the printer has been unused for several weeks
and 2) right after I refill the carts, I generally must run 2 or 3
cleaning cycles, and then I'm fine.
> 
> I have had several chips go bad, but I've simply replaced them with
other MIS ones or Epson chips that I have around. 
Show quoted textHide quoted text
> 
> -matt
> 
> 
> > -------- Original Message --------
> > Subject: [Digital BW] Re: What's with MIS?
> > From: "djon43" <djon43@...>
> > Date: Fri, August 17, 2007 12:32 pm
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > 
> > Harry, I'm definitely no expert but I think the issue is that 
> > particles in MIS carbons (or anybody else's inks) are not as fine as
> > particles in Epson 2400 and 2200 OEM pigments. 
> > 
> > I think we're trying to run gravel through a hose. 
> > 
> > I hope somebody will correct this if I'm wrong.
> > 
> > John
> hoo.com/info/terms/
>

Re: What's with MIS?

2007-08-17 by Terry Ritz

I also find the Cone inks very beautiful. Sepia is my favorite, along
with a neutral highlight for faces in portrait images. They seem more
"pure" (if that makes sense) than prints I've done using colour toners
to offset the warm set of gray pigments. Creating curves is simplified
since all ink shades have the same tone. 

I am running a common K plus 3 Sepia (2-4-6) and 3 Neutral (3-5-7) so
I have toning and split tone flexibility from Neutral through Sepia.
Still very smooth using 4 shades.

The Cone cartridges are better than the MIS refillable cartridges.
I've not had air in these cartridges but I have had a few leak. Inkjet
Mall has been very good about replacing them.

I've run into problems printing below 28% humidity, as with MIS Pro
inks, but they've been pretty good above that.

I've just discovered an issue with DMAX variations in my last 3 - K
cartridges. This surprises me, because the inks are very high quality.
I need to talk with Inkjet Mall about this.

The lack of metamerism and beautiful smooth tones more than offset the
issues above. I plan to move to bottles and refillable cartridges. A
better quality refillable 2200 cartridge would be a great find!

My issues with MIS chips btw, is simply that they cannot be reset.

Terry.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "john dean"
<deanwork2003@...> wrote:
Show quoted textHide quoted text
>
> The Cone K7 inks are nothing like that. They have been completely
> reformulated. I guess MIS can't knock them off yet like the did the
> original Cone quads. K7 never cloggs and are as smooth as you can get
> in a monochrome pigment, smoother than Epson and a lot more beautiful.
> A lot of research went into them. They are also much tougher on the
> paper and are pretty much water proof when dried. You get what you pay
> for. As for bad chips you better hope the bad ones are not out of
> place, or bent, because that can destroy the chip sensors on your
> printer. That is scary having bad chips. 
> 
> john
> 
> 
>  > 
> > > Harry, I'm definitely no expert but I think the issue is that 
> > > particles in MIS carbons (or anybody else's inks) are not as fine as
> > > particles in Epson 2400 and 2200 OEM pigments. 
> > > 
> > > I think we're trying to run gravel through a hose. 
> > > 
> > > I hope somebody will correct this if I'm wrong.
> > > 
> > > John
> > hoo.com/info/terms/
> >
>

RE: [Digital BW] Re: What's with MIS?

2007-08-18 by Paul Roark

I'm not here to defend MIS or sell its products, nor am I here to take shots
at any company.  I have no monetary relationships with any. 

Neither MIS nor any other company has perfect products or support.
Clogging, cartridge quality, and customer support seem to be the main themes
in this thread, and each involves slightly different issues.

With respect to clogging, from what I can tell all inkjets can clog.
Pigments are said to clog more than dyes, but my old HP dye printers sure
did clog.

The information I've been able to get indicates that most of the pigment
particles themselves from the various competitors are close to the same
size, and all are so small that the particle sizes are rather irrelevant.
They are way smaller than the nozzles.  The problem is agglomerations of
pigment particles, and that is probably unrelated to the minor differences
in particle sizes among the competing inksets we use.  The base and how well
it disperses the particles is much more important.

(There are a number of factors to clogging that have nothing to due with the
inks, like capping station adjustment, but I'll ignore these here.) 

The chemistry of the base is the main variable in the inks that seems to
affect how prone they are to clogging.  In that respect, all of the
companies appear to have improved their products over the years I've been
involved.  I just do not consider clogging a serious issue with today's
pigments and printers, whether they are Epson, MIS or Piezo inks.

How much an ink may be prone to clogging involves a combination of factors
including the binder used, as well as the solvents and other agents in the
base.  If, for example, a base had no binder, it would probably not clog
very much if at all.  Of course, the pigments would also fall off the paper.
In that respect, I use the MIS "UC" base, diluted 50% with distilled water,
as a cleaning and storage fluid.  It has no binder because the Epson UC pigs
rely on their coatings to stick them to the paper.  Of course, these
coatings can also cause the particles to stick together and stick to the
nozzles.  But I'd guess that the less binder, the less the likelihood of
clogging, all else being equal.

Glossy paper compatibility requires a different binder -- and probably more
-- than matte paper.  I suspect one can make a matte paper only pigment that
clogs less than one that must be able to stick on glossy paper.

Epson's MK pigments have no coating and must, therefore, have a binder in
the base just like MIS Eboni.  On the other hand, both are compatible with
matte paper only.  I'd guess they both clog about equally, but I've never
run any objective tests on that.  I've never had significant problems with
either.

In general, MIS is a reseller of Image Specialists inks, and that company is
a major supplier to many third party companies and industrial users.  That
and the even larger companies above it are where the sophisticated chemistry
is done.


The cartridge issue is mostly a question of what quality MIS can buy.  For
example, the spongeless carts are wonderful when they seal, but a
significant number appear to have problems with their exit port poppet
valves.  A significant part of what MIS does is search for the best carts at
the best prices.  In general they've done a good job, but they -- and we --
are dealing with a quality issue that is not totally within MIS's control.
From what I can tell, they receive a test batch and then have to buy in
quantity to get good prices.  The shipments of production carts do not
always match the quality of those in the initial test shipment.  Not
surprisingly, much of this seems to come from China.  So, the bottom line
seems to be that about 1/3 of my spongeless carts will leak when I pull the
stopper to refill them.  I may just throw the leaky ones away and use
another, new spongeless cart.  Even if it takes 2 carts to find one that is
perfect, the price is still a fraction of what the alternatives are.


I hear a mixed bag in terms of customer support.  The truth is that this
list has more experience with most of the problems than the people at MIS.
MIS is a handful of employees in a small company, and they spend most of
their time searching for products to meet consumer demand, filling orders,
and doing all the other things that need to be done to run a small business.
MIS is not a group of B&W photographers and printer experts.  Frankly, the
appeal of this company from my perspective is based on this.  They simply
provide what the market wants.  That is their business model.  They do not
push any agenda; they simply react to the market.  As such, they have been
an excellent source of very competitively priced inks and accessories.  And,
while I was not active at the very beginning, I believe that MIS was
actually the first commercial supplier of inks to B&W experimenters on the
forums that preceded this Yahoo list.

Regardless of all the above, I'm very aware that our materials are not
perfect by any means.  As I go forward, the workflows I develop and use
reflect not only what I think make the best prints (from my perspective),
but also which workflows are the easiest, including avoiding the problems
that have surfaced regarding our materials, printers and drivers.  Like
most, I want the best for the least -- time and money.  Right now, for what
I do, MIS supplies what I need to accomplish this, particularly with their
Eboni MK.

My main concern is not the minor problems that are reported here with
respect to MIS, but whether Epson will be able to succeed in its effort to
choke off all third party competition.  MIS provides some outstanding inks
at prices that, if one refills carts, are about 1/10th the OEM prices, based
on equal quantities.  This drops to even less if one uses the denser inks
more.  With the 100% Eboni approach, the ink costs simple become trivial.
So, I'm definitely willing to put up with an occasional leaky cart for these
price difference, particularly when the third party products give me B&W
prints that are, from my perspective, better than any Epson inkset can
accomplish.

So, what's with MIS?  I think they are just a small company doing the best
they can at their price point and under the circumstances that include the
huge dominant players trying to cut off all cart supplies.  

Paul
www.PaulRoark.com

Re: [Digital BW] Re: What's with MIS?

2007-08-18 by Peter De Smidt

I wish MIS well.  It's good that there's some competition in the ink 
world.  Nonetheless, I had problem after problem with their inks and 
cartridges, and they weren't helpful on the phone or by email.  I 
replaced the MIS inks and cartridges with Epson, ran a cleaning cycle, 
and I haven't had a bad nozzle check on my R2400 since.  With MIS 
products, I'd make one good print. 10 minutes later I'd make another, 
and the colors would be way off.  Cleaning cycles would get one ink 
working ok only to lead to a different head having problems.  I run the 
MIS autoprint every day, and I try to print regularly, and so this was 
just unacceptable.  I really wanted the MIS solution to work, but wasted 
time, hassle and cost made their products significantly more expensive 
than Epson's in the long run.

Re: [Digital BW] Re: What's with MIS?

2007-08-18 by Edward Wiseman

I absolutely agree with Paul here....My own personal experiences with MIS have been both positive and negative, but the bottom line is that they REALLY try hard for a small company to fill a void and a need for us photographers..I would hate to see this MIS bashing deteriorate into the loss of  a GREAT resource such as I feel they have been for myself after doing business with them for over 5 years.. I print  my B&W's with a 1280 and their UT2 inks  and their spongeless carts (yes..a few did have leaks in the beginning..)..virtually trouble and clog-free for over a year now....Which is more than I can say for any CIS/CSF system I have used (with 2 1160's and 2 other 1280's)
     I think it's time to turn this discussion into a more positive vein....My black and white printing has was NEVER this good in the old WET darkroom days, and my productivity has increased immeasurably  in a great part due to the effort, products and support that this company has provided..
Enuff said..

Eddie Wiseman
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Paul Roark 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, August 17, 2007 8:57 PM
  Subject: RE: [Digital BW] Re: What's with MIS?


  I'm not here to defend MIS or sell its products, nor am I here to take shots
  at any company. I have no monetary relationships with any. 

  Neither MIS nor any other company has perfect products or support.
  Clogging, cartridge quality, and customer support seem to be the main themes
  in this thread, and each involves slightly different issues.

  With respect to clogging, from what I can tell all inkjets can clog.
  Pigments are said to clog more than dyes, but my old HP dye printers sure
  did clog.

  The information I've been able to get indicates that most of the pigment
  particles themselves from the various competitors are close to the same
  size, and all are so small that the particle sizes are rather irrelevant.
  They are way smaller than the nozzles. The problem is agglomerations of
  pigment particles, and that is probably unrelated to the minor differences
  in particle sizes among the competing inksets we use. The base and how well
  it disperses the particles is much more important.

  (There are a number of factors to clogging that have nothing to due with the
  inks, like capping station adjustment, but I'll ignore these here.) 

  The chemistry of the base is the main variable in the inks that seems to
  affect how prone they are to clogging. In that respect, all of the
  companies appear to have improved their products over the years I've been
  involved. I just do not consider clogging a serious issue with today's
  pigments and printers, whether they are Epson, MIS or Piezo inks.

  How much an ink may be prone to clogging involves a combination of factors
  including the binder used, as well as the solvents and other agents in the
  base. If, for example, a base had no binder, it would probably not clog
  very much if at all. Of course, the pigments would also fall off the paper.
  In that respect, I use the MIS "UC" base, diluted 50% with distilled water,
  as a cleaning and storage fluid. It has no binder because the Epson UC pigs
  rely on their coatings to stick them to the paper. Of course, these
  coatings can also cause the particles to stick together and stick to the
  nozzles. But I'd guess that the less binder, the less the likelihood of
  clogging, all else being equal.

  Glossy paper compatibility requires a different binder -- and probably more
  -- than matte paper. I suspect one can make a matte paper only pigment that
  clogs less than one that must be able to stick on glossy paper.

  Epson's MK pigments have no coating and must, therefore, have a binder in
  the base just like MIS Eboni. On the other hand, both are compatible with
  matte paper only. I'd guess they both clog about equally, but I've never
  run any objective tests on that. I've never had significant problems with
  either.

  In general, MIS is a reseller of Image Specialists inks, and that company is
  a major supplier to many third party companies and industrial users. That
  and the even larger companies above it are where the sophisticated chemistry
  is done.

  The cartridge issue is mostly a question of what quality MIS can buy. For
  example, the spongeless carts are wonderful when they seal, but a
  significant number appear to have problems with their exit port poppet
  valves. A significant part of what MIS does is search for the best carts at
  the best prices. In general they've done a good job, but they -- and we --
  are dealing with a quality issue that is not totally within MIS's control.
  From what I can tell, they receive a test batch and then have to buy in
  quantity to get good prices. The shipments of production carts do not
  always match the quality of those in the initial test shipment. Not
  surprisingly, much of this seems to come from China. So, the bottom line
  seems to be that about 1/3 of my spongeless carts will leak when I pull the
  stopper to refill them. I may just throw the leaky ones away and use
  another, new spongeless cart. Even if it takes 2 carts to find one that is
  perfect, the price is still a fraction of what the alternatives are.

  I hear a mixed bag in terms of customer support. The truth is that this
  list has more experience with most of the problems than the people at MIS.
  MIS is a handful of employees in a small company, and they spend most of
  their time searching for products to meet consumer demand, filling orders,
  and doing all the other things that need to be done to run a small business.
  MIS is not a group of B&W photographers and printer experts. Frankly, the
  appeal of this company from my perspective is based on this. They simply
  provide what the market wants. That is their business model. They do not
  push any agenda; they simply react to the market. As such, they have been
  an excellent source of very competitively priced inks and accessories. And,
  while I was not active at the very beginning, I believe that MIS was
  actually the first commercial supplier of inks to B&W experimenters on the
  forums that preceded this Yahoo list.

  Regardless of all the above, I'm very aware that our materials are not
  perfect by any means. As I go forward, the workflows I develop and use
  reflect not only what I think make the best prints (from my perspective),
  but also which workflows are the easiest, including avoiding the problems
  that have surfaced regarding our materials, printers and drivers. Like
  most, I want the best for the least -- time and money. Right now, for what
  I do, MIS supplies what I need to accomplish this, particularly with their
  Eboni MK.

  My main concern is not the minor problems that are reported here with
  respect to MIS, but whether Epson will be able to succeed in its effort to
  choke off all third party competition. MIS provides some outstanding inks
  at prices that, if one refills carts, are about 1/10th the OEM prices, based
  on equal quantities. This drops to even less if one uses the denser inks
  more. With the 100% Eboni approach, the ink costs simple become trivial.
  So, I'm definitely willing to put up with an occasional leaky cart for these
  price difference, particularly when the third party products give me B&W
  prints that are, from my perspective, better than any Epson inkset can
  accomplish.

  So, what's with MIS? I think they are just a small company doing the best
  they can at their price point and under the circumstances that include the
  huge dominant players trying to cut off all cart supplies. 

  Paul
  www.PaulRoark.com 



   

[Non-text portions of this message have been removed]

Re: What's with MIS?

2007-08-18 by Andre Moreau

Hi Paul,

Ealier this week I refilled all the carts of my R220 and two of them
started leaking pretty bad. I put the stopper back on and the leaking
stopped. Anyway, these two carts are back in the printer and working
like they should.

> quantity to get good prices.  The shipments of production carts do not
> always match the quality of those in the initial test shipment.  Not
> surprisingly, much of this seems to come from China.  

Gone are the days when we didn't have to put up with defective
products from China: kitchenware, food, toys and probably medecine in
the near future. Yes, medecine, that sends chivers down my spine.

> most, I want the best for the least -- time and money. 
 
Seems that paying the least has a cost. There are time when I'd pay a
lot more for a non defective product, like ink carts for example.

> 
> So, what's with MIS?  I think they are just a small company doing
the best
> they can at their price point and under the circumstances that
include the
> huge dominant players trying to cut off all cart supplies.  
> 

I sure hope that small businesses like MIS and others in the ink
business survive. The're the ones that made it possible for b&w inkjet
printing.

Cheers,
Andre

Re: [Digital BW] Re: What's with MIS?

2007-08-18 by Altaf Bhimji

hi Paul,

If I  remember correctly from some of the conversations last year  
11,000 feet high up in the Sierras, that quality control is something  
that is very important, and that MIS was moving towards implementing  
having stricter QC standards? Do you think they could consider some  
of the feedback, maybe raise their prices a bit, but not have some of  
the problems that have been discussed here?

I also started out B&W with MIS inks, and your curves -- -and  
although I am now using Epson's K3, like I mentioned earlier, I do  
need to get a CIS/CFS to bring down some of my printing costs... and  
really do not want to see companies like MIS losing customers to the  
more dominant players --- without competition, almost always, quality  
and innovation end up deteriorating.

Altaf
Show quoted textHide quoted text
On Aug 17, 2007, at 5:57 PM, Paul Roark wrote:

>
>
> Regardless of all the above, I'm very aware that our materials are not
> perfect by any means.  As I go forward, the workflows I develop and  
> use
> reflect not only what I think make the best prints (from my  
> perspective),
> but also which workflows are the easiest, including avoiding the  
> problems
> that have surfaced regarding our materials, printers and drivers.   
> Like
> most, I want the best for the least -- time and money.  Right now,  
> for what
> I do, MIS supplies what I need to accomplish this, particularly  
> with their
> Eboni MK.
>
> My main concern is not the minor problems that are reported here with
> respect to MIS, but whether Epson will be able to succeed in its  
> effort to
> choke off all third party competition.  MIS provides some  
> outstanding inks
> at prices that, if one refills carts, are about 1/10th the OEM  
> prices, based
> on equal quantities.  This drops to even less if one uses the  
> denser inks
> more.  With the 100% Eboni approach, the ink costs simple become  
> trivial.
> So, I'm definitely willing to put up with an occasional leaky cart  
> for these
> price difference, particularly when the third party products give  
> me B&W
> prints that are, from my perspective, better than any Epson inkset can
> accomplish.
>
> So, what's with MIS?  I think they are just a small company doing  
> the best
> they can at their price point and under the circumstances that  
> include the
> huge dominant players trying to cut off all cart supplies.
>
> Paul
> www.PaulRoark.com
>
>
>
>

Re: What's with MIS?

2007-08-18 by Manuel Toledo Quinones

After about a year of using MIS carts on the R2400, my experience is
similar to Matt's, although I am still using the chips that came with
the carts. 

Manuel

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, matt@... wrote:
>
> For what it's worth, I've been using the MIS inks (K4)(first, a set
of carts, then bulk inks filled into those same cartridges) in my 2400
for almost 2 years.
> 
> I find that I generally have had no clogs, except under two
circumstances: 1) when the printer has been unused for several weeks
and 2) right after I refill the carts, I generally must run 2 or 3
cleaning cycles, and then I'm fine.
> 
> I have had several chips go bad, but I've simply replaced them with
other MIS ones or Epson chips that I have around. 
Show quoted textHide quoted text
> 
> -matt
> 
> 
> > -------- Original Message --------
> > Subject: [Digital BW] Re: What's with MIS?
> > From: "djon43" <djon43@...>
> > Date: Fri, August 17, 2007 12:32 pm
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > 
> > Harry, I'm definitely no expert but I think the issue is that 
> > particles in MIS carbons (or anybody else's inks) are not as fine as
> > particles in Epson 2400 and 2200 OEM pigments. 
> > 
> > I think we're trying to run gravel through a hose. 
> > 
> > I hope somebody will correct this if I'm wrong.
> > 
> > John
> hoo.com/info/terms/
>

[Digital BW] Re: What's with MIS?

2007-08-18 by met.graphix

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Edward Wiseman" 
<pahts@...> wrote:
>
> 
>     I absolutely agree with Paul here....

Ditto from my part. I've been dealing with MIS for almost 2 years (7600 
and 2200) and yes, I had a quite a few issues setting up the sytems and 
getting them going. However with a bit of effort those issues were 
resolved and I've been making great quality prints since. I've used all 
the savings on the ink to buy paper.

Dario

RE: [Digital BW] Re: What's with MIS?

2007-08-18 by Paul Roark

Hi Altaf,

 

MIS has, in fact, implemented some suggestions by forum members.  On the
other hand, for some of the products, like chips and carts, there do not
seem to be non-destructive tests or tests that are cheaper than just
replacing the items.   MIS tries to find the best suppliers, but once they
buy a large batch of products, they're rather stuck with that until the next
large purchase.  With significant numbers of their products, I don't think
there is an economical way to do QC after they purchase at wholesale.

 

I'm also not sure what the magnitude of the problems really is.  It may be
that an essentially non-moderated forum like this exaggerates the problems.
It's easy to see that a significant portion of their current spongeless
carts leak when the stopper is removed (and then work fine once refilled
with the stopper replaced), but beyond that, I'm not seeing or hearing
themes that are consistent enough to know what to recommend.

 

On a somewhat related issue, I've always thought that MIS didn't try very
hard to profit maximize.  The founder was an executive level mechanical
engineer and then Management Information Services chief (where the name
"MIS" comes from) at TRW who enjoyed inventing things like the ink loader
that is a key part of their operations and unique to the industry.  He's now
semi-retired and appears to have the attitude that he's got enough, so why
rock the boat.  At some point I expect someone to buy the business, but the
owner does not seem to be aggressively pursuing that either.

 

From my perspective, a Photographers' Formulary type of operation would be
just fine as a model - forget the low level support and just serve the
typical old B&W hacker types - like me.  But, the customer base seems to be
much broader than that.  If I were in charge of MIS, I might just eliminate
2/3s of their products and concentrate on doing a few things really well as
opposed to trying to sell, for example, color inks to the mass market.  But,
it's not my business, and it may be that they could not buy large enough
batches of, for example carts, if they didn't also sell those into the color
markets.  My approach, as a customer, is to simply make the best of what we
have and try to avoid the issues - relating to not only MIS - that bother
me.  So, while the K3 model of the giants will take the bulk of the market,
I'll probably always be trying to find a way to do better for less.  For
that approach, MIS products and service do just fine.

 

One area where I think MIS could and may well step in is coordinating B&W
printing workshops.  I suspect this type of activity might have the indirect
benefit of giving MIS organized feedback on their own products and what
types of support are needed.  We'll see.  In the meantime, if I see problems
and remedies that I think will work, I'll sure pass them along to MIS, and I
think they listen.

 

Paul

www.PaulRoark.com <http://www.paulroark.com/>  

 

 

  _____  
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Altaf
Bhimji
.

 MIS was moving towards implementing 
having stricter QC standards? Do you think they could consider some 
of the feedback, maybe raise their prices a bit, but not have some of 
the problems that have been discussed here?

. 



[Non-text portions of this message have been removed]

[Digital BW] Re: What's with MIS?

2007-08-18 by john dean

I would have to say that it is totally inaccurate to say that all
inkjets clogg. I have three large printers set up with Piezography K7
and none of them have clogged at all, even when they are turned off
for weeks. They are far more trouble free than Ultrachrome. I also
have not had inconsistent batches or bad chips, or leaky carts. They
are also a very small company. K7 can be bought in bulk and user
filled. Of course the print color never changes and is always perfect. 

Fact is there is a trend toward less ink waste in these better
designed monochrome inks and even more so with the new HP and Canon
thermal printers that have stopped these unnecessary cleaning cycles
of Epson heads all together. I do hope this is where we are going in
the future, less wasteful printers and less wasteful ink formulations.
It doesn't do any one any good to buy cheaper ink when half of it ends
up in the waste tank. And I'm talking as much about Epson as anyone.

john

Film Developing Recommendations

2007-08-18 by Lew

I'm going to start printing my black and white negatives digitally. I'll be scanning them with a Nikon
Coolscan. Are there any general guidelines re target contrasts for development?

Re: [Digital BW] Re: What's with MIS?

2007-08-18 by Harry Lockwood

As the person who started this thread with the question, ³What¹s with MIS?²,
I¹d like to add a comment to my original post.

I had been printing with MIS quadtone inks for quite some time (and I¹ve got
a big carton of empty 4-oz bottles to prove it!) and had been very happy
with the product and with their support.  I then had a 2-year hiatus for
business reasons, but now I¹m back in the game with the R2400 replacing the
original 1160, and the 980 before that.

It was my intention to switch from the UC inks to MIS refillable carts early
on.  I have hesitated following through because all the negative opinions
expressed here painted a picture very much at odds with my earlier
experience.  I guess it¹s true that we are prone to complain loudly when
things go wrong and to be silent when all is well.  So, these posts in
defense of MIS are appropriate and welcome.  Thanks Paul, et al.

I recently bought MIS carts to improve my B&W prints over what I can get
with ABW.  As soon as the current batch of Epson carts need replacing (it
doesn¹t take long), I¹ll put in the MIS carts and be able to speak from
experience.  Better than just integrating all the negative comments and
coming to a questionable conclusion.

And good luck to MIS!

Harry


On 8/17/07 9:28 PM, "Edward Wiseman" <pahts@...> wrote:
> 
> 
>  I absolutely agree with Paul here....My own personal experiences with MIS
> have been both positive and negative, but the bottom line is that they REALLY
> try hard for a small company to fill a void and a need for us photographers..I
> would hate to see this MIS bashing deteriorate into the loss of  a GREAT
> resource such as I feel they have been for myself after doing business with
> them for over 5 years.. I print  my B&W's with a 1280 and their UT2 inks  and
> their spongeless carts (yes..a few did have leaks in the
> beginning..)..virtually trouble and clog-free for over a year now....Which is
> more than I can say for any CIS/CSF system I have used (with 2 1160's and 2
> other 1280's)
>  I think it's time to turn this discussion into a more positive vein....My
> black and white printing has was NEVER this good in the old WET darkroom days,
> and my productivity has increased immeasurably  in a great part due to the
> effort, products and support that this company has provided..
> Enuff said..
> 
> Eddie Wiseman
> 
> ----- Original Message -----
>  From: Paul Roark
>  To: DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>
>  Sent: Friday, August 17, 2007 8:57 PM
>  Subject: RE: [Digital BW] Re: What's with MIS?
> 
> I'm not here to defend MIS or sell its products, nor am I here to take shots
>  at any company. I have no monetary relationships with any.
> 
> Neither MIS nor any other company has perfect products or support.
>  Clogging, cartridge quality, and customer support seem to be the main themes
>  in this thread, and each involves slightly different issues.
> 
> With respect to clogging, from what I can tell all inkjets can clog.
>  Pigments are said to clog more than dyes, but my old HP dye printers sure
>  did clog.
> 
> The information I've been able to get indicates that most of the pigment
>  particles themselves from the various competitors are close to the same
>  size, and all are so small that the particle sizes are rather irrelevant.
>  They are way smaller than the nozzles. The problem is agglomerations of
>  pigment particles, and that is probably unrelated to the minor differences
>  in particle sizes among the competing inksets we use. The base and how well
>  it disperses the particles is much more important.
> 
> (There are a number of factors to clogging that have nothing to due with the
>  inks, like capping station adjustment, but I'll ignore these here.)
> 
> The chemistry of the base is the main variable in the inks that seems to
>  affect how prone they are to clogging. In that respect, all of the
>  companies appear to have improved their products over the years I've been
>  involved. I just do not consider clogging a serious issue with today's
>  pigments and printers, whether they are Epson, MIS or Piezo inks.
> 
> How much an ink may be prone to clogging involves a combination of factors
>  including the binder used, as well as the solvents and other agents in the
>  base. If, for example, a base had no binder, it would probably not clog
>  very much if at all. Of course, the pigments would also fall off the paper.
>  In that respect, I use the MIS "UC" base, diluted 50% with distilled water,
>  as a cleaning and storage fluid. It has no binder because the Epson UC pigs
>  rely on their coatings to stick them to the paper. Of course, these
>  coatings can also cause the particles to stick together and stick to the
>  nozzles. But I'd guess that the less binder, the less the likelihood of
>  clogging, all else being equal.
> 
> Glossy paper compatibility requires a different binder -- and probably more
>  -- than matte paper. I suspect one can make a matte paper only pigment that
>  clogs less than one that must be able to stick on glossy paper.
> 
> Epson's MK pigments have no coating and must, therefore, have a binder in
>  the base just like MIS Eboni. On the other hand, both are compatible with
>  matte paper only. I'd guess they both clog about equally, but I've never
>  run any objective tests on that. I've never had significant problems with
>  either.
> 
> In general, MIS is a reseller of Image Specialists inks, and that company is
>  a major supplier to many third party companies and industrial users. That
>  and the even larger companies above it are where the sophisticated chemistry
>  is done.
> 
> The cartridge issue is mostly a question of what quality MIS can buy. For
>  example, the spongeless carts are wonderful when they seal, but a
>  significant number appear to have problems with their exit port poppet
>  valves. A significant part of what MIS does is search for the best carts at
>  the best prices. In general they've done a good job, but they -- and we --
>  are dealing with a quality issue that is not totally within MIS's control.
>  From what I can tell, they receive a test batch and then have to buy in
>  quantity to get good prices. The shipments of production carts do not
>  always match the quality of those in the initial test shipment. Not
>  surprisingly, much of this seems to come from China. So, the bottom line
>  seems to be that about 1/3 of my spongeless carts will leak when I pull the
>  stopper to refill them. I may just throw the leaky ones away and use
>  another, new spongeless cart. Even if it takes 2 carts to find one that is
>  perfect, the price is still a fraction of what the alternatives are.
> 
> I hear a mixed bag in terms of customer support. The truth is that this
>  list has more experience with most of the problems than the people at MIS.
>  MIS is a handful of employees in a small company, and they spend most of
>  their time searching for products to meet consumer demand, filling orders,
>  and doing all the other things that need to be done to run a small business.
>  MIS is not a group of B&W photographers and printer experts. Frankly, the
>  appeal of this company from my perspective is based on this. They simply
>  provide what the market wants. That is their business model. They do not
>  push any agenda; they simply react to the market. As such, they have been
>  an excellent source of very competitively priced inks and accessories. And,
>  while I was not active at the very beginning, I believe that MIS was
>  actually the first commercial supplier of inks to B&W experimenters on the
>  forums that preceded this Yahoo list.
> 
> Regardless of all the above, I'm very aware that our materials are not
>  perfect by any means. As I go forward, the workflows I develop and use
>  reflect not only what I think make the best prints (from my perspective),
>  but also which workflows are the easiest, including avoiding the problems
>  that have surfaced regarding our materials, printers and drivers. Like
>  most, I want the best for the least -- time and money. Right now, for what
>  I do, MIS supplies what I need to accomplish this, particularly with their
>  Eboni MK.
> 
> My main concern is not the minor problems that are reported here with
>  respect to MIS, but whether Epson will be able to succeed in its effort to
>  choke off all third party competition. MIS provides some outstanding inks
>  at prices that, if one refills carts, are about 1/10th the OEM prices, based
>  on equal quantities. This drops to even less if one uses the denser inks
>  more. With the 100% Eboni approach, the ink costs simple become trivial.
>  So, I'm definitely willing to put up with an occasional leaky cart for these
>  price difference, particularly when the third party products give me B&W
>  prints that are, from my perspective, better than any Epson inkset can
>  accomplish.
> 
> So, what's with MIS? I think they are just a small company doing the best
>  they can at their price point and under the circumstances that include the
>  huge dominant players trying to cut off all cart supplies.
> 
> Paul
>  www.PaulRoark.com
> 


-- 

Harry F. Lockwood




[Non-text portions of this message have been removed]

Re: Film Developing Recommendations

2007-08-18 by Andre Moreau

Hello Lew,

I've used a Nikon Coolscan V for a while. Got great scans with some
film and rather grainy results with others.

I did not test every film developper combination, but best scanning
results with the Coolscan V were with Ilford FP4+ developped in ID-11
1+1. To this day I wonder what results I would have got scanning FP4+
developped in straight ID11 or D76.

Cheers,
André

[Digital BW] Re: What's with MIS?

2007-08-18 by Roger

I'm using MISPRO and UTR2 with an Epson R220.  The ink itself is fine- 
if a cartridge stops working I just use the bottom fill adapter to suck 
some ink out and maybe swab a drop of water onto the ink inlet in the 
printer.  Works 100% of the time.

The more annoying problem is when the printer won't recognize the new 
spongeless cartridges.  Wadding a piece of paper beteween the flexible 
tab and the cartridge seems to get the printer cartridges to seat right 
and solves that problem.

My only real annoyance is that I've had a couple of the newer 
spongeless cartridges bleed out and MIS only replaces them if it's 
within 3 months of purchase.

Re: [Digital BW] Re: What's with MIS?

2007-08-19 by Harry Lockwood

[I¹m reposting this message because, although it shows up in my Sent Mail, I
didn¹t receive a copy via Digital BW email.  Sorry if you are getting it
twice.
HFL]


As the person who started this thread with the question, ³What¹s with MIS?²,
I¹d like to add a comment to my original post.

I had been printing with MIS quadtone inks for quite some time (and I¹ve got
a big carton of empty 4-oz bottles to prove it!) and had been very happy
with the product and with their support.  I then had a 2-year hiatus for
business reasons, but now I¹m back in the game with the R2400 replacing the
original 1160, and the 980 before that.

It was my intention to switch from the UC inks to MIS refillable carts early
on.  I have hesitated following through because all the negative opinions
expressed here painted a picture very much at odds with my earlier
experience.  I guess it¹s true that we are prone to complain loudly when
things go wrong and to be silent when all is well.  So, these posts in
defense of MIS are appropriate and welcome.  Thanks Paul, et al.

I recently bought MIS carts to improve my B&W prints over what I can get
with ABW.  As soon as the current batch of Epson carts need replacing (it
doesn¹t take long), I¹ll put in the MIS carts and be able to speak from
experience.  Better than just integrating all the negative comments and
coming to a questionable conclusion.

And good luck to MIS!

Harry


On 8/17/07 9:28 PM, "Edward Wiseman" <pahts@...> wrote:
> 
> 
>  I absolutely agree with Paul here....My own personal experiences with MIS
> have been both positive and negative, but the bottom line is that they REALLY
> try hard for a small company to fill a void and a need for us photographers..I
> would hate to see this MIS bashing deteriorate into the loss of  a GREAT
> resource such as I feel they have been for myself after doing business with
> them for over 5 years.. I print  my B&W's with a 1280 and their UT2 inks  and
> their spongeless carts (yes..a few did have leaks in the
> beginning..)..virtually trouble and clog-free for over a year now....Which is
> more than I can say for any CIS/CSF system I have used (with 2 1160's and 2
> other 1280's)
>  I think it's time to turn this discussion into a more positive vein....My
> black and white printing has was NEVER this good in the old WET darkroom days,
> and my productivity has increased immeasurably  in a great part due to the
> effort, products and support that this company has provided..
> Enuff said..
> 
> Eddie Wiseman
> 
> ----- Original Message -----
>  From: Paul Roark
>  To: DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>
>  Sent: Friday, August 17, 2007 8:57 PM
>  Subject: RE: [Digital BW] Re: What's with MIS?
> 
> I'm not here to defend MIS or sell its products, nor am I here to take shots
>  at any company. I have no monetary relationships with any.
> 
> Neither MIS nor any other company has perfect products or support.
>  Clogging, cartridge quality, and customer support seem to be the main themes
>  in this thread, and each involves slightly different issues.
> 
> With respect to clogging, from what I can tell all inkjets can clog.
>  Pigments are said to clog more than dyes, but my old HP dye printers sure
>  did clog.
> 
> The information I've been able to get indicates that most of the pigment
>  particles themselves from the various competitors are close to the same
>  size, and all are so small that the particle sizes are rather irrelevant.
>  They are way smaller than the nozzles. The problem is agglomerations of
>  pigment particles, and that is probably unrelated to the minor differences
>  in particle sizes among the competing inksets we use. The base and how well
>  it disperses the particles is much more important.
> 
> (There are a number of factors to clogging that have nothing to due with the
>  inks, like capping station adjustment, but I'll ignore these here.)
> 
> The chemistry of the base is the main variable in the inks that seems to
>  affect how prone they are to clogging. In that respect, all of the
>  companies appear to have improved their products over the years I've been
>  involved. I just do not consider clogging a serious issue with today's
>  pigments and printers, whether they are Epson, MIS or Piezo inks.
> 
> How much an ink may be prone to clogging involves a combination of factors
>  including the binder used, as well as the solvents and other agents in the
>  base. If, for example, a base had no binder, it would probably not clog
>  very much if at all. Of course, the pigments would also fall off the paper.
>  In that respect, I use the MIS "UC" base, diluted 50% with distilled water,
>  as a cleaning and storage fluid. It has no binder because the Epson UC pigs
>  rely on their coatings to stick them to the paper. Of course, these
>  coatings can also cause the particles to stick together and stick to the
>  nozzles. But I'd guess that the less binder, the less the likelihood of
>  clogging, all else being equal.
> 
> Glossy paper compatibility requires a different binder -- and probably more
>  -- than matte paper. I suspect one can make a matte paper only pigment that
>  clogs less than one that must be able to stick on glossy paper.
> 
> Epson's MK pigments have no coating and must, therefore, have a binder in
>  the base just like MIS Eboni. On the other hand, both are compatible with
>  matte paper only. I'd guess they both clog about equally, but I've never
>  run any objective tests on that. I've never had significant problems with
>  either.
> 
> In general, MIS is a reseller of Image Specialists inks, and that company is
>  a major supplier to many third party companies and industrial users. That
>  and the even larger companies above it are where the sophisticated chemistry
>  is done.
> 
> The cartridge issue is mostly a question of what quality MIS can buy. For
>  example, the spongeless carts are wonderful when they seal, but a
>  significant number appear to have problems with their exit port poppet
>  valves. A significant part of what MIS does is search for the best carts at
>  the best prices. In general they've done a good job, but they -- and we --
>  are dealing with a quality issue that is not totally within MIS's control.
>  From what I can tell, they receive a test batch and then have to buy in
>  quantity to get good prices. The shipments of production carts do not
>  always match the quality of those in the initial test shipment. Not
>  surprisingly, much of this seems to come from China. So, the bottom line
>  seems to be that about 1/3 of my spongeless carts will leak when I pull the
>  stopper to refill them. I may just throw the leaky ones away and use
>  another, new spongeless cart. Even if it takes 2 carts to find one that is
>  perfect, the price is still a fraction of what the alternatives are.
> 
> I hear a mixed bag in terms of customer support. The truth is that this
>  list has more experience with most of the problems than the people at MIS.
>  MIS is a handful of employees in a small company, and they spend most of
>  their time searching for products to meet consumer demand, filling orders,
>  and doing all the other things that need to be done to run a small business.
>  MIS is not a group of B&W photographers and printer experts. Frankly, the
>  appeal of this company from my perspective is based on this. They simply
>  provide what the market wants. That is their business model. They do not
>  push any agenda; they simply react to the market. As such, they have been
>  an excellent source of very competitively priced inks and accessories. And,
>  while I was not active at the very beginning, I believe that MIS was
>  actually the first commercial supplier of inks to B&W experimenters on the
>  forums that preceded this Yahoo list.
> 
> Regardless of all the above, I'm very aware that our materials are not
>  perfect by any means. As I go forward, the workflows I develop and use
>  reflect not only what I think make the best prints (from my perspective),
>  but also which workflows are the easiest, including avoiding the problems
>  that have surfaced regarding our materials, printers and drivers. Like
>  most, I want the best for the least -- time and money. Right now, for what
>  I do, MIS supplies what I need to accomplish this, particularly with their
>  Eboni MK.
> 
> My main concern is not the minor problems that are reported here with
>  respect to MIS, but whether Epson will be able to succeed in its effort to
>  choke off all third party competition. MIS provides some outstanding inks
>  at prices that, if one refills carts, are about 1/10th the OEM prices, based
>  on equal quantities. This drops to even less if one uses the denser inks
>  more. With the 100% Eboni approach, the ink costs simple become trivial.
>  So, I'm definitely willing to put up with an occasional leaky cart for these
>  price difference, particularly when the third party products give me B&W
>  prints that are, from my perspective, better than any Epson inkset can
>  accomplish.
> 
> So, what's with MIS? I think they are just a small company doing the best
>  they can at their price point and under the circumstances that include the
>  huge dominant players trying to cut off all cart supplies.
> 
> Paul
>  www.PaulRoark.com
> 


-- 

Harry F. Lockwood




[Non-text portions of this message have been removed]

Re: [Digital BW] Film Developing Recommendations

2007-08-19 by Peter De Smidt

You really are going to have to run some tests.  I do have a coolscan 
V,  and here's what I've found.  With BW negatives, the scanning 
exacerbates the grain. As a result, fine-grained negatives scan better 
than course-grained ones. Another difference is that the scanner's see 
much more detail in the shadows than silver gelatin paper does.  I have 
negatives that were too underexposed to make good SG prints, but they 
scanned just fine.  Finally, scanner's get noisey with high density 
areas. So my recommendation are: 1. use fined-grained film, 2. use a 
fine-grain developer, such as D76 or Xtol straight. 4.  Give a little 
less exposure than you normally would for SG printing. (Less exposure 
will give finer grain and higher sharpness, but be careful to give 
enough exposure to get detail. Here's an example. For SG printing, I 
rate 4x5" TMX at EI 50.  For scanning I rate it at EI 100. ) 5. Develop 
less.  In zone system parlance, I give a Minus -1 development.  This to 
maximizes sharpness and minimizes grain, and it's easy to up contrast 
digitally if need.  Anyway, it should be pretty easy to run some tests 
for yourself.

Re: Film Developing Recommendations

2007-08-20 by djon43

Lew,  I don't see any grain exaggeration difference between types of
silver film (including various 30-year-old Ilford and Kodak, including
2475 recording film, including current Acros and Neopan 400, including
pushes, including various developers such as FG7, Rodinal, and
Emofin...but I mostly use Vuescan with my 50ED.

Nikonscan, used conventionally, isn't optimal for silver film, but it
works significantly better if you scan the silver neg as a positive
and invert in Photoshop/Elements. 

I find Vuescan better with silver negs because that invert step isn't
necessary AND because I normally use the "slight grain reduction"
setting that keeps grain the size I'd expect it with a condenser
enlarger and doesn't soften it. I use that setting with fast C41 color
as well (eg NPZ800)

The standard film transport reads frame lines in order to position
precisely...very nice...but neither Nikonscan nor Vuescan enable that
with silver film. I use Nikon's optional FH-3 carrier with silver film
and generally prefer Vuescan's front end.

As you probably know, you can't use ICE or Vuescan's as-good-or-better
 Infared with your silver negs. 

John

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Lew <lew1716@...>
wrote:
>
> I'm going to start printing my black and white negatives digitally.
I'll be scanning them with a Nikon
> Coolscan. Are there any general guidelines re target contrasts for
development?
>

Re: [Digital BW] Re: Film Developing Recommendations

2007-08-20 by Peter De Smidt

I use Vuescan as well, at least with BW negatives. The FH-3 carrier is a 
necessity, as it give much better edge-to-edge sharpness than the auto 
strip reader.  Vuescan infrared cleaning does a much better job than it 
used to, but it's not as good as ICE, as a back-to-back comparison will 
show you.  Nikon scan does a better job with color negatives generally 
than Vuescan does, whereas Vuescan does a much better job with BW.  I 
have Vuescan make the BW image using the green channel, as in my setup 
this gives better results than using some of the red and green channels.

Re: [Digital BW] Re: Film Developing Recommendations

2007-08-20 by Brian Ellis

In general a slightly flat (i.e. lower contrast) negative does better for 
scanning in my experience. I used the zone system for exposure and 
development before I started scanning and I still use it. However, I reduce 
my N (normal) development time by 10% (so that it's basically like N - 1/2) 
and I almost never use plus development any more (i.e. I rarely increase the 
highlight densities). However, your old negatives processed for a diffuser 
enlarger will probably be o.k. I too used a diffuser enlarger and I've 
scanned and made acceptable  prints from old negatives.
Show quoted textHide quoted text
----- Original Message ----- 
From: "Lew" <lew1716@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Monday, August 20, 2007 8:32 AM
Subject: RE: [Digital BW] Re: Film Developing Recommendations


Thanks for responding. When you develop your film with scanning in mind, do 
you adjust development for more or
less contrast? I have years of snappy negatives that I developed for 
printing with a diffuser enlarger.
-Lew

-----Original Message-----
From: DigitalBlackandWhiteThePrint@yahoogroups.com 
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On
Behalf Of djon43
Sent: Sunday, August 19, 2007 9:15 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Film Developing Recommendations


Lew,  I don't see any grain exaggeration difference between types of
silver film (including various 30-year-old Ilford and Kodak, including
2475 recording film, including current Acros and Neopan 400, including
pushes, including various developers such as FG7, Rodinal, and
Emofin...but I mostly use Vuescan with my 50ED.

Nikonscan, used conventionally, isn't optimal for silver film, but it
works significantly better if you scan the silver neg as a positive
and invert in Photoshop/Elements.

I find Vuescan better with silver negs because that invert step isn't
necessary AND because I normally use the "slight grain reduction"
setting that keeps grain the size I'd expect it with a condenser
enlarger and doesn't soften it. I use that setting with fast C41 color
as well (eg NPZ800)

The standard film transport reads frame lines in order to position
precisely...very nice...but neither Nikonscan nor Vuescan enable that
with silver film. I use Nikon's optional FH-3 carrier with silver film
and generally prefer Vuescan's front end.

As you probably know, you can't use ICE or Vuescan's as-good-or-better
 Infared with your silver negs.

John

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Lew <lew1716@...>
wrote:
>
> I'm going to start printing my black and white negatives digitally.
I'll be scanning them with a Nikon
> Coolscan. Are there any general guidelines re target contrasts for
development?
>




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TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE 
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PRINT YAHOO GROUP; (ii) UNAUTHORIZED
ACCESS TO OR ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR 
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DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE 
DIGITAL BW, THE PRINT YAHOO GROUP.

Yahoo! Groups Links






Please visit the Group Homepage to check the Files, and other resources as 
they are often being updated.

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If you wish to receive no emails or just a daily digest, or you wish to 
unsubscribe, please edit your Membership preferences by visiting this same 
page.

Please follow these basic guidelines:
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them short.
- Good manners are required at all time. No personal attacks or flames. 
Hostile, aggressive or argumentative users may be removed from the 
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printing. Users who persistently make off-topic posts may be removed from 
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BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT 
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RE: [Digital BW] Re: Film Developing Recommendations

2007-08-20 by Lew

Thanks for responding. When you develop your film with scanning in mind, do you adjust development for more or
less contrast? I have years of snappy negatives that I developed for printing with a diffuser enlarger.
-Lew 
Show quoted textHide quoted text
-----Original Message-----
From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On
Behalf Of djon43
Sent: Sunday, August 19, 2007 9:15 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Film Developing Recommendations


Lew,  I don't see any grain exaggeration difference between types of
silver film (including various 30-year-old Ilford and Kodak, including
2475 recording film, including current Acros and Neopan 400, including
pushes, including various developers such as FG7, Rodinal, and
Emofin...but I mostly use Vuescan with my 50ED.

Nikonscan, used conventionally, isn't optimal for silver film, but it
works significantly better if you scan the silver neg as a positive
and invert in Photoshop/Elements. 

I find Vuescan better with silver negs because that invert step isn't
necessary AND because I normally use the "slight grain reduction"
setting that keeps grain the size I'd expect it with a condenser
enlarger and doesn't soften it. I use that setting with fast C41 color
as well (eg NPZ800)

The standard film transport reads frame lines in order to position
precisely...very nice...but neither Nikonscan nor Vuescan enable that
with silver film. I use Nikon's optional FH-3 carrier with silver film
and generally prefer Vuescan's front end.

As you probably know, you can't use ICE or Vuescan's as-good-or-better
 Infared with your silver negs. 

John

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Lew <lew1716@...>
wrote:
>
> I'm going to start printing my black and white negatives digitally.
I'll be scanning them with a Nikon
> Coolscan. Are there any general guidelines re target contrasts for
development?
>




Please visit the Group Homepage to check the Files, and other resources as they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your
Membership preferences by visiting this same page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep them short.
- Good manners are required at all time. No personal attacks or flames. Hostile, aggressive or argumentative
users may be removed from the membership without notice.
- Keep your posts and threads related to the group topic of digital B&W printing. Users who persistently make
off-topic posts may be removed from the membership.
- By posting on this forum you agree to abide by the group rules and guidelines, and to abide by the actions
and decisions of the group Owner and Moderators. See "Group Topic, Rules and Guidelines" in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT YAHOO! GROUP YOU EXPRESSLY UNDERSTAND
AND AGREE THAT THE "OWNER" AND "MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED
TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES),
RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED
ACCESS TO OR ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON THE
DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.
 
Yahoo! Groups Links

[Digital BW] Re: Film Developing Recommendations

2007-08-21 by djon43

Lew, I'vealways been happiest with "flat" negs...wanted longest
possible scale and smallest possible maximum specular highlights. 
I've not sought grain but have avoided solvent developers (ie with
sodium sulfite). Rodinal does that trick nicely, as did Neofin Blau
and Neofin Rot and FG7 without sulfite. 
 
I think a scanner is a closer approximation of condenser than
diffusion enlarger.

"Snappy" negs can be a problem for scanning if there are big very
dense areas. Scanners aren't aspatient as enlargers :-) 

John --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Lew
<lew1716@...> wrote:
>
> Thanks for responding. When you develop your film with scanning in
mind, do you adjust development for more or
> less contrast? I have years of snappy negatives that I developed for
printing with a diffuser enlarger.
Show quoted textHide quoted text
> -Lew 
> 
>

Re: [Digital BW] Re: Film Developing Recommendations

2007-08-21 by Dana H. Myers

djon43 wrote:
> 
> 
> Lew, I'vealways been happiest with "flat" negs...wanted longest
> possible scale and smallest possible maximum specular highlights.
> I've not sought grain but have avoided solvent developers (ie with
> sodium sulfite). Rodinal does that trick nicely, as did Neofin Blau
> and Neofin Rot and FG7 without sulfite.

To chip in my 2 cents, I concur with the others on this.

I used to print with a condensor enlarger, so most of my existing
negs are developed -10% from "normal"; these negs typically scan
very easily for me, especially in the Nikon LS-9000 I now use.\
Developing to lower contrast makes me less sensitive to grain,
and I don't go out of my way to reduce in processing.  In fact,
I use Xtol 1+1 with TMX and TMY and quite like the results.

Like Peter mentioned, dense highlights tend to be more difficult
to deal with than somewhat thinner shadows, so it's probably
better to expose somewhat less than for printing on silver paper.
I expose TMY at EI320 and TMX at EI80.

In fact, I ran a simple exposure test earlier this year,
shooting the same scene at EI 400, 320, 250 and 200 on TMY
and processing -10% of the Kodak suggested time.  Each neg
scanned easily and yielded perceptually the same shadow
detail, even at EI400.  I still expose at EI 320, though.

> I think a scanner is a closer approximation of condenser than
> diffusion enlarger.

I think it depends on the scanner - an Epson flat-bed strikes
me as a bit more like a diffusion enlarger, while the LS-9000
is clearly like a condensor enlarger and I always use multiple-
pass scanning with it (2x or 4x), which seems to do a good job of
reproducing the character of the film grain (desired) without
exagerating it (undesired).

> "Snappy" negs can be a problem for scanning if there are big very
> dense areas. Scanners aren't aspatient as enlargers :-)

True; this is where the variable analog gain of the LS-9000
has really come in handy with grossly-over-exposed negs, pretty
much amazingly every time I've resorted to it.

Dana

Re: [Digital BW] Re: Film Developing Recommendations

2007-08-21 by Peter De Smidt

Being a great artist and understanding the science underlying the art 
are two very different things.  For example, Theresa Airey wrote a book 
called /Creative Photo Printmaking/, and she has some outstanding work 
in it.  On page 40, though, she says of processing infrared film: "Once 
you use the fixer, store it in a separate jug labeled "Infrared Film 
Fix." This way, you won't contaminate your other films with infrared 
radiation." :-)       This is not meant to imply that any specific 
person here has a misguided understanding of inkjet printing. I 
certainly don't know enough to reasonably claim any such thing.  But, 
putting on my epistemologist hat,  it's simply false that impressive 
artistic credentials provide evidence that someone's understanding of 
the science behind their art is correct.

[Digital BW] Re: Film Developing Recommendations

2007-08-21 by djon43

> 
> most of my existing
> negs are developed -10% from "normal"; these negs typically scan
> very easily for me 

By "normal" do you mean the manufacturers recommended development
time, agitation, style of tank/reel, and "official" box ei? 

This is not intended to be argumentative, but I doubt one's own 10%
routine reduction in development time Vs a manufacturer's
recommendation means much (as here) unless one also religiously 
follows the manufacturer's temperature and especially thier agitation
specifications for a particular developer...and I suspect none of us
ever has done that...but I learn something new every day :-)

On the other hand, if one establishes "Normal" using some sort of
densitometry Vs the manufacturer's test strips, and then "under
develops," that would mean something absolute (unarguably? :-}  

Roll film and 35 raise special issues of their own, Vs sheet film, as
we all know...

> 
> Like Peter mentioned, dense highlights tend to be more difficult
> to deal with than somewhat thinner shadows, so it's probably
> better to expose somewhat less than for printing on silver paper.

Yes... if one has habitually produced punchy negatives (ie. print well
on #2)...but if one has instead pursued an extended tonal scale, one
may instead have used punchy papers with intentionally "flat"
negatives (eg #3 instead of #2). Good condensers (eg Durst rather than
Omega/Beseler)also affected contrast in the same way as did excellent
Vs good lens.

> 
> In fact, I ran a simple exposure test earlier this year,
> shooting the same scene at EI 400, 320, 250 and 200 on TMY
> and processing -10% of the Kodak suggested time.  Each neg
> scanned easily and yielded perceptually the same shadow
> detail, even at EI400.  I still expose at EI 320, though.

What did you observe with highlight detail?

> > I think a scanner is a closer approximation of condenser than
> > diffusion enlarger.
  
> Epson flat-bed strikes
> me as a bit more like a diffusion enlarger 

Epsons have utilized two very different optical systems...urban legend
invariably mistakenly lump them, missing their differing characteristics.

And this may be important: due to manufacturing variables they
typically have potential for significantly higher resolution with an
adjustable focus carrier. At their best, which with 120 can be very
good, they can be better than diffusion enlargers. 

John
Show quoted textHide quoted text
> 
> > "Snappy" negs can be a problem for scanning if there are big very
> > dense areas. Scanners aren't aspatient as enlargers :-)
> 
> True; this is where the variable analog gain of the LS-9000
> has really come in handy with grossly-over-exposed negs, pretty
> much amazingly every time I've resorted to it.
> 
> Dana
>

Re: Film Developing Recommendations

2007-08-21 by john kelly

I find Nikonscan has no advantage whatsoever beyond
its unique, wonderful operation the motorized Nikon
carrier...its precisely positioning C41 and unmounted
E6 without effort cause me to choose Nikonscan for
those films despite my general preference for
Vuescan's front end (I use Vuescan with mounted E6).  

My film, even my ancient stuff, is normally very clean
(old stuff in glassines, new stuff in polyester,
nothing in polyethylene)...therefore I think Vuescan's
unique ability to do LIGHTER cleaning than Nikonscan
is an advantage. 

Ice/Infared are both great for routine airborn dust
and minor abrasions, but neither rivals Photoshop and
time if the film has suffered bad storage, dirty
drying or especially enthusiastic minilab handling.
Maybe I'd like the more brutal Ice/Infared settings if
I commonly dealt with bad film.

RE: [Digital BW] Re: What's with MIS?

2007-08-30 by Peter Oksen

A point of clarification.

Earlier Paul wrote to this thread:
�In general, MIS is a reseller of Image Specialists inks, and that company
is
a major supplier to many third party companies and industrial users. That
and the even larger companies above it are where the sophisticated chemistry
is done.�



From the Epson printers list I just saw this:

�my understanding is that the same inks (Image Specialists) are sold by
Inkjetfly.com (Leo) - even cheaper than IR's price.�

 

So, does this mean that the inks sold by Ink republic, Image specialist, MIS
and Injetfly are identical????

 

regards,

Peter

 


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Checked by AVG Free Edition. 
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20:21
 


[Non-text portions of this message have been removed]

Epson matte paper names confusion

2007-08-30 by Peter Oksen

Am I right in assuming that Epson Enhanced Matte (EEM) is the same as
Archival Matte which is the same as Ultra Premium Presentation Matte?

Here in Denmark I can't find EEM anywhere, while Archival matte is readily
available. I'd wish they'd just stick to one name...

regards,
Peter

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Checked by AVG Free Edition. 
Version: 7.5.484 / Virus Database: 269.12.12/979 - Release Date: 29-08-2007
20:21

RE: [Digital BW] Re: What's with MIS?

2007-08-30 by Paul Roark

See http://image-specialists.com/GlobalDistributors.htm 

While MIS is shown as the U.S. distributor of IS inks, I do not know if they
have an exclusive on most of the inks.  I'd guess they do not with most.

Paul
www.PaulRoark.com  
_________________
Show quoted textHide quoted text
> -----Original Message-----
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Peter
> Oksen
> Sent: Thursday, August 30, 2007 10:27 AM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: RE: [Digital BW] Re: What's with MIS?
> 
> A point of clarification.
> 
> Earlier Paul wrote to this thread:
> "In general, MIS is a reseller of Image Specialists inks, and that company
> is
> a major supplier to many third party companies and industrial users. That
> and the even larger companies above it are where the sophisticated
> chemistry
> is done."
> 
> 
> 
> From the Epson printers list I just saw this:
> 
> "my understanding is that the same inks (Image Specialists) are sold by
> Inkjetfly.com (Leo) - even cheaper than IR's price."
> 
> 
> 
> So, does this mean that the inks sold by Ink republic, Image specialist,
> MIS
> and Injetfly are identical????
> 
> 
> 
> regards,
> 
> Peter
> 
> 
> 
> 
> No virus found in this outgoing message.
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> Version: 7.5.484 / Virus Database: 269.12.12/979 - Release Date: 29-08-
> 2007
> 20:21
> 
> 
> 
> [Non-text portions of this message have been removed]
> 
> 
> 
> Please visit the Group Homepage to check the Files, and other resources as
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> 
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