Bjorn, Does the IR facility in Kontakt also require 10 second files? That seems the best option to me, because you could load an impulse for each zone, coresponding to the playback of the sweep tone on each key key of the CMI. You'd probably have to do this for all available sampling rates- I think the IIx only offers a choice of two rates to record at, is this correct? Then, the only factor missing would be the sound of the summing amplifier, and how that varies depending on how many channels are playing back. So we'd probably get 98% of the CMI sound. I think this approach would also cover the contribution of the clocking scheme that Peter has kindly described.
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Re: Recreating the Fairlight
2008-06-23 by Tomás
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