Yahoo Groups archive

Fairlight-CMI

Index last updated: 2026-04-29 00:03 UTC

Thread

Fairlight series III and depeche mode

Fairlight series III and depeche mode

2006-12-15 by kevin kelley

Funny that depeche mode would be in this discussion. 
 Depeche used a synclavier in the studio on Some great
reward. They then used a series III in the studio on
Black celebration. They used the emulators and emaxs
for live only taking samples from the albums to play
live. I work for EMU at the time and know his to be a
fact. 
 Nice debate but a little short on facts from time to
time. 
 P.S. If you would like to sell your IIx I may be
interested in purchasing it, I am sure the price would
be low since yours sounds like crap. 

Kevin Kelley 
Audio Playground 
www.keyboardmuseum.org 
  


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com

Re: [Fairlight-CMI] Fairlight series III and depeche mode

2006-12-15 by Laurent/LIFELIKE

A series III on Black Celebration then ... an album produced in 84 as the series III where
released in 85, nice one...
I like that kind of mister "i know everything", seems to be a lot in here
LOL

Le 15 déc. 06 à 14:50, kevin kelley a écrit :

Funny that depeche mode would be in this discussion.
Depeche used a synclavier in the studio on Some great
reward. They then used a series III in the studio on
Black celebration. They used the emulators and emaxs
for live only taking samples from the albums to play
live. I work for EMU at the time and know his to be a
fact.
Nice debate but a little short on facts from time to
time.
P.S. If you would like to sell your IIx I may be
interested in purchasing it, I am sure the price would
be low since yours sounds like crap.

Kevin Kelley
Audio Playground
www.keyboardmuseum.org


__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com


Re: [Fairlight-CMI] Fairlight series III and depeche mode

2006-12-15 by Peter Connelly

I thought Black Celebration was released in 1986?
P
On 12/15/06, Laurent/LIFELIKE <lifelike@neuf.fr> wrote:

A series III on Black Celebration then ... an album produced in 84 as the series III where

released in 85, nice one...
I like that kind of mister "i know everything", seems to be a lot in here
LOL

Le 15 déc. 06 à 14:50, kevin kelley a écrit :

Funny that depeche mode would be in this discussion.
Depeche used a synclavier in the studio on Some great
reward. They then used a series III in the studio on
Black celebration. They used the emulators and emaxs
for live only taking samples from the albums to play
live. I work for EMU at the time and know his to be a
fact.
Nice debate but a little short on facts from time to
time.
P.S. If you would like to sell your IIx I may be
interested in purchasing it, I am sure the price would
be low since yours sounds like crap.

Kevin Kelley
Audio Playground
www.keyboardmuseum.org


______________________________ ____________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail. yahoo.com



Re: [Fairlight-CMI] Fairlight series III and depeche mode

2006-12-15 by kevin kelley

It took two seconds to look that up 
Artist:  Depeche Mode
Album:  Black Celebration - 6 reviews: 
Year:  1986
Stop now you have no creadability 
Also it is in there own words on the dvds they
recently released. Good try. What is your point? LOL  

Kevin Kelley 


--- Laurent/LIFELIKE <lifelike@neuf.fr> wrote:

> A series III on Black Celebration then ... an album
> produced in 84 as  
> the series III where
> released in 85, nice one...
> I like that kind of mister "i know everything",
> seems to be a lot in  
> here
> LOL
> 
> Le 15 déc. 06 à 14:50, kevin kelley a écrit :
> 
> > Funny that depeche mode would be in this
> discussion.
> > Depeche used a synclavier in the studio on Some
> great
> > reward. They then used a series III in the studio
> on
> > Black celebration. They used the emulators and
> emaxs
> > for live only taking samples from the albums to
> play
> > live. I work for EMU at the time and know his to
> be a
> > fact.
> > Nice debate but a little short on facts from time
> to
> > time.
> > P.S. If you would like to sell your IIx I may be
> > interested in purchasing it, I am sure the price
> would
> > be low since yours sounds like crap.
> >
> > Kevin Kelley
> > Audio Playground
> > www.keyboardmuseum.org
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com

Re: [Fairlight-CMI] Fairlight series III and depeche mode

2006-12-15 by Laurent/LIFELIKE

ok sorry u win...!
it was great reward which is from 84
i will eat myself now ;-)


Le 15 déc. 06 à 15:42, kevin kelley a écrit :

It took two seconds to look that up
Artist: Depeche Mode
Album: Black Celebration - 6 reviews:
Year: 1986
Stop now you have no creadability
Also it is in there own words on the dvds they
recently released. Good try. What is your point? LOL

Kevin Kelley

--- Laurent/LIFELIKE <lifelike@neuf.fr> wrote:

> A series III on Black Celebration then ... an album
> produced in 84 as
> the series III where
> released in 85, nice one...
> I like that kind of mister "i know everything",
> seems to be a lot in
> here
> LOL
>
> Le 15 déc. 06 à 14:50, kevin kelley a écrit :
>
> > Funny that depeche mode would be in this
> discussion.
> > Depeche used a synclavier in the studio on Some
> great
> > reward. They then used a series III in the studio
> on
> > Black celebration. They used the emulators and
> emaxs
> > for live only taking samples from the albums to
> play
> > live. I work for EMU at the time and know his to
> be a
> > fact.
> > Nice debate but a little short on facts from time
> to
> > time.
> > P.S. If you would like to sell your IIx I may be
> > interested in purchasing it, I am sure the price
> would
> > be low since yours sounds like crap.
> >
> > Kevin Kelley
> > Audio Playground
> > www.keyboardmuseum.org
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
>
>

__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com


Re: [Fairlight-CMI] Fairlight series III and depeche mode

2006-12-15 by Jean-Bernard EMOND

c'est lui...

http://www.frenchflava.com/frenchtouch-forum/viewtopic.php? 
p=1846&sid=3f5cdd3505663bf8151fbb78f3d4965a

Le 15 déc. 06 à 16:00, Laurent/LIFELIKE a écrit :
Show quoted textHide quoted text
> ok sorry u win...!
>
> it was great reward which is from 84
> i will eat myself now ;-)
>
>
> Le 15 déc. 06 à 15:42, kevin kelley a écrit :
>
>> It took two seconds to look that up
>> Artist: Depeche Mode
>> Album: Black Celebration - 6 reviews:
>> Year: 1986
>> Stop now you have no creadability
>> Also it is in there own words on the dvds they
>> recently released. Good try. What is your point? LOL
>>
>> Kevin Kelley
>>
>> --- Laurent/LIFELIKE <lifelike@neuf.fr> wrote:
>>
>> > A series III on Black Celebration then ... an album
>> > produced in 84 as
>> > the series III where
>> > released in 85, nice one...
>> > I like that kind of mister "i know everything",
>> > seems to be a lot in
>> > here
>> > LOL
>> >
>> > Le 15 déc. 06 à 14:50, kevin kelley a écrit :
>> >
>> > > Funny that depeche mode would be in this
>> > discussion.
>> > > Depeche used a synclavier in the studio on Some
>> > great
>> > > reward. They then used a series III in the studio
>> > on
>> > > Black celebration. They used the emulators and
>> > emaxs
>> > > for live only taking samples from the albums to
>> > play
>> > > live. I work for EMU at the time and know his to
>> > be a
>> > > fact.
>> > > Nice debate but a little short on facts from time
>> > to
>> > > time.
>> > > P.S. If you would like to sell your IIx I may be
>> > > interested in purchasing it, I am sure the price
>> > would
>> > > be low since yours sounds like crap.
>> > >
>> > > Kevin Kelley
>> > > Audio Playground
>> > > www.keyboardmuseum.org
>> > >
>> > >
>> > > __________________________________________________
>> > > Do You Yahoo!?
>> > > Tired of spam? Yahoo! Mail has the best spam
>> > protection around
>> > > http://mail.yahoo.com
>> > >
>> > >
>> >
>> >
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam? Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>
>
>

Re: Fairlight series III and depeche mode

2006-12-15 by jbgrahame

Producer Daniel Miller was heavily into the Synclavier, not the
Fairlight. Black Celebration is absolutely chock-full of Sync FM sounds.

In fact, the distinctive FM synthesis of the Synclavier was all over
Construction Time Again, Some Great Reward and Black Celebration. And
even back when they recorded Construction Time, they were using a PPG
Wave 2.2, Emulator I and the Sync.

Re: Fairlight series III and depeche mode

2006-12-15 by paradyse_james

Laurent you' re welcome in my studio to listen to some fairlights 
sounds and page R sequences. If you want, of course :)


--- In Fairlight-CMI@yahoogroups.com, Laurent/LIFELIKE <lifelike@...> 
wrote:
Show quoted textHide quoted text
>
> ok sorry u win...!
> it was great reward which is from 84
> i will eat myself now ;-)
> 
> 
> Le 15 déc. 06 à 15:42, kevin kelley a écrit :
> 
> > It took two seconds to look that up
> > Artist: Depeche Mode
> > Album: Black Celebration - 6 reviews:
> > Year: 1986
> > Stop now you have no creadability
> > Also it is in there own words on the dvds they
> > recently released. Good try. What is your point? LOL
> >
> > Kevin Kelley
> >
> > --- Laurent/LIFELIKE <lifelike@...> wrote:
> >
> > > A series III on Black Celebration then ... an album
> > > produced in 84 as
> > > the series III where
> > > released in 85, nice one...
> > > I like that kind of mister "i know everything",
> > > seems to be a lot in
> > > here
> > > LOL
> > >
> > > Le 15 déc. 06 à 14:50, kevin kelley a écrit :
> > >
> > > > Funny that depeche mode would be in this
> > > discussion.
> > > > Depeche used a synclavier in the studio on Some
> > > great
> > > > reward. They then used a series III in the studio
> > > on
> > > > Black celebration. They used the emulators and
> > > emaxs
> > > > for live only taking samples from the albums to
> > > play
> > > > live. I work for EMU at the time and know his to
> > > be a
> > > > fact.
> > > > Nice debate but a little short on facts from time
> > > to
> > > > time.
> > > > P.S. If you would like to sell your IIx I may be
> > > > interested in purchasing it, I am sure the price
> > > would
> > > > be low since yours sounds like crap.
> > > >
> > > > Kevin Kelley
> > > > Audio Playground
> > > > www.keyboardmuseum.org
> > > >
> > > >
> > > > __________________________________________________
> > > > Do You Yahoo!?
> > > > Tired of spam? Yahoo! Mail has the best spam
> > > protection around
> > > > http://mail.yahoo.com
> > > >
> > > >
> > >
> > >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
>

Re: [Fairlight-CMI] Re: Fairlight series III and depeche mode

2006-12-16 by Lars Johansson

Actually, they never used the Wave 2.2. It was a Wave 2.

At the time when DM bought the Wave 2 they was promised the possibility to connect it to a Waveterm/Wavecomputer but that never happened. Instead PPG brought out the Wave 2.2 in 1982 which could connect to the Waveterm.

DM got so dissapointed after spending a ( for them at least ) huge amount of money that they started using the Synclavier instead.

Later, they got the Wave 2.3 ( and possibly the Waveterm B ). On Violator they used the Wave 2.3.

The Fairlight was used at PUK studios in Denmark when recording Music for the Masses. Afaik they never bought one.

LJ

http://medlem.spray.se/waveterm/LJLab2006/

----- Ursprungligt meddelande ----- 
Från: "jbgrahame" <jbgrahame@yahoo.com>
Till: <Fairlight-CMI@yahoogroups.com>
Skickat: den 15 december 2006 21:52
Ämne: [Fairlight-CMI] Re: Fairlight series III and depeche mode


Producer Daniel Miller was heavily into the Synclavier, not the
Fairlight. Black Celebration is absolutely chock-full of Sync FM sounds.

In fact, the distinctive FM synthesis of the Synclavier was all over
Construction Time Again, Some Great Reward and Black Celebration. And
even back when they recorded Construction Time, they were using a PPG
Wave 2.2, Emulator I and the Sync.

Re: Fairlight series III and depeche mode

2006-12-18 by tama_rat

Hi,

I bought the Series III machine that came from PUK studios through the
Greg Holmes site back in 1998 or 1999.  I still have it, and it still
works.  It's a Rev6.

Sadly, it didn't come with any DM samples or sequences.  The only
indicator that it came from PUK is a box of floppies labelled "TOMME PUK."

I bought it from a seller in Sweden, who crated it and shipped it to
me in the US.

Getting it working was kind of a nightmare.  When I received it, I was
really excited, as I had wanted a CMI since the 80's.  I'd never
actually used one before.

So, I hooked everything up, turned it on, and it booted.  I couldn't
believe how loud those fans were!  (Were they that loud when new?)

It booted right up, and I could drive the UI with the keyboard &
G-pen.  I loaded a sound, hit a key on the keyboard, and - nothing.  I
explored the manual and the UI for hours, but couldn't get a sound to
come out.  I hooked up external keyboards via MIDI, but still nothing.

This is where I guess most people would give up.  Fortunately, I'm a
computer engineer, so I started taking things apart and poking around
with a logic probe and oscilloscope.  I could tell when I hit a key on
the keyboard that data was coming out, and from the timing on the
'scope I could see that it was 31.25kbps - same as MIDI.  I'd later
figure out that that the Series III music keyboard just sends MIDI,
even though it has that non-MIDI connector.

So then I started studying the MIDI board on that back of the Series
III.  For each of the MIDI ins, I could see MIDI data going into each
of the optoisolators that are used to interface those ports - but
nothing coming out of any of them.  As unlikely as it seemed, it
looked like ALL of the optos were toast.

I had a few spare optos from some MIDI project a few years ago, so I
swapped out the one for the music keyboard - and that fixed it!  YES!

(I had to swap all of the optos to get the MIDI ports working, too.)

Once it was working, I found out that one of the voice boards was
dead.  Man, like I needed that.  I had spent a small fortune on this
thing, and it was hosed.

The silver lining, I guess, was that when I called Fairlight in LA to
look for a service manual, the guy I wound up talking to was Andrew
Brent.  As I laid out my debugging tale to him, I guess I convinced
him that I was worthy of a service manual, so he gave me one.  Andrew,
if you see this, thanks.  I really appreciated that.  With those
schematics, I was able to fix the dead voice board (it was a bad op-amp).

I of course complained to the guy in Sweden who sold me the Series
III.  He wound up sending me another drive full of dance voices to try
to make up for the problems.  Who knows what happened to the machine
that zapped it that bad.  I probably should have been more upset than
I was, but hey, I fixed it.

The machine now has a Horizontal Productions 32MB RAM board in it
(though it only sees 14MB, since it's a Rev6).

Joe



--- In Fairlight-CMI@yahoogroups.com, "Lars Johansson" <lasse@...> wrote:
>
> Actually, they never used the Wave 2.2. It was a Wave 2.
> 
> At the time when DM bought the Wave 2 they was promised the
possibility to connect it to a Waveterm/Wavecomputer but that never
happened. Instead PPG brought out the Wave 2.2 in 1982 which could
connect to the Waveterm.
> 
> DM got so dissapointed after spending a ( for them at least ) huge
amount of money that they started using the Synclavier instead.
> 
> Later, they got the Wave 2.3 ( and possibly the Waveterm B ). On
Violator they used the Wave 2.3.
> 
> The Fairlight was used at PUK studios in Denmark when recording
Music for the Masses. Afaik they never bought one.
Show quoted textHide quoted text
> 
> LJ
> 
> http://medlem.spray.se/waveterm/LJLab2006/
> 
> ----- Ursprungligt meddelande ----- 
> Fr�n: "jbgrahame" <jbgrahame@...>
> Till: <Fairlight-CMI@yahoogroups.com>
> Skickat: den 15 december 2006 21:52
> �mne: [Fairlight-CMI] Re: Fairlight series III and depeche mode
> 
> 
> Producer Daniel Miller was heavily into the Synclavier, not the
> Fairlight. Black Celebration is absolutely chock-full of Sync FM sounds.
> 
> In fact, the distinctive FM synthesis of the Synclavier was all over
> Construction Time Again, Some Great Reward and Black Celebration. And
> even back when they recorded Construction Time, they were using a PPG
> Wave 2.2, Emulator I and the Sync.
>

Re: [Fairlight-CMI] Re: Fairlight series III and depeche mode

2006-12-18 by Peter Connelly

If you don't mind me asking, why did you get a 32 Meg board when you have a 6.03 machine? Do you intend to upgrade it and while these boards were available, decide to grab one while you could?
Cheers,
Peter
On 12/18/06, tama_rat <britt@danger.com> wrote:

Hi,

I bought the Series III machine that came from PUK studios through the
Greg Holmes site back in 1998 or 1999. I still have it, and it still
works. It's a Rev6.

Sadly, it didn't come with any DM samples or sequences. The only
indicator that it came from PUK is a box of floppies labelled "TOMME PUK."

I bought it from a seller in Sweden, who crated it and shipped it to
me in the US.

Getting it working was kind of a nightmare. When I received it, I was
really excited, as I had wanted a CMI since the 80's. I'd never
actually used one before.

So, I hooked everything up, turned it on, and it booted. I couldn't
believe how loud those fans were! (Were they that loud when new?)

It booted right up, and I could drive the UI with the keyboard &
G-pen. I loaded a sound, hit a key on the keyboard, and - nothing. I
explored the manual and the UI for hours, but couldn't get a sound to
come out. I hooked up external keyboards via MIDI, but still nothing.

This is where I guess most people would give up. Fortunately, I'm a
computer engineer, so I started taking things apart and poking around
with a logic probe and oscilloscope. I could tell when I hit a key on
the keyboard that data was coming out, and from the timing on the
'scope I could see that it was 31.25kbps - same as MIDI. I'd later
figure out that that the Series III music keyboard just sends MIDI,
even though it has that non-MIDI connector.

So then I started studying the MIDI board on that back of the Series
III. For each of the MIDI ins, I could see MIDI data going into each
of the optoisolators that are used to interface those ports - but
nothing coming out of any of them. As unlikely as it seemed, it
looked like ALL of the optos were toast.

I had a few spare optos from some MIDI project a few years ago, so I
swapped out the one for the music keyboard - and that fixed it! YES!

(I had to swap all of the optos to get the MIDI ports working, too.)

Once it was working, I found out that one of the voice boards was
dead. Man, like I needed that. I had spent a small fortune on this
thing, and it was hosed.

The silver lining, I guess, was that when I called Fairlight in LA to
look for a service manual, the guy I wound up talking to was Andrew
Brent. As I laid out my debugging tale to him, I guess I convinced
him that I was worthy of a service manual, so he gave me one. Andrew,
if you see this, thanks. I really appreciated that. With those
schematics, I was able to fix the dead voice board (it was a bad op-amp).

I of course complained to the guy in Sweden who sold me the Series
III. He wound up sending me another drive full of dance voices to try
to make up for the problems. Who knows what happened to the machine
that zapped it that bad. I probably should have been more upset than
I was, but hey, I fixed it.

The machine now has a Horizontal Productions 32MB RAM board in it
(though it only sees 14MB, since it's a Rev6).

Joe

--- In Fairlight-CMI@yahoogroups.com, "Lars Johansson" <lasse@...> wrote:
>
> Actually, they never used the Wave 2.2. It was a Wave 2.
>
> At the time when DM bought the Wave 2 they was promised the
possibility to connect it to a Waveterm/Wavecomputer but that never
happened. Instead PPG brought out the Wave 2.2 in 1982 which could
connect to the Waveterm.
>
> DM got so dissapointed after spending a ( for them at least ) huge
amount of money that they started using the Synclavier instead.
>
> Later, they got the Wave 2.3 ( and possibly the Waveterm B ). On
Violator they used the Wave 2.3.
>
> The Fairlight was used at PUK studios in Denmark when recording
Music for the Masses. Afaik they never bought one.
>
> LJ
>
> http://medlem.spray.se/waveterm/LJLab2006/
>
> ----- Ursprungligt meddelande -----
> Fr�n: "jbgrahame" <jbgrahame@...>
> Till: < Fairlight-CMI@yahoogroups.com>
> Skickat: den 15 december 2006 21:52
> �mne: [Fairlight-CMI] Re: Fairlight series III and depeche mode
>
>
> Producer Daniel Miller was heavily into the Synclavier, not the
> Fairlight. Black Celebration is absolutely chock-full of Sync FM sounds.
>
> In fact, the distinctive FM synthesis of the Synclavier was all over
> Construction Time Again, Some Great Reward and Black Celebration. And
> even back when they recorded Construction Time, they were using a PPG
> Wave 2.2, Emulator I and the Sync.
>


Re: [Fairlight-CMI] Re: Fairlight series III and depeche mode

2006-12-18 by Peter Connelly

Hi Laurent
Ah, yes. I never thought of that. Thanks :-)
Kind regards,
Peter
On 12/18/06, Laurent Lemaire <llemaire1@free.fr> wrote:


Hi Peter,

Replacing the 7 CMI39 boards by the WFM32 is reducing
a lot the power consumption and heat generation ...

If I could I would do the same on my rev 6.03 ...

Best regards.

Laurent.


Re: Fairlight series III and depeche mode

2006-12-18 by tama_rat

I actually bought *two* of those 32Meg boards. :-)  One for my 6.03
machine, and one "just in case."

I can't recall how much memory the 6.03 machine came with; I *think*
it was less than the full 14MB.

I really liked the idea of someone creating a new board for this old
machine, and I wanted to support that.  I also figured that with 1
DIMM, it would run a whole lot cooler than that giant pile of
1980's-era DRAMs.  It would certainly be a lot easier on the power supply.

It turned out to be fortuitous that I bought a second 32M board, since
a year or so later I wound up buying a Rev9 machine from a guy in LA.
 I put the second board in it.

I was kind of Fairlight-crazy then.  Not only did I buy the Rev9, I
also bought a non-working Rev6 (this one I *knew* was non-working when
I got it) to use as a spares machine.  And I bought a IIx that had
belonged to Herbie Hancock and Bill Laswell.  The flight cases for it
are coooool - lots of tour stickers and shipping labels from all over
the world.  And the keyboard has a couple of cigarette burns! :-)

Joe


--- In Fairlight-CMI@yahoogroups.com, "Peter Connelly"
<peter.yahoogroups@...> wrote:
>
> If you don't mind me asking, why did you get a 32 Meg board when you
have a
> 6.03 machine? Do you intend to upgrade it and while these boards were
> available, decide to grab one while you could?
> 
> Cheers,
> Peter
> 
> On 12/18/06, tama_rat <britt@...> wrote:
> >
> >   Hi,
> >
> > I bought the Series III machine that came from PUK studios through the
> > Greg Holmes site back in 1998 or 1999. I still have it, and it still
> > works. It's a Rev6.
> >
> > Sadly, it didn't come with any DM samples or sequences. The only
> > indicator that it came from PUK is a box of floppies labelled
"TOMME PUK."
> >
> > I bought it from a seller in Sweden, who crated it and shipped it to
> > me in the US.
> >
> > Getting it working was kind of a nightmare. When I received it, I was
> > really excited, as I had wanted a CMI since the 80's. I'd never
> > actually used one before.
> >
> > So, I hooked everything up, turned it on, and it booted. I couldn't
> > believe how loud those fans were! (Were they that loud when new?)
> >
> > It booted right up, and I could drive the UI with the keyboard &
> > G-pen. I loaded a sound, hit a key on the keyboard, and - nothing. I
> > explored the manual and the UI for hours, but couldn't get a sound to
> > come out. I hooked up external keyboards via MIDI, but still nothing.
> >
> > This is where I guess most people would give up. Fortunately, I'm a
> > computer engineer, so I started taking things apart and poking around
> > with a logic probe and oscilloscope. I could tell when I hit a key on
> > the keyboard that data was coming out, and from the timing on the
> > 'scope I could see that it was 31.25kbps - same as MIDI. I'd later
> > figure out that that the Series III music keyboard just sends MIDI,
> > even though it has that non-MIDI connector.
> >
> > So then I started studying the MIDI board on that back of the Series
> > III. For each of the MIDI ins, I could see MIDI data going into each
> > of the optoisolators that are used to interface those ports - but
> > nothing coming out of any of them. As unlikely as it seemed, it
> > looked like ALL of the optos were toast.
> >
> > I had a few spare optos from some MIDI project a few years ago, so I
> > swapped out the one for the music keyboard - and that fixed it! YES!
> >
> > (I had to swap all of the optos to get the MIDI ports working, too.)
> >
> > Once it was working, I found out that one of the voice boards was
> > dead. Man, like I needed that. I had spent a small fortune on this
> > thing, and it was hosed.
> >
> > The silver lining, I guess, was that when I called Fairlight in LA to
> > look for a service manual, the guy I wound up talking to was Andrew
> > Brent. As I laid out my debugging tale to him, I guess I convinced
> > him that I was worthy of a service manual, so he gave me one. Andrew,
> > if you see this, thanks. I really appreciated that. With those
> > schematics, I was able to fix the dead voice board (it was a bad
op-amp).
> >
> > I of course complained to the guy in Sweden who sold me the Series
> > III. He wound up sending me another drive full of dance voices to try
> > to make up for the problems. Who knows what happened to the machine
> > that zapped it that bad. I probably should have been more upset than
> > I was, but hey, I fixed it.
> >
> > The machine now has a Horizontal Productions 32MB RAM board in it
> > (though it only sees 14MB, since it's a Rev6).
> >
> > Joe
> >
> > --- In Fairlight-CMI@yahoogroups.com
<Fairlight-CMI%40yahoogroups.com>,
> > "Lars Johansson" <lasse@> wrote:
> > >
> > > Actually, they never used the Wave 2.2. It was a Wave 2.
> > >
> > > At the time when DM bought the Wave 2 they was promised the
> > possibility to connect it to a Waveterm/Wavecomputer but that never
> > happened. Instead PPG brought out the Wave 2.2 in 1982 which could
> > connect to the Waveterm.
> > >
> > > DM got so dissapointed after spending a ( for them at least ) huge
> > amount of money that they started using the Synclavier instead.
> > >
> > > Later, they got the Wave 2.3 ( and possibly the Waveterm B ). On
> > Violator they used the Wave 2.3.
> > >
> > > The Fairlight was used at PUK studios in Denmark when recording
> > Music for the Masses. Afaik they never bought one.
> > >
> > > LJ
> > >
> > > http://medlem.spray.se/waveterm/LJLab2006/
> > >
> > > ----- Ursprungligt meddelande -----
> > > Fr�n: "jbgrahame" <jbgrahame@>
> > > Till: <Fairlight-CMI@yahoogroups.com
<Fairlight-CMI%40yahoogroups.com>>
> > > Skickat: den 15 december 2006 21:52
> > > �mne: [Fairlight-CMI] Re: Fairlight series III and depeche mode
> > >
> > >
> > > Producer Daniel Miller was heavily into the Synclavier, not the
> > > Fairlight. Black Celebration is absolutely chock-full of Sync FM
sounds.
> > >
> > > In fact, the distinctive FM synthesis of the Synclavier was all over
> > > Construction Time Again, Some Great Reward and Black
Celebration. And
> > > even back when they recorded Construction Time, they were using
a PPG
Show quoted textHide quoted text
> > > Wave 2.2, Emulator I and the Sync.
> > >
> >
> > 
> >
>

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.