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QTR-Quadtone RIP

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Thread

Calibration

Calibration

2012-01-18 by Keith

Been away from QTR for a while. Updated my computer, changed OS(from Vista to W7-64). Tonight I decided to update/install QTR on my current computer and realised that I didn't save the profiles I made from my old computer. Having made new color profiles, I now turn my thoughts to B&W. I opened QTR 2.7.0.0 found the calibration mode and opened the online manual. I do hope someone could go through it and update it. It's almost 7 years old and in some respects is very hard to follow with respect to todays printers and inks. Anyway, my first question has to do with the ink calibration slider. In the manual it states:

"To print the first Ink Separation Test Page, place a piece of the paper for
which the Curve will be designed in the printer, make sure the calibration
slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
off."

However in the ink calibration box(in the calibration mode) the slider is all the way to THE RIGHT and the box indicates 100.
So which why should the slider be placed? All the way to the left, indicating 1, or all the way to the right, indicating 100.

So which is it?

Re: [QuadtoneRIP] Calibration

2012-01-18 by Mike Finley

Since I don't read the instructions until things don't work, and 
calibration has worked for me, try it with the slider at the right and 
indicating 100. (Worst case, if its wrong it would probably print a 
calibration page at 0% density that wouldn't waste much ink, and could 
be reprinted with the correct density!)
There was one version of QTR that had a bug that needed a patch applied, 
I can't remember the details of the bug, or which version it was. The 
current version is 2.7.2

On 18/01/2012 02:36, Keith wrote:
>
> Been away from QTR for a while. Updated my computer, changed OS(from 
> Vista to W7-64). Tonight I decided to update/install QTR on my current 
> computer and realised that I didn't save the profiles I made from my 
> old computer. Having made new color profiles, I now turn my thoughts 
> to B&W. I opened QTR 2.7.0.0 found the calibration mode and opened the 
> online manual. I do hope someone could go through it and update it. 
> It's almost 7 years old and in some respects is very hard to follow 
> with respect to todays printers and inks. Anyway, my first question 
> has to do with the ink calibration slider. In the manual it states:
>
> "To print the first Ink Separation Test Page, place a piece of the 
> paper for
> which the Curve will be designed in the printer, make sure the calibration
> slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
> off."
>
> However in the ink calibration box(in the calibration mode) the slider 
> is all the way to THE RIGHT and the box indicates 100.
> So which why should the slider be placed? All the way to the left, 
> indicating 1, or all the way to the right, indicating 100.
>
> So which is it?
>
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-- 
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http://words.mikefinley.co.uk
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[Non-text portions of this message have been removed]

Re: [QuadtoneRIP] Calibration

2012-01-18 by Terry Ritz

That must be a typo. You want the calibration slider set to 100 to determine how the paper responds to a full ink load. Measuring the step wedge that's printed will then help you determine where to set the ink limit for the paper. You will set the calibration slider to the ink limit value when you make your second calibration print. 

Terry. 
Show quoted textHide quoted text
On 2012-01-17, at 8:36 PM, "Keith" <kjrslr@...> wrote:

> "To print the first Ink Separation Test Page, place a piece of the paper for
> which the Curve will be designed in the printer, make sure the calibration
> slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
> off."
> 
> However in the ink calibration box(in the calibration mode) the slider is all the way to THE RIGHT and the box indicates 100.
> So which why should the slider be placed? All the way to the left, indicating 1, or all the way to the right, indicating 100.
> 
> So which is it?

Re: Calibration

2012-01-18 by Keith

Thank you both, Mike & Terry!
I did make the calibration print with the slider indicating 100, so it sound that at this point I'm good to go. For now. Until my next question. If it is a typo, it's gone unquestioned for almost 7 years.
My next question concerns reading the cal print. The last time I went through this(I did this ONCE-well over a year ago) I used my DataColor spectrcolorimeter, but can't remember the steps I took. Since all the documentation involves the Eye-One, is there anyone that uses the DataColor spectro. I know it can be done, I just don't remember how.
Thanks! 

--- In QuadtoneRIP@yahoogroups.com, Terry Ritz <t.ritz@...> wrote:
Show quoted textHide quoted text
>
> That must be a typo. You want the calibration slider set to 100 to determine how the paper responds to a full ink load. Measuring the step wedge that's printed will then help you determine where to set the ink limit for the paper. You will set the calibration slider to the ink limit value when you make your second calibration print. 
> 
> Terry. 
> 
> On 2012-01-17, at 8:36 PM, "Keith" <kjrslr@...> wrote:
> 
> > "To print the first Ink Separation Test Page, place a piece of the paper for
> > which the Curve will be designed in the printer, make sure the calibration
> > slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
> > off."
> > 
> > However in the ink calibration box(in the calibration mode) the slider is all the way to THE RIGHT and the box indicates 100.
> > So which why should the slider be placed? All the way to the left, indicating 1, or all the way to the right, indicating 100.
> > 
> > So which is it?
>

Re: [QuadtoneRIP] Re: Calibration

2012-01-19 by Terry Ritz

In Spyder3Print you pull down <Tools> and choose <Calibrate>. Then pull
<Tools> down again and select <Measure>. In the Measure tool click on
<Export to...> and choose a file name and location. Once done you have to
specify either Lab or Density, and then take your measurements.

Terry.
Show quoted textHide quoted text
On 12-01-18 5:12 PM, "Keith" <kjrslr@...> wrote:

> Thank you both, Mike & Terry!
> I did make the calibration print with the slider indicating 100, so it sound
> that at this point I'm good to go. For now. Until my next question. If it is a
> typo, it's gone unquestioned for almost 7 years.
> My next question concerns reading the cal print. The last time I went through
> this(I did this ONCE-well over a year ago) I used my DataColor
> spectrcolorimeter, but can't remember the steps I took. Since all the
> documentation involves the Eye-One, is there anyone that uses the DataColor
> spectro. I know it can be done, I just don't remember how.
> Thanks! 
> 
> --- In QuadtoneRIP@yahoogroups.com, Terry Ritz <t.ritz@...> wrote:
>> 
>> That must be a typo. You want the calibration slider set to 100 to determine
>> how the paper responds to a full ink load. Measuring the step wedge that's
>> printed will then help you determine where to set the ink limit for the
>> paper. You will set the calibration slider to the ink limit value when you
>> make your second calibration print.
>> 
>> Terry. 
>> 
>> On 2012-01-17, at 8:36 PM, "Keith" <kjrslr@...> wrote:
>> 
>>> "To print the first Ink Separation Test Page, place a piece of the paper for
>>> which the Curve will be designed in the printer, make sure the calibration
>>> slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
>>> off."
>>> 
>>> However in the ink calibration box(in the calibration mode) the slider is
>>> all the way to THE RIGHT and the box indicates 100.
>>> So which why should the slider be placed? All the way to the left,
>>> indicating 1, or all the way to the right, indicating 100.
>>> 
>>> So which is it?

Re: Calibration

2012-01-19 by Keith

Thank You! I'm assuming that I would choose density, correct? I think that's what I selected last time.

--- In QuadtoneRIP@yahoogroups.com, Terry Ritz <t.ritz@...> wrote:
Show quoted textHide quoted text
>
> In Spyder3Print you pull down <Tools> and choose <Calibrate>. Then pull
> <Tools> down again and select <Measure>. In the Measure tool click on
> <Export to...> and choose a file name and location. Once done you have to
> specify either Lab or Density, and then take your measurements.
> 
> Terry.
> 
> On 12-01-18 5:12 PM, "Keith" <kjrslr@...> wrote:
> 
> > Thank you both, Mike & Terry!
> > I did make the calibration print with the slider indicating 100, so it sound
> > that at this point I'm good to go. For now. Until my next question. If it is a
> > typo, it's gone unquestioned for almost 7 years.
> > My next question concerns reading the cal print. The last time I went through
> > this(I did this ONCE-well over a year ago) I used my DataColor
> > spectrcolorimeter, but can't remember the steps I took. Since all the
> > documentation involves the Eye-One, is there anyone that uses the DataColor
> > spectro. I know it can be done, I just don't remember how.
> > Thanks! 
> > 
> > --- In QuadtoneRIP@yahoogroups.com, Terry Ritz <t.ritz@> wrote:
> >> 
> >> That must be a typo. You want the calibration slider set to 100 to determine
> >> how the paper responds to a full ink load. Measuring the step wedge that's
> >> printed will then help you determine where to set the ink limit for the
> >> paper. You will set the calibration slider to the ink limit value when you
> >> make your second calibration print.
> >> 
> >> Terry. 
> >> 
> >> On 2012-01-17, at 8:36 PM, "Keith" <kjrslr@> wrote:
> >> 
> >>> "To print the first Ink Separation Test Page, place a piece of the paper for
> >>> which the Curve will be designed in the printer, make sure the calibration
> >>> slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
> >>> off."
> >>> 
> >>> However in the ink calibration box(in the calibration mode) the slider is
> >>> all the way to THE RIGHT and the box indicates 100.
> >>> So which why should the slider be placed? All the way to the left,
> >>> indicating 1, or all the way to the right, indicating 100.
> >>> 
> >>> So which is it?
>

Re: [QuadtoneRIP] Re: Calibration

2012-01-19 by Terry Ritz

They are different units that measure the same thing. I like to set my ink limit using the darkest value that still maintains at least 1.0 L* between it and the next lightest value. I also use a ColorMunki, which exports Lab values. So, I use Lab. I used to use density. Either will work fine. 

Btw, if you use Lab values with CreateICC you can soft proof the print tones in Photoshop. That's where the a* and b* in Lab come in handy. I also like to look at tonality as I'm building my curves, but it's a "nice to have", and not a requirement. 

Terry. 
Show quoted textHide quoted text
On 2012-01-19, at 9:35 AM, "Keith" <kjrslr@...> wrote:

> Thank You! I'm assuming that I would choose density, correct? I think that's what I selected last time.
> 
> --- In QuadtoneRIP@yahoogroups.com, Terry Ritz <t.ritz@...> wrote:
>> 
>> In Spyder3Print you pull down <Tools> and choose <Calibrate>. Then pull
>> <Tools> down again and select <Measure>. In the Measure tool click on
>> <Export to...> and choose a file name and location. Once done you have to
>> specify either Lab or Density, and then take your measurements.
>> 
>> Terry.
>> 
>> On 12-01-18 5:12 PM, "Keith" <kjrslr@...> wrote:
>> 
>>> Thank you both, Mike & Terry!
>>> I did make the calibration print with the slider indicating 100, so it sound
>>> that at this point I'm good to go. For now. Until my next question. If it is a
>>> typo, it's gone unquestioned for almost 7 years.
>>> My next question concerns reading the cal print. The last time I went through
>>> this(I did this ONCE-well over a year ago) I used my DataColor
>>> spectrcolorimeter, but can't remember the steps I took. Since all the
>>> documentation involves the Eye-One, is there anyone that uses the DataColor
>>> spectro. I know it can be done, I just don't remember how.
>>> Thanks! 
>>> 
>>> --- In QuadtoneRIP@yahoogroups.com, Terry Ritz <t.ritz@> wrote:
>>>> 
>>>> That must be a typo. You want the calibration slider set to 100 to determine
>>>> how the paper responds to a full ink load. Measuring the step wedge that's
>>>> printed will then help you determine where to set the ink limit for the
>>>> paper. You will set the calibration slider to the ink limit value when you
>>>> make your second calibration print.
>>>> 
>>>> Terry. 
>>>> 
>>>> On 2012-01-17, at 8:36 PM, "Keith" <kjrslr@> wrote:
>>>> 
>>>>> "To print the first Ink Separation Test Page, place a piece of the paper for
>>>>> which the Curve will be designed in the printer, make sure the calibration
>>>>> slider is ALL THE WAY TO THE LEFT(100), click the Print button and you're
>>>>> off."
>>>>> 
>>>>> However in the ink calibration box(in the calibration mode) the slider is
>>>>> all the way to THE RIGHT and the box indicates 100.
>>>>> So which why should the slider be placed? All the way to the left,
>>>>> indicating 1, or all the way to the right, indicating 100.
>>>>> 
>>>>> So which is it?

Calibration

2014-12-01 by petergcane@...

Can anyone tell me when printing out an inkseperation.tiff, is any sort of curve applied in anyway to each ink channel or is it a straight line curve, where the gradient is equal to 1?

Thanks


Peter.


Re: Calibration

2014-12-02 by richard@...

The output with calibration mode is strictly 1 to 1 and there is no "curve" or any other behind the scenes adjustment to the file as it is sent to the printer. The point of the calibration mode is to see what the native linear response of the printer is so you can then correct for it in the profile creation process. The red channel determines what ink channel to fire, and the green channel determines the percentage of ink to fire—G-255 is no ink G-0 is 100% ink. The ink limit setting in the print dialog box controls how much is fired at the G-0 value, and all the values from G-255 to G-0 are linear relative to that overall ink limit. If you wanted to use a lot of paper setting your ink limits you could make a 256-step target for each channel and see exactly where the d-max for each shade is and where overlaps fall—overkill, even for me.

Higher end rips like Studio Print will actually linearize each channel individually. That isn't an option with QTR, but if you don't go crazy setting ink limits past where the dot gain curve levels off the native density increase is pretty much linear (at least for the lighter shades). The darker shades are controlled in some of the .qdif/.txt file options like ' GRAY_SHADOW=" " ' and ' GRAY_CURVE=" " '


New User Guide: I announced over the summer that am working on one. It was going to just be a short PDF, but as I get into some of the more advanced methods for making multi-gray profiles it is getting longer and needs a full ebook to cover the three different approaches for OEM and Thrid party gray inksets. My day job had me busy for the last few months and I haven't worked it all out yet. I am spending the next month hammering away on it, and should be ready early next year. The full book will also come with new targets, references files and methods for current software and excel templates for making the profile creation process easier.

Richard Boutwell

www.bwmastery.com
www.RichardBoutwell.com

Re: [QuadtoneRIP] Re: Calibration

2014-12-02 by Peter Cane

Thanks guys, that helps!


Sent from my iPhone
Show quoted textHide quoted text
> On Dec 1, 2014, at 7:49 PM, "richard@... [QuadtoneRIP]" <QuadtoneRIP@...m> wrote:
>
> The output with calibration mode is strictly 1 to 1 and there is no "curve" or any other behind the scenes adjustment to the file as it is sent to the printer. The point of the calibration mode is to see what the native linear response of the printer is so you can then correct for it in the profile creation process. The red channel determines what ink channel to fire, and the green channel determines the percentage of ink to fire—G-255 is no ink G-0 is 100% ink. The ink limit setting in the print dialog box controls how much is fired at the G-0 value, and all the values from G-255 to G-0 are linear relative to that overall ink limit. If you wanted to use a lot of paper setting your ink limits you could make a 256-step target for each channel and see exactly where the d-max for each shade is and where overlaps fall—overkill, even for me.
>
> Higher end rips like Studio Print will actually linearize each channel individually. That isn't an option with QTR, but if you don't go crazy setting ink limits past where the dot gain curve levels off the native density increase is pretty much linear (at least for the lighter shades). The darker shades are controlled in some of the .qdif/.txt file options like ' GRAY_SHADOW="  " ' and  ' GRAY_CURVE="  " '
>
>
> New User Guide: I announced over the summer that am working on one. It was going to just be a short PDF, but as I get into some of the more advanced methods for making multi-gray profiles it is getting longer and needs a full ebook to cover the three different approaches for OEM and Thrid party gray inksets. My day job had me busy for the last few months and I haven't worked it all out yet. I am spending the next month hammering away on it, and should be ready early next year. The full book will also come with new targets, references files and methods for current software and excel templates for making the profile creation process easier.
>
> Richard Boutwell
>
> www.bwmastery.com
> www.RichardBoutwell.com
>
>

Re: [QuadtoneRIP] Re: Calibration

2014-12-02 by richard@...

What I wrote was is in reference to the red and green channels in the RGB ink separation images as they are viewed in photoshop (make sure you first go to assign profile and click "don't color manage") and is platform agnostic. Don't mess with the RED channel. You can change the values of the green channel, but altering the red channel to anything other than the values below will give you problems. You need to be comfortable working with individual channels or you might clobber something.

For the six channel printers the Red values to fire each separate ink are:
K — R-127
C — R-191
M — R-223
LC — R-247
LM — R-251
Y — R-239
The Green channel can have a value from 0-255
The Blue Channel must remain 255


There is no reason to change these Green values unless you are making your own ink purge images where you need to fire one ink to clear the line or ramps of individual inks. Making gradients of separate inks is not really a needed since you want to be able measure individually defined patches anyway.

In any case, printing these will only work when using QTR calibration mode with no color management. You will get a mess otherwise.

Hope that clears it up a little more.

Richard Boutwell



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