Your missing the point. there is no stopping "A" and
starting"B"... they ALL run concurrently. You might be
able to simulate the same effect by having whatever
vca is responsible for the output of the voice that
row A is driving to attenuate after the first pass of
the sequence... also attenuates row B output vca for
that voice while row A runs..... then switches that
vca while bringing up same vca for row B when the
sequencer makes another pass. Hmmmm... ? now there's a
patch i'd like to see. LOL. I'm not sure how you would
do this... a Shmidt Trigger?? Do you see what i mean??
all the rows run at the same time.. it's just a matter
of controling the VCAs that control the output of the
respective rows voice.
This sounds like a job for one of Grenaders Event
Triggers.
I'd give this some energy but for the fact that i'm
trying to figure out how to use the DSG as a filter.
I've heard that it is good for taking the "buzz" out
of sounds so that they sound smooth.... or
smoother.Anyway, i put up a patch last night to work
on this and when i got done i had a veritable pasta
fest going on that was so far from the original intent
that it became something else entirley. oh well.
kind regards
john duval
--- Ioannis Kazlaris <ikazlar@...> wrote:
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starting"B"... they ALL run concurrently. You might be
able to simulate the same effect by having whatever
vca is responsible for the output of the voice that
row A is driving to attenuate after the first pass of
the sequence... also attenuates row B output vca for
that voice while row A runs..... then switches that
vca while bringing up same vca for row B when the
sequencer makes another pass. Hmmmm... ? now there's a
patch i'd like to see. LOL. I'm not sure how you would
do this... a Shmidt Trigger?? Do you see what i mean??
all the rows run at the same time.. it's just a matter
of controling the VCAs that control the output of the
respective rows voice.
This sounds like a job for one of Grenaders Event
Triggers.
I'd give this some energy but for the fact that i'm
trying to figure out how to use the DSG as a filter.
I've heard that it is good for taking the "buzz" out
of sounds so that they sound smooth.... or
smoother.Anyway, i put up a patch last night to work
on this and when i got done i had a veritable pasta
fest going on that was so far from the original intent
that it became something else entirley. oh well.
kind regards
john duval
--- Ioannis Kazlaris <ikazlar@...> wrote:
>__________________________________
> Hi,
>
> OK, lets say that row A outputs values a1, a2, a3,
> and a4 (a1, a2, a3 < a4). If I feed the A output to
> a comparator with its value set to a4 + 1 and then
> to a XOR that also has its output to row B, I
> suppose then that an inverted signal from the XOR
> would stop A and start B. I really think that by
> using some boolean logic to the party it might
> happen. Have I got this wrong?
>
> For hard sync, I suppose that any waveform that sees
> a sharp transient modulating its pitch would be
> forced to restart. Isn't this after all, the nature
> of synchronization? Now wonder why you can't sync
> sines. There's not a sharp thing anywhere.
>
> Rex send me some stuff and .... God how bad I want
> one...
>
> Yannis
>
>
> ---------------------------------
> Do you Yahoo!?
> Win a $20,000 Career Makeover at Yahoo! HotJobs
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