Analogue-sequencer

skylab001 wrote:

A great way to create unusual riffs is to use the sculpt option to set 
your pitches, note lengths, velocities and aux values. Rather than 
merely holding down the function key and turning the knob, try turning 
the knob whilst rapidly tapping patterns on the function key. I was 
doing this yesterday to set the filter balance on an Access Virus so it 
did these wild leaps from one filter to another in a way that smooth 
knob operation wouldn't achieve.

Using the "tap" softkey to enter initial 'gate on' events is another 
good way to do stuff that doesn't sound like it's been hammered in using 
familiar hand positions on a keyboard. Try setting up an aux to grab 
notes from another track then use sculpt to set what which track you are 
grabbing from. Doing this, closing yours eyes and listening to the 
results is another cool way to get something you might not "compose".


-- 
Paul
---
"Effectus super absolutionem"
http://www.JointIntelligenceCommittee.com
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