Analogue-sequencer

> anyway, the trill is clearly anticipating the beat. it can't 
> be done the same way on a p3 because even though you can add 
> repeats to the note before with the right pitch, there's one too many.
> I can try to explain with a little four note sequence:
> 
> 1 (* * *) 1 (* 3 4) 1 (* * *) 1 (* * *)
> 
> is what you're trying to achieve. the trill is before the third "1".
> 
> with the p3, you can either do:
> 
> 1 (* * *) 1 (2 3 4) 1 (* * *) 1 (* * *)
> 
> or 
> 
> 1 (* * *) 1 (* * *) 1 (2 3 *) 1 (* * *)
> 
> note that the trill is either too "busy" or comes after the "1".

I see.
Of course you could just use a tbase of 64, with a 4 bar pattern if needed,
and put the trill notes in the right places for the example sequence.

Best regards,
Colin Fraser
Sequentix Music Systems Ltd
http://www.sequentix.com