Analogue-sequencer

Hi Paul  : )
well, i wasn't even going to bring it. But if you can pound some of the more subtle nuances into my thick skull, i'll reconsider. My build is 3.98
. . . .   that sounds so suggestive. . . erotic even.  LMAO!!!!    hey dude..... my build is. . . .  hahahah
see ya next week.
kind regards
john duval

-------------- Original message -------------- 
darkstr1746@comcast.net wrote:

>I think i liked this machine better when it was in it's infancy. It was much more straight forward. I like simple and straightforward. I like to be able to see what's going on and all this masking and unmasking stuff has just left me behind.   IT's probably where i belong i might add.  
>  
>
Dude, sounds like we're gonna have such fun getting our heads together 
at Arcosanti.
Perhaps you can persuade Colin to produce a special upgrade to version 
1.0 at a nice price...:)

Paul

---
Paul Nagle / Soft Room Music / Bogus Focus Records / Binar / Headshock / The Joint Intelligence Committee
        www.softroom.co.uk / www.BogusFocus.com / www.JointIntelligenceCommittee.com                       




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subtopic: love of hardware step sequencers.

Confession: I have cheated on the p3. I have also purchased a Shrittmacher.

Comment: I love them both. The p3 is way more powerful. The Shrittmacher
interface makes it way easier to do certain things. Goal is to try to use
them together.

The technical exercise for now is, eschewing all musical results ( luckily )
is simply to get a bidirectional communication going. Success. Set up a
remote midi channel on the p3, and am transposing events with the
Schrittmacher. Simultaneously, the p3 is transposing the events that are
transposing it.

It sounds terrible, but I deserve another beer.

The Schrittmacher is really a fabulous machine. It has nothing like the aux
events of the p3, but its main strengths are (off the top of me head):
you can view all 16 possible event values on the screen simultaneously.
it is fantastically easy to set up tons of tracks very quickly which
modulate each other, separate out pitch, velocity, note length, etc, all at
different track lengths. This is far easier and quicker to do on it than the
p3.

the goal is to come up with ways of working with them so that they
complement each other, i.e. they really become one machine in my mind. The
beer ultimately will not help.

On Mon, 05 Sep 2005 02:16:07 +0000, darkstr1746@comcast.net wrote:

>Hi Paul  : )
>well, i wasn't even going to bring it. But if you can pound some of the more subtle nuances into my thick skull, i'll reconsider. My build is 3.98

I think Jim's bringing his and maybe others too. We can have a little
workshop if you like, but mine are usually not especially subtle.. :)

Paul


---
Paul Nagle - SoftRoom Music - www.softroom.co.uk
          Bogus Focus Records - www.BogusFocus.com