Hi Ed, Thanks to Mark and Royce, BC Manager is probably the best editor to work with, so when you assign volume to 16 pots, you can assign also the display, to 'see' the volume. In your case, if you need access to all 16 mics, assign 2 rows of 8 for Volume. Then for stuff other then volume have the 16 buttons to access the16 channels for tweaking and specific stuff: pan, fx, etc, common to all 16 Top row of pots has also push on/off feature: mute/solo etc... There are so many possibilities... What I do when I make a template is I load template # X, in the buffer(#0) and in the buffer , you can do anything and immediately send it to BCR, MIDI icon is green, (if it is grey, you're not there) to see how it works...But you must stay on X, and then when done, save it (button store 2 x) So basically, send the template (to buffer) that you want to use for your assignment, because you will overwrite that template... Be careful not to send all midi, (you can save your template, but don't send it unless you know what you're doing, I don't), because it has happen to me, that I over-wrote and erased all of my templates with factory template or something else. This is the only feature that I don't like on BC manager (and wish it wasn't possible). cheers PS. look at the editing features in BC manager, you assign "groups" with one click... ________________________________ From: Edward Cosla <edco2003@...> To: bc2000@yahoogroups.com Sent: Tuesday, 13 September 2011, 2:30 Subject: Re: [bc2000] Re: Introduction Hi Karel, Thanks for giving me some good ideas on how common functions can be mapped. Was not clear on using different midi channels before. I think I am understanding what you wrote, have to read and re-read again.. For this project, I think I would need to have constant access to all track volumes all the time (top 16 encoders mapped to 16 track volumes). This will be a live theater production and I forsee needing to adjust more than one encoder at the same time. I think I understand in the way you are describing that I would have to choose each track by pushing a button before I could adjust any parameters on that track. It still would be nice to be able to map an encoder to scroll through choosing/highlighting each channel as I turn one encoder. I think something like this is possible because I remember reading about someone's template where they used one push encoder to scroll up and down through clips, and another to scroll left and right through clips, and then a push on one of the encoders to fire the clip. Thanks for your attention, Edward --- On Mon, 9/12/11, karel skakal <s_y_nagual@...> wrote: >From: karel skakal <s_y_nagual@...> >Subject: Re: [bc2000] Re: Introduction >To: "bc2000@yahoogroups.com" <bc2000@yahoogroups.com> >Date: Monday, September 12, 2011, 2:42 AM > > > >Hi Ed, >I would assign each of the 16 tracks/mics to 16 buttons. You can "see" where you are and it is accurate to switch between tracks. >Then all the pots would be assigned to (common) functions/controls...Each (pot) would have its MIDI channel, corresponding to track, (button)... >So you can assign top 8 pots to 8 functions = 16 x 8 = 128 assignments per row!....(16 x Volume, ch.1-16, pot #1 for example) >I don't know what you want to do, I imagine you want to control FX, volume, pan, etc..? > > > > > >________________________________ >From: Royce <rpcfender@...> >To: bc2000@yahoogroups.com >Sent: Monday, 12 September 2011, 4:31 >Subject: [bc2000] Re: Introduction > > > >Hi Edward >I was hoping some of the expert Live users here would be better able to >help. > >> I have decided it might be easier at this point to build a static >mapping for the bcr rather than to try a Mackie emulation or some >control surface. In the midi prefs of Ableton I just have the remotes on >for the rme digiface input and output midi ports, and have no control >surface selected. > >If you have selected any one of the BCR USB modes then this turns the BC >into a Midi interface and you will need to select it in the Controller >section of Live. >Send the 'dump' to the BCR and then the tracks will correspond to the 8 >columns of the BC (called Instant mapping see the tutorial help under >Control surfaces to see the mapping) >I am unaware of how you get to channel 9 to 16. In Sonar you simply >press the <> switches to move by 8 tracks. >I can see that the Novation has a next/previous 8 tracks so perhaps you >could search out what Midi messages it sends to achieve this and program >the BC in the same way. > >> >> Is there some way to program an encoder to scroll through and select >each track along it's travel? > >Not that I am aware of. Anyone else know??? >> >> To clarify: in the session view of Ableton, if I have 16 tracks and >each is a mic input. I would like to be able to select any one of the 16 >tracks by turning one encoder on the lower row of the bcr. So when the >encoder is all the way counter clockwise track 1 is selected. When the >encoder is all the way clockwise, track 16 would be selected, and each >track in between would be selected as the encoder is turned. >> >> This would make navigating to see the inserted processing on each >track very easy. > >So, I guess you would like to have a single 'strip' on the BC and select >the track that it would apply to? >Perhaps blocks of 8 might be easier. > >Royce > > > >
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Re: [bc2000] Re: Introduction
2011-09-13 by karel skakal
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