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BP and importing PS curves

BP and importing PS curves

2007-05-01 by Antonio Bayma Jr

Hi all,
Some weeks ago I decided to retire my old Epson R200 printer which gave me many good prints for almost 3 years with the help of software-profiling Profile Prism. New printer (Epson R270), new CIS and new inks. So I decided to upgrade color profiling to something more professional, purchased PFP and have been playing with it since 10 days ago. For a matte paper I have been printing on for 2 years, it gave me almost perfect results right after the first created profile. After some minor adjustments, PFP gave incredible results. Unfortunately, I do not have the same luck with another glossy paper, which I still have almost one thousand sheets in stock. I have printed targets with many combinations of Media Type (from Epson Matte to Epson Ultra Glossy), Print Quality (Photo and Photo RPM), Color Management (ICM on, ICM off, Color Controls with different gamma, color mode and brightness settings, etc) with no success. Every profile made from those printed targets lacks a great deal of shadow details, causing color distortion, casting and posterizing, only at shadow range. Some shadow patches suffer a great shift in color and brightness, just 5 to 10 minutes after printing. It seems to be an incompability between those glossy papers I have and the ink, not some inherent limitation of one or both of them. In the past, paper supplier gave me some beautifully printed samples with that same paper, although they were printed with an Epson R800 and pigmented inks. In the other side, the ink manufacturer have some profiles made for Epson R220 and their papers and, submiting them to the Photoshop' softprofiling feature, it does not show any significant gamut limitation for some difficult-color sample images.
I do not know what to change first: the paper or the ink. Maybe, considering the stock of glossy papers I still have, ink changing would be economical. Someone has any experience with R260/R270 and know if it work with pigmented inks? Pigmented inks are less suscetible to color shifting right after printing? Maybe I would make a try to see if I get better results.
Meanwhile, I have been playing with PFP profiling settings trying to minimize those problems, but I achieved only subtle and limited improvements. The best I could get was to modify the Photoshop default output curve from (0,0,0)-(255,255,255) to (56,56,56)-(255,255,255) to a given image. Although the deepest printed black became lighter than the one with matte paper, it was a good compromise because I got corrected colors and no posterizing or color casting in shadows, as all those erratic colors fall in the range of (0,0,0)-(55,55,55). The less contrast is not a great factor if I don't compare it to a normally printed sample side by side.
Then, another problem appeared. I tried to build a new profile and import that Photoshop curve into the PFP settings prior profile generation. Although the new curve seemed to have been merged into the profile, it was done partially only, as the black point remained the same. In fact, an inspection gave me the conclusion that the profile does not operate on any pixel in range of (0,0,0)~(10,10,10). Is there any solution to that? Any other profile editor would give what I desire?
Hope my English is enough to be understood. If someone could help me, I would be so grateful.
Regards,
Antonio

Re: [colorvision_group] BP and importing PS curves

2007-05-01 by CDTobie@aol.com

>>Then, another problem appeared. I tried to build a new profile and 
import that Photoshop curve into the PFP settings prior profile 
generation. Although the new curve seemed to have been merged into the 
profile, it was done partially only, as the black point remained the 
same. In fact, an inspection gave me the conclusion that the profile 
does not operate on any pixel in range of (0,0,0)~(10,10,10). Is there 
any solution to that? Any other profile editor would give what I desire?

Its not the profile editor at fault; any profile editor can only alter 
values that the printer/driver will allow to be altered. If this 
printer/driver configuration does not allow the deepest shadows to be 
lightened by a Photoshop curve in a PFP profile, then they simply can't 
be controlled from an RGB profile. Sorry to sound unsympathetic about 
your stock of paper you wish to salvage by profiling, but I would make 
this observation:

Trying to beat a bad printer/ink/paper combination into submission 
though profiling is not a very good choice; finding a printer/ink/paper 
combination that performs well is a much better way to achieve good 
results. Every so often I run up against someone just determined to 
make some rather poor combination work by profiling it (almost always 
to save money: on a low cost paper, on third party inks, or on an older 
or low end printer). Inevitably they say they can get improvements, but 
they still aren't satisified. They need to have some perspective about 
this process: it isn't magic, it can make bad combinations better, and 
good combinations excellent; but it can't necessarily make bad 
combinations excellent.

C. David Tobie
Product Technology Manager
ColorVision, Inc.
CDTobie@...
www.colorvision.com
________________________________________________________________________
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Re: [colorvision_group] BP and importing PS curves

2007-05-03 by Antonio Bayma Jr

Hi David!
First of all, thanks for your prompt reply. Today I had proceeded with two experiments. The first one was to put back the original R270 Epson cartridges and profile them for that glossy paper. Regarding to shadow tones, the result, while a bit better than the Guardian Imaging MGS ink, was still barely acceptable. Tried the same configuration with another two glossy samples I could find among friends -- almost no improvement. So the ink, itself, seems not to be the problem. Then I reprofiled the old R200 printer with its ink set (another manufacturer) and the same glossy paper. The result, despite of the obvious difference in quality between the old and the new printer (R200 vs. R270), was much much better. So the paper, itself, seems neither to be the problem. What I have concluded is that Epson R270 (whatever media setting is used to print targets) put too much ink to produce shadows. They might be reacting all together at the most superficial layer of the paper before drying, which would be the cause of that huge and fast color/brightness shifting some minutes after printing.
According to your experience (or in the experience of any other reader of this forum), before abandoning this new printer and go back to the R200 and go straight ahead to an R800, should I try a pigmented ink? Is it less suscetible to color shifting (I mean in short term, just after printing)? Also, I have found a regional distributor for an ink manufacturer called BOTO (http://www.strongcolor.com). They produce three different black pigmented inks: Black, Photo Black and Light Black. Regarding to the problem I have been experiencing with that glossy paper, would be the Photo Black better than the default Black? Should I try to replace only the black ink or also the other ones?
Regarding to the profile editor, again, what I wanted is to redefine output black point into the profile, rather than apply the same curve to every picture before printing. But your explanation about the limitations of profiling technology is enough for me.
Thanks again,
Antonio
Show quoted textHide quoted text
----- Original Message -----
Sent: Monday, April 30, 2007 11:33 PM
Subject: Re: [colorvision_group] BP and importing PS curves

>>Then, another problem appeared. I tried to build a new profile and
import that Photoshop curve into the PFP settings prior profile
generation. Although the new curve seemed to have been merged into the
profile, it was done partially only, as the black point remained the
same. In fact, an inspection gave me the conclusion that the profile
does not operate on any pixel in range of (0,0,0)~(10,10,10). Is there
any solution to that? Any other profile editor would give what I desire?

Its not the profile editor at fault; any profile editor can only alter
values that the printer/driver will allow to be altered. If this
printer/driver configuration does not allow the deepest shadows to be
lightened by a Photoshop curve in a PFP profile, then they simply can't
be controlled from an RGB profile. Sorry to sound unsympathetic about
your stock of paper you wish to salvage by profiling, but I would make
this observation:

Trying to beat a bad printer/ink/paper combination into submission
though profiling is not a very good choice; finding a printer/ink/paper
combination that performs well is a much better way to achieve good
results. Every so often I run up against someone just determined to
make some rather poor combination work by profiling it (almost always
to save money: on a low cost paper, on third party inks, or on an older
or low end printer). Inevitably they say they can get improvements, but
they still aren't satisified. They need to have some perspective about
this process: it isn't magic, it can make bad combinations better, and
good combinations excellent; but it can't necessarily make bad
combinations excellent.

Import curves question

2007-05-05 by kenc

I may be misunderstanding something but can't figure out how to do this:

- Windows XP
- PrintFix Pro 2.0
- Photoshop CS2

After creating a profile, soft proofing in Photoshop CS2 shows that I 
need a Levels Adjustment Layer and Color Adjustment Layer to get what I 
want.

In trying to incorporate these layers into the profile, I think I need 
to use the PFP "Import Curves File" function, is this correct?  And 
these files are
supposed to be in .acv format....

Problem is I have no idea how to save these adjustment curves as .acv 
files.  Double-clicking on the layer doesn't bring up a "Save" option.

Can someone point me to a solution - or tell me I'm misunderstanding 
this whole thing....thanks!

Ken

Re: [colorvision_group] BP and importing PS curves

2007-05-05 by Antonio Bayma Jr

Hi David and all,
Just to report the last experiments. My conclusion is that Epson R260/270 with dye inks (even with Epson ones) does produce shades with noticeable discontinuity and non-linearity on some glossy papers, at least on those four papers and with three different sets of ink I have tested. Epson R200 (maybe R220 neither) hadn't shown the same problem with those paper and dye ink combinations. Yesterday I purchased pigmented inks and after the very first attempt to print, all that distorced and clogged shadows were gone, although there were a bit of bronzing, not found on samples printed with those dye inks. Attempt to profile it gave me a perfect result. A whole new life.
So, what I would suggest is to avoid dye inks with those R260/270 (are they really the same printer?). The bronzing effect with the pigmented alternative is something undesirable, but it's the price to pay for not purchasing a more expensive printer (R800 or R1800) with glossy optimizer.
Wish I can help people with those information.
Best regards,
Antonio
Show quoted textHide quoted text
Trying to beat a bad printer/ink/paper combination into submission
though profiling is not a very good choice; finding a printer/ink/paper
combination that performs well is a much better way to achieve good
results. Every so often I run up against someone just determined to
make some rather poor combination work by profiling it (almost always
to save money: on a low cost paper, on third party inks, or on an older
or low end printer). Inevitably they say they can get improvements, but
they still aren't satisified. They need to have some perspective about
this process: it isn't magic, it can make bad combinations better, and
good combinations excellent; but it can't necessarily make bad
combinations excellent.

C. David Tobie
Product Technology Manager
ColorVision, Inc.
CDTobie@...m
www.colorvision.com
________________________________________________________________________
AOL now offers free email to everyone. Find out more about what's free
from AOL at AOL.com.



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Re: Import curves question

2007-05-05 by bwinkjet

Hi,

Double click on the left side of the layer in the layers palate to 
bring up the curve adjustment window.  Click on save and when 
prompted, name it so you can identify it and note where the acv. 
curve is saved so you can access it from PFP 2. (it is automatically 
saved as *.acv by photoshop)

HTH

Paul

--- In colorvision_group@yahoogroups.com, kenc <kenchow@...> wrote:
>
> I may be misunderstanding something but can't figure out how to do 
this:
> 
> - Windows XP
> - PrintFix Pro 2.0
> - Photoshop CS2
> 
> After creating a profile, soft proofing in Photoshop CS2 shows that 
I 
> need a Levels Adjustment Layer and Color Adjustment Layer to get 
what I 
> want.
> 
> In trying to incorporate these layers into the profile, I think I 
need 
> to use the PFP "Import Curves File" function, is this correct?  And 
> these files are
> supposed to be in .acv format....
> 
> Problem is I have no idea how to save these adjustment curves 
as .acv 
> files.  Double-clicking on the layer doesn't bring up a "Save" 
option.
> 
> Can someone point me to a solution - or tell me I'm 
misunderstanding 
Show quoted textHide quoted text
> this whole thing....thanks!
> 
> Ken
>

Re: Import curves question

2007-05-05 by bwinkjet

Hi, 
Sorry for the post below.  I misread your question.  As far as I know 
you need to import a curve from PS (acv).  Not sure if PFP will 
import Levels or Color Adjustment layers.  I suspect it will not.  
You can translate the levels adjustment to curves with a little 
practice and obtain better results many times.  Again sorry I didn't 
read your post correctly the first time.
Paul

--- In colorvision_group@yahoogroups.com, "bwinkjet" <bwinkjet@...> 
wrote:
>
> Hi,
> 
> Double click on the left side of the layer in the layers palate to 
> bring up the curve adjustment window.  Click on save and when 
> prompted, name it so you can identify it and note where the acv. 
> curve is saved so you can access it from PFP 2. (it is 
automatically 
> saved as *.acv by photoshop)
> 
> HTH
> 
> Paul
> 
> --- In colorvision_group@yahoogroups.com, kenc <kenchow@> wrote:
> >
> > I may be misunderstanding something but can't figure out how to 
do 
> this:
> > 
> > - Windows XP
> > - PrintFix Pro 2.0
> > - Photoshop CS2
> > 
> > After creating a profile, soft proofing in Photoshop CS2 shows 
that 
> I 
> > need a Levels Adjustment Layer and Color Adjustment Layer to get 
> what I 
> > want.
> > 
> > In trying to incorporate these layers into the profile, I think I 
> need 
> > to use the PFP "Import Curves File" function, is this correct?  
And 
Show quoted textHide quoted text
> > these files are
> > supposed to be in .acv format....
> > 
> > Problem is I have no idea how to save these adjustment curves 
> as .acv 
> > files.  Double-clicking on the layer doesn't bring up a "Save" 
> option.
> > 
> > Can someone point me to a solution - or tell me I'm 
> misunderstanding 
> > this whole thing....thanks!
> > 
> > Ken
> >
>

Re: [colorvision_group] Re: Import curves question

2007-05-05 by kenc

Thanks Paul, you sorted me out - saving curves works as advertised.  
Somehow late last night I thought it pertained to adjustment layers.

Ken

bwinkjet wrote:
Show quoted textHide quoted text
>
> Hi,
> Sorry for the post below. I misread your question. As far as I know
> you need to import a curve from PS (acv). Not sure if PFP will
> import Levels or Color Adjustment layers. I suspect it will not.
>
>

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