Hi again, Carol's directions work if you are playing the MIDI file from the internal floppy drive. I assumed that you were playing the file from the computer. Regards, PianoBench On Jul 1, 2006, at 10:22 PM, Carol Beigel wrote: > > As always, George has more extensive knowlege of MIDI than I ever > will, but I would explain it a little differently. While the piano > is playing the file, push the -> (right arrow key) and you will > immediatly see what is going on with your Disklavier. You will see > all the MIDI parts that are playing whether you hear them or not. > Usually L=1 and R=## if you are only hearing one channel. Your > Disklavier plays the keys on your piano from whatever information > is on Channel 1 and Channel 2. Just hit the -> again until it is > sitting on ## and make R=2. This will get you through to the end > of the song, then everything resets to whatever you had before you > touched anything. > > To make the change the setting R=##, go to the chapter on Import > Files (which is what Yamaha refers to as MIDI files) in your > Owner's Manual, and follow George's directions. I doubt is makes > much difference whether R is set to 2 or Prg. Sometimes I think it > just works better to set L=1 and R=2. > > Carol Beigel > > ----- Original Message ----- > From: Bob Gonzalez > To: disklavier@... > Sent: Saturday, July 01, 2006 8:35 PM > Subject: [disklavier] van Basco Player > > Greetings, > I received a cd with midi files. Using a laptop and VBKP software, > my Mk III only played the right hand. Using Cakewalk, I determined > that the left hand was on channel 2 and the right hand on channel > 1. Is there a way to set-up the Player to output the left hand on > channel 1 so both hands will play on my Mk III? > > In CW, I used the track properties to output on Channel 1. > However, I was unable to find a way to do rhis in van Basco using > the Help function. Can anyone help? I don't mind direct replies > as I am anxious for a solution. Thanks. > > Bob Gonzalez > > >
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Re: [disklavier] van Basco Player
2006-07-02 by George F. Litterst
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