At 07:54 PM 9/13/2002 -0700, Dr. W. wrote:
> >Sorry, Dr W., but I have to disagree a little. You can
> >start a Protools package with an M-box. You get
> >Protools LE, a nice in/out portable rig and it will
> >cost you less than $500
>
>Well, good luck getting it to run on any non Digi soundcard. And on that
>version you are very limited in your track count. And you cant run VST
>stuff, so you have to buy the very expensive plugs.
>
>Evil, its best to learn small and then upgrade so you can broaden your
>perspective, but I suppose you could just jump into Cubase SX. Its probably
>the best sequencer out there, although I prefer Nuendo. Try out some demos.
I would tend to agree. Most importantly, each individual has to look at
what they're attempting to accomplish with their software. In my case, I
use MIDI and VST/VSTi's almost exclusively. So, buying ProTools -- with
it's emphasis on audio recording and hampered MIDI facilities -- would be a
waste of money for my situation. A package like Cubase -- which
specializes in MIDI manipulation and VST support -- is a much better choice
given my architecture. However, if I were instead focusing on straight
audio recording and trying to emulate a multi-track recording studio on my
computer, I'd take a hard look at ProTools as that's where its strengths lie.
Since the original question dealt with program compatibilities in using
MIDI with the Sidstation, I'd probably assume on the given information that
a sequencer package like Cubase would make a much better choice than
ProTools. If that is indeed a proper assumption, it might also be worth
checking out the current issue of "Computer Music" (issue #50) as one of
the features is a shootout pitting a few of the common budget sequencers
against each other. That could give some leads as far as where next to go
in the purchasing cycle.
-c-
_____
"i want to reach my hand into the dark and *feel* what reaches back"
-recoilMessage
Re: [elektron] I want to use my Sidstation with Cubase 5 - Does it make sense?
2002-09-14 by Catilyne
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