On Nov 18, 2005, at 1:13 PM, poperzengott wrote:
> hi everybody. now, as some time has passed, i have to say that i
> didn't change my opinion
> on the monomachine's workflow. it's a horrifying creative brake to
> me. i mean, i'm a child
> of the computer age, wtf do i need a circuitous step sequencer for
> composing if i have two
> 24" tfts giving me enough space to run a more sophisticated ui? i
> mean, let everybody
> work the way she/he wants, but the mm simply doesn't address this
> demand. i wanna
> simply use it as an expander, because of it's great sound. when i
> have a pattern in my
> head, i edit it, choose a synth, choose a sound by skipping through
> the banks till i found
> one which fits or modify it till it does. simple as that. but it's
> a pity this doesn't apply to
> the monomachine. if no one else shares this opinion, it's bad luck
> for me. but: as i need a
> souddiver adaptation or a standalone to control the bitch, i might
> be good luck for you.
> tell me how much money you want for creating such a piece of code,
> and we'll make a
> deal. if nobody is interested, i'll probably have to do it myself.
> anyway, i think i'm not
> touch the mm until i don't have the editor. so if you're
> interested, feel free to contact me
> at taubmann@...
> there's another thing to say about the hardware implementation of
> the monomachine. for
> the terrible dial and knobs/the overall quality/and the thumbnail
> display, don't tell me it
> would have been so much more expensive get it right. the rackears
> for 100euros are a
> joke. the proof for only 700 bucks more can be found here:
> www.cwejman.com. i refer to
> the s1, which i own, and which is of the highest quality of analog
> components. cheap
> digital circuitry for 1300 quid is simply barefaced.
>
> hope no one takes this as an offence, regards from berlin, clemens
>
> --- In elektron-users@yahoogroups.com, niall munnelly <aleph@a...>
> wrote:
>>
>> On Sun, Oct 30, 2005 at 03:12:44AM -0000, poperzengott wrote:
>>> interesting, how diverse opinions on this matter are. maybe i'm
>>> simply too
> demanding,
>>> because of my background in high-end graphics software ( k, ain't
>>> no hardware, but
> that's
>>> where workflow/ interaction is really on top of it ). just to
>>> mention a couple of points:
> no
>>> mute buttons next to the track selectors - two handed operation
>>> necessary!
>>
>> function + bank puts the triggers in mute mode - six
>> internal synths and the six midi tracks.
>>
>>
>>> would they
>>> have made the device much more expensive?! also, the function,
>>> global, enter, cancel
> and
>>> cursor section is located on the left of the panel...not meant to
>>> be an offense, but isn't
> the
>>> majority of us right handers?
>>
>> you could argue about left and righthandedness in relation
>> to most of the buttons on this synth, and i don't think
>> anyone would come up with a more satisfactory arrangement.
>> what do you recommend?
>>
>>> the soft dials are by far too closely arranged, and the
>>> pressing behaviour for parameter increment change should have
>>> been inverse for my
>>> taste.
>>
>> you're not het first person to say this, but i don't think
>> either implementation has been made a standard. it's an
>> easy thing to grok with one or two uses, anyhow - hardly a
>> paradigm shift.
>>
>>> and the last thing is that the small display is forcing parameter
>>> names to be
>>> abbreviated beyond recognition.
>>
>> this also becomes easier with a little use. come back after
>> a month of use, and let us know how your concerns have held
>> up, please.
>>
>> --
>> yours,
>> niall.
>> .. . . . . . . . .
>> .
>> aleph null. a simple insinuation
>> around silence.
>> http://syncretism.net
>> .. .. gpg public key - http://www.aleph-null.net/niall.gpg .. ..
>>
>
>
>
>
>
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