EXS 24 Logic Sampler Users Group

--- In exs-users@y..., PersingEP@a... wrote:
> 
> Why do you actually need reverse velocity dynamics anyway? What are 
you 
> trying to do musically? 

Really, this is tied to my suggestion about overlapping crossfading 
velocity zones... within the overlapping velocity zone between one 
sample and the next, the low-velocity sample should get softer as you 
play harder and the higher-velocity sample should get louder in the 
same region, gradually replacing the one in the lower region...

please tell me if this didn't make sense....