On 12/09/2006, at 9:14 AM, Matt McKenzie-Smith wrote: >> Wouldn't it be cool if the EXS/ Logic recognised the anchor point >> of each sample in the EXS >> instrument and would allow you to quantize each sample to its >> anchor point? This would >> allow you to keep more of the anticipation in your individual >> samples, such as the onset of >> guitar strums or reverse sounds, and still get them super tight >> with your groove. >> > > Yes, this would be great..... and would maybe allow for the the > sample offset to work the other way around too. Mmm, makes me think > of many possibilities! Nice idea! > > Best Regards, > Matt > _ _ _ _ _ ___ __ _ _ _______________ > > MATT MCKENZIE-SMITH > MUSIC AUDIO DESIGN PRODUCTION > PO Box 10395, Adelaide 5000, South Australia. > Ph.+61 416 197 883 > iCHATav. mattrixx@... > http://www.mattrixx.net > _ _ ___ _ ____ _ _ ________________ And if you have a breakbeat cut up and there is a little bit of a hihat before the snare because the drummer played the snare late then you could quantise to the snare but keep the little bit of hihat. I've thought of this before. Because I cut up breakbeats. A better example and the reason I thought of this need is when layering snares from different breakbeats. If one snare sample begins right on the attack and the other has a little bit of hihat before it then thhey don't peak at the same time. I can see the guitar strum example having this need also. Quantising to the peak of a sound using the anchor would have it's uses. At the moment I just layer drums in a sample editor to get the peaks in sync. Roman.
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Re: [EXS] Re: Wouldn't it be cool?
2006-09-11 by Roman Pirie
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