I'm a guitarist as well--not a great one, but I can certainly tell what works and what doesn't in a sampled guitar--and I also do a lot of arranging where I don't have ready access to recording gear... using my laptop on the road--so I use a lot of sampled guitar when I'm not able to put down a real part. I've found that a lot of what brings "guitar" to a sample is how it's played, not how it sounds, since we're used to hearing guitar with a lot of processing anyway. My current guitar samples are very simple--an acoustic from American Heartland, the muted electric that came with the EXS, and a free archtop I downloaded as a sound font. If *I* were to commission someone to put together the ultimate guitar library for me, here's what I'd want: FEW GUITARS SAMPLED WELL: An acoustic (a Martin or Taylor; maybe one of each), an electric (a Les Paul or Strat) and maybe a hollow body electric or archtop; each recorded with various styles of playing but the same style of recording, ie muted, picked, finger picked, harmonics. Minimal effects. COMMON CHORD ARTICULATIONS: I can program fingerpicking patterns so well now that, well, last month I did a recording session with a folk singer who never quite nailed her guitar part. I *programmed* the part and she thought I'd comped together a bunch of her takes. While picking works fine, I've never heard a sampled guitar that *strummed* naturally. Either you have a "strum" sample, wherein the strums don't have anything to do rhythmically with the tempo of the piece, or you strum the MIDI guitar and get notes that were all sampled individually and don't have that distinctive "strum" quality. I'd love to have something that had a few dozen strum patterns for all the basic chords in a kind of "Groove Control" or REX format that would scale tempo wise, where the strings would ring out and mute each other naturally and the strum would have rhythmic meaning. Ideally, you'd have several chord voicings, such as open chords for folk music, root-fifth "power" chords for rock, and inverted voicings for jazz. PREAMP FUNCTIONS: As long as I'm dreaming here, I would want a plug in designed to work with this library that ran the guitars through a particular mic, preamp, amp setup, like what the Line6Pod does. That way, even though there's only three or four guitars, I can process them in a wide variety of ways. That's how *I* as a sample-using guitar player would use a sampled guitar library. And that's the kind of thing I'd be pleased to hear a non-guitar playing arranger using. If you (or anyone) came up with something like that, I'd look at it pretty seriously. --- In exs-users@yahoogroups.com, teddybut <teddybut@e...> wrote: > I was thinking of creating and marketing my own guitar library. anyone have > any suggestions as to what should be in a good guitar library? as a > guitarist, I have no idea what non-gtrists would want in their gtr library. > anyone willing to help me market and distribute such a product? EP?? > > thanks, > Teddy "guitar" But
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Re: guitar libraries
2003-02-11 by Rob <Eorthman@earthlink.net>
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