Right on! We recorded the loudest velocity level with maximum force! During the recording session this means that you have to retune the whole piano after several notes because the strings start to vibrate that much that everything goes out of tune.... Normally you would not reach the FFF samples layer that much, but you can easily modify the patches so that the FFF-layer is starting from a lower verlocity number in order to get a full agressive tone. I never really did that but the effect is the same as when I add -say- 30 to the velocity levels of a track. Off coarse I would lose some dynamics then. Best, Michiel Post --- In exs-users@yahoogroups.com, Bill Canty <bill@b...> wrote: >Are you saying, > Michiel, that either your Steinway or your Bòsendorfer has this sound? > > I spose I'm sort of asking (Michiel or anyone else who cares to answer) > "How hard was the piano played while you recorded your loudest samples? > Did the strings almost twang against each other?" > > > Cheers, Bill Canty
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Re: [EXS] PMI Bosendorfer
2003-08-23 by michielpost2003
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