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Casio CZ/VZ Files... part of CZsynth

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Hello guys, new user, and newbee here!

Hello guys, new user, and newbee here!

2013-06-05 by marvcoolness

Yeah, I know, I can see everybody's eyes rolling! :) Ha!

I'm a guitarist just getting into synths, lots to learn! I have both a CZ5000 and a FZ1, my first question is...

I kinda understand how syex works, you plug the keyboard into your computer VIA MIDI cable and transfer the commands, but how exactly do yo do it? I probably need some kind of software, right? anything free out there that would give me basic transfer capabilities? How does it work specially with the CZ and FZ sybths? I know they have very limited memory, so when you transfer stuff, do yo uloose what's in there, where does it load to?

Thanks in advance

Re: Hello guys, new user, and newbee here!

2013-06-14 by synergeezer

The first thing to learn is this: Clearly state what kind of computer you're using when asking for software recommendations.  Since you are a guitarist, I'll assume you're using a Commodore 64.  Kidding!  PC?  I use a piece of free software called "SysExBox", which works fine on Windows 98 - Vista.  You'll need to set the CZ and the SysExBox to the same MIDI channel.  The set of 32 voices will go into the "Memory" bank.  There is a "Memory Protect" switch on the back of the CZ - set it to "Off" for loading voices into the CZ.  BTW, "MIDI Out" on the PC goes to "MIDI In" on the CZ, and vice versa.  I don't know about the FZ.

IMHO, the CZ is the best bit of gear for learning how to program a synthesizer (okay, maybe a big modular might be better).

- synergeezer

--- In CZ-VZ-Files@yahoogroups.com, "marvcoolness" <marvcoolness@...> wrote:
Show quoted textHide quoted text
>
> Yeah, I know, I can see everybody's eyes rolling! :) Ha!
> 
> I'm a guitarist just getting into synths, lots to learn! I have both a CZ5000 and a FZ1, my first question is...
> 
> I kinda understand how syex works, you plug the keyboard into your computer VIA MIDI cable and transfer the commands, but how exactly do yo do it? I probably need some kind of software, right? anything free out there that would give me basic transfer capabilities? How does it work specially with the CZ and FZ sybths? I know they have very limited memory, so when you transfer stuff, do yo uloose what's in there, where does it load to?
> 
> Thanks in advance
>

Re: [CZ-VZ-Files] Re: Hello guys, new user, and newbee here!

2013-06-15 by Daniel Forró

I don't think so, it's not typical subtractive synth, it just tries to  
imitate that structure (behind this face is hidden PD Synthesis). In  
comparison with the other synths trying to imitate "standard"  
subtractive synth here oscillator is digital, there's no real filter,  
envelopes are difficult to understand and program, concept of "lines"  
is also rather unusual (because there are in fact two independent  
synths), and ring and noise modulation is also not quite typical.

Never mind, important is it can produce interesting sounds :-)

Daniel Forro
Show quoted textHide quoted text
On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:

>
> IMHO, the CZ is the best bit of gear for learning how to program a  
> synthesizer (okay, maybe a big modular might be better).

Re: Hello guys, new user, and newbee here!

2013-06-15 by synergeezer

"I don't think so, it's not typical subtractive synth".  And this applies because almost everyone is using subtractive synthesis, these days?  On what planet?  CZs present an advanced subset of the modulation potential of the Yamaha FM (actually, PM) synthesizers.  The skills one learns, rather easily, IMO, on the CZs applies very well to subtractive, as well as to FM synthesizers.  The CZs are a very gentle introduction to synthesizer programming!

- synergeezer

--- In CZ-VZ-Files@yahoogroups.com, Daniel Forró <dan.for@...> wrote:
Show quoted textHide quoted text
>
> I don't think so, it's not typical subtractive synth, it just tries to  
> imitate that structure (behind this face is hidden PD Synthesis). In  
> comparison with the other synths trying to imitate "standard"  
> subtractive synth here oscillator is digital, there's no real filter,  
> envelopes are difficult to understand and program, concept of "lines"  
> is also rather unusual (because there are in fact two independent  
> synths), and ring and noise modulation is also not quite typical.
> 
> Never mind, important is it can produce interesting sounds :-)
> 
> Daniel Forro
> 
> On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:
> 
> >
> > IMHO, the CZ is the best bit of gear for learning how to program a  
> > synthesizer (okay, maybe a big modular might be better).
>

Re: [CZ-VZ-Files] Re: Hello guys, new user, and newbee here!

2013-06-16 by Daniel Forró

History of synthesizers started with subtractive principle many years  
ago, not "these days". It was the first architecture, and despite many  
other principles came later, this one has always been in use until our  
days. Thanks to this it's considered as a standard in the world of  
synthesizers. So when I hear "synthesizer", this is what I imagine  
first. And I'm not alone in this - many analog and digital  
synthesizers and samplers follow or at least emulate this  
architecture, Casio PD synths being good example for this. What's  
wrong with these facts?

Even when we accept this fact and try to see CZ as the dual  
subtractive synth, still there are very complex (and thanks to its  
movable Sustain and End points also quite unique) envelopes - nothing  
for beginners. And nothing which we can find on common subtractive  
synth with ADSR envelope.

And because PD principle is hidden behind the user interface, and user  
has no access to it, it's hardly usable as a learning tool for FM  
synthesis. Far away from FM, and so simple that I wouldn't call it an  
advanced subset of it.  Envelopes also differs. Besides FM is only one  
part of Yamaha algorithm synthesis - in fact it's a combination of FM  
(yes, PM actually) with additive harmonic and additive component  
synthesis. Algorithm synthesis doesn't pretend being subtractive synth  
(which is what CZ does), so it's clear there's no filter there.

Magic of programming analog subtractive synth is in understanding how  
to set and balance these important parameters: Filter Cutoff  
Frequency, amount of filter envelope modulation, Sustain level in  
filter envelope and Keyboard Scaling for filter. I'm sorry but I don't  
see any of these parameters on CZ so there's not much knowledge we can  
get from it and apply on some subtractive synth.

Anyway there's not big sense in comparing of those systems - each of  
them has different architecture, offers different sounds and it's  
necessary to learn how to work with each of them. There's hardly  
anything like universal knowledge we can easily transfer from one  
system to the other.

Daniel Forro
Show quoted textHide quoted text
On 15 Jun, 2013, at 11:26 PM, synergeezer wrote:

> "I don't think so, it's not typical subtractive synth".  And this  
> applies because almost everyone is using subtractive synthesis,  
> these days?  On what planet?  CZs present an advanced subset of the  
> modulation potential of the Yamaha FM (actually, PM) synthesizers.   
> The skills one learns, rather easily, IMO, on the CZs applies very  
> well to subtractive, as well as to FM synthesizers.  The CZs are a  
> very gentle introduction to synthesizer programming!
>
> - synergeezer
>
> --- In CZ-VZ-Files@yahoogroups.com, Daniel Forró <dan.for@...> wrote:
>>
>> I don't think so, it's not typical subtractive synth, it just tries  
>> to
>> imitate that structure (behind this face is hidden PD Synthesis). In
>> comparison with the other synths trying to imitate "standard"
>> subtractive synth here oscillator is digital, there's no real filter,
>> envelopes are difficult to understand and program, concept of "lines"
>> is also rather unusual (because there are in fact two independent
>> synths), and ring and noise modulation is also not quite typical.
>>
>> Never mind, important is it can produce interesting sounds :-)
>>
>> Daniel Forro
>>
>> On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:
>>
>>>
>>> IMHO, the CZ is the best bit of gear for learning how to program a
>>> synthesizer (okay, maybe a big modular might be better).

Re: [CZ-VZ-Files] Re: Hello guys, new user, and newbee here!

2013-06-16 by DM

Well, I happen to agree with BOTH of you guys to a large degree, so I admit I don't fully see the dispute. I learned to program on a CZ-1000 (my first synth), and it DID teach me a lot of the basic concepts of analog synthesis. That being said, imagine my surprise and minor disappointment when I got my first analog synth years ago and discovered most had only ADSR envelopes, and if they had two oscillators per sound, they (the oscillators) didn't have dedicated envelopes and filters to be processed independently (like the CZ, though the CZ only offered a "filter-like effect"). Didn't digest the concept of a filter at first...in my mind it was merely a "brightness" knob. Didn't realize it was just a big EQ basically.


My CZ-1000 eventually broke, but I later picked up a CZ-5000, a CZ-1, and a VZ-10. I do think it's pretty easy to program too (VZ-10 less so), but I visualize numbers fairly well and had a decent background in math when I started. And when I say "easy to program", I mean grasping the concept of HOW to program it was easy enough. The physical act of programming it is much slower than twisting some knobs I'll agree.


So again, not sure I see the dispute. I can only say it's a bit subjective. I love analog (have many), love digital (PM, FM, Rompler), and have even enjoyed soft (mostly through Props Reason). Variety is the spice of life...


Cheers,

WadRad



------------------ Re: [CZ-VZ-Files] Re: Hello guys, new user, and newbee here! ; ------------------

Sunday, June 16, 2013 5:40 AM

From:

"Daniel Forró"

Add sender to Contacts

To:

CZ-VZ-Files@yahoogroups.com

History of synthesizers started with subtractive principle many years

ago, not "these days". It was the first architecture, and despite many

other principles came later, this one has always been in use until our

days. Thanks to this it's considered as a standard in the world of

synthesizers. So when I hear "synthesizer", this is what I imagine

first. And I'm not alone in this - many analog and digital

synthesizers and samplers follow or at least emulate this

architecture, Casio PD synths being good example for this. What's

wrong with these facts?

Even when we accept this fact and try to see CZ as the dual

subtractive synth, still there are very complex (and thanks to its

movable Sustain and End points also quite unique) envelopes - nothing

for beginners. And nothing which we can find on common subtractive

synth with ADSR envelope.

And because PD principle is hidden behind the user interface, and user

has no access to it, it's hardly usable as a learning tool for FM

synthesis. Far away from FM, and so simple that I wouldn't call it an

advanced subset of it. Envelopes also differs. Besides FM is only one

part of Yamaha algorithm synthesis - in fact it's a combination of FM

(yes, PM actually) with additive harmonic and additive component

synthesis. Algorithm synthesis doesn't pretend being subtractive synth

(which is what CZ does), so it's clear there's no filter there.

Magic of programming analog subtractive synth is in understanding how

to set and balance these important parameters: Filter Cutoff

Frequency, amount of filter envelope modulation, Sustain level in

filter envelope and Keyboard Scaling for filter. I'm sorry but I don't

see any of these parameters on CZ so there's not much knowledge we can

get from it and apply on some subtractive synth.

;

Anyway there's not big sense in comparing of those systems - each of

them has different architecture, offers different sounds and it's

necessary to learn how to work with each of them. There's hardly

anything like universal knowledge we can easily transfer from one

system to the other.

Daniel Forro

On 15 Jun, 2013, at 11:26 PM, synergeezer wrote:

> "I don't think so, it's not typical subtractive synth". And this

> applies because almost everyone is using subtractive synthesis,

> these days? On what planet? CZs present an advanced subset of the

> modulation potential of the Yamaha FM (actually, PM) synthesizers.

> The skills one learns, rather easily, IMO, on the CZs applies very

> well to subtractive, as well as to FM synthesizers. The CZs are a

> very gentle introduction to synthesizer programming!

>

> - synergeezer

>

> --- In CZ-VZ-Files@...m, Daniel Forró wrote:

>>

>> I don't think so, it's not typical subtractive synth, it just tries

>> to

>> imitate that structure (behind this face is hidden PD Synthesis). In

>> comparison with the other synths trying to imitate "standard"

>> subtractive synth here oscillator is digital, there's no real filter,

>> envelopes are difficult to understand and program, concept of "lines"

>> is also rather unusual (because there are in fact two independent

>> synths), and ring and noise modulation is also not quite typical.

>>

>> Never mind, important is it can produce interesting sounds :-)

>> ;

>> Daniel Forro

>>

>> On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:

>>

>>>

>>> IMHO, the CZ is the best bit of gear for learning how to program a

>>> synthesizer (okay, maybe a big modular might be better).

Re: Hello guys, new user, and newbee here!

2013-06-16 by james_earthenware

I can't believe you people are having a debate about this synth issue. This is an winnable debate that people grew tired of talking about in 1987. 

Regardless of how the CZ system works (it is neither PM *fm/pm has no window function nor is it Subtractive) it IS very easy to make all the sounds you need, very quickly just by tweaking the really horrible presets. 

The person described himself as a guitar player...so he won't have the baggage of subtractive or FM methods...he can learn Phase Distortion first and probably be able to do everything he needs in this realm very efficiently. Casio mostly produced products that were easy to use and educational and this philosophy definitely drives the CZ architecture.

The only "REAL" problem is casio's SysEx is non-standard, doesn't always give access to full range of hidden parameters and all the info about these instruments keeps disappearing from the internet at an amazing rate. But then again...due to this lack of support they remain affordable so it evens out.

ENJOY YOUR SYNTH! MAKE GREAT MUSIC WITH IT! <3

--- In CZ-VZ-Files@yahoogroups.com, Daniel Forr� <dan.for@...> wrote:
Show quoted textHide quoted text
>
> History of synthesizers started with subtractive principle many years  
> ago, not "these days". It was the first architecture, and despite many  
> other principles came later, this one has always been in use until our  
> days. Thanks to this it's considered as a standard in the world of  
> synthesizers. So when I hear "synthesizer", this is what I imagine  
> first. And I'm not alone in this - many analog and digital  
> synthesizers and samplers follow or at least emulate this  
> architecture, Casio PD synths being good example for this. What's  
> wrong with these facts?
> 
> Even when we accept this fact and try to see CZ as the dual  
> subtractive synth, still there are very complex (and thanks to its  
> movable Sustain and End points also quite unique) envelopes - nothing  
> for beginners. And nothing which we can find on common subtractive  
> synth with ADSR envelope.
> 
> And because PD principle is hidden behind the user interface, and user  
> has no access to it, it's hardly usable as a learning tool for FM  
> synthesis. Far away from FM, and so simple that I wouldn't call it an  
> advanced subset of it.  Envelopes also differs. Besides FM is only one  
> part of Yamaha algorithm synthesis - in fact it's a combination of FM  
> (yes, PM actually) with additive harmonic and additive component  
> synthesis. Algorithm synthesis doesn't pretend being subtractive synth  
> (which is what CZ does), so it's clear there's no filter there.
> 
> Magic of programming analog subtractive synth is in understanding how  
> to set and balance these important parameters: Filter Cutoff  
> Frequency, amount of filter envelope modulation, Sustain level in  
> filter envelope and Keyboard Scaling for filter. I'm sorry but I don't  
> see any of these parameters on CZ so there's not much knowledge we can  
> get from it and apply on some subtractive synth.
> 
> Anyway there's not big sense in comparing of those systems - each of  
> them has different architecture, offers different sounds and it's  
> necessary to learn how to work with each of them. There's hardly  
> anything like universal knowledge we can easily transfer from one  
> system to the other.
> 
> Daniel Forro
> 
> On 15 Jun, 2013, at 11:26 PM, synergeezer wrote:
> 
> > "I don't think so, it's not typical subtractive synth".  And this  
> > applies because almost everyone is using subtractive synthesis,  
> > these days?  On what planet?  CZs present an advanced subset of the  
> > modulation potential of the Yamaha FM (actually, PM) synthesizers.   
> > The skills one learns, rather easily, IMO, on the CZs applies very  
> > well to subtractive, as well as to FM synthesizers.  The CZs are a  
> > very gentle introduction to synthesizer programming!
> >
> > - synergeezer
> >
> > --- In CZ-VZ-Files@yahoogroups.com, Daniel Forr� <dan.for@> wrote:
> >>
> >> I don't think so, it's not typical subtractive synth, it just tries  
> >> to
> >> imitate that structure (behind this face is hidden PD Synthesis). In
> >> comparison with the other synths trying to imitate "standard"
> >> subtractive synth here oscillator is digital, there's no real filter,
> >> envelopes are difficult to understand and program, concept of "lines"
> >> is also rather unusual (because there are in fact two independent
> >> synths), and ring and noise modulation is also not quite typical.
> >>
> >> Never mind, important is it can produce interesting sounds :-)
> >>
> >> Daniel Forro
> >>
> >> On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:
> >>
> >>>
> >>> IMHO, the CZ is the best bit of gear for learning how to program a
> >>> synthesizer (okay, maybe a big modular might be better).
>

Re: Hello guys, new user, and newbee here!

2013-06-16 by james_earthenware

I can't believe you people are having a debate about this synth issue. This is an winnable debate that people grew tired of talking about in 1987. 

Regardless of how the CZ system works (it is neither PM *fm/pm has no window function nor is it Subtractive) it IS very easy to make all the sounds you need, very quickly just by tweaking the really horrible presets. 

The person described himself as a guitar player...so he won't have the baggage of subtractive or FM methods...he can learn Phase Distortion first and probably be able to do everything he needs in this realm very efficiently. Casio mostly produced products that were easy to use and educational and this philosophy definitely drives the CZ architecture.

The only "REAL" problem is casio's SysEx is non-standard, doesn't always give access to full range of hidden parameters and all the info about these instruments keeps disappearing from the internet at an amazing rate. But then again...due to this lack of support they remain affordable so it evens out.

ENJOY YOUR SYNTH! MAKE GREAT MUSIC WITH IT! <3

--- In CZ-VZ-Files@yahoogroups.com, Daniel Forr� <dan.for@...> wrote:
Show quoted textHide quoted text
>
> History of synthesizers started with subtractive principle many years  
> ago, not "these days". It was the first architecture, and despite many  
> other principles came later, this one has always been in use until our  
> days. Thanks to this it's considered as a standard in the world of  
> synthesizers. So when I hear "synthesizer", this is what I imagine  
> first. And I'm not alone in this - many analog and digital  
> synthesizers and samplers follow or at least emulate this  
> architecture, Casio PD synths being good example for this. What's  
> wrong with these facts?
> 
> Even when we accept this fact and try to see CZ as the dual  
> subtractive synth, still there are very complex (and thanks to its  
> movable Sustain and End points also quite unique) envelopes - nothing  
> for beginners. And nothing which we can find on common subtractive  
> synth with ADSR envelope.
> 
> And because PD principle is hidden behind the user interface, and user  
> has no access to it, it's hardly usable as a learning tool for FM  
> synthesis. Far away from FM, and so simple that I wouldn't call it an  
> advanced subset of it.  Envelopes also differs. Besides FM is only one  
> part of Yamaha algorithm synthesis - in fact it's a combination of FM  
> (yes, PM actually) with additive harmonic and additive component  
> synthesis. Algorithm synthesis doesn't pretend being subtractive synth  
> (which is what CZ does), so it's clear there's no filter there.
> 
> Magic of programming analog subtractive synth is in understanding how  
> to set and balance these important parameters: Filter Cutoff  
> Frequency, amount of filter envelope modulation, Sustain level in  
> filter envelope and Keyboard Scaling for filter. I'm sorry but I don't  
> see any of these parameters on CZ so there's not much knowledge we can  
> get from it and apply on some subtractive synth.
> 
> Anyway there's not big sense in comparing of those systems - each of  
> them has different architecture, offers different sounds and it's  
> necessary to learn how to work with each of them. There's hardly  
> anything like universal knowledge we can easily transfer from one  
> system to the other.
> 
> Daniel Forro
> 
> On 15 Jun, 2013, at 11:26 PM, synergeezer wrote:
> 
> > "I don't think so, it's not typical subtractive synth".  And this  
> > applies because almost everyone is using subtractive synthesis,  
> > these days?  On what planet?  CZs present an advanced subset of the  
> > modulation potential of the Yamaha FM (actually, PM) synthesizers.   
> > The skills one learns, rather easily, IMO, on the CZs applies very  
> > well to subtractive, as well as to FM synthesizers.  The CZs are a  
> > very gentle introduction to synthesizer programming!
> >
> > - synergeezer
> >
> > --- In CZ-VZ-Files@yahoogroups.com, Daniel Forr� <dan.for@> wrote:
> >>
> >> I don't think so, it's not typical subtractive synth, it just tries  
> >> to
> >> imitate that structure (behind this face is hidden PD Synthesis). In
> >> comparison with the other synths trying to imitate "standard"
> >> subtractive synth here oscillator is digital, there's no real filter,
> >> envelopes are difficult to understand and program, concept of "lines"
> >> is also rather unusual (because there are in fact two independent
> >> synths), and ring and noise modulation is also not quite typical.
> >>
> >> Never mind, important is it can produce interesting sounds :-)
> >>
> >> Daniel Forro
> >>
> >> On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:
> >>
> >>>
> >>> IMHO, the CZ is the best bit of gear for learning how to program a
> >>> synthesizer (okay, maybe a big modular might be better).
>

Re: Hello guys, new user, and newbee here!

2013-06-16 by james_earthenware

I can't believe you people are having a debate about this synth issue. This is an winnable debate that people grew tired of talking about in 1987. 

Regardless of how the CZ system works (it is neither PM *fm/pm has no window function nor is it Subtractive) it IS very easy to make all the sounds you need, very quickly just by tweaking the really horrible presets. 

The person described himself as a guitar player...so he won't have the baggage of subtractive or FM methods...he can learn Phase Distortion first and probably be able to do everything he needs in this realm very efficiently. Casio mostly produced products that were easy to use and educational and this philosophy definitely drives the CZ architecture.

The only "REAL" problem is casio's SysEx is non-standard, doesn't always give access to full range of hidden parameters and all the info about these instruments keeps disappearing from the internet at an amazing rate. But then again...due to this lack of support they remain affordable so it evens out.

ENJOY YOUR SYNTH! MAKE GREAT MUSIC WITH IT! <3

--- In CZ-VZ-Files@yahoogroups.com, Daniel Forr� <dan.for@...> wrote:
Show quoted textHide quoted text
>
> History of synthesizers started with subtractive principle many years  
> ago, not "these days". It was the first architecture, and despite many  
> other principles came later, this one has always been in use until our  
> days. Thanks to this it's considered as a standard in the world of  
> synthesizers. So when I hear "synthesizer", this is what I imagine  
> first. And I'm not alone in this - many analog and digital  
> synthesizers and samplers follow or at least emulate this  
> architecture, Casio PD synths being good example for this. What's  
> wrong with these facts?
> 
> Even when we accept this fact and try to see CZ as the dual  
> subtractive synth, still there are very complex (and thanks to its  
> movable Sustain and End points also quite unique) envelopes - nothing  
> for beginners. And nothing which we can find on common subtractive  
> synth with ADSR envelope.
> 
> And because PD principle is hidden behind the user interface, and user  
> has no access to it, it's hardly usable as a learning tool for FM  
> synthesis. Far away from FM, and so simple that I wouldn't call it an  
> advanced subset of it.  Envelopes also differs. Besides FM is only one  
> part of Yamaha algorithm synthesis - in fact it's a combination of FM  
> (yes, PM actually) with additive harmonic and additive component  
> synthesis. Algorithm synthesis doesn't pretend being subtractive synth  
> (which is what CZ does), so it's clear there's no filter there.
> 
> Magic of programming analog subtractive synth is in understanding how  
> to set and balance these important parameters: Filter Cutoff  
> Frequency, amount of filter envelope modulation, Sustain level in  
> filter envelope and Keyboard Scaling for filter. I'm sorry but I don't  
> see any of these parameters on CZ so there's not much knowledge we can  
> get from it and apply on some subtractive synth.
> 
> Anyway there's not big sense in comparing of those systems - each of  
> them has different architecture, offers different sounds and it's  
> necessary to learn how to work with each of them. There's hardly  
> anything like universal knowledge we can easily transfer from one  
> system to the other.
> 
> Daniel Forro
> 
> On 15 Jun, 2013, at 11:26 PM, synergeezer wrote:
> 
> > "I don't think so, it's not typical subtractive synth".  And this  
> > applies because almost everyone is using subtractive synthesis,  
> > these days?  On what planet?  CZs present an advanced subset of the  
> > modulation potential of the Yamaha FM (actually, PM) synthesizers.   
> > The skills one learns, rather easily, IMO, on the CZs applies very  
> > well to subtractive, as well as to FM synthesizers.  The CZs are a  
> > very gentle introduction to synthesizer programming!
> >
> > - synergeezer
> >
> > --- In CZ-VZ-Files@yahoogroups.com, Daniel Forr� <dan.for@> wrote:
> >>
> >> I don't think so, it's not typical subtractive synth, it just tries  
> >> to
> >> imitate that structure (behind this face is hidden PD Synthesis). In
> >> comparison with the other synths trying to imitate "standard"
> >> subtractive synth here oscillator is digital, there's no real filter,
> >> envelopes are difficult to understand and program, concept of "lines"
> >> is also rather unusual (because there are in fact two independent
> >> synths), and ring and noise modulation is also not quite typical.
> >>
> >> Never mind, important is it can produce interesting sounds :-)
> >>
> >> Daniel Forro
> >>
> >> On 15 Jun, 2013, at 12:15 AM, synergeezer wrote:
> >>
> >>>
> >>> IMHO, the CZ is the best bit of gear for learning how to program a
> >>> synthesizer (okay, maybe a big modular might be better).
>

Re: Hello guys, new user, and newbee here!

2013-06-16 by fzfan26116161

Now that everyone has chimed in, let's get back to the original post. 

The question, what kind of computer are you using is a good one. Another important pair of questions is: What do you want to do with the CZ and what do you want to do with sysex?

The best way to learn about CZ sysex is to look at the Nov 1985 Casio MIDI Guide. (Surely it must be in the files section.) As for the FZ-1, I am sure there must be resources around here somewhere. Maybe other FZ-1 people can point you to them.

For the record: I agree and disagree with most of the comments posted. Yes, we love our CZs regardless of how the synth engine works (or perhaps I should say how the synth engine can best be described, because if you look at the service manuals for the various CZs, you will really get a better understanding of what's going on under the hood).

The (DCO --> DFC --> DCA) x 2 is simple and straight forward and is a good starting point.

Hope this helps.

Steve
 

--- In CZ-VZ-Files@yahoogroups.com, "marvcoolness" <marvcoolness@...> wrote:
Show quoted textHide quoted text
>
> Yeah, I know, I can see everybody's eyes rolling! :) Ha!
> 
> I'm a guitarist just getting into synths, lots to learn! I have both a CZ5000 and a FZ1, my first question is...
> 
> I kinda understand how syex works, you plug the keyboard into your computer VIA MIDI cable and transfer the commands, but how exactly do yo do it? I probably need some kind of software, right? anything free out there that would give me basic transfer capabilities? How does it work specially with the CZ and FZ sybths? I know they have very limited memory, so when you transfer stuff, do yo uloose what's in there, where does it load to?
> 
> Thanks in advance
>

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.