2016-09-25 by Brendan Cooney
Hey all. I thought I had read and understood all the parameters of the CZ1, but after purchasing a CZ1 I've discovered that I cannot assign pitch bend to just the RH when in Key Split. Is there any workaround or trick anyone might know of for having the pitch bend only effect the RH? I was hoping to trigger pads and drones with the LH, hold them with the pedal, and then play leads with the RH using the pitch bend with LH.
Perhaps the solution is to not speed read manuals before buying synths.
2016-09-25 by charles copp
too bad manufactureers� didn't incorporate every possible combination while engineering
be cool to have individual control over each note in each midi channel
being able to apply cc and rpn to each note along with velocity� volume and modulation and sustain
oh well the future is yours ,,take your ideal and patent it
good discovery , even 20 x years after the things been released ....no one uses these items to their full capacity .......you seem to�� have fun
Show quoted textHide quoted text
---------- Original Message ----------
From: "Brendan Cooney cooneypiano@... [CZsynth]"
Date: September 25, 2016 at 8:32 AM
Hey all. I thought I had read and understood all the parameters of the CZ1, but after purchasing a CZ1 I've discovered that I cannot assign pitch bend to just the RH when in Key Split. Is there any workaround or trick anyone might know of for having the pitch bend only effect the RH? I was hoping to trigger pads and drones with the LH, hold them with the pedal, and then play leads with the RH using the pitch bend with LH.
Perhaps the solution is to not speed read manuals before buying synths.
�
2016-09-26 by Daniel Forró
On page 45 of Owner's Manual is written it is possible to set independent setting. So if you can't do it, there are these possibilities:
- manual is wrong
- you do something wrong
- your instrument is wrong
- I'm totally wrong.
Just follow the manual and set it as you need.
Daniel Forro
On Sep 25, 2016, at 9:32 PM, Brendan Cooney
cooneypiano@... [CZsynth] wrote:
Hey all. I thought I had read and understood all the parameters of the CZ1, but after purchasing a CZ1 I've discovered that I cannot assign pitch bend to just the RH when in Key Split. Is there any workaround or trick anyone might know of for having the pitch bend only effect the RH? I was hoping to trigger pads and drones with the LH, hold them with the pedal, and then play leads with the RH using the pitch bend with LH.
Perhaps the solution is to not speed read manuals before buying synths.
2016-09-26 by Daniel Forró
Last one is true :-)
They say PB and MW are common to both parts.
Ooops.
BUT... Read the page 49!
There's written that Bend Range can be set independently for each part when Key Split setting is written in the memory (as Operation Data).
Then it would be enough to set for the Lower part Bend Range = 0, and that sound will not react to PB even when PB data goes to both Upper and Lower parts.
Try to experiment with it.
Daniel Forro
On Sep 26, 2016, at 4:18 PM, Daniel Forró
danforcz@... [CZsynth] wrote:
On page 45 of Owner's Manual is written it is possible to set independent setting. So if you can't do it, there are these possibilities:
- manual is wrong
- you do something wrong
- your instrument is wrong
- I'm totally wrong.
Just follow the manual and set it as you need.
Daniel Forro
On Sep 25, 2016, at 9:32 PM, Brendan Cooney
cooneypiano@... [CZsynth] wrote:
Hey all. I thought I had read and understood all the parameters of the CZ1, but after purchasing a CZ1 I've discovered that I cannot assign pitch bend to just the RH when in Key Split. Is there any workaround or trick anyone might know of for having the pitch bend only effect the RH? I was hoping to trigger pads and drones with the LH, hold them with the pedal, and then play leads with the RH using the pitch bend with LH.
Perhaps the solution is to not speed read manuals before buying synths.
2016-09-26 by Brendan Cooney
Yes it is a little confusing discerning this point in the manual. But I have not been able to get independent pitch bend ranges for the two voices, even with a key split saved to operation memory. In Operation Memory I put the cursor over tone 1, hit the 'bend range' button and set it to zero. It affects both tones. Then I put the cursor over tone 2, hit bend range and set to '2'. It again affects both tones.
I read over page 49, as you suggested and I believe that the "above listed data" that the manual refers to are only the data marked with an asterisk (Poramento, Glide, Solo on/off). This point is not that clearly written, IMO, though the manual in general is pretty clear.
I thought maybe I could devise a clever workaround, triggering the lower tone through a midi controller, but the pitch bend still affects both voices. I think I might have to change my whole live rig again and just use a cz1000 for leads and use my cz101 to trigger pads and drones. However the 101 doesn't have a pedal input so I'd need to trigger the pads with another keyboard.... the search for the perfect rig continues.
On Monday, September 26, 2016 3:29 AM, "Daniel Forró danforcz@... [CZsynth]" <CZsynth@yahoogroups.com> wrote:
Last one is true :-)
They say PB and MW are common to both parts.
Ooops.
BUT... Read the page 49!
There's written that Bend Range can be set independently for each part when Key Split setting is written in the memory (as Operation Data).
Then it would be enough to set for the Lower part Bend Range = 0, and that sound will not react to PB even when PB data goes to both Upper and Lower parts.
Try to experiment with it.
Daniel Forro
On Sep 26, 2016, at 4:18 PM, Daniel Forró danforcz@... [CZsynth] wrote:
On page 45 of Owner's Manual is written it is possible to set independent setting. So if you can't do it, there are these possibilities:
- manual is wrong
- you do something wrong
- your instrument is wrong
- I'm totally wrong.
Just follow the manual and set it as you need.
Daniel Forro
On Sep 25, 2016, at 9:32 PM, Brendan Cooney cooneypiano@... [CZsynth] wrote:
Hey all. I thought I had read and understood all the parameters of the CZ1, but after purchasing a CZ1 I've discovered that I cannot assign pitch bend to just the RH when in Key Split. Is there any workaround or trick anyone might know of for having the pitch bend only effect the RH? I was hoping to trigger pads and drones with the LH, hold them with the pedal, and then play leads with the RH using the pitch bend with LH.
Perhaps the solution is to not speed read manuals before buying synths.
2016-10-05 by Caleb Garner
Remember the cpu speeds of computers in 1985... it was unthinkable back then... midi is 8bit. Only so much data can go through it.
Modern daw/usb can do much more but our casios were from long time ago. So between limited bandwidth for midi slow CPUs (single digit megahertz!) and even a little designed obsolescence would likely drive the units final design.
Thanks,
Caleb Garner
www.part12studios.com
615-818-8483
"If there are typos, it is Siri's falt"
Show quoted textHide quoted text
> On Sep 25, 2016, at 11:26 AM, charles copp charles.copp@sympatico.ca [CZsynth] <CZsynth@yahoogroups.com> wrote:
>
> too bad manufactureers didn't incorporate every possible combination while engineering
>
> be cool to have individual control over each note in each midi channel
>
> being able to apply cc and rpn to each note along with velocity volume and modulation and sustain
>
>
>
> oh well the future is yours ,,take your ideal and patent it
>
> good discovery , even 20 x years after the things been released ....no one uses these items to their full capacity .......you seem to have fun
>
>
>
>> ---------- Original Message ----------
>> From: "Brendan Cooney cooneypiano@... [CZsynth]" <CZsynth@yahoogroups.com>
>> Date: September 25, 2016 at 8:32 AM
>>
>> Hey all. I thought I had read and understood all the parameters of the CZ1, but after purchasing a CZ1 I've discovered that I cannot assign pitch bend to just the RH when in Key Split. Is there any workaround or trick anyone might know of for having the pitch bend only effect the RH? I was hoping to trigger pads and drones with the LH, hold them with the pedal, and then play leads with the RH using the pitch bend with LH.
>>
>> Perhaps the solution is to not speed read manuals before buying synths.
>>
>
>
>
>
2016-10-12 by D. B.
It's not even about the old computers being slow or the bit width.
MIDI as a protocol is required to run at 31.25 kbps, a rather puny data rate - which can barely even handle the load of polyphonic aftertouch, never mind polyphonic everything-else at the same time.
having said that, I think there are ideas out there for successors to MIDI, but I haven't been following any of their progress.
2016-10-12 by smw-mail@...
> It's not even about the old computers being slow or the bit width.
This is on the money; the previous comment was not accurate. In fact, we may have had this discussion (or one close to it) 3-4 years ago.
> MIDI as a protocol is required to run at 31.25 kbps,
While older synths with 5-pin din connectors for midi inter-connectivity operate (and related gear/software) used 31.25 kbps, it is not required.
>a rather puny data rate - which can barely even handle the load of polyphonic aftertouch, never mind polyphonic everything-else at the same time.
Possibly, but moreover the problem is with OS overhead, inefficient drivers, and try-to-do-everything-at-once-including-audio-and-video software. If you take at Commodore 64 and write efficient asm code to do midi I/O, my guess is 31.25 kbps will work. But don't do that, get a modern microprocessor (even a relatively slow AVR-base arduino compared to new) and write midi I/O code at anywhere from 31.25 kpbs to speeds many times that.
>having said that, I think there are ideas out there for successors to MIDI, but I haven't been following any of their progress.
From what I have seen there have been changes all along since 1985 still using MIDI. Twenty years ago or so some people were saying MIDI was dead because audio processing became accessible. However, from what I have seen MIDI has continued to grow/change/etc. and is still useful for those people who know how to use it for what they want. Yes, there are still deficiencies, but there will always be issues with any technology.
A few years ago, a VZ user even wrote a web-based/browser VZ editor. That could not be done in 1985. And last I checked, it worked on modern computers!!!!!! (Although with changes web browsers have been known to change web-based code.
I am glad you acknowledged you haven't kept up. That speaks well of you and your input (in my opinion).
2016-10-12 by Daniel Forró
On Oct 12, 2016, at 11:35 PM, smw-mail@... [CZsynth] wrote:
> > MIDI as a protocol is required to run at 31.25 kbps,
>
> While older synths with 5-pin din connectors for midi inter-
> connectivity operate (and related gear/software) used 31.25 kbps, it
> is not required.
??? Of course it is required.
There were some attempts to use higher speed but it was not generally
accepted.
>
> >a rather puny data rate - which can barely even handle the load of
> polyphonic aftertouch, never mind polyphonic everything-else at the
> same time.
>
> Possibly, but moreover the problem is with OS overhead, inefficient
> drivers, and try-to-do-everything-at-once-including-audio-and-video
> software. If you take at Commodore 64 and write efficient asm code
> to do midi I/O, my guess is 31.25 kbps will work. But don't do that,
> get a modern microprocessor (even a relatively slow AVR-base arduino
> compared to new) and write midi I/O code at anywhere from 31.25 kpbs
> to speeds many times that.
Maybe, but in the end you have to go down to MIDI speed, if you want
to talk with common MIDI instruments.
But many modern instruments started to use USB for MIDI transfer.
Yamaha has their modification of FireWire protocol called m-Lan for
audio and MIDI communication.
> >having said that, I think there are ideas out there for successors
> to MIDI, but I haven't been following any of their progress.
> From what I have seen there have been changes all along since 1985
> still using MIDI.
>
Yes, lot of changes, useful additions and improvements. Despite basic
limited features it's still usable when used cleverly.
> Twenty years ago or so some people were saying MIDI was dead because
> audio processing became accessible.
>
Sorry, but I don't see any connection between audio and MIDI. Two
totally different attitudes...
> However, from what I have seen MIDI has continued to grow/change/
> etc. and is still useful for those people who know how to use it for
> what they want. Yes, there are still deficiencies, but there will
> always be issues with any technology.
>
My words :-)
Daniel Forro
2016-10-12 by charles copp
I think it all has to do with the instruments capability to handle data �and not midi speed......
31 thousand bytes per second��� fast !
Show quoted textHide quoted text
---------- Original Message ----------
From: "Daniel Forr� danforcz@... [CZsynth]"
Date: October 12, 2016 at 11:29 AM
> MIDI as a protocol is required to run at 31.25 kbps,
While older synths with 5-pin din connectors for midi�inter-connectivity operate (and related gear/software) used 31.25 kbps, it is not required.
??? Of course it is required.
There were some attempts to use higher speed but it was not generally accepted.
>a rather puny data rate - which can barely even handle the load of polyphonic aftertouch, never mind polyphonic everything-else at the same time.
Possibly, but moreover the problem is with OS overhead,�inefficient drivers, and try-to-do-everything-at-once-including-audio-and-video software.� If you take at Commodore 64 and write efficient asm code to do midi I/O, my guess is 31.25 kbps will work. But don't do that, get a modern microprocessor (even a relatively slow AVR-base arduino compared to new) and write midi I/O code at anywhere from 31.25 kpbs to speeds many times that. �
Maybe, but in the end you have to go down to MIDI speed, if you want to talk with common MIDI instruments.�
But many modern instruments started to use USB for MIDI transfer. Yamaha has their modification of FireWire protocol called m-Lan for audio and MIDI communication.
�
>having said that, I think there are ideas out there for successors to MIDI, but I haven't been following any of their progress.
From what I have seen there have been changes all along since 1985 still using MIDI.�
Yes, lot of changes, useful additions and improvements. Despite basic limited features it's still usable when used cleverly.�
Twenty years ago or so some people were saying MIDI was dead because audio processing�became accessible.
Sorry, but I don't see any connection between audio and MIDI. Two totally different attitudes...
However, from what I have seen MIDI has continued to grow/change/etc. and is still useful for those people who know how to use it for what they want.� Yes, there are still deficiencies, but there will always be issues with any technology.
My words :-)
Daniel Forro
�
2016-10-13 by D. B.
"From what I have seen there have been changes all along since 1985
still using MIDI. Twenty years ago or so some people were saying MIDI
was dead because audio processing became accessible. However, from what I
have seen MIDI has continued to grow/change/etc. and is still useful
for those people who know how to use it for what they want. Yes, there
are still deficiencies, but there will always be issues with any
technology."
Whether the protocol is still in use, mostly through inertia, does not correlate with whether it has been updated technologically.
"A few years ago, a VZ user even wrote a web-based/browser VZ editor. That could not be done in 1985. And last I checked, it worked on modern computers!!!!!! (Although with changes web browsers have been known to change web-based code."
OK? This doesn't reflect on MIDI as a technology either, though.
"I am glad you acknowledged you haven't kept up. That speaks well of you and your input (in my opinion)."
Is this a sleight? Whatever. These lists tend to devolve into p*ing contests between small handfuls of people, and I can't be bothered with it.
2016-10-13 by smw-mail@...
YOU SAID:
"Whether the protocol is still
in use, mostly through inertia, does not correlate with whether it has
been updated technologically."
I NOW REPLY: From what I have read, there have indeed been improvements to the midi specs as well as the ways gear and applications use midi. I wasn't correlating anything, just making comments based on what I have seen. In fact, I recently was at a music event and attended a workshop that showcased a feature (I believe it was Ableton Live's Link feature) and specifically brought up how people doubted me that MIDI was not limited to 31.25kbps. The speaker who I considered an expert in these matters not only agreed but told me how fast midi was going these days. Sorry, I forgot the number but it was many time 31.25Kbps. Also, take a look at the specs for what has sometimes been called "expressive midi." While I used the concept of channelizing MIDI data but running CZ-5000 MIDI through a Commodore 64 and back into the CZ in the 1980, manufacturers expanded on this and MIDI spec writers at the end of last year either finalized or were finalizing extensions of the midi spec so people could make use of channelized midi data. In my opinion, both of these demonstrate updated MIDI technology.
YOU QUOTED ME SAYING:
"A
few years ago, a VZ user even wrote a web-based/browser VZ editor. That
could not be done in 1985. And last I checked, it worked on modern
computers!!!!!! (Although with changes web browsers have been known to
change web-based code."
YOU ASKED AND RETORTED:
"OK? This doesn't reflect on MIDI as a technology either, though."
I NOW REPLY: Actually it does in a way. It reflects on the respect that software and API developers have for MIDI such that they would design tools to use MIDI in contemporary web browsers.
YOU QUOTED ME COMPLIMENTING YOU AS OPPOSED TO OTHERS WHO GIVE OPINIONS BASED ON OLD INFORMATION:
"I am glad you acknowledged you haven't kept up. That speaks well of you and your input (in my opinion)."
THEN YOU CHALLENGED ME AS IF TO DOUBT MY COMMENT WAS INTENDED AS A SINCERE COMPLIMENT:
"Is
this a sleight? Whatever. These lists tend to devolve into p*ing
contests between small handfuls of people, and I can't be bothered with
it."
I NOW REPLY: It was not intended as a slight to you, but rather to others (in general and in specific) who have posted and vociferously argued for erroneous opinions not necessarily based on demonstrable facts but on faulty assumptions. I had in mind a person years ago who insisted that the CZ couldn't keep up with modern computers because they were built in the 1980s etc. I believe I disproved this by documenting my experiments proving it false. I don't remember if that person (and maybe other who joined in) ever did their own experiments to prove they were right or acknowledged the merits and validity of mine.
But back to the present: It almost sounded like a previous poster was going in that same direction. (The CZ and/or MIDI is old/outdated, etc.) So I was genuinely happy to see that you acknowledged you did not follow more recent trends in MIDI. It was sincere on my part, though in the context of words on a screen in an open forum, I can understand how you might have overlaid a tone of sarcasm that I did not have. By the same token, I believe you genuinely misinterpreted my comment without an malice towards me. An honest mistake on your part.
Steve
PS: If you are inclined not to believe me and my sincerity, I would urge you to re-read my post. There is no sarcasm, no disrespect, etc.
2016-10-14 by smw-mail@...
2016-10-14 by smw-mail@...
Let's make a distinction between the MIDI hardware transport and the MIDI protocol. The 5-pin MIDI hardware transport as defined in MIDI Spec 1.0 used 31.25 kbps. If you have something that only has a 5-pin MIDI hardware transport, I agree you are limited to 31.25 kbps unless you can make some mods to your gear. However, it's probably not worth anyone's time to do such mods on gear when you can get a microprocessor and build something that can use the midi protocol at higher speeds.
Let's say I have an arduino. Let's say I want to code it so I have sliders, knobs, and buttons and can trigger sequences, process midi data, etc. If I want to have that control softsynths, I am not limited to 31.25 kbps.
The last time I wrote such a test program I used 115200 baud, 8 data bits, no parity, and 1 stop bit. Since the program stays in the arduino until I upload a hew "sketch," its still there. So when I just plugged it into my usb port and booted the Hairless MIDI Serial <-> Serial Bridge, it started cranking out midi data (based on the test program I wrote) to my PC at 115200 baud. I could go up to 256000 baud.
I know I can pump that into a softsynth. Let's see what happens if I route it to a usb interface (2-in 4-out emagic mt4). Well, it seems to be pumping data out the 5-pin din connectors to some sound modules at exactly same performance tempo that the softsynth would be playing at.
In short, at this very moment the arduino is pumping midi data out at 115200 baud and it is playing on an old Roland M-GS64 via a "modern computer." I am pretty sure this is the same program I tested on the CZ-5000 several years ago.
INTERNAL DIALOG (31.25 baud):
So now that I proved it to myself, do I really need to share this with all the naysayers in the CZ forum?
Why should I set myself up for abuse? I really don't need to prove it to anyone else. So I suppose the only reason to post it is in case others might want to try it. But is that worth risking abuse? You know no one in the CZ group will appreciate this. Well, maybe it will inspire one person. If so, it's worth it for that one person because maybe that one person will be a leader or will be inspired to ignore all the naysayers.
Supplemental reading:
(from the midi manufacturers association website)
. .
The following statements correct specific claims that have been made while the footnotes contain the reference to the claim.
MIDI is a hardware transport independent protocol 1
Both
OSC and MIDI are message protocols that are hardware transport
independent. There is a transport specification (MIDI DIN) part of the
MIDI 1.0 Specification, but that transport it is not required for using
the MIDI protocol. It is quite common for MIDI protocol to be carried on
transports such as USB, FireWire, and Ethernet.
MIDI is as Fast as OSC 2
When
carried on Ethernet, MIDI bits move at the same data rate as OSC bits
carried on Ethernet, because the data rate is a factor of the transport,
not the protocol. In terms of throughput, MIDI can actually have better
throughput than OSC because it takes fewer bytes to make common MIDI
messages than it does to make comparable OSC messages.
2016-10-14 by Daniel Forró
On Oct 14, 2016, at 10:18 AM, smw-mail@... [CZsynth] wrote:
> Let's make a distinction between the MIDI hardware transport and the
> MIDI protocol. The 5-pin MIDI hardware transport as defined in MIDI
> Spec 1.0 used 31.25 kbps. If you have something that only has a 5-
> pin MIDI hardware transport, I agree you are limited to 31.25 kbps
> unless you can make some mods to your gear.
Some SCI instruments could change MIDI speed for the purpose of Sample
Dump using standard MIDI hardware. Values could be:
62.5 kbps
83.3 kbps
125 kbps
For example Prophet 2000 could go to 83.3 kbps.
Concerning higher transfer speed, it's worth to mention here that
Yamaha (and probably also Roland and Korg, I'm not sure now) use for
their serial MIDI communication called TO HOST higher speed in PC-2
setting (RS232C) - 38400 kbps.
Opcode serial MIDI interfaces Studio Series allow to select higher
speed communication - 8x MIDI speed, that is 250 kbps (used with Mac,
OMS, RS422).
> However, it's probably not worth anyone's time to do such mods on
> gear when you can get a microprocessor and build something that can
> use the midi protocol at higher speeds.
>
> Let's say I have an arduino. Let's say I want to code it so I have
> sliders, knobs, and buttons and can trigger sequences, process midi
> data, etc. If I want to have that control softsynths, I am not
> limited to 31.25 kbps.
>
> The last time I wrote such a test program I used 115200 baud, 8 data
> bits, no parity, and 1 stop bit. Since the program stays in the
> arduino until I upload a hew "sketch," its still there. So when I
> just plugged it into my usb port and booted the Hairless MIDI Serial
> <-> Serial Bridge, it started cranking out midi data (based on the
> test program I wrote) to my PC at 115200 baud. I could go up to
> 256000 baud.
>
> I know I can pump that into a softsynth. Let's see what happens if I
> route it to a usb interface (2-in 4-out emagic mt4). Well, it seems
> to be pumping data out the 5-pin din connectors to some sound
> modules at exactly same performance tempo that the softsynth would
> be playing at.
>
> In short, at this very moment the arduino is pumping midi data out
> at 115200 baud and it is playing on an old Roland M-GS64 via a
> "modern computer." I am pretty sure this is the same program I
> tested on the CZ-5000 several years ago.
>
> INTERNAL DIALOG (31.25 baud):
> So now that I proved it to myself, do I really need to share this
> with all the naysayers in the CZ forum?
>
> Why should I set myself up for abuse? I really don't need to prove
> it to anyone else. So I suppose the only reason to post it is in
> case others might want to try it. But is that worth risking abuse?
> You know no one in the CZ group will appreciate this. Well, maybe
> it will inspire one person. If so, it's worth it for that one person
> because maybe that one person will be a leader or will be inspired
> to ignore all the naysayers.
Yes, that all is true for sure, but why to mention it here? When we
want to connect standard MIDI instruments, we need some kind of
interface between such high speed system and MIDI, and it's necessary
to slow down transfer to standard MIDI speed. From this point of view
higher transfer speed has no advantage.
But it can help when we use different hardware for MIDI data transfer,
or it had sense for data transfer between Mac and Opcode multiport
MIDI interface like Studio 5LX (with its 15 MIDI ports = 240 MIDI
channels). All those channels were sent through one serial cable.
Daniel Forro
2016-10-14 by smw-mail@...
YOU WROTE:
Yes, that all is true for sure, but why to mention it here?
I NOW REPLY:
Several reasons:
(1) There are some posters here who say things about MIDI and/or the Casio CZ/VZ that are not true and some unsuspecting people might come along and believe them.
(2) Because maybe there is (or will be) one person who will read it and be inspired to pursue it.
(3) Because maybe there is (or will be) one person who will read it and be inspired to ignore naysayers, etc.
Think about what you wrote. There is absolutely no good reason for you to have challenged what I posted with ". . . but why mention it here?" The answer should be obvious from the posts themselves and/or from the context of the previous discussions.
In one of your posts you broke apart my comments and placed replies in the middle of thoughts. In one of them, you commented on a statement that in my original was followed immediately by "However . . . ." In the English language "however" connects ideas in a very specific way. By breaking up my comment that way, you in essence took my comments out of context for the sole purpose of putting in your comment.
I light of this, I repeat: Think about what you wrote: ". . . but why mention it here?" There is no reason for you to have said challenge me for having clarified some issues.
OHHHHH. I get it! Maybe because I contradicted you and you couldn't accept that. I said 31.25 kbaud was not required for MIDI. I said it wasn't. I showed how it wasn't, so while you acknowledged what I said was "true for sure," you had to challenge me with ". . . but why mention it here?"
But wait, there are other reasons I mentioned it here. If you dare, re-read what I wrote about my 1980s experiments with channelizing midi data. I took a CZ-5000, ran the MIDI data through a Commodore 64 channelized it (i.e., processed the midi data) and sent it back to the CZ-5000.
While I mentioned that in combination with how midi technology has been updated in the past year or so, it also relates directly to what people could do with midi data coming from their CZs.
Finally, there is no need for anyone to commend on this. It is just an explanation of what I consider to be a useless challenge:". . . but why mention it here?" To reiterate: it should have been obvious from the posts themselves and/or from the context of previous discussions.
Addendum:
I fully recognize that some people will not understand any of what I have written here or in the previous posts. That's fine. My advice is to just ignore it and move on to something else. There is nothing more to be said that will add anything useful to this discussion.
But wait.
There is one more thing: People who said "MIDI is dead" a few years back because they were of the opinion that audio somehow supercede midi and that midi had no more usefulness were just plain wrong. History has proved that not me. (Well, I have proved it, too; but more importantly history has proved it wrong.
And in case its not obvious, Daniel, you totally missed the context of my mentioning that point previously--again, evidently for the sole purpose of challenging me with your midi and audio are two different things remark.
Congratulations.
2016-10-14 by D. B.
steve_the_composer:
I was genuinely happy to see that you acknowledged you did not follow
more recent trends in MIDI. It was sincere on my part, though in the
context of words on a screen in an open forum, I can understand how you
might have overlaid a tone of sarcasm that I did not have. By the same
token, I believe you genuinely misinterpreted my comment without an
malice towards me. An honest mistake on your part.
Indeed, I inferred mistaken things from your post. Thanks for clarifying that and the other details.
2016-10-14 by Daniel Forró
On Oct 14, 2016, at 6:42 PM, smw-mail@... [CZsynth] wrote:
> YOU WROTE:
> Yes, that all is true for sure, but why to mention it here?
>
> I NOW REPLY:
> Several reasons:
> (1) There are some posters here who say things about MIDI and/or the
> Casio CZ/VZ that are not true and some unsuspecting people might
> come along and believe them.
> (2) Because maybe there is (or will be) one person who will read it
> and be inspired to pursue it.
> (3) Because maybe there is (or will be) one person who will read it
> and be inspired to ignore naysayers, etc.
>
> Think about what you wrote. There is absolutely no good reason for
> you to have challenged what I posted with ". . . but why mention it
> here?" The answer should be obvious from the posts themselves and/
> or from the context of the previous discussions.
Anybody has right to write whatever they want and feel as a proper
part of continuing academic discussion. Me as well as you.
But anyway your "maybe" reason for mentioning all this are rather
enigmatic to me. If I remember well, nobody mentioned such things
before, or argued with you about facts you have written...
> In one of your posts you broke apart my comments and placed replies
> in the middle of thoughts.
Is this prohibited in discussions?
> In one of them, you commented on a statement that in my original was
> followed immediately by "However . . . ." In the English language
> "however" connects ideas in a very specific way. By breaking up my
> comment that way, you in essence took my comments out of context for
> the sole purpose of putting in your comment.
Thanks for the English lesson, it's not my native tongue, so I do
mistakes.
> I light of this, I repeat: Think about what you wrote: ". . . but
> why mention it here?" There is no reason for you to have said
> challenge me for having clarified some issues.
Yes, OK. I don't see any problem, as well as need for such deep
grammatical or phraseological analyses. This yahoo group is about CZ
synthesizers.
>
> OHHHHH. I get it! Maybe because I contradicted you and you couldn't
> accept that.
Maybe.
> I said 31.25 kbaud was not required for MIDI. I said it wasn't. I
> showed how it wasn't,
Yes, I agreed and added some examples when MIDI used higher transfer
speed. Re-read please what I wrote.
> so while you acknowledged what I said was "true for sure," you had
> to challenge me with ". . . but why mention it here?"
>
> But wait, there are other reasons I mentioned it here. If you dare,
> re-read what I wrote about my 1980s experiments with channelizing
> midi data. I took a CZ-5000, ran the MIDI data through a Commodore
> 64 channelized it (i.e., processed the midi data) and sent it back
> to the CZ-5000.
>
> While I mentioned that in combination with how midi technology has
> been updated in the past year or so, it also relates directly to
> what people could do with midi data coming from their CZs.
>
> Finally, there is no need for anyone to commend on this. It is just
> an explanation of what I consider to be a useless challenge:". . .
> but why mention it here?" To reiterate: it should have been obvious
> from the posts themselves and/or from the context of previous
> discussions.
Look, I"m simple man, and don"t understand all this linguistic stuff
you showed here. If you wanted to show how stupid I am, you managed.
Congratulations.
> Addendum:
> I fully recognize that some people will not understand any of what I
> have written here or in the previous posts. That's fine. My advice
> is to just ignore it and move on to something else. There is nothing
> more to be said that will add anything useful to this discussion.
Very good ideas in above four sentences.
>
> But wait.
>
> There is one more thing: People who said "MIDI is dead" a few years
> back because they were of the opinion that audio somehow supercede
> midi and that midi had no more usefulness were just plain wrong.
> History has proved that not me. (Well, I have proved it, too; but
> more importantly history has proved it wrong.
Nobody here mentioned anything like this if I remember well. So why
you mention it here?
But OK. Just FYI:
I'm the last person who would underestimate MIDI or complain about it.
I use mainly MIDI, having connected more multiport MIDI interfaces (in
total over 900 MIDI channels) and around 60 MIDI hardware instruments
in my studio. Besides I have published two books on MIDI (nothing to
say about other publications and hundreds of expert articles in music
magazines), and my old nickname in my country was Dr. MIDI.
>
> And in case its not obvious, Daniel, you totally missed the context
> of my mentioning that point previously--again, evidently for the
> sole purpose of challenging me with your midi and audio are two
> different things remark.
>
> Congratulations.
Are they not? I didn't know.
And now I have to look in my biggest English dictionary to study more
what "challenging me" means exactly.
And let's stop this fruitless discussion. Everybody has sometimes hard
day.
Best regards.
Daniel Forro
2016-10-21 by Daniel Forró
Today I couldn't resist seeing Casio Digital Guitar DG20 for 20 USD in
the nearest recycle shop. So my DG7 doesn't need to feel lonely now :-)
Everything works well, just one small part is missing:
plastic sensor cover
I think the same is on DG10.
If by chance somebody has it and can sell, let me know please.
Thanks in advance!
Daniel Forro
2016-10-21 by 350ypvs@googlemail.com
Wow! Amazing find for an amazing price!
2016-10-21 by Daniel Forró
That's what I thought also. In these shops it's possible to find often interesting gear for unbelievable prices. The only problem can be a state of some products due Japanese humidity and high temperatures in summer - metal parts can be rusty and it could have effect also on some components or their life cycle. But usually instruments are well maintained and in good optical shape. Sometimes they look like they were closed for 20 years somewhere and not used.
I just googled some other offers on E-bay and some Japanese guys ask for DG20 in much worse state (there are pictures) than this one minimally 150 USD. So it was a bargain. I live is small city, so prices are lower, and international sellers also try to pump prices up. But in big cities there's better choice, more gear.
Daniel Forro
Wow! Amazing find for an amazing price!
2016-10-21 by Lee
Well done on that price!
Sent from my iPhone
Show quoted textHide quoted text
On 21 Oct 2016, at 13:28, "Daniel Forró danforcz@... [CZsynth]" <CZsynth@yahoogroups.com> wrote:
> That's what I thought also. In these shops it's possible to find often interesting gear for unbelievable prices. The only problem can be a state of some products due Japanese humidity and high temperatures in summer - metal parts can be rusty and it could have effect also on some components or their life cycle. But usually instruments are well maintained and in good optical shape. Sometimes they look like they were closed for 20 years somewhere and not used.
>
> I just googled some other offers on E-bay and some Japanese guys ask for DG20 in much worse state (there are pictures) than this one minimally 150 USD. So it was a bargain. I live is small city, so prices are lower, and international sellers also try to pump prices up. But in big cities there's better choice, more gear.
>
> Daniel Forro
>
>
> On Oct 21, 2016, at 9:17 PM, '350ypvs@...' 350ypvs@... [CZsynth] wrote:
>
>>
>>
>> Wow! Amazing find for an amazing price!
>>
>> On 21 October 2016 at 13:08, Daniel Forró danforcz@... [CZsynth] <CZsynth@yahoogroups.com> wrote:
>>> Today I couldn't resist seeing Casio Digital Guitar DG20 for 20 USD in
>>> the nearest recycle shop. So my DG7 doesn't need to feel lonely now :-)
>>>
>>> Everything works well, just one small part is missing:
>>>
>>> plastic sensor cover
>>>
>>> I think the same is on DG10.
>>>
>>> If by chance somebody has it and can sell, let me know please.
>>>
>>> Thanks in advance!
>>>
>>> Daniel Forro
>
>
2016-10-21 by Daniel Forró
Missing part according to Service Manual is:
Sensor cup B
Code ID 6913 2450
Part M32807-1
Same for DG10 and DG20.
Daniel Forro
2016-10-21 by T. A.
Hello,
this my first post here, I'm a newbie to the CZ world, picked up a CZ5000 for almost nothing.
To cut it short, she was in kind of a rough shape but now she's clean and running, sounds (plus weighs) like a ton of fun.
My question is, what should I do next? I may change the LCD screen to a backlit one in the future, but first I need advice on the batteries.
Which are the best? How long they usually last? Does the machine sends a signal (I guess not) when they need to be changed? Is there a way to permanently change the main MIDI channel to another number?
Any help is welcome!
Attila
2016-10-21 by Lee
That's the one part missing from my donor dg,so unfortunately can't help.
Sent from my iPhone
Show quoted textHide quoted text
On 21 Oct 2016, at 15:18, "Daniel Forró danforcz@... [CZsynth]" <CZsynth@yahoogroups.com> wrote:
> Missing part according to Service Manual is:
>
> Sensor cup B
> Code ID 6913 2450
> Part M32807-1
>
> Same for DG10 and DG20.
>
> Daniel Forro
>
2016-10-22 by T. A.
Hello,
this my first post here, I'm a newbie to the CZ world, picked up a CZ5000 for almost nothing.
To cut it short, she was in kind of a rough shape but now she's clean and running, sounds (plus weighs) like a ton of fun.
My question is, what should I do next? I may change the LCD screen to a backlit one in the future, but first I need advice on the batteries.
Which are the best? How long they usually last? Does the machine sends a signal (I guess not) when they need to be changed? Is there a way to permanently change the main MIDI channel to another number?
Any help is welcome!
Attila
2016-11-01 by charles copp
getting a hold of a manual might be the first serious� motion to understanding the cz
if there is something still looming after reading it� try us again
google cz manual ....?
Show quoted textHide quoted text
---------- Original Message ----------
From: "'T. A.' dzsimik@... [CZsynth]"
Date: October 22, 2016 at 4:21 AM
Hello,
this my first post here, I'm a newbie to the CZ world, picked up a CZ5000 for almost nothing.
To cut it short, she was in kind of a rough shape but now she's clean and running, sounds (plus weighs) like a ton of fun.
My question is, what should I do next? I may change the LCD screen to a backlit one in the future, but first I need advice on the batteries.
Which are the best? How long they usually last? Does the machine sends a signal (I guess not) when they need to be changed? Is there a way to permanently change the main MIDI channel to another number?
Any help is welcome!
Attila
�
2016-11-01 by Daniel Forró
On Oct 22, 2016, at 1:09 AM, 'T. A.' dzsimik@... [CZsynth]
wrote:
> Hello,
>
> this my first post here, I'm a newbie to the CZ world, picked up a
> CZ5000 for almost nothing.
Congratulations and welcome on the board!
> To cut it short, she was in kind of a rough shape but now she's
> clean and running, sounds (plus weighs) like a ton of fun.
> My question is, what should I do next? I may change the LCD screen
> to a backlit one in the future,
Good idea.
> but first I need advice on the batteries.
> Which are the best?
I would use alcaline.
> How long they usually last?
According to the manual - 1 year (see page 57).
> Does the machine sends a signal (I guess not) when they need to be
> changed?
I think not.
> Is there a way to permanently change the main MIDI channel to
> another number?
Change yes but probably not permanently. It"s not mentioned in the
manual and other books about CZ.
Just check it yourself - change the setting, switch off the instrument
and check the setting after switching on. Probably it will return to
default global settings.
> Any help is welcome!
> Attila
Best regards.
Daniel Forro
2016-11-01 by José Ángel Morente
Welcome!
My recommendations:
a) Get a good delay/reverb unit if you don't have one.
b) Use the magical built in chorus.
c) Change the battery as soon as possible. I don't know about the CZ5000 but it's probably similar to the CZ-1 (it uses a standard CR2032 or CR2025, I think in a standard holder).
d) Enjoy the great warmth and expressiveness of this instrument.
Show quoted textHide quoted text
On 22 October 2016 at 10:21, 'T. A.'
dzsimik@... [CZsynth]
<CZsynth@yahoogroups.com> wrote:
Hello,
this my first post here, I'm a newbie to the CZ world, picked up a CZ5000 for almost nothing.
To cut it short, she was in kind of a rough shape but now she's clean and running, sounds (plus weighs) like a ton of fun.
My question is, what should I do next? I may change the LCD screen to a backlit one in the future, but first I need advice on the batteries.
Which are the best? How long they usually last? Does the machine sends a signal (I guess not) when they need to be changed? Is there a way to permanently change the main MIDI channel to another number?
Any help is welcome!
Attila
2016-11-01 by Daniel Forró
On Nov 1, 2016, at 11:21 AM, José Ángel Morente
msxjam@gmail.com [CZsynth] wrote:
a) Get a good delay/reverb unit if you don't have one.
Good idea.
b) Use the magical built in chorus.
Little bit noisy.
c) Change the battery as soon as possible. I don't know about the CZ5000 but it's probably similar to the CZ-1 (it uses a standard CR2032 or CR2025, I think in a standard holder).
I suppose he asked about standard backup batteries, only CZ1 has lithium backup battery inside, CZ101, 1000, 3000 and 5000 haven't it, see Service manuals.
Daniel Forro
2016-11-01 by Caleb Garner
my understanding (i'm a CZ-1000 owner) is that the D batteries ARE the
backup. when you take them out they say you have 10 minutes to change
them before the patches are lost from memory..
Daniel Forr� danforcz@... [CZsynth] wrote:
Show quoted textHide quoted text
>
>
> On Nov 1, 2016, at 11:21 AM, Jos� �ngel Morente msxjam@...
> <mailto:msxjam@...> [CZsynth] wrote:
>>
>> a) Get a good delay/reverb unit if you don't have one.
>
> Good idea.
>
>> b) Use the magical built in chorus.
>
> Little bit noisy.
>
>> c) Change the battery as soon as possible. I don't know about the
>> CZ5000 but it's probably similar to the CZ-1 (it uses a standard
>> CR2032 or CR2025, I think in a standard holder).
>
> I suppose he asked about standard backup batteries, only CZ1 has
> lithium backup battery inside, CZ101, 1000, 3000 and 5000 haven't it,
> see Service manuals.
>
> Daniel Forro
>
>
2016-11-01 by Lee
Can't say for the 5000 but the 101 flashes the power LED when batteries are low power.
Sent from my iPhone
Show quoted textHide quoted text
On 22 Oct 2016, at 09:21, "'T. A.' dzsimik@... [CZsynth]" <CZsynth@yahoogroups.com> wrote:
> Hello,
>
> this my first post here, I'm a newbie to the CZ world, picked up a CZ5000 for almost nothing.
> To cut it short, she was in kind of a rough shape but now she's clean and running, sounds (plus weighs) like a ton of fun.
> My question is, what should I do next? I may change the LCD screen to a backlit one in the future, but first I need advice on the batteries.
> Which are the best? How long they usually last? Does the machine sends a signal (I guess not) when they need to be changed? Is there a way to permanently change the main MIDI channel to another number?
> Any help is welcome!
> Attila
>
>
2016-11-03 by smw-mail@...
>> this my first post here, I'm a newbie to the CZ world, picked up a CZ5000 for almost nothing.
(1) Welcome (2) Congrats
>> My question is, what should I do next? I may change the LCD screen to a
backlit one in the future, but first I need advice on the batteries.Which are the best? How long they usually last?
(1) I am pretty sure there is a pdf scan of the CZ5000 service manual floating around the internet; not sure if it's here, in the CZ/FZ overflow group, or somewhere else. That might be useful to you. You might want to compare that with the CZ-1 service manual (also around on the internet somewhere). The CZ-1 has a lighted LCD.
(2) The CZ-5000 uses 3 AA batteries. I am not sure how long they will last to preserve the user patches. In my experience with other things, rechargeable AA batteries continuously lose power (and aren't 1.5 v to begin with) and would probably not work well in the CZ-5000. (Just a guess.) I am also guessing that long-lasting alkaline might last longer than old-fashioned heavy-duty batteries, but you'd have to run some comparative tests.
>>Does the machine sends a
signal (I guess not) when they need to be changed?
(1) To the best on my knowledge, unless you were to build a low-power circuit, no.
(2) You know it's time to change your batteries when you power up and your user patches are gone or are scrambled. You can get some really wild patches because the user memory (in my experience) gets filled with parameters that you just can't duplicate from the panel (nor would you want to in most cases).
>>Is there a way to
permanently change the main MIDI channel to another number?
(1) Hey, this is from 1985; consider yourself lucky that it has (a) 8-note (2 line) polyphony / 16-note (1 line) polyphony from the keyboard (i.e., not via midi), (b) multi-timbral capability, and (c) a crude, but usable real-time/step-mode sequencer.
(2) Probably not "out of the box," but you might be able to build a circuit to do this, if for some reason you didn't want to do it manually.
Out of curiosity, did you ever make softsynths?
Finally, I have to offer a caveat--all of the above is my own opinion, freely offered to a person who I believe has asked some good questions relevant to a recent acquisition. I have answered to the best of my ability in hopes that it would be helpful to that individial. I am not really interested in arguing semantics (e.g., how what was called polyphony for many years has in recent years been called paraphony--i.e., not really polyphony, but something short of "true" polyphony--by some), the philosophy of using the CZ-5000 v. the CZ-1 (e.g., how the sounds of the CZ-1 are different, superior, inferior to, etc. the CZ-5000), various other side issues (e.g., why I brought up the two previous examples when the questioner didn't ask about them), etc.
As one member of this forum recently pointed out, anyone can post anything here [as long as it's OK by the Yahoo's ToS and the group's owner doesn't have an objection]. That being said, I would encourage anyone who has experiences with the CZ-5000 that differ from my experiences to write them up as your experiences without referring to what I reported as my experiences.
Anyhow, Atilla, I hope this is helpful.
Steve
2016-11-03 by smw-mail@...
Ooops; my bad. I am still not used to how the Yahoo neo* interface (*or whatever they are calling it these days) works. On my display, a post from the "re: pitch bend cz1" thread was being displayed above where I was replying. So I changed what I thought was the subject [admittedly unnecessarily] to "CZ-5000 . . . ." Sorry for any confusion this may have caused.
Steve
2016-11-04 by Daniel Forró
There's no power LED on CZ5000, besides - batteries serve only for memory back-up, not for normal play. Instrument has internal PSU and has to be connected to power network.
Daniel Forro
Can't say for the 5000 but the 101 flashes the power LED when batteries are low power.
2016-11-04 by Daniel Forró
On Nov 4, 2016, at 5:52 AM, smw-mail@... [CZsynth] wrote:
> >> My question is, what should I do next? I may change the LCD
> screen to a backlit one in the future, but first I need advice on
> the batteries.Which are the best? How long they usually last?
> (1) I am pretty sure there is a pdf scan of the CZ5000 service
> manual floating around the internet; not sure if it's here, in the
> CZ/FZ overflow group, or somewhere else. That might be useful to
> you. You might want to compare that with the CZ-1 service manual
> (also around on the internet somewhere). The CZ-1 has a lighted LCD.
CZ1:
http://www-personal.umich.edu/~damont/CasioCZ1Servicemanual.pdf
CZ5000:
https://www.manualslib.com/download/830267/Casio-Cz-5000.html
> (2) The CZ-5000 uses 3 AA batteries. I am not sure how long they
> will last to preserve the user patches. In my experience with other
> things, rechargeable AA batteries continuously lose power (and
> aren't 1.5 v to begin with) and would probably not work well in the
> CZ-5000. (Just a guess.) I am also guessing that long-lasting
> alkaline might last longer than old-fashioned heavy-duty batteries,
> but you'd have to run some comparative tests.
This was answered with facts written in the manual, not guesses :-).
They are standard batteries (or alkaline), no need to use
rechargeable, they will not be recharged in the machine. They will
last around one year.
> (2) You know it's time to change your batteries when you power up
> and your user patches are gone or are scrambled. You can get some
> really wild patches because the user memory (in my experience) gets
> filled with parameters that you just can't duplicate from the panel
> (nor would you want to in most cases).
Of course this can happen but then it's too late to change batteries.
For all cases it's good to have a data back-up on RAM cartridge, tape
or in SysEx format.
>
> >>Is there a way to permanently change the main MIDI channel to
> another number?
> (1) Hey, this is from 1985; consider yourself lucky that it has (a)
> 8-note (2 line) polyphony / 16-note (1 line) polyphony from the
> keyboard (i.e., not via midi), (b) multi-timbral capability, and (c)
> a crude, but usable real-time/step-mode sequencer.
> (2) Probably not "out of the box," but you might be able to build a
> circuit to do this, if for some reason you didn't want to do it
> manually.
This was answered with facts written in the manual, but I just don't
know it the change is permanent and will occur after the next
switching on the instrument. So I have recommended to test it. Until
now no reaction from the person who asked our advice. Maybe he didn't
survive first week of heavy work with his CZ, when he forgot to drink
and eat :-)
> Finally, I have to offer a caveat--all of the above is my own
> opinion, freely offered to a person who I believe has asked some
> good questions relevant to a recent acquisition. I have answered to
> the best of my ability in hopes that it would be helpful to that
> individial.
It's nice of you, it is just questionable if opinions and guesses
concerning the facts are really helpful, as they can be wrong and
bring more confusion. Facts are facts.
> I am not really interested in arguing semantics (e.g., how what was
> called polyphony for many years has in recent years been called
> paraphony--i.e., not really polyphony, but something short of "true"
> polyphony--by some),
I've never heard about such thing that somebody tries to use a term
paraphony for polyphony. If yes, then it's totally wrong and I suppose
we don't need to argue about it.
Despite nobody asked you to bring such example, and despite paraphony
has nothing to do with CZ synths, or even with polyphony, maybe it's
the best time to explain it exactly as it's a part of synthesizer
history.
AFAIK a term "paraphony" was used by Roland on some of their
multiphonic analog/digital synths in the end of 70's. Despite the
instrument has more voices of polyphony thanks to multiple
oscillators, there is only one filter with associated envelope
generator for all of them. That means that filter envelope, when
triggered again from the keyboard, restarts it's cycle from the
beginning and had the same effect on all voices, even on those who
were sounding in that moment. Instrument plays polyphonically but
behavior of the filter is monophonic.
The same compromise architecture was used by other instruments as well
- Moog Polymoog, Korg (even Poly/EX-800, which is interesting because
older PS6 Polysix had independent filters and EG's for all six
voices), and few others.
Later instruments had fully implemented architecture for each voice
unit (oscillator - filter - amplifier, and associated envelope
generators) so all timbre and level changes in time are fully
independent and start with each press of the key, and just for that
voice. Of course they all have the same setting.
Casio PD and iPD synthesis uses direct transient changes of timbre in
the oscillator (phase distortion is a kind of waveshaping), so there
are no filters, and no paraphony.
Similarly other instruments based on phase modulation (like Yamaha FM,
Elka, Korg FM, Boehm, Wersi... to name some) have no filters, so they
are not paraphonic.
> the philosophy of using the CZ-5000 v. the CZ-1 (e.g., how the
> sounds of the CZ-1 are different, superior, inferior to, etc. the
> CZ-5000),
That's a pity - IMHO the main reason for the existence of any forum is
a discussion about opinions, not only writing about the facts which
can be found in the manual :-) Correcting mistakes is also important.
> various other side issues (e.g., why I brought up the two previous
> examples when the questioner didn't ask about them), etc.
Maybe you had some reason, so why you now refuse further discussion on
this?
>
> As one member of this forum recently pointed out, anyone can post
> anything here [as long as it's OK by the Yahoo's ToS and the group's
> owner doesn't have an objection]. That being said, I would encourage
> anyone who has experiences with the CZ-5000 that differ from my
> experiences to write them up as your experiences without referring
> to what I reported as my experiences.
That's good idea to discuss about experiences, they are similar to
opinions.
Which doesn't change the fact that facts are facts ;-)
Daniel Forro
2016-11-04 by Daniel Forró
Yes, that's what I have written - only CZ1 has lithium battery inside, all the other use standard batteries for backup.
Daniel Forro
my understanding (i'm a CZ-1000 owner) is that the D batteries ARE the backup. when you take them out they say you have 10 minutes to change them before the patches are lost from memory..
Daniel Forró
danforcz@... [CZsynth] wrote:
I suppose he asked about standard backup batteries, only CZ1 has lithium backup battery inside, CZ101, 1000, 3000 and 5000 haven't it, see Service manuals.
Daniel Forro
2016-11-04 by Lee Borrell
My 1000 loses memory with no D types.I'm pretty sure the 101 is non-volatile as I had the Ds out last night and no presets were lost.
Not having any 5000 experience,my comments are based on 101/1000.
Sent from my iPhone
Show quoted textHide quoted text
On 1 Nov 2016, at 03:21, "Caleb Garner caleb.garner@... [CZsynth]" <CZsynth@yahoogroups.com> wrote:
> my understanding (i'm a CZ-1000 owner) is that the D batteries ARE the backup. when you take them out they say you have 10 minutes to change them before the patches are lost from memory..
>
>
> Daniel Forró danforcz@... [CZsynth] wrote:
>
>>
>>
>>
>> On Nov 1, 2016, at 11:21 AM, José Ángel Morente msxjam@...m [CZsynth] wrote:
>>>
>>> a) Get a good delay/reverb unit if you don't have one.
>>
>> Good idea.
>>
>>> b) Use the magical built in chorus.
>>
>> Little bit noisy.
>>
>>> c) Change the battery as soon as possible. I don't know about the CZ5000 but it's probably similar to the CZ-1 (it uses a standard CR2032 or CR2025, I think in a standard holder).
>>
>> I suppose he asked about standard backup batteries, only CZ1 has lithium backup battery inside, CZ101, 1000, 3000 and 5000 haven't it, see Service manuals.
>>
>> Daniel Forro
>
>
2016-11-05 by smw-mail@...
A few days ago I wrote:
(1) I am pretty sure there is a pdf scan of the CZ5000 service manual
floating around the internet; not sure if it's here, in the CZ/FZ
overflow group, or somewhere else.
THREE FACTS: I actually took a quick look while I was writing the message, saw it there, but decided just to continue with the rest of my post.
FACT: At the time I thought that the first place someone else would check would be the Files section.
FACT: That's what I would have done under those circumstances, namely, check the Files section of the group itself.
FACT: I now realize that we all don't think alike.
OPINION: [snip]
2016-11-05 by ygroups@...
there are some scans of the cz5000 on the net, but the scans are pretty bad, so i replaced the cz5000 pages with the same pages from the cz3000 manual. i also recreated some of the graphics by hand and placed them over the bad scans.
here is the cz5000 manual:
CASIO CZ-5000 - Manualenjoy!
gerd
2016-11-12 by smw-mail@...
Nice site; thanks for sharing. If I find my old CZ notes, maybe you could use them on your site.
Some footnotes about the CZ-3000/CZ-5000:
The CZ-3000 (at least the one I used) had the CZ-5000's sequencer memory. You could access it via sysex (send and receive). The CZ-3000 couldn't do anything with it--other than store and retrieve the data. It was handy as a backup of a sequencer, though.
Via sysex manipulation (using a hex editor) you could do cool things with the CZ-5000's sequencer, including:
--enter durations smaller than available through the front panel
--set the polyphony of tracks to zero so that the note data of the sequencer would go out via midi without using any of the internal voices.
As I recall, the sequencer's sysex dump starts with a map of track parameters (including pointers) followed by the track data.
I have an original MT cable which also has tape pause jack to control a cassette tape transport. (If your site has a schematic or photos of the wiring with that, I didn't see it). Getting the recording of the FSK data to and from tape had to be within a range of parameters. I seem to recall, it had to be high, but not too high; and IIRC AGC had to be off.
I do recall successfully using an early version of windows media player (possibly in win 3.1 or maybe win 98) to play back FSK data I "digitized" from an analog cassette created from the MT (aka Magnetic Tape) connection.
Anyhow, thanks for the site--it looks like you did some nice work with the drawings and photos.
Steve
2016-11-12 by smw-mail@...
>> Unfortunately, I could not find a way to request for the Sequencer data.
I was surprised to see this, since the send request and send receive sysex commands for sequencer data have been around since 1985. The trick to getting multiple sysex packets which you might have not had is to pad the the request with a few more ack bytes than you need. (See below.)
The sysex manual shows how to do it with handshaking, but if you send the request for sequencer data with a bunch of extra acks, they will be pulled out of the incoming midi data buffer as needed. I used to do this with the Cakewalk Dump Request Macro, but you can do it with midi-ox and I assume any other tool for sending sysex command and capturing the sequencer's midi packets.
I don't recall off hand if there was an issue with sending the captured sequences back.
For jpgs of using midi-ox to request timbre memory data and edit it to resend it, see the files section. Please feel free to use those.
Here's the Cakewalk DRM I used to use:
Casio CZ-5000 Sequencer=F0 44 00 00 70 14 61 70 31 70 31 70 31 70 31 70 31 70 31 70 31 70 31 70 31 70 31 70 31 70 31 F7
As I recall, that was enough ack byte pairs to get my longest sequencers from the CZ-5000.
The basic DRM would just get you the 1st packet and them the CZ would wait for more acks [i.e., "Continue, please" commands].
Casio CZ Sequencer Send Request=F0 44 00 00 70 14 61 70 31 F7
It is really as simple as adding a bunch of extra 70 31 byte pairs. If someone else here tells you otherwise, try it.
I have a favor to ask: If anyone else who reads this hasn't done this with a CZ-5000, please don't offer opinions, speculation, etc. Yes, you have a right to opine about anything the owner of this group permits, but I have seen misguided and erroneous efforts to help from people that have not had first hand experience and I am just exercising my prerogative to request you don't muddy the waters. Thanks in advance.
2016-11-12 by ygroups@...
Hi Steve,
thank you so much for the verbose answers. The things I am able to replicate, I will definitely incorporate on the website in the future. Good stuff!
About the MT-connector, you can find the diagram from the service manual behind the "illustration 23-2 on page 56" link on that page. I didn't incorporate the explanation about the wiring for the tape start/stop signal, because you need the extra pins (#6 and #7) from an 8-pin DIN connector, which is not a MIDI standard connector, and I was thinking maybe that sort of a connector is not very common to get any more. Also I considered the presence of a CZ-controlled start/stop signal not much of a big deal, because you can just press record on the tape deck (or the record button of actually whatever you are recording the signal with), and then start the dump from the CZ, and all will work just smoothly.
The CZ is still one of my favorite machines, and will sure go with me to an uninhabited island ;)
Warm greetings, Gerd
2016-11-22 by Daniel Forró
With very high probability there will be a problem to find something
like electric outlet...
Daniel Forro
Show quoted textHide quoted text
On Nov 13, 2016, at 4:36 AM, ygroups@... [CZsynth] wrote:
>
> The CZ is still one of my favorite machines, and will sure go with
> me to an uninhabited island ;)
>
> Warm greetings, Gerd
2016-11-22 by John Utz
WRT to the 8Pin DIN Connector, they are available. The 3 things that i know they are used for is AKAI AX series synth connections to AKAI S series samplers, ROland guitar synths and some current marine and car radio systems.
here is the first hit on google, btw
2016-11-25 by smw-mail@...
Gerd, Glad to hear you found the info useful. I hope it helps others who visit your site. And I agree, the remote start/stop cassette transport feature is not needed. As I recall, it was nice when doing an MT dump because you didn't have to wait and watch for it to end, or to have to rewind the tape if you forgot the MT dump was running, or if you had a cassette of 20 or 30 or more sequences and were searching through them one by one.
John, I just took a very quick look on e-bay [US} and there are a number of people/vendors selling multiple and single 8-pin DIN (non-mini!) connectors [male, female, even right angle!] sending from and shipping to a variety of countries.
BTW, John are you related to the people that make my favorite brand of potato chips? JMO, but they are quite tasty!
Steve
2016-12-23 by Daniel Forró
Today I have found a nice looking CZ1000 like a new one in the nearest
recycle shop, in junk department proclaimed as non working. Price was
4.6 USD, so I couldn't leave it there.
Using proper adapter at home I could make it work on the first switch
on. I'm quite sure that instruments have a soul and can feel they are
in good hands. So far so good.
Everything is OK, but power connector board is probably somehow
moving, or there's a cold contact on the connector itself - when I
move with it, sometimes instrument switches off. Opening the
instrument will probably take more time than the repair :-)
There's a small coin battery in the holder inside the battery
compartment, it looks like previous owner did this modification to
keep data when power off. I don't like similar amateur looking mods so
will think twice if to leave it there or remove.
The next step will be replacing the display for modern one with LED
backlight as I did with my CZ3000.
Merry Christmas!
Daniel Forro
2016-12-23 by Caleb Garner
Great find! What displays are compatible with the CZ1000? I have contemplated finding a backlit display for mine, but I'm not aware of any. I saw a video of someone who is doing the CZ1000 battery mod and his had a blue backlit display which looks really awesome.
Thanks,
Caleb Garner
www.part12studios.com
615-818-8483
"If there are typos, it is Siri's falt"
Show quoted textHide quoted text
> On Dec 23, 2016, at 2:23 AM, Daniel Forró danforcz@... [CZsynth] <CZsynth@yahoogroups.com> wrote:
>
> Today I have found a nice looking CZ1000 like a new one in the nearest
> recycle shop, in junk department proclaimed as non working. Price was
> 4.6 USD, so I couldn't leave it there.
>
> Using proper adapter at home I could make it work on the first switch
> on. I'm quite sure that instruments have a soul and can feel they are
> in good hands. So far so good.
>
> Everything is OK, but power connector board is probably somehow
> moving, or there's a cold contact on the connector itself - when I
> move with it, sometimes instrument switches off. Opening the
> instrument will probably take more time than the repair :-)
>
> There's a small coin battery in the holder inside the battery
> compartment, it looks like previous owner did this modification to
> keep data when power off. I don't like similar amateur looking mods so
> will think twice if to leave it there or remove.
>
> The next step will be replacing the display for modern one with LED
> backlight as I did with my CZ3000.
>
> Merry Christmas!
>
> Daniel Forro
>
2016-12-23 by Michael Lim
blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px #715FFA solid !important; padding-left:1ex !important; background-color:white !important; } Very interesting! Could you post pics of your adventures as you try to "revive" this vintage keyboard?
RegardsMichael
On Friday, December 23, 2016, 3:23 PM, Daniel Forró danforcz@... [CZsynth] <CZsynth@yahoogroups.com> wrote:
Today I have found a nice looking CZ1000 like a new one in the nearest
recycle shop, in junk department proclaimed as non working. Price was
4.6 USD, so I couldn't leave it there.
Using proper adapter at home I could make it work on the first switch
on. I'm quite sure that instruments have a soul and can feel they are
in good hands. So far so good.
Everything is OK, but power connector board is probably somehow
moving, or there's a cold contact on the connector itself - when I
move with it, sometimes instrument switches off. Opening the
instrument will probably take more time than the repair :-)
There's a small coin battery in the holder inside the battery
compartment, it looks like previous owner did this modification to
keep data when power off. I don't like similar amateur looking mods so
will think twice if to leave it there or remove.
The next step will be replacing the display for modern one with LED
backlight as I did with my CZ3000.
Merry Christmas!
Daniel Forro
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2016-12-23 by Daniel Forró
OK, I will take some pictures.
Today I have opened it and start to disassembly it. It's not so easy as boards are connected by flat plastic cables which are soldered on both ends... grrrrr... so unpleasant and service unfriendly. Similar way as on cheap Casio portables from that times - I did cleaning and repairs of my MT65... at least they have used there flat cables with relatively thick wires inside. Here it's much more fragile, just thin foil and inside metal traces. I have to be very careful not to break some. If so, better to desolder it and use standard wires. The reason for this is they wanted to save money...that's why there are no multi pin connectors.
Inside I have found some rusty screws, and also some pieces of rust on some metal parts. Will clean everything after full disassembly.
I couldn't find any problem with power connector, there's no cold solder, no cracks... Probably just the connector needs good cleaning inside, and adjusting the contact. High humidity here in Japan during summer is guilty for the oxidation...
Also contacts for cartridge had green color from oxidation, I had cleaned it very carefully with fine sand paper.
Another problem was with cover of cartridge slot. It was fixed inside with transparent sticker tape, and the reason was that spring which should keep it closed was broken. Evidently previous owner didn't use cartridge. So I made new spring from guitar string, works perfectly now. I have RAM-3 cartridge, originally for my CZ3000 but there it can be used only for data backup. CZ1000 offers direct access to 16 programs so I will use it now with this instrument, it's more flexible. Still I have another rare cartridge which offers 4 banks.
Keyboard is quite OK, it doesn't need cleaning.
So now I have to order LED display and replace the original one. It will take some time...
Daniel Forro
Very interesting! Could you post pics of your adventures as you try to "revive" this vintage keyboard?
Regards
Michael
On Friday, December 23, 2016, 3:23 PM, Daniel Forró danforcz@... [CZsynth] <CZsynth@yahoogroups.com> wrote:
Today I have found a nice looking CZ1000 like a new one in the nearest
recycle shop, in junk department proclaimed as non working. Price was
4.6 USD, so I couldn't leave it there.
Using proper adapter at home I could make it work on the first switch
on. I'm quite sure that instruments have a soul and can feel they are
in good hands. So far so good.
Everything is OK, but power connector board is probably somehow
moving, or there's a cold contact on the connector itself - when I
move with it, sometimes instrument switches off. Opening the
instrument will probably take more time than the repair :-)
There's a small coin battery in the holder inside the battery
compartment, it looks like previous owner did this modification to
keep data when power off. I don't like similar amateur looking mods so
will think twice if to leave it there or remove.
The next step will be replacing the display for modern one with LED
backlight as I did with my CZ3000.
Merry Christmas!
Daniel Forro
2016-12-31 by Daniel Forró
Today I have finished the repair of CZ1000:
- cleaning
- cleaning some metal parts from the rust
- repair of cartridge cover - new spring made from the guitar string
- cleaning cartridge slot contacts
- resolder power connector
- replacement of display
- setting display contrast
- adding screw washers to keep better the screening shield on the
bottom
I have used New Haven display NHD-0216BZ-FL-YBW ordered at Mouser, it
came after four days!
As it has limiting resistor on the board, it's enough to connect pin
16 to pin 1 and pin 15 to pin 2.
Contrast can be set with VR4 on the main board near display connector.
Display is thicker but there was no problem to use original screws and
tighten them as much as possible.
So far so good.
Happy New Year to everybody!
Daniel Forro
On Dec 24, 2016, at 12:48 AM, Daniel Forró danforcz@...
[CZsynth] wrote:
Show quoted textHide quoted text
>
>
> OK, I will take some pictures.
>
> Today I have opened it and start to disassembly it. It's not so easy
> as boards are connected by flat plastic cables which are soldered on
> both ends... grrrrr... so unpleasant and service unfriendly. Similar
> way as on cheap Casio portables from that times - I did cleaning and
> repairs of my MT65... at least they have used there flat cables with
> relatively thick wires inside. Here it's much more fragile, just
> thin foil and inside metal traces. I have to be very careful not to
> break some. If so, better to desolder it and use standard wires. The
> reason for this is they wanted to save money...that's why there are
> no multi pin connectors.
>
> Inside I have found some rusty screws, and also some pieces of rust
> on some metal parts. Will clean everything after full disassembly.
>
> I couldn't find any problem with power connector, there's no cold
> solder, no cracks... Probably just the connector needs good cleaning
> inside, and adjusting the contact. High humidity here in Japan
> during summer is guilty for the oxidation...
>
> Also contacts for cartridge had green color from oxidation, I had
> cleaned it very carefully with fine sand paper.
>
> Another problem was with cover of cartridge slot. It was fixed
> inside with transparent sticker tape, and the reason was that spring
> which should keep it closed was broken. Evidently previous owner
> didn't use cartridge. So I made new spring from guitar string, works
> perfectly now. I have RAM-3 cartridge, originally for my CZ3000 but
> there it can be used only for data backup. CZ1000 offers direct
> access to 16 programs so I will use it now with this instrument,
> it's more flexible. Still I have another rare cartridge which offers
> 4 banks.
>
> Keyboard is quite OK, it doesn't need cleaning.
>
> So now I have to order LED display and replace the original one. It
> will take some time...
>
> Daniel Forro
>
>
> On Dec 24, 2016, at 12:26 AM, Michael Lim raffles1968@...
> [CZsynth] wrote:
>>
>> Very interesting! Could you post pics of your adventures as you try
>> to "revive" this vintage keyboard?
>>
>> Regards
>> Michael
>>
>> On Friday, December 23, 2016, 3:23 PM, Daniel Forró danforcz@yahoo.co
>> m [CZsynth] <CZsynth@yahoogroups.com> wrote:
>>
>> Today I have found a nice looking CZ1000 like a new one in the
>> nearest
>> recycle shop, in junk department proclaimed as non working. Price was
>> 4.6 USD, so I couldn't leave it there.
>>
>> Using proper adapter at home I could make it work on the first switch
>> on. I'm quite sure that instruments have a soul and can feel they are
>> in good hands. So far so good.
>>
>> Everything is OK, but power connector board is probably somehow
>> moving, or there's a cold contact on the connector itself - when I
>> move with it, sometimes instrument switches off. Opening the
>> instrument will probably take more time than the repair :-)
>>
>> There's a small coin battery in the holder inside the battery
>> compartment, it looks like previous owner did this modification to
>> keep data when power off. I don't like similar amateur looking mods
>> so
>> will think twice if to leave it there or remove.
>>
>> The next step will be replacing the display for modern one with LED
>> backlight as I did with my CZ3000.
>>
>> Merry Christmas!
>>
>> Daniel Forro
>>
>>
>>
>
>
>
>
2016-12-31 by Caleb Garner
so will this display give you a backlight? if so how do you get power to it since the original was not intended to be back lit. Awesome job bringing it back. How involved is the lcd display to swap? soldering involved?
Thanks!
Caleb
Show quoted textHide quoted text
On Sat, Dec 31, 2016 at 2:27 AM, Daniel Forró
danforcz@... [CZsynth]
<CZsynth@yahoogroups.com> wrote:
Today I have finished the repair of CZ1000:
- cleaning
- cleaning some metal parts from the rust
- repair of cartridge cover - new spring made from the guitar string
- cleaning cartridge slot contacts
- resolder power connector
- replacement of display
- setting display contrast
- adding screw washers to keep better the screening shield on the bottom
I have used New Haven display NHD-0216BZ-FL-YBW ordered at Mouser, it came after four days!
As it has limiting resistor on the board, it's enough to connect pin 16 to pin 1 and pin 15 to pin 2.
Contrast can be set with VR4 on the main board near display connector.
Display is thicker but there was no problem to use original screws and tighten them as much as possible.
So far so good.
Happy New Year to everybody!
Daniel Forro
On Dec 24, 2016, at 12:48 AM, Daniel Forró
danforcz@... [CZsynth] wrote:
OK, I will take some pictures.
Today I have opened it and start to disassembly it. It's not so easy as boards are connected by flat plastic cables which are soldered on both ends... grrrrr... so unpleasant and service unfriendly. Similar way as on cheap Casio portables from that times - I did cleaning and repairs of my MT65... at least they have used there flat cables with relatively thick wires inside. Here it's much more fragile, just thin foil and inside metal traces. I have to be very careful not to break some. If so, better to desolder it and use standard wires. The reason for this is they wanted to save money...that's why there are no multi pin connectors.
Inside I have found some rusty screws, and also some pieces of rust on some metal parts. Will clean everything after full disassembly.
I couldn't find any problem with power connector, there's no cold solder, no cracks... Probably just the connector needs good cleaning inside, and adjusting the contact. High humidity here in Japan during summer is guilty for the oxidation...
Also contacts for cartridge had green color from oxidation, I had cleaned it very carefully with fine sand paper.
Another problem was with cover of cartridge slot. It was fixed inside with transparent sticker tape, and the reason was that spring which should keep it closed was broken. Evidently previous owner didn't use cartridge. So I made new spring from guitar string, works perfectly now. I have RAM-3 cartridge, originally for my CZ3000 but there it can be used only for data backup. CZ1000 offers direct access to 16 programs so I will use it now with this instrument, it's more flexible. Still I have another rare cartridge which offers 4 banks.
Keyboard is quite OK, it doesn't need cleaning.
So now I have to order LED display and replace the original one. It will take some time...
Daniel Forro
Very interesting! Could you post pics of your adventures as you try to "revive" this vintage keyboard?
Regards
Michael
On Friday, December 23, 2016, 3:23 PM, Daniel Forró danforcz@yahoo.com [CZsynth] <CZsynth@yahoogroups.com> wrote:
Today I have found a nice looking CZ1000 like a new one in the nearest
recycle shop, in junk department proclaimed as non working. Price was
4.6 USD, so I couldn't leave it there.
Using proper adapter at home I could make it work on the first switch
on. I'm quite sure that instruments have a soul and can feel they are
in good hands. So far so good.
Everything is OK, but power connector board is probably somehow
moving, or there's a cold contact on the connector itself - when I
move with it, sometimes instrument switches off. Opening the
instrument will probably take more time than the repair :-)
There's a small coin battery in the holder inside the battery
compartment, it looks like previous owner did this modification to
keep data when power off. I don't like similar amateur looking mods so
will think twice if to leave it there or remove.
The next step will be replacing the display for modern one with LED
backlight as I did with my CZ3000.
Merry Christmas!
Daniel Forro
2017-01-10 by Daniel Forró
Hi, Caleb,
yes, this is LED backlit display, yellow-green. You can find also
other colors if you prefer.
Power for backlit (pins 15 and 16) goes from pins 1 and 2. Solder
small wire bridges isolated with plastic after soldering the cables.
See my description. Check if your display doesn't need limiting
resistor - some have it on the board and don't need it.
It's not quite easy to get to the display, you have to remove boards,
and be very careful with flat transparent plastic cables.
Then just disconnect display cable from the main board, and unscrew
some screws keeping plastic sheet and display. Work slowly, use small
cups or boxes for groups of screws and add description where they came
from, and take a lot of pictures. It will help you during reassembling.
Yes, you have to desolder cable from the old display and solder it to
the new display. Solder shortly, display is heat sensitive. Old cables
have different colors, you can write down the order, or do it one by
one.
Don't forget to remove protective foil from the glass before mounting
the display, and clean panel inside the instrument as well as display
glass just before putting it inside (vacuum cleaning is good idea).
There's nothing more infuriating than to find some small dirtiness or
dust on the screen when finishing the job and closing everything.
Good luck!
Daniel Forro
On Dec 31, 2016, at 10:43 PM, Caleb Garner caleb.garner@...
[CZsynth] wrote:
Show quoted textHide quoted text
>
>
> so will this display give you a backlight? if so how do you get
> power to it since the original was not intended to be back lit.
> Awesome job bringing it back. How involved is the lcd display to
> swap? soldering involved?
>
> Thanks!
> Caleb
>
> On Sat, Dec 31, 2016 at 2:27 AM, Daniel Forró danforcz@...
> [CZsynth] <CZsynth@yahoogroups.com> wrote:
>
> Today I have finished the repair of CZ1000:
> - cleaning
> - cleaning some metal parts from the rust
> - repair of cartridge cover - new spring made from the guitar string
> - cleaning cartridge slot contacts
> - resolder power connector
> - replacement of display
> - setting display contrast
> - adding screw washers to keep better the screening shield on the
> bottom
>
> I have used New Haven display NHD-0216BZ-FL-YBW ordered at Mouser,
> it came after four days!
> As it has limiting resistor on the board, it's enough to connect pin
> 16 to pin 1 and pin 15 to pin 2.
> Contrast can be set with VR4 on the main board near display connector.
> Display is thicker but there was no problem to use original screws
> and tighten them as much as possible.
>
> So far so good.
>
> Happy New Year to everybody!
>
> Daniel Forro
>
>
> On Dec 24, 2016, at 12:48 AM, Daniel Forró danforcz@...
> [CZsynth] wrote:
>
>>
>>
>> OK, I will take some pictures.
>>
>> Today I have opened it and start to disassembly it. It's not so
>> easy as boards are connected by flat plastic cables which are
>> soldered on both ends... grrrrr... so unpleasant and service
>> unfriendly. Similar way as on cheap Casio portables from that times
>> - I did cleaning and repairs of my MT65... at least they have used
>> there flat cables with relatively thick wires inside. Here it's
>> much more fragile, just thin foil and inside metal traces. I have
>> to be very careful not to break some. If so, better to desolder it
>> and use standard wires. The reason for this is they wanted to save
>> money...that's why there are no multi pin connectors.
>>
>> Inside I have found some rusty screws, and also some pieces of rust
>> on some metal parts. Will clean everything after full disassembly.
>>
>> I couldn't find any problem with power connector, there's no cold
>> solder, no cracks... Probably just the connector needs good
>> cleaning inside, and adjusting the contact. High humidity here in
>> Japan during summer is guilty for the oxidation...
>>
>> Also contacts for cartridge had green color from oxidation, I had
>> cleaned it very carefully with fine sand paper.
>>
>> Another problem was with cover of cartridge slot. It was fixed
>> inside with transparent sticker tape, and the reason was that
>> spring which should keep it closed was broken. Evidently previous
>> owner didn't use cartridge. So I made new spring from guitar
>> string, works perfectly now. I have RAM-3 cartridge, originally for
>> my CZ3000 but there it can be used only for data backup. CZ1000
>> offers direct access to 16 programs so I will use it now with this
>> instrument, it's more flexible. Still I have another rare cartridge
>> which offers 4 banks.
>>
>> Keyboard is quite OK, it doesn't need cleaning.
>>
>> So now I have to order LED display and replace the original one. It
>> will take some time...
>>
>> Daniel Forro
>>
>>
>> On Dec 24, 2016, at 12:26 AM, Michael Lim raffles1968@...
>> [CZsynth] wrote:
>>>
>>> Very interesting! Could you post pics of your adventures as you
>>> try to "revive" this vintage keyboard?
>>>
>>> Regards
>>> Michael
>>>
>>> On Friday, December 23, 2016, 3:23 PM, Daniel Forró danforcz@...
>>> m [CZsynth] <CZsynth@yahoogroups.com> wrote:
>>>
>>> Today I have found a nice looking CZ1000 like a new one in the
>>> nearest
>>> recycle shop, in junk department proclaimed as non working. Price
>>> was
>>> 4.6 USD, so I couldn't leave it there.
>>>
>>> Using proper adapter at home I could make it work on the first
>>> switch
>>> on. I'm quite sure that instruments have a soul and can feel they
>>> are
>>> in good hands. So far so good.
>>>
>>> Everything is OK, but power connector board is probably somehow
>>> moving, or there's a cold contact on the connector itself - when I
>>> move with it, sometimes instrument switches off. Opening the
>>> instrument will probably take more time than the repair :-)
>>>
>>> There's a small coin battery in the holder inside the battery
>>> compartment, it looks like previous owner did this modification to
>>> keep data when power off. I don't like similar amateur looking
>>> mods so
>>> will think twice if to leave it there or remove.
>>>
>>> The next step will be replacing the display for modern one with LED
>>> backlight as I did with my CZ3000.
>>>
>>> Merry Christmas!
>>>
>>> Daniel Forro
>>>
>>>
>>>
>>
>>
>>
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2017-01-10 by 350ypvs@googlemail.com
Excellent tutorial Daniel, thank you for posting it! :-)
Show quoted textHide quoted text
On 9 January 2017 at 21:45, Daniel Forró
danforcz@... [CZsynth]
<CZsynth@yahoogroups.com> wrote:
Hi, Caleb,
yes, this is LED backlit display, yellow-green. You can find also other colors if you prefer.
Power for backlit (pins 15 and 16) goes from pins 1 and 2. Solder small wire bridges isolated with plastic after soldering the cables. See my description. Check if your display doesn't need limiting resistor - some have it on the board and don't need it.
It's not quite easy to get to the display, you have to remove boards, and be very careful with flat transparent plastic cables.
Then just disconnect display cable from the main board, and unscrew some screws keeping plastic sheet and display. Work slowly, use small cups or boxes for groups of screws and add description where they came from, and take a lot of pictures. It will help you during reassembling.
Yes, you have to desolder cable from the old display and solder it to the new display. Solder shortly, display is heat sensitive. Old cables have different colors, you can write down the order, or do it one by one.
Don't forget to remove protective foil from the glass before mounting the display, and clean panel inside the instrument as well as display glass just before putting it inside (vacuum cleaning is good idea). There's nothing more infuriating than to find some small dirtiness or dust on the screen when finishing the job and closing everything.
Good luck!
Daniel Forro
so will this display give you a backlight? if so how do you get power to it since the original was not intended to be back lit. Awesome job bringing it back. How involved is the lcd display to swap? soldering involved?
Thanks!
Caleb
2017-01-10 by Daniel Forró
Thanks, it's just very basic, not too detailed :-)
It is interesting that each CZ instrument was built differently and access to display is different.
Daniel Forro
Excellent tutorial Daniel, thank you for posting it! :-)