Digital BW, The Print

Like I say, the museum black is the lightest black of the 3 cone blacks. 
The deepest black is still the
gen 4 enhanced black. The Eboni black is about the same density as the 
Muesum black, according to some.

Jerry

mh wrote:
> Jerry,
> 
> I am looking for longevity (for fine art bookmaking for instance) and 
> considered the museum black to be the blackest, if you take into 
> account what it will be like in a year or so. I am curious what the new 
> MIS black is like in this context.
> 
> -mh
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Jerry Olson <
> jerryolson@r...> wrote:
> 
>>The Museum black isn't all that black. Portfolio is better, and the 
>>black black is the blackest. (Cone inks).
>>
>>The Generations 4 black is deeper than any of the above. Very close to 
>>black black. Very. But enhanced is still just
>>a tiny bit blacker. I could live with the Black Black from cone.
>>
>>Where does the new MIS version 4.3 black fit in here with the 4 above 
>>inks as far as deep blacks go?
>>
>>I  recieved 12 little prints from Cone, and I think the Selenium toned 
>>ink print with the Black Black is gorgeous. But I
>>understand the black black is not very stable. Anyone know for certain?
>>
>>If they had at least an honest 35 year life and they weren't three times 
>>as expensive as most other inks, I'd use them
>>but first I'd like to see and hear more about the MIS 4.3 inks.
>>
>>Jerry
>>
>>
>>
>>
>>
>>
>>mh wrote:
>>
>>>Since they are comparing it to Museum Black can we assume that this is 
>>>an all pigment ink?
>>
> 
> 
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