Paul is "the man" when it comes to great curves and inksets. I gave up on the 2000P with Epson ink for b/w. Now I am wrestling with it for good color. As Mark Tucker said, "If you can't get a good tone in your print, who cares how many years it lasts". Frank --- In DigitalBlackandWhiteThePrint@y..., "a_pettit_jr" <a_pettit_jr@y...> wrote: > Hello Frank, > > Well after another long night of testing, my printer is not at fault - > it was that every quad or tricolor pantone set was a fairly neutral > set of greys, tans, sepais or browns .... > And the metamerism shifted everything to green or I wound up with > strong magenta casts in the shadows... > > I found, after about 30 tests, that a mod to a duotone blue worked > pretty well ... but still somewhat Green.... > Thus, I have given up attempting to get good BW prints from the > standard Epson ink set and have some MIS variable.mix inks on the way. > The 1280 style inks fit the printer, and Paul Roark just happened to > have a set of correcton curves for the MIS/VM and 2000P in his back > pocket <G> > > Thanks For The Reply > > Alex P > > > --- In DigitalBlackandWhiteThePrint@y..., "culturalvisions" > <frank@c...> wrote: > > I started printing b/w with a 2000P and switched to an 1160 with > MIS > > inks. I had two ways of making prints on the 2000P. First, use > black > > ink only. This is by far the best system. No metamerism at all! > And a > > nice warm tone. The prints are a bit chunkier than my 1160, but > they > > still look good (without a loupe). > > > > The other way is a constant battle with metamerism, but very > beautiful > > under the right light. Use the tritone and quadtone settings > available > > through photoshop and pick the three or four pantones you want. The > > possibilites are wonderful and I would switch back to that method > if it > > wasn't for the creeping green. > > > > Let me know if you need a workflow for doing the quadtone settings. > > > > Frank > > > > http://www.culturalvisions.com > >
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Re: Epson 2000P Pantone Printing
2001-12-19 by culturalvisions
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