New cotton papers -- Carbon on Cotton is the mantra
2003-10-06 by Paul Roark
Epson UltraSmooth has been released by Epson as PremierArt Matte Scrapbook Photo Paper -- and at a reasonable price. See http://www.epson.com/cgi-bin/Store/ProductMediaSpec.jsp?BV_UseBVCookie=yes&i nfoType=Overview&oid=-11066&category=Paper+%26+Media I have some and it prints just like the "UltraSmooth" that I'd previously been sent. The lack of optical brighteners and flaking are especially notable. Permajet has also sent me some papers. They now have a winner which was labeled "ISC" in the box I received. It may be the best paper I've ever used. It is said to be cotton, buffered, and have no optical brighteners. I have had not flaking with it yet, and it's dmax is the best of the cotton papers, equaling EAM at 1.67 (Eboni & 1280), and beating PhotoRag (1.66) and PremierArt/UltraSmooth (1.61). The paper whites measure as follows with my X-Rite (in C, M, Y, Visual order) order: EAM: 5, 5, 3, 5; PhotoRag 3, 4, 3, 3; PremierArt 2, 3, 4, 2; ISC 3, 5, 7, 4. While the PremierArt measures as having the brightest visual density, I find PhotoRag looks the "whitest." PremierArt and ISC both appear to me to be about the same, and I prefer their creamier look next to the Light Impressions Exeter "Gallery White" mat board I use. The papers that do not use the optical brighteners should be free of the yellowing I see in fade testing the optically brightened papers. Epson claims its PremierArt paper is the most archival it has. I think buffered cotton papers, especially with no optical brighteners, take us to an archival status that now exceeds the wet-process, older technologies. "Carbon on cotton" is the new mantra. We have some very fine papers here. To complement them and get the best inks to the scrapbook and genealogist fans (or others who want to print from a non-Photoshop application), I've sent MIS the mix for a pure carbon UT inkset that prints in the 1280 with no need for Photoshop. I'll also try to get the same capability to the cheapest feasible Epson printer to open this up to the widest possible audience. This is a monotone, straight UT warm-gray ink that has no toner and is not variable. I think the carbon tone is ideal for old photo reproductions. Since it has no color pigments in it, it will probably be the most stable and archival ink. (The standard UT inkset is still what I recommend for Photoshop users. With the warm curve, it is essentially the same as the "no-workflow" UT carbon inkset.) Paul http://www.PaulRoark.com