>
> Touring with a bunch of Fairlights would indeed be a risky adventure.
>
> Though, Fairlights are apparently pretty strong. My friend Luc Van Acker (Revolting Cocks) once told me a story about when they were touring with the Revolting Cocks. They had Al's Fairlight IIx with them on that tour.
>
> At one point Luc is waiting in the plane for the bagages to be loaded on board and through the window he sees the ground personal putting the Fairlight, which is in a flightcase, on the conveyor belt.
> They put the box on its side and when it started to rise towards the plane it tilted and fell on the ground. Luc was shocked and assumed that the CMI inside the flightcase would be destroyed but didn't mention what he saw to the other band members not wanting to alarm them. At the next gig the Fairlight worked without a problem.
>
> This reminds me of another story from Luc. When Al Jourgensen received his brand new series IIx it came in a big box with a bottle of champagne, courtesy of Fairlight, and a list of all the other Fairlight clients. Among them were companies that had nothing to do with music like Coca Cola. Apparently such companies used the sampling capabilities of the CMI as a an analytic tool.
>
> Anyway, back to the all-live-exclusive-Fairlight band. I was thinking more of a hardware stage setup but the occasional iPad version is also welcome. Even the video backdrop can be an exclusive Fairlight thing with the CVI.
>
> @WT: where are you from? I'm in Belgium.
>
> David
> http://dvdborn.blogspot.com
>
> --- In Fairlight-CMI@yahoogroups.com, greg thurman <trevon12001@> wrote:
> >
> > That would be cool, but like you stated earlier, only the fairlight geeks like us would come. Today's music does not carry much importance as it was in the 80's or 90's concerning production tools. Only because Fairlight and Synclavier started a lot of that technology and it was cool to get in on that cutting edge stuff. Also I don't think anyone in this group wants to gig with there vintage fairlight equipment day in and day out unless there's a nice payoff for them. I have Fairlight, Synclavier and ppg and to be honest the most musical is the ppg. Like one prior Fairlight owner told me some years ago. The bloom is off the rose, but my guess is that 500 and less than 1000 people worldwide would pay a fair price to own and experience the freshness of a new rose which to those people would be owning a fairlight.
> >
> > --- On Fri, 3/2/12, Alex J <process_v@> wrote:
> >
> >
> > From: Alex J <process_v@>
> > Subject: Re: [Fairlight-CMI] Live Fairlight band
> > To: Fairlight-CMI@yahoogroups.com
> > Date: Friday, March 2, 2012, 8:49 PM
> >
> > Can this band include fairlight apps on ipods, ipads, etc or does this have to be just hardware fairlight cmi machines?
> >
> >
> > Alex
> >
> > www.processvoid.com
> > www.myspace.com/theprocessvoid
> > www.crashfrequency.com
> >
> > --- On Sat, 3/3/12, dvdborn <dvdborn@> wrote:
> >
> >
> > From: dvdborn <dvdborn@>
> > Subject: [Fairlight-CMI] Live Fairlight band
> > To: Fairlight-CMI@yahoogroups.com
> > Received: Saturday, 3 March, 2012, 7:26 AM
> > I was thinking today that it would be fun to create an all-live-exclusive-Fairlight band.
> >
> > Imagine a group on stage with 4 or more Fairlight players (all models allowed) and a singer. Of course Page R is allowed but the key element is live performance and the Fairlight sound.
> >
> > I guess this would only appeal to us Fairlight geeks. But I would totally go and see such a band, if I'm not playing in it.
> >
> > What do you think?
> >
> > David
> > http://dvdborn.blogspot.com
> >
>