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Re: [analogue-sequencer] Re: Paul's Octopus review in SOS

Re: [analogue-sequencer] Re: Paul's Octopus review in SOS

2007-02-22 by implode7@comcast.net

Great post....I'm currently struggling with the lack of a display, though I've only had it for a few days and am still getting acclimated. I've had some fun discussions with Gabriel about whether a display would detract from the experience or not - he's starting to convince me that maybe it won't in the long run. Right now it's a bit disorienting. I wanna see the numbers.

Are you the Duncan who posts on the Genoqs site? If so, did you ever get your Zeit? I'd be curious as to your experiences with that.
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 -------------- Original message ----------------------
From: "ferrograph632" <ferrograph@aol.com>
> I'm afraid I'm partly responsible for taking up mr nagle's valuable
> time with the octopus over the last few weeks; I suggested to it's
> makers that he would be the best person to get it into SoS, & he was
> as good as his word in giving the thing a good thrashing.
> thing is, there are so many things changing within the octopus- a lot
> like the p3, in the sense that extra functionality & operational
> alterations are driven by a hard core of users... (hello tom!)
>  
> paul's review will give people an idea of the experience of using the
> thing, but not all of the current thinking was available to him in the
> test machine.
> 
> the main point that comes across is that the octopus lives or dies on
> how well the user can manage without the comfort-factor of having
> everything spelled out in a nice display. 
> paul, for one, may have found a display helpful. this is where he & I
> differ; I can actually manage the octopus better without a display,
> since I treat it as a physical instrument. I would find a display as
> distracting on the octopus as on a fender precision bass.
> 
> one typically arrives at a basic configuration, pre-populating the
> pages with one's personal tweaks, & then it's down to the matter of
> dropping notes in, either by pressing the excellent buttons or
> recording a keyboard. it is a hugely tactile experience- there's no
> getting away from that. it will strike people as being similar to the
> mighty notron- in some ways, using it is similar, in that one uses
> both hands & no display, & it becomes a physical experience. but it
> goes so much deeper than the notron could hope to, & it's actually
> built properly. I mean gerard & dave no offense, but the notron feels
> cheap next to the octopus. I stopped using mine after it started to
> disintegrate after maybe ten gigs. the octopus will outlive me.
> 
> by way of a more local comparison, & even to try that is a stretch,
> the p3 is a machine for considered data-entry, even when one is
> designing patterns that morph or interact. the display is essential
> simply because the control surface is so much more compact, & conceals
> a far greater deal of complex functionality. the octopus is less
> flexible in some areas, but somewhat more powerful in others. it is
> slowly emerging (here at northern echo-south, anyway) that the two
> complement each other... more on this after I've had more time to work
> with them together. & tom will chip in too, I'm sure.
> 
> & if you get bored listening to what it's playing, turn it down &
> watch the lightshow! :-)
> 
> duncan/r.m.i
> 
> 
> 




[Non-text portions of this message have been removed]

RE: [analogue-sequencer] Re: Paul's Octopus review in SOS

2007-02-23 by Julian

>>I'm currently struggling with the lack of a display

The lack of display is, to me, one of the reasons why im interested...

I have the p3 about 3 inches from this keyboard, but the idea of being able to do evreything through physical memory (like the
patterns your body learns) rather then head memeory very much appeals to me.

I like my mam sq16.  Everyone else seems to hate them, but, to me, evreything being near the surface is good (even if you do have to
learn, rather than read).

I like leds... 

Julian

Re: [analogue-sequencer] Re: Paul's Octopus review in SOS

2007-02-23 by Paul Nagle

Julian wrote:

> I like leds... 

Me too - very much so. But I also like to think of new features that 
give me greater power - and flexibility to go beyond what is currently 
possible; those "what if" moments that Colin loves so much <g>. Very 
often, because I am not a genius, I only start to imagine new features 
by extrapolating or warping something that exists already. If we waited 
until every idea had bloomed to its maximum potential, products would be 
forever in development and never see the light of day.

If you choose to give an instrument a fixed UI, this means any new 
features must be made to fit within the existing UI and this, 
eventually, limits expansion for consistency reasons (or things start to 
get complicated - something the fixed UI is designed to avoid).

There is a great argument for not throwing in every feature and that 
limitations serve to make you work towards finding your own voice with 
an instrument. I completely understand that point of view. Personally I 
endorse it more for synths, perhaps because there is a reasonable 
history behind them now and I personally know what I need/want to hand 
for performance and what I can live with in menus.

But for something a bit new and radical, I like instruments that grow 
with use, that extend themselves into new areas and eventually evolve 
into something that could never have sprung into life fully-formed. Thus 
the P3 became a much more powerful instrument over time and now does 
things we'd never have thought of on day 1. Imagine what a new sequencer 
might take from this whole process and how starting afresh could be 
really, really exciting... :)

Apologies; a long ramble of opinion from my addled brain,

-- 
Paul
---
"Effectus super absolutionem"
http://www.JointIntelligenceCommittee.com
http://www.myspace.com/jointintelligencecommittee



-- 
No virus found in this outgoing message.
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Re: Paul's Octopus review in SOS

2007-02-24 by josh

Octopus seems pretty fun :)
There's a guy in town who's got one, I'll have to try and go play!

///  on another note  \\\
So I played my 2nd gig with the P3 this week (also my 2nd gig free of
a computer!) at the SPARK festival of experimental music in MPLS. It
was super fun!!! My set was really dorky/fun/random I don't really
know how to explain it but if anybody is interested...
*shameless self promoshun*
have a listen:
http://www.samroark.com/clientservices/heckaspark.mp3
\\\  get relaxed ;-)  ///
-josh
--- In analogue-sequencer@yahoogroups.com, Paul Nagle <softroom@...>
wrote:
>
> Julian wrote:
> 
> > I like leds... 
> 
> Me too - very much so. But I also like to think of new features that 
> give me greater power - and flexibility to go beyond what is currently 
> possible; those "what if" moments that Colin loves so much <g>. Very 
> often, because I am not a genius, I only start to imagine new features 
> by extrapolating or warping something that exists already. If we waited 
> until every idea had bloomed to its maximum potential, products
would be 
> forever in development and never see the light of day.
> 
> If you choose to give an instrument a fixed UI, this means any new 
> features must be made to fit within the existing UI and this, 
> eventually, limits expansion for consistency reasons (or things
start to 
> get complicated - something the fixed UI is designed to avoid).
> 
> There is a great argument for not throwing in every feature and that 
> limitations serve to make you work towards finding your own voice with 
> an instrument. I completely understand that point of view. Personally I 
> endorse it more for synths, perhaps because there is a reasonable 
> history behind them now and I personally know what I need/want to hand 
> for performance and what I can live with in menus.
> 
> But for something a bit new and radical, I like instruments that grow 
> with use, that extend themselves into new areas and eventually evolve 
> into something that could never have sprung into life fully-formed.
Thus 
> the P3 became a much more powerful instrument over time and now does 
> things we'd never have thought of on day 1. Imagine what a new
sequencer 
> might take from this whole process and how starting afresh could be 
> really, really exciting... :)
> 
> Apologies; a long ramble of opinion from my addled brain,
> 
> -- 
> Paul
> ---
> "Effectus super absolutionem"
> http://www.JointIntelligenceCommittee.com
> http://www.myspace.com/jointintelligencecommittee
> 
> 
> 
> -- 
> No virus found in this outgoing message.
> Checked by AVG Free Edition.
> Version: 7.1.394 / Virus Database: 268.18.3/694 - Release Date:
20/02/2007
>

Re: [analogue-sequencer] Re: Paul's Octopus review in SOS

2007-02-25 by Paul Nagle

josh wrote:

> So I played my 2nd gig with the P3 this week (also my 2nd gig free of
> a computer!) at the SPARK festival of experimental music in MPLS. It
> was super fun!!! My set was really dorky/fun/random I don't really
> know how to explain it but if anybody is interested...
> *shameless self promoshun*
> have a listen:
> http://www.samroark.com/clientservices/heckaspark.mp3

Hey, I really enjoyed this - some really good bits and good flow. Nice one!

> \\\  get relaxed ;-)  ///

Always try to.. :)

Paul
---
"Effectus super absolutionem"
http://www.JointIntelligenceCommittee.com
http://www.myspace.com/jointintelligencecommittee

Re: Paul's Octopus review in SOS

2007-02-27 by ferrograph632

>>Are you the Duncan who posts on the Genoqs site? If so, did you ever
get your Zeit? I'd be curious as to your experiences with that.<<

paul- he said the "z" word!

yes, I (rude word) am.

no, the (rude word) zeit hasn't (rude word) shown up yet. it's well
over a (rude word) year since I paid for it, taking over mr nagle's
place in a suuposedly very short queue of (rude word) "beta testers".

well, I mean no offence to any of the h/w sequencer fans who've
managed to (rude word) jump ahead of me & already have their (rude
word) machines, while I'm still (rude word) waiting, but the very
reason paul suggested me as his replacement was that I am.... no, I
can't finish that sentence without sounding like a bitter twisted
w*nker. you will have got the general idea by now.

but I will add this: between seeing the octopus for the first time (on
the fab musicthing blogsite) & unwrapping the bugger at my desk at
work was about a month. maybe less- I'd have to check. & I know that
in terms of hardware resources, gabriel is no better off than david.

anyway. it's partly because of the depth of the p3 that I decided to
go for the zeit. the p3 is too complex a beast for (ahem) everyone in
my band to operate comfortably. the zeit looked like it would be a bit
more user-friendly, as more of the functionality we would typically
have needed is exposed through the larger UI.

but now, music-lovers, we are working on an album with hardly any
sequencer on it at all.... it's all drums, bass & guitar. there is a
section with the p3 on it, but we're having arguements about whether
it gets to stay on. ho, as they say, ho ho.

duncan.

RE: [analogue-sequencer] Re: Paul's Octopus review in SOS

2007-03-01 by Graham Getty

An album with no (rude word) sequencing on it?!

What the (rude word) is going on?

EM is all about (rude word) sequencing!

;-)Graham
Show quoted textHide quoted text
> >-----Original Message-----
> >From: analogue-sequencer@yahoogroups.com [mailto:analogue-
> >sequencer@yahoogroups.com] On Behalf Of ferrograph632
> >Sent: 28 February 2007 00:56
> >To: analogue-sequencer@yahoogroups.com
> >Subject: [analogue-sequencer] Re: Paul's Octopus review in SOS
> >
> >>>Are you the Duncan who posts on the Genoqs site? If so, did you ever
> >get your Zeit? I'd be curious as to your experiences with that.<<
> >
> >paul- he said the "z" word!
> >
> >yes, I (rude word) am.
> >
> >no, the (rude word) zeit hasn't (rude word) shown up yet. it's well
> >over a (rude word) year since I paid for it, taking over mr nagle's
> >place in a suuposedly very short queue of (rude word) "beta testers".
> >
> >well, I mean no offence to any of the h/w sequencer fans who've
> >managed to (rude word) jump ahead of me & already have their (rude
> >word) machines, while I'm still (rude word) waiting, but the very
> >reason paul suggested me as his replacement was that I am.... no, I
> >can't finish that sentence without sounding like a bitter twisted
> >w*nker. you will have got the general idea by now.
> >
> >but I will add this: between seeing the octopus for the first time (on
> >the fab musicthing blogsite) & unwrapping the bugger at my desk at
> >work was about a month. maybe less- I'd have to check. & I know that
> >in terms of hardware resources, gabriel is no better off than david.
> >
> >anyway. it's partly because of the depth of the p3 that I decided to
> >go for the zeit. the p3 is too complex a beast for (ahem) everyone in
> >my band to operate comfortably. the zeit looked like it would be a bit
> >more user-friendly, as more of the functionality we would typically
> >have needed is exposed through the larger UI.
> >
> >but now, music-lovers, we are working on an album with hardly any
> >sequencer on it at all.... it's all drums, bass & guitar. there is a
> >section with the p3 on it, but we're having arguements about whether
> >it gets to stay on. ho, as they say, ho ho.
> >
> >duncan.
> >
> >
> >
> >
> >
> >Yahoo! Groups Links
> >
> >
> >

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