IMO there's 2 problems in all these discussions about the legality of things and whatever: - Honesty/fairness of users (or the lack of such), and as a result of this: - Developers harming legit users with totally bloated copy protection schemes. I am by no means saying that this should be a general law or whatever - and most likely the various license agreements are saying something completely different too, but here's how I see it: When I'm buying an instrument, I will be able to do with it whatever I want. I will be able to take it with me, borrow it out, modify it, whatever. Now, when I'm buying a software instrument, things are getting more complicated allready. I won't be able to borrow it out for instance - the license agreement won't allow me to (let alone that things such as C&R protection schemes will make it technically impossible too). Yes, I can clearly see the moral and legal background behind this: In case license agreements would say something else and in case things were freely transferable, (unhonest) people would just copy instruments and samples to their likings (which is exactly what happened with, say, AKAI CDs). OK, fine with me, developers are concerned about loss of sales due to copied versions of their work - I can perfectly understand that. Still, from a user point of view, it's harming me, sometimes even majorly. Let's assume I used, say, something like Stylus (or any other C&R protected library + player instrument, there's just tons of them these days) on a song that I preproduced in my home studio. Now I want to take things with me to some larger studio to finish the production. The only way this can be done would be to either bounce all tracks down (which means I won't be able to alter them later on) or to carry my home computer with me. The latter will defenitely result in a LOT of problems, carrying things around (that are not made for that purpose) being the smallest of the problems. I would have to connect things and sync it up with the larger studio's equipment - we all know what a pain this could be. Had I done this with a hardware instrument instead, all these problems would almost be non-existant. I would just connect a MIDI cable and plug the audio outs in. Let alone hardware instruments usually are made to be carried around as well. As said, I DO see the difference between *buying* some hardware and *licensing* software - but, from a user point of view, it doesn't make much of a difference. Buying a software instrument (or a library) for me is just the same as buying a new guitar - seen from the impact it has on my instrument arsenal. I mean, it's just a new instrument. Yes, I also know that companies like to make sure only ONE person is using a licensed product at a time - this is pretty easy with hardware, almost impossible with unprotected software, because of a high chance users would be illoyal and simply spread copied things around. Still, it DOES harm me as a legit user. Another example: Had I purchased Komplete 2, say, 2-3 years ago (well, it didn't exist back then, but anyways...), I think I would have experienced more down- than uptime, because back then I was re-configuring computers on an almost weekly base (for various reasons, one of them being that this is/was part of my job). Impossible to get all that C&R protected stuff licensed as often/quickly. I could still use my guitars instantly - no computer asking for a new authorisation. Almost the same is true for Logic/Cubase, I just had to plug in the appropriate dongles. Bottomline: While I DO understand companies in a way, all their lincense agreements and copyright schemes are doing is harming ME (or any other legit user for that matter) - the most obscene thing being that, once hacked versions are released, crack users are harmed WAY less as they can simply copy/install things freely. I wouldn't happen to know about any satisfying solution either, but personally I'm really getting p****d about the current state of things occasionally. Anyways, enough of those ramblings, happy new year to you all, - Sascha
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Re: [EXS] Digest Number 1535
2005-01-04 by Sascha Franck
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