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Re: OT- NAMM 2011

2011-01-24 by tron400

I would have named it something completely unrelated to the Mk or M series. Maybe Digitron? Bernie

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Re: OT- NAMM 2011

2011-01-24 by Charles

I agree about the name...is there any documentation proving who named their instrument first? Not taking sides....just asking. What would YOU have named

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Re: OT- NAMM 2011

2011-01-24 by guybrush03

Anyone know if the Nord samples are the same source (or are identical) to the M4000D samples? Just curious how the two would compare. I d like an M4000D, but

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Re: OT- NAMM 2011

2011-01-23 by Charles

For me, having had an M400 for 25 years, Markus machine is the dream machine. I don t WANT to put up with tape hassles, adjustments, demagging, the size &

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Re: OT- NAMM 2011

2011-01-23 by ClayE

Let me try to explain this thread. Mr. Herder thinks that the samples in the M4000D were taken directly from the mastertapes, instead of a real Mellotron. I

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Re: "Telling the difference"....

2011-01-23 by ClayE

Because your recordings sound real, like they actually happened. Definitely a compliment Jack. I think that some types of music benefit from high integrity

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"Telling the difference"....

2011-01-23 by Jack Younger

OK, I had to chime in about the idea of whether regular folks can distinguish between the digital mellotron sounds and the real McCoy. This again can be

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Re: OT- NAMM 2011

2011-01-22 by ClayE

They are not stone tablets. It s a set of golden plates that were buried near Manchester, New York.

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Re: OT- NAMM 2011

2011-01-22 by Charles

On what stone tablets is it written that a Mellotron or Chamberlin HAVE to be tape replay instruments? The whole idea was to be able to playback instruments on

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Re: OT- NAMM 2011ee

2011-01-22 by ClayE

Mattias: Thank you for taking the time to type this up. I am also the kind of person that unless I have tried it myself I wont say anything. A good way to be

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