>
> a two panel system with a 266e, 261e, 281e, 292e and the 222e would
> be very close though you don't get the pulser you do get a lot more
> stuff. The thing I would like to see would be a mini 222 in 2 or 3
> module space without the rings...a bit more simple. Something to
> touch that put out velocity, gates and voltages. If you added a 206e
> to the above modules (assuming a mini 222e existed) you'd have more
> than an easel. All that said, and NOT even having played an Easel it
> appears that the consolidated/integrated design of the Easel sound
> panel is so completely elegant that it's hard to recreate the same
> thing with individual modules....
>
> --- In 200e@yahoogroups.com, Chris Muir <cbm@> wrote:
> >
> >
> > Let me play devil's advocate for a minute. Much as I would love to
> see
> > an 208 reissue or reinterpretation, couldn't similar functionality
> be
> > had in similar space with existing 200e modules? It seems to me
> that
> > the combo of a 261e, 282e, 292e and the new 206e fits in the same
> > space as the Easel, and generates a similar sonic palette, and
> > provides presets, too, albeit ones that you can't fondle.
> >
> > There are a handful of important things missing when trying to
> > recreate the 208 in the same panel space: random voltages,
> sequencer /
> > pulser, spring reverb, envelope detector, and doubtless some
> things
> > I'm forgetting.
> >
> > What are the reasons people would like to see a 208e? What are the
> > features of the original 208 that would make you want a reissue?
> >
> > For me, they include:
> > - immediate control of a nice little voice architecture
> > - sliders provide fast manipulation of multiple parameters
> > simultaneously
> > - uncorrelated random outputs a really nice touch
> >
> > -C
> >
> > Chris Muir
> > cbm@
> > http://www.xfade.com
> >
>