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Digital BW, The Print

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Piezography Pro & Piezography K6/K7 inks

2016-10-13 by azarijah@...

Currently using Piezography Selenium on my Epson 7900. How will Piezography Pro be integrated with K7 inksets? Will all new ink be required to move to the Pro

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Re: [Digital BW] Epson Ecotank

2016-10-06 by Paul Roark

I made the casual and not totally accurate statement that the 1100 with the MIS glossy carbons never clogs. Let me be more specific. It s been so reliable

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Re: [Digital BW] Epson Ecotank

2016-10-06 by Sean M Puckett

Thanks, Paul. I’d been running a tabloid HP OfficeJet Pro with a carbon MK and some homebrew dilutions to great effect, but over time the machine just became

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Re: [Digital BW] Epson Ecotank

2016-10-06 by Paul Roark

I have not tried one of these, but I think there are potentially important and excellent platforms. I still have a WorkForce 1100 that I use in everyday

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Epson Ecotank

2016-10-06 by seanmpuckett@...

So. I m considering buying an Epson Ecotank and using the MIS carbon pigments in it. Honestly I m fed up with chips and resetters and don t mind paying a

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Re: Canvas & solvent-based adhesives

2016-10-06 by seanmpuckett@...

Paul, I used to do this professionally. My solution to gluing down canvas is to use gel-thick water-based acrylic artist medium (Golden is a supplier) spread

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"Regular" laminating?

2016-09-18 by goch@...

It seems that face-laminating prints to plexiglass looks nice but is probably one of those things you shouldn t try at home. On the other hand, ordinary

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Re: [Digital BW] Acrylic face-mounting

2016-09-18 by John Castronovo

You got that right. No matter how it happens, it s about time photography has real value. But certainly an original Ansel Adams Moonrise over Hernandez

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RE: [Digital BW] Acrylic face-mounting

2016-09-18 by Jim Bechtel

All is just fine.. As far as the collectible market.. In all honesty your sort of right …..by that I mean all market types have areas that are exploited

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Re: [Digital BW] Acrylic face-mounting

2016-09-18 by John Castronovo

Thanks Jim. I had a few things wrong as usual, but certainly correct as far as Lik is concerned. He shouldn t even be on that list due to the fact that once

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RE: [Digital BW] Acrylic face-mounting

2016-09-18 by Jim Bechtel

The prices of most of this work is sort of scary in truth. The other side of it is most were sold at a reputable auction houses so it’s credible.. Most of

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Re: [Digital BW] Acrylic face-mounting

2016-09-18 by Paul Roark

​Jim, Interesting link. Throw out the old photos on the list. (We can t go back in time.) Then what is the average size? Large sizes are more accessible to

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RE: [Digital BW] Acrylic face-mounting

2016-09-18 by Jim Bechtel

Hi John … I’m doing this out of memory.. I honestly tried to do a search to find the images.. This is not a Peter Lik photo. It was actually two pieces

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Re: [Digital BW] Acrylic face-mounting

2016-09-17 by John Castronovo

Good post Jim, but I wanted to toss in my 2 cents. The print you mention was reported sold by the photographer himself, Peter Lik, for over 5 million dollars

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RE: [Digital BW] Acrylic face-mounting

2016-09-17 by Jim Bechtel

There are a couple of ways to go at this.. Their process is to use a laminating film (adhesive both sides) and a laminator (a machine that used rollers to feed

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Re: Acrylic face-mounting

2016-09-17 by goldner_jeff@...

Check out this video for how to : https://www.youtube.com/watch?v=QWowpe84rXw https://www.youtube.com/watch?v=QWowpe84rXw I first saw acrylic prints in a

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Acrylic face-mounting

2016-09-17 by goch@...

Do any of you have experience with Bay Photo Lab s acrylic mounting or equivalent? Bay Photo simply describes this as lustre or metallic photo prints face

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Re: [Digital BW] Rauch SuperClear

2016-09-14 by Paul Roark

Yes, I m sure there is a reason they are advertising the clear base for a reason. The ​color carbon process probably shares a lot more with the larger color

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Re: [Digital BW] Rauch SuperClear

2016-09-14 by sw3457@...

Thanks Paul. Some of the alt processes (like color carbon) do have very tight tolerances where the inkjet media are concerned. Base fog can interfere with

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Re: [Digital BW] Rauch SuperClear

2016-09-13 by Paul Roark

No, but from what I ve seen, I doubt the inkjet film used is going to matter. So, price and availability in the sizes you want are probably the main factors.

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Re: [Digital BW] Mixing inks and toner

2016-09-13 by Paul Roark

Hi Myron, ... than weight? The ratios are based on weight. However, the only time this makes a significant difference is when then generic base is mixed. In

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Mixing inks and toner

2016-09-13 by Myron Gochnauer

Paul’s latest ink mixtures use a blue+cyan toner to cool the pure-carbon blacks. The blacks are various dilutions of carbon-black (MK or PK). My questions

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Rauch SuperClear

2016-09-13 by sw3457@...

Hi -- Has anyone tried this Rauch SuperClear RS polyester film for making digital negatives? Scott SuperClear RS optical clear polyester film - R. Rauch GmbH

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