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Have I missed a point regarding potential fading Epson dye stability here ?

Have I missed a point regarding potential fading Epson dye stability here ?

2002-01-31 by aphoto23

I submit this to this list as this is the list of relative experts. I 
reference color, but most or all on this list are well versed in the 
realm of ink fading or potential light deterioration of Epson dye and 
MIS pigments. Which is my subject at hand.

I have my dedicated B&W 1160 aside, for the moment, until MIS 
completes the mixing of the sepia ink. After printing several 
beautiful 8x10s from an Epson 880, with the original Epson cartridge, 
in color, and leaving them out on a lawn chair in the sun for 10 
days, day and night, I see zero fading or degradation of any kind. 
None. 'Even one unexpected rainstorm failed to deteriorate the prints.

Have I missed a point regarding potential fading here ? 

They are printed on Epson Archival Matte. With the original Epson 
cartridge, which I presume to be 100 dye based. 

The MIS archival color pigments cost 3 times as much as the cloned 
dye mixture. And the dyes would seem to be, if anything, more likely 
to be safer in terms of clogging, and their gamut being greater than 
the MIS archival color pigments seems to be given, from what I can 
gather.

These are shots that I spent much Photoshop and Extensis Intellihance 
time on and previously printed out up to 13x19 in Grayscale on the 
1160, so they were already as maxed out as they could likely get in 
terms of enhancement, but this would not relate to the non-fading 
factor.

I am about to order a CIS/CFS and want to choose the inks. 

1 - Have the (880) dyes been possibly been given a bum rap due to the 
orange shift and fading in other Epson ink sets ?

2 - Might it be as much a factor of the paper - that instigates the 
problem of fading with this or other Epson dye based inks ?

All in all, I hope that Paul and Jerry O. and others might have a few 
words to say as to the need or not to go with MIS Pigments rather 
than MIS "exactly the same" Epson dye based bulk ink for my CIS/CFS.

Thanks,

J. F. Johnson

Re: [Digital BW] Have I missed a point regarding potential fading Epson dye stability here ?

2002-01-31 by Derek Clarke

Orange shift seems to be due to chemical contamination (Ozone) rather than 
exposure to light.

It is always the combination of paper and inks that determines the life - you 
can't predict what life any given paper and ink combination will have without 
doing the tests.

The problem with defining any archive life is that of course no-one has had 
an inkjet print lying around for 75 years!

To try and determine which ink/paper combinations last for longest we have to 
rely upon accelerated life tests, of which Wilhelm labs are perhaps the best 
known exponents: 

http://www.wilhelm-research.com/
Show quoted textHide quoted text
On Thursday 31 Jan 2002 12:16 pm, aphoto23 wrote:
> I submit this to this list as this is the list of relative experts. I
> reference color, but most or all on this list are well versed in the
> realm of ink fading or potential light deterioration of Epson dye and
> MIS pigments. Which is my subject at hand.
>
> I have my dedicated B&W 1160 aside, for the moment, until MIS
> completes the mixing of the sepia ink. After printing several
> beautiful 8x10s from an Epson 880, with the original Epson cartridge,
> in color, and leaving them out on a lawn chair in the sun for 10
> days, day and night, I see zero fading or degradation of any kind.
> None. 'Even one unexpected rainstorm failed to deteriorate the prints.
>
> Have I missed a point regarding potential fading here ?
>
> They are printed on Epson Archival Matte. With the original Epson
> cartridge, which I presume to be 100 dye based.
>
> The MIS archival color pigments cost 3 times as much as the cloned
> dye mixture. And the dyes would seem to be, if anything, more likely
> to be safer in terms of clogging, and their gamut being greater than
> the MIS archival color pigments seems to be given, from what I can
> gather.
>
> These are shots that I spent much Photoshop and Extensis Intellihance
> time on and previously printed out up to 13x19 in Grayscale on the
> 1160, so they were already as maxed out as they could likely get in
> terms of enhancement, but this would not relate to the non-fading
> factor.
>
> I am about to order a CIS/CFS and want to choose the inks.
>
> 1 - Have the (880) dyes been possibly been given a bum rap due to the
> orange shift and fading in other Epson ink sets ?
>
> 2 - Might it be as much a factor of the paper - that instigates the
> problem of fading with this or other Epson dye based inks ?
>
> All in all, I hope that Paul and Jerry O. and others might have a few
> words to say as to the need or not to go with MIS Pigments rather
> than MIS "exactly the same" Epson dye based bulk ink for my CIS/CFS.
>
> Thanks,
>
> J. F. Johnson
>
>
>
>
>
>
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
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>
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>
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Re: [Digital BW] Have I missed a point regarding potential fading Epson dye stability here ?

2002-01-31 by Jerry Olson

JF-

When I first got my 1280, it came with epson's newly formulated ink
(dye). I used the ink to make many colorful art prints, and a few test
prints that I put in a South Window that gets sunlight all day. After a
month, there was no noticeable fading at all compared to a dark storage
print of the same image. The image was full of brilliantly colored
objects on a blue and cyan background... Absolutely no difference in the
two prints.  We have never had any orange shift problems in North Dakota
that I'm aware of. I would think that under glass in a low light
environment the colors wouldn't fade for many years. I've tried the same
print with Generations and MIS inks for 3 months in a sunny south
window, with no fading. The Epson Archival Matte paper on which these
prints were made did turn a slightly buff color in the areas that had no
image on them, but the colors themselves didn't change. 

This is an extreme test, as nobody is going to display any work of art
in bright sunlight, I hope!

If a print can withstand 3 months in the sun with little or no fading,
That inkset is good enough for me. It's probably as good as we're going
to get now. I'm sure it will get better in the future.

I'm about to order a set of Generations 5 inks and a new 1280 printer,
and I don't think I'll even be concerned about print longevity again.
I've gone though as many tests as I plan on going through, and now I'm
just going to print.

Jerry


. After printing several
> beautiful 8x10s from an Epson 880, with the original Epson cartridge,
> in color, and leaving them out on a lawn chair in the sun for 10
> days, day and night, I see zero fading or degradation of any kind.
> None. 'Even one unexpected rainstorm failed to deteriorate the prints.

> Have I missed a point regarding potential fading here ?

No the new epson inks are much better than the previous ones. You should
see what prints from the first epsons look like. Totally worthless, even
those in dark storage!

I really do doubt that any dye inks are going to last anywhere near as
long as the Generations 5 inks or the MIS archival pigment inks though.

Re: potential fading Epson dye/1280/Generations/MIS

2002-01-31 by antonisphoto

Jerry,

perhaps you could post this on the new archival color list at
http://groups.yahoo.com/group/archivalcolor

If anything, it would be more even more relevant there than this bw list. 

Antonis


--- In DigitalBlackandWhiteThePrint@y..., Jerry Olson <jerryolson@r...> wrote:
Show quoted textHide quoted text
> JF-
> 
> When I first got my 1280, it came with epson's newly formulated ink
> (dye). I used the ink to make many colorful art prints, and a few test
> prints that I put in a South Window that gets sunlight all day. After a
> month, there was no noticeable fading at all compared to a dark storage
> print of the same image. The image was full of brilliantly colored
> objects on a blue and cyan background... Absolutely no difference in the
> two prints.  We have never had any orange shift problems in North Dakota
> that I'm aware of. I would think that under glass in a low light
> environment the colors wouldn't fade for many years. I've tried the same
> print with Generations and MIS inks for 3 months in a sunny south
> window, with no fading. The Epson Archival Matte paper on which these
> prints were made did turn a slightly buff color in the areas that had no
> image on them, but the colors themselves didn't change. 
> 
> This is an extreme test, as nobody is going to display any work of art
> in bright sunlight, I hope!
> 
> If a print can withstand 3 months in the sun with little or no fading,
> That inkset is good enough for me. It's probably as good as we're going
> to get now. I'm sure it will get better in the future.
> 
> I'm about to order a set of Generations 5 inks and a new 1280 printer,
> and I don't think I'll even be concerned about print longevity again.
> I've gone though as many tests as I plan on going through, and now I'm
> just going to print.
> 
> Jerry
> 
> 
> . After printing several
> > beautiful 8x10s from an Epson 880, with the original Epson cartridge,
> > in color, and leaving them out on a lawn chair in the sun for 10
> > days, day and night, I see zero fading or degradation of any kind.
> > None. 'Even one unexpected rainstorm failed to deteriorate the prints.
> 
> > Have I missed a point regarding potential fading here ?
> 
> No the new epson inks are much better than the previous ones. You should
> see what prints from the first epsons look like. Totally worthless, even
> those in dark storage!
> 
> I really do doubt that any dye inks are going to last anywhere near as
> long as the Generations 5 inks or the MIS archival pigment inks though.

Re: Have I missed a point regarding potential fading Epson dye stability here ?

2002-02-04 by bill_bergh

This list seems like a sales pitch for MIS - I have long wondered if these guys work there are get free materials for their endorsements.
-FR

--- In DigitalBlackandWhiteThePrint@y..., "aphoto23" <photo23@p...> wrote:
Show quoted textHide quoted text
> I submit this to this list as this is the list of relative experts. I 
> reference color, but most or all on this list are well versed in the 
> realm of ink fading or potential light deterioration of Epson dye and 
> MIS pigments. Which is my subject at hand.
> 
> I have my dedicated B&W 1160 aside, for the moment, until MIS 
> completes the mixing of the sepia ink. After printing several 
> beautiful 8x10s from an Epson 880, with the original Epson cartridge, 
> in color, and leaving them out on a lawn chair in the sun for 10 
> days, day and night, I see zero fading or degradation of any kind. 
> None. 'Even one unexpected rainstorm failed to deteriorate the prints.
> 
> Have I missed a point regarding potential fading here ? 
> 
> They are printed on Epson Archival Matte. With the original Epson 
> cartridge, which I presume to be 100 dye based. 
> 
> The MIS archival color pigments cost 3 times as much as the cloned 
> dye mixture. And the dyes would seem to be, if anything, more likely 
> to be safer in terms of clogging, and their gamut being greater than 
> the MIS archival color pigments seems to be given, from what I can 
> gather.
> 
> These are shots that I spent much Photoshop and Extensis Intellihance 
> time on and previously printed out up to 13x19 in Grayscale on the 
> 1160, so they were already as maxed out as they could likely get in 
> terms of enhancement, but this would not relate to the non-fading 
> factor.
> 
> I am about to order a CIS/CFS and want to choose the inks. 
> 
> 1 - Have the (880) dyes been possibly been given a bum rap due to the 
> orange shift and fading in other Epson ink sets ?
> 
> 2 - Might it be as much a factor of the paper - that instigates the 
> problem of fading with this or other Epson dye based inks ?
> 
> All in all, I hope that Paul and Jerry O. and others might have a few 
> words to say as to the need or not to go with MIS Pigments rather 
> than MIS "exactly the same" Epson dye based bulk ink for my CIS/CFS.
> 
> Thanks,
> 
> J. F. Johnson

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