--- In gsp-2101@yahoogroups.com, "Brian Hansen" <bchansen@s...>
wrote:
> I bought the Tonelab SE, and after a couple of weeks of use, I
sent it right
> back to Musicians Friend. It was really easy to use, but the tone
was way
> too thin. Tone wise, I haven't been able to find anything that
will take
> the place of my 2101 as of yet.
Brian,
You are absolutely dead on- that the tone on the Tonelab SE is
bright & thin, more than I expected, much thinner than you get from
the 2101.
I took a while for me to use it live because of that.
But I guess I've learned over 30+ years of working in bands and EQ-
ing the guitar in mixes, (I'm 48 and been making money playing gigs
& recording since I was 15), is that you need more treble to cut
through other instruments in a mix than you would think, listening
to just guitar in your practice room. We guitarists tend to want to
create big, fat, warm, bassy, and heavily distorted tones (got
RECTO?).
When, in the harsh reality of bands & mixes, we mostly need less
bass and less dirt than we would like. (YMMV, of course). I took
some treble off the settings on the Tonelab SE, and started gigging
with it. Nice thing about that board is, your amp settings are
always live on your knobs, so on the gig or in the band practice
room, you can easily tweak the tones mid-song and when you're happy,
just press write and it's saved that way.
The Tonelab is great for classic rock, vintage style effects, nice
Vox wah, tremolos, etc.
It breathes Aerosmith, Lynyrd Skynyrd, AC/DC, Hendrix, Beatles &
Stones, Pink Floyd. I wouldn't push the Recto style tones on it,
they're not that great. If you want that, spend the money on a Mesa
Recto for the real thing. Modelers are all lacking something on that
sound.
Again the 2101 is still tone KING in my studio.
Gerry O'Dowd