Yahoo Groups archive

The Logic Off Topic list

Index last updated: 2026-04-28 23:27 UTC

Thread

[L-OT] lighten up O rebellious one...

[L-OT] lighten up O rebellious one...

2002-07-07 by Hector

> Is it just possible that you are by degrees a victim of the emperers new
> cloths? That if one took e's in a math class they
> might also experience a trance?

Don't be silly. I merely suggested that they greatly affect the way the
music is perceived.  Nothing more.  It is 10 years down the line now since I
started clubbing.  Any naive illussions I may have had, have long gone.
Doesn't it say something that after all this time I still have such great
enthusiasm for it all?

> Your right, there is "some" good trance,
> like there is "some" good in almost any music or musical concept!
> But basically i find most trance and techno heads to
> be pretty small minded. They inflict their imagined little
> dance club rules onto themselves and onto each other. It's a peer
> pressure thing. The reality is, a bunch of computer geeks
> got a hold of sequencers and the lack of depth to their
> musical abilities and depth of their computer abilities left them with
> default minimalism.

You get all sorts of people in the club scene, it is very big after all. It
would be small minded of you to generalise or tar everyone with the same
brush.   Were individuals.  Nobody follows a set of rules laid down by
anyone else.

> In general i find almost all of the little sub genres
> of techno laughable. Change the feel of the high
> hat and rename the genre sort of stuff. It's all about over defining,
> so that the defining justifies the lack of inspiration. And voilla
> we have over defined disposable music that's often concept justified only,
> rather than substance justified.

The sub genre names are just descriptions to allows people to know what is
being talked about.   They have no actual effect on the scene.   I do not
see how a loose description such as 'energy trance'  can seriously affect
the way anyone actually writes it.


>   By the way, Kids dance. Kid's have always danced. Kids like to think
> their into something new. Kids have always liked to think
> they were into something new. Because lots of kids dance to trance
> does not mean that the bulk of it is good. Although i know that most
> conservative people these days think that "success equals good", remember
> that there have also been alot of successful fascists who were supported
by
> the bulk of their populations.

This statement is in total agreement with stuff I wrote in earlier postings.
Read my posts again.  I have to listen to 10 records to find one good one.


> I find your comment that you wouldn't play this or that
> out at a club very typical. Why not? You might break a "club rule"????
> Don't you have different spontanious moods thru out a night? Can't you be
> true to yourself rather than true to a invented genre??

Firstly clubs have music policies.  Crowds expect certain types of music.
You play what you perceive _they_ want to hear.  Only a detroit techno dj
would be so self-important and arrogant to think that they could play
anything and to hell with what the crowd wants.  If a crowd doesn't like the
music policy of  a club there are plenty of others that will offer what they
want.   When I say that I would not play something at a club, I am talking
about just those clubs _I_ play at.  I am not saying that it is not suitable
for any club.   8 years of dj'ing experience has taught me what music the
crowds I play to are more likely to enjoy.   The example I gave before was a
BT track.   I personally would not play it because it a breaks tune, not
trance.   The last time I tried to play some breaks to a trance crowd,
people came up and suggested that I stick to trance.   I am one of the more
adventerous dj's when it comes to trying out new stuff on a crowd,  but
ultimately I follow their wishes.

> I was in europe in the early 90's, having electronic dance guys
> come and borrow my adats so that they could make people think
> that the led's on them were actually doing something while
> they played a dat in the backround....lol ..fraud......

Well I can tell you that people in the crowd don't give a flying f***.
Only people in the music industry seem to care about that one.    I know
bands that play off DAT and they have never received any complaints from
people in the crowd.  Dance music is totaly preprogrammed most of the time
and cannot be played live.    Those that attempt to play  live, offer music
that is way below the standard of their vinyl releases thus dissappointing
the audience.  As long as the audience is happy, all the other critics can
go to hell.

>  I absolutely beleive that there is good music to be found
> in trance, and i absolutely beleive that by and large most
> of it is shite!

90% is shite agreed.   The remaining good 10%  accounts for maybe 30-40
records a week and is plenty enought to keep the scene going.

>I watched a couple of friends pump out dance
> singles in a weekend just to get the 1000 pound checks.
> And they were considered very credible, lol...., if you only new how
> little they cared!

Again, it would be small minded to believe that everybody has this cynical
approach.   I believe most do it for the love of it and get little financial
reward.


> A good song or good music has nothing to do with whether it
> has this or that in it! Vocals no vocals, analogue or digital.
> Remember when all the techno producers blathered on and on about
> analogue???

??? This is in total agreement with stuff I have already wriiten.  Re-read
my posts.


> I like rebellious music, music without laws. Music that uses, or doesn't
> use, any tool at any time without being restrained by some pointless
attempt
> to fit into neat little (and i mean very little) sub genre boxes.

I don't know why you think trance should be rebelious.   It is simply a tool
with a job to do and it does it very well.   You seem to be very hung up on
'sub genre boxes'.   I can assure you that they do not influence anything.
They are merely a means of description.

> I say To hell with all the little conservative sub genre stuff. How bout
> really being free and just playing and writing anything you feel like at
any
> time, instead of playing with self imposed rules to make the conservative
> kids happy??? What do ya say Hector?

Your free to write what you want.  So is everybody else.   There are no
lemmings.   Some people make a particular type of music because it has been
shown that crowds like it.   There is always room for
experimentation/innovation within a genre without having to do something
drastic like replacing a '4 to floor' beat with a breakbeat or whacking in a
saxophone solo.    Music policies/restrictions exist at clubs so that
punters get to hear what they paid to hear.   There is always a club
somewhere that will cater to their tastes.   There is no point in going out
for a night to a techno club, expecting to hear that music, and then have
some 'rebelious' dj play a new garage/country hybrid music at them.  You can
just imagine people complaining to the dj,  and getting the reply; "F*** off
you conservative w*nk*rs, I'm doing this for your own good!"

regards Hector.

live techno acts

2002-07-07 by alan platten

quote from hector <Dance music is totaly preprogrammed
most of the time and cannot be played live. Those that
attempt to play live, offer music that is way below
the standard of their vinyl releases thus
dissappointing the audience...>

... you won't mind if i disagreee with you here
hector? :)

i have seen many live techno acts and most of them
have been extraordinary!

take, for instance, underworld (probably the best live
band of this ilk that i've had the pleasure of
seeing). they agree on an opening track before hand
and then improvise the set-listing and the tracks as
they go along. tracks can merge into other tracks,
parts that were never there on the vinyl versions are
added and the whole vibe is like nothing i've ever
seen! no two gigs are ever the same. (nb: for anyone
interested in hearing uw in a live setting they have a
website www.underworldlive.com that has sets of mp3's
from live gigs available to download for free)

then you have people like orbital (who i saw only a
couple of weeks ago!) who most fans would agree are
better live than on record...

you might have heard of pob? (on platipus records) ...
seen them play a blinding live set too!

honourable mentions also go out to spooky, system 7
(who improvise guitar and synths whilst dj-ing),
pychick warriors of gaia, fluke, speedy j, the aloof,
red snapper and many more.

to be honest, i've always enjoyed seeing dance bands
live more than dj's (and that's not to say i haven't
enjoyed some of the dj's too... digweed, richie
hawtin, plump dj's and andrew weatherall have all been
great when i've seen them play out) but i guess i come
from a 'live music' background! ;)

alanx

 

__________________________________________________
Do You Yahoo!?
Everything you'll ever need on one web page
from News and Sport to Email and Music Charts
http://uk.my.yahoo.com

Re: [L-OT] lighten up O rebellious one...

2002-07-08 by serverxyz

--- In logic-ot@y..., "Hector" <hector@n...> wrote:
> > Is it just possible that you are by degrees a victim of the 
emperers new
> > cloths? That if one took e's in a math class they
> > might also experience a trance?
> 
> Don't be silly. I merely suggested that they greatly affect the way 
the
> music is perceived.  Nothing more.  It is 10 years down the line 
now since I
> started clubbing.  Any naive illussions I may have had, have 
long gone.
> Doesn't it say something that after all this time I still have such 
great
> enthusiasm for it all?

It simply says that you have great enthusiasm for it. That's all.
Just like all the boy bands and girl bands that continue to fester 
and multiply for the last 10 years, something that sticks around 
does not  neccisarily = good....... 


> > Your right, there is "some" good trance,
> > like there is "some" good in almost any music or musical 
concept!
> > But basically i find most trance and techno heads to
> > be pretty small minded. They inflict their imagined little
> > dance club rules onto themselves and onto each other. It's a 
peer
> > pressure thing. The reality is, a bunch of computer geeks
> > got a hold of sequencers and the lack of depth to their
> > musical abilities and depth of their computer abilities left 
them with
> > default minimalism.
> 
> You get all sorts of people in the club scene, it is very big after 
all. It
> would be small minded of you to generalise or tar everyone 
with the same
> brush.   Were individuals.  Nobody follows a set of rules laid 
down by
> anyone else.

Not true as the rest of your post makes quite clear, you follow the 
rules yourself and you do it because you think it's  quite 
"practical".
You figure out what others want , ie clubs or the punters, and 
cater to the lowest common denominater sort of like mcdonalds
marketers.

 
> > In general i find almost all of the little sub genres
> > of techno laughable. Change the feel of the high
> > hat and rename the genre sort of stuff. It's all about over 
defining,
> > so that the defining justifies the lack of inspiration. And voilla
> > we have over defined disposable music that's often concept 
justified only,
> > rather than substance justified.
> 
> The sub genre names are just descriptions to allows people to 
know what is
> being talked about.   They have no actual effect on the scene.   I 
do not
> see how a loose description such as 'energy trance'  can 
seriously affect
> the way anyone actually writes it.

Then you must not have been very into the scene the last 10 
years. It was lawbreaking to use a guitar until just recently??
> 
> 
> >   By the way, Kids dance. Kid's have always danced. Kids like 
to think
> > their into something new. Kids have always liked to think
> > they were into something new. Because lots of kids dance to 
trance
> > does not mean that the bulk of it is good. Although i know that 
most
> > conservative people these days think that "success equals 
good", remember
> > that there have also been alot of successful fascists who 
were supported
> by
> > the bulk of their populations.
> 
> This statement is in total agreement with stuff I wrote in earlier 
postings.
> Read my posts again.  I have to listen to 10 records to find one 
good one.
> 
> 
> > I find your comment that you wouldn't play this or that
> > out at a club very typical. Why not? You might break a "club 
rule"????
> > Don't you have different spontanious moods thru out a night? 
Can't you be
> > true to yourself rather than true to a invented genre??
> 
> Firstly clubs have music policies.  Crowds expect certain types 
of music.
> You play what you perceive _they_ want to hear.  Only a detroit 
techno dj
> would be so self-important and arrogant to think that they could 
play
> anything and to hell with what the crowd wants.  If a crowd 
doesn't like the
> music policy of  a club there are plenty of others that will offer 
what they
> want.   When I say that I would not play something at a club, I 
am talking
> about just those clubs _I_ play at.  I am not saying that it is not 
suitable
> for any club.   8 years of dj'ing experience has taught me what 
music the
> crowds I play to are more likely to enjoy.   The example I gave 
before was a
> BT track.   I personally would not play it because it a breaks 
tune, not
> trance.   The last time I tried to play some breaks to a trance 
crowd,
> people came up and suggested that I stick to trance.   I am one 
of the more
> adventerous dj's when it comes to trying out new stuff on a 
crowd,  but
> ultimately I follow their wishes.

Exactly!!!!!!!
You follow.......their wishes.....like a good marketer......
Not your own.......
Where's your creativity?

 
> > I was in europe in the early 90's, having electronic dance 
guys
> > come and borrow my adats so that they could make people 
think
> > that the led's on them were actually doing something while
> > they played a dat in the backround....lol ..fraud......
> 
> Well I can tell you that people in the crowd don't give a flying 
f***.
> Only people in the music industry seem to care about that one.    
I know
> bands that play off DAT and they have never received any 
complaints from
> people in the crowd.  Dance music is totaly preprogrammed 
most of the time
> and cannot be played live.    Those that attempt to play  live, 
offer music
> that is way below the standard of their vinyl releases thus 
dissappointing
> the audience.  As long as the audience is happy, all the other 
critics can
> go to hell.

Exactly again. Mcdonalds for the masses. HIp Hip Hooray!
If people will eat it, then we'll sell it!
 
> >  I absolutely beleive that there is good music to be found
> > in trance, and i absolutely beleive that by and large most
> > of it is shite!
> 
> 90% is shite agreed.   The remaining good 10%  accounts for 
maybe 30-40
> records a week and is plenty enought to keep the scene going.
> 
> >I watched a couple of friends pump out dance
> > singles in a weekend just to get the 1000 pound checks.
> > And they were considered very credible, lol...., if you only new 
how
> > little they cared!
> 
> Again, it would be small minded to believe that everybody has 
this cynical
> approach.   I believe most do it for the love of it and get little 
financial reward.
 
> 
> > A good song or good music has nothing to do with whether it
> > has this or that in it! Vocals no vocals, analogue or digital.
> > Remember when all the techno producers blathered on and 
on about
> > analogue???
> 
> ??? This is in total agreement with stuff I have already wriiten.  
Re-read
> my posts.
> 
> 
> > I like rebellious music, music without laws. Music that uses, 
or doesn't
> > use, any tool at any time without being restrained by some 
pointless
> attempt
> > to fit into neat little (and i mean very little) sub genre boxes.
> 
> I don't know why you think trance should be rebelious.   It is 
simply a tool
> with a job to do and it does it very well.

I don't think of music as being utilitarian and with a job to do.
It's this sort of attitude that i find profoundly conservative!

   You seem to be very hung up on
> 'sub genre boxes'.   I can assure you that they do not influence 
anything.
> They are merely a means of description.

There mundane and self important with no substance to back 
them up. 
 
> > I say To hell with all the little conservative sub genre stuff. 
How bout
> > really being free and just playing and writing anything you feel 
like at
> any
> > time, instead of playing with self imposed rules to make the 
conservative
> > kids happy??? What do ya say Hector?
> 
> Your free to write what you want.  So is everybody else.   There 
are no
> lemmings.   Some people make a particular type of music 
because it has been
> shown that crowds like it.   There is always room for
> experimentation/innovation within a genre without having to do 
something
> drastic like replacing a '4 to floor' beat with a breakbeat or 
whacking in a
> saxophone solo.    

LOL...."experiment within a genre", conservative again!

Music policies/restrictions exist at clubs so that
> punters get to hear what they paid to hear.   There is always a 
club
> somewhere that will cater to their tastes.   There is no point in 
going out
> for a night to a techno club, expecting to hear that music, and 
then have
> some 'rebelious' dj play a new garage/country hybrid music at 
them.  You can
> just imagine people complaining to the dj,  and getting the 
reply; "F*** off
> you conservative w*nk*rs, I'm doing this for your own good!"

Or i could imagine but you probably can't, that someone would 
play something outside the mold of the evening and people 
might just get exited or inspired. But your far to busy playing to 
the "crowd" as lowest common denomonater....money 
maker...and dj.....


john

> regards Hector.

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by ed_tarantino

--- In logic-ot@y..., "serverxyz" <saine@p...> wrote:

> Is it just possible that you are by degrees a victim of the 
> emperers new cloths? That if one took e's in a math class they 
>might also experience a trance?

Okay, I can't help but add to this discussion (and perhaps come to 
the defense of poor Hector).

I come from a varied musical background, and have a deep love for 
classical, folk, world, etc. My main unconcious method of judging 
music has always been: does it communicate? is the communication real
(honest)? do I like what it's communicating? etc. much the same 
qualifiers one would use to appreciate any fine art.. this works for 
me, and has served to develop my love for all music from Mahler to 
Minor Threat.

But one day I bought a Digweed/Sasha cd (ironically 
titled "Communicate") in attempt to understand what was going on with 
the kids these days.. I casually played this double cd a couple of 
times and all I could hear was thump thump thump.. etc.. boring as 
hell.. until the night I listened to it on mdma. Then: frickin 
incredible. sheer genius..

okay, so now I've proven how utterly bs this trance music is. After 
all, it only sounds good on drugs, right?
wrong.

Fact is, the Digweed cd is just as awesome sober. The pill popping 
was an annual event, so why do still like it the other 364 days of 
the year? Flashbacks? 

No, it's just that I understand it now.

An example, my brother had recently started getting into this music 
as well (psytrance in his case). He visited me the other weekend, and 
as usual, I was eager to play him some of my latest favorite music 
(which may be folk, classical, pop, etc). As I shuffled thru my 
collection, he said, "just don't play me anything with personality, I 
don't want hear someone else's vibe.."

There you have it. This music isn't about an "artist" communicating 
to you, rather, it provides a vehicle for your own self-exploration. 
It eliminates the old dialoge between artist and listener, where the 
artist is showing you a piece of him/herself, or filling you with 
their emotional state or opinion. No more inflated ego's pouring out 
there souls to you, whether they be Beethoven or the Back Street 
Boys. 

Vehicle is the best word for this music. In fact, a train taking you 
on a journey is a good analogy. For example, when you're listening, 
the 4x4 kick drum is no longer annoying, but rather becomes a 
soothing constant, and you miss it when it's not there..

So, will a "hit" trance track last, or will this or that still style 
be around next year? And is it "real" music? 

I don't know, but I'm enjoying Wizzy Noise as much as I enjoy Mahlers 
5th, so who cares?

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by TazmnianDv@aol.com

The term psytrance always reminds me of psyops - psychological warfare. I 
wonder how long it will be before some CD is released for these many kids in 
a trance with subliminal messages "War is good. Resistance is futile. Abstain 
from sex. Pay more taxes. Support George Bush."

Maybe some of this debate could be eased by the notion that dance music is 
sound composing, while music is melodic and harmonic composing? Its like we 
are trying to a judge a new type of entity which doesn't really fit the 
traditional definition. It might be like other digital dilemmas - are 
webpages art? is sampled music composing? is eavedropping on email ethical? 
Is it cheating to download a term paper?

Take the last one for a second. At first you say "Of course its cheating to 
download a term paper for a school project rather than compose an original 
one". But the cheater may say that this demonstrates his ability to use new 
technologies to do research, and to sort from the various fake papers and 
choose the best (quality control), and then to know how to copy and paste it 
into wordperfect and put his name on it. And given the record of Stephen 
Ambrose, he is following in the footsteps of giants. 

But clearly something is still lacking in oiur minds (at least mine)...just 
as we might feel that calling the writers of dance music "composers" is not 
quite right. Surely it take tremendous talent to get the right sounds and 
grooves, and so forth. Much like the classical musicians who dismissed the 
Beatles as simplistic - but were unable to write their own hit songs loved by 
the world, perhaps its a similar situation.

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by BasharAR

Here is my take on PsyTrance, Music is supposed to trigger feelings, a love
song might remind you of a hot date or something, PsyTrance Triggers certain
feelings for some people, just like the blues does for some... But the
beauty of Trance is that its more like modern art, unlike classical art
where you will draw a house and try to make all the details, Trance is a
painting that could mean houses in ones mind or anything open to the
"feelings" it triggers for others, its more or like abstract art, you have
to listen and indulge your mind and let it lead you without any
pre-judgment, prejudice, "for you 60's rock fan, remember those wild
concerts back then, was it only the music, or Sex, Drugs and Rock & Roll",
For me, trance is like listening to harmonies that start forming "melodies"
in my head after a while "a state of trance", its a state of mind, almost
like having drugs but without the physical abuse...By my definitions any
Frequencies that trigger Evolving feelings is music, I don¹t care how its
made, isn't concrete music considered classical....
Show quoted textHide quoted text
> The term psytrance always reminds me of psyops - psychological warfare. I
> wonder how long it will be before some CD is released for these many kids in
> a trance with subliminal messages "War is good. Resistance is futile. Abstain
> from sex. Pay more taxes. Support George Bush."
> 
> Maybe some of this debate could be eased by the notion that dance music is
> sound composing, while music is melodic and harmonic composing? Its like we
> are trying to a judge a new type of entity which doesn't really fit the
> traditional definition. It might be like other digital dilemmas - are
> webpages art? is sampled music composing? is eavedropping on email ethical?
> Is it cheating to download a term paper?
> 
> Take the last one for a second. At first you say "Of course its cheating to
> download a term paper for a school project rather than compose an original
> one". But the cheater may say that this demonstrates his ability to use new
> technologies to do research, and to sort from the various fake papers and
> choose the best (quality control), and then to know how to copy and paste it
> into wordperfect and put his name on it. And given the record of Stephen
> Ambrose, he is following in the footsteps of giants.
> 
> But clearly something is still lacking in oiur minds (at least mine)...just
> as we might feel that calling the writers of dance music "composers" is not
> quite right. Surely it take tremendous talent to get the right sounds and
> grooves, and so forth. Much like the classical musicians who dismissed the
> Beatles as simplistic - but were unable to write their own hit songs loved by
> the world, perhaps its a similar situation.
> 
> 
> 
> 
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
> 
>

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by ed_tarantino

--- In logic-ot@y..., BasharAR <basharar@m...> wrote:
> Here is my take on PsyTrance...(snipped)
> For me, trance is like listening to harmonies that start 
forming "melodies"
> in my head after a while "a state of trance", its a state of mind, 
almost
> like having drugs but without the physical abuse...By my 
definitions any
> Frequencies that trigger Evolving feelings is music, I don¹t care 
how its
> made, isn't concrete music considered classical....
> 


Wow, great post.. thanks.

more on-topic:
I'm a musician (bass player) coming from a traditional rock 
background who is attempting to create psytrance style tracks.. 
(reason why I'm using Logic..) but jeesh, I'm having trouble breaking 
out of my traditional method of songwriting. Frankly, I don't know 
how to build a track, I can come up with some okay basslines 
(obviously) and basic percussion, but where do you go from there? how 
do you build a track? how do you decide on what sounds will work? etc.
Very challenging.

If anything, this process has expanded my thinking about 
melody/sound, and it's starting to affect my bass playing in my 
punk/garage/pop band. Guitarist/songwriter: "Ed, the note(s) you're 
playing are not even in the chord I'm on, but hm.. still sounds 
good.."

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by Tobias Seyb

At 19:24 Uhr +0200 10.07.2002, TazmnianDv@... wrote:

> Much like the classical musicians who dismissed the
>Beatles as simplistic - but were unable to write their own hit songs loved by
>the world, perhaps its a similar situation.

Great - comparing the manufacturers of sound files with the Beatles!

;-)

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by ToxicA

try listen to tracks...
there are lots of psytrance stuffs very different !
choose what kinda style do you like the most {how do you want your tracks sounds like....}
get some hardware/software synthesizers
learn how to synthesizes !!!
get some useful plug ins!!
{if you learned about how to compose your tracks well and you wants to get more pro {and if you have money of course ; ) , try to get some professional sound card such as PULSAR/ SCOPE...}

try learning from the World Wide Web to get more professional in what you do..and about the program you use {I guess you use logic...this time ; )

laterZ 
ToxicA
Show quoted textHide quoted text
----- Original Message ----- 
  From: ed_tarantino 
  To: logic-ot@yahoogroups.com 
  Sent: Wednesday, July 10, 2002 9:13 PM
  Subject: Re: [L-OT] lighten up O rebellious one...


  --- In logic-ot@y..., BasharAR <basharar@m...> wrote:
  > Here is my take on PsyTrance...(snipped)
  > For me, trance is like listening to harmonies that start 
  forming "melodies"
  > in my head after a while "a state of trance", its a state of mind, 
  almost
  > like having drugs but without the physical abuse...By my 
  definitions any
  > Frequencies that trigger Evolving feelings is music, I don¹t care 
  how its
  > made, isn't concrete music considered classical....
  > 


  Wow, great post.. thanks.

  more on-topic:
  I'm a musician (bass player) coming from a traditional rock 
  background who is attempting to create psytrance style tracks.. 
  (reason why I'm using Logic..) but jeesh, I'm having trouble breaking 
  out of my traditional method of songwriting. Frankly, I don't know 
  how to build a track, I can come up with some okay basslines 
  (obviously) and basic percussion, but where do you go from there? how 
  do you build a track? how do you decide on what sounds will work? etc.
  Very challenging.

  If anything, this process has expanded my thinking about 
  melody/sound, and it's starting to affect my bass playing in my 
  punk/garage/pop band. Guitarist/songwriter: "Ed, the note(s) you're 
  playing are not even in the chord I'm on, but hm.. still sounds 
  good.." 


  Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service. 



[Non-text portions of this message have been removed]

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by TazmnianDv@aol.com

>If anything, this process has expanded my thinking about 
>melody/sound, and it's starting to affect my bass playing in my 
>punk/garage/pop band. Guitarist/songwriter: "Ed, the note(s) you're 
>playing are not even in the chord I'm on, but hm.. still sounds 
>good.." 

Just as every generation thinks they invented sex and having fun... it seems 
this revelation of playing chords over non-chordal bass tones comes a big 
revelation. In Bach's day this was called "pedal point". This is VERY common 
in pop songs too .. ergo ... "the slash chords"... 

C/E and C/G are chordal, but C/A makes it a "A min 7".  C/F makes it a "F 9 
no 3rd". C/Bb is an inverted C7. And the other variations are more and more 
obscure chords.

Actually what you are talking about is 'linear writing' rather than chordal. 
Bach and various pop music is written on lines. There are many pieces of 
music written by interleaving lines which touch upon harmonic resonance but 
are not formed by chords to begin with.

So there is absolutely nothing new about this ... other than the cool 
beats....and altough I like it.... I feel dissappointed with much of it - too 
monotonous and lacking in ideas. 

It will have to evolve into something else. It doesn't have enough meat to 
survive as is.

Re: [L-OT] lighten up O rebellious one...

2002-07-10 by Paul Wheeler&Kerry Ritson

A night flight in a twin engine plane after an exhausting day&#92;gig&#92;party .
Resting my weary head on the inside of the cabin and suddenly the beating of
the very slightly detuned engines opened up a symphony of harmonics which
lasted the whole flight one way or the other . Is that psytrance  , seemed
pretty good to me .
                                                   Paul

Re: [L-OT] lighten up O rebellious one...

2002-07-11 by BasharAR

Unfortunately, its the corporate execs who thought us to classify music by
genera, I would classify yours under music concrete or noise or maybe death
metal..... Not sure which radio station is playing it....
Show quoted textHide quoted text
> 
> A night flight in a twin engine plane after an exhausting day\gig\party .
> Resting my weary head on the inside of the cabin and suddenly the beating of
> the very slightly detuned engines opened up a symphony of harmonics which
> lasted the whole flight one way or the other . Is that psytrance  , seemed
> pretty good to me .
>                                                  Paul

Re: [L-OT] lighten up O rebellious one...

2002-07-11 by Paul Wheeler&Kerry Ritson

----- Original Message -----
Show quoted textHide quoted text
From: "BasharAR" <basharar@...>
To: "logic ot yahoogroups.com" <logic-ot@yahoogroups.com>
Sent: Thursday, July 11, 2002 5:04 PM
Subject: Re: [L-OT] lighten up O rebellious one...


> Unfortunately, its the corporate execs who thought us to classify music by
> genera, I would classify yours under music concrete or noise

     Music aluminium Perhaps , I like the idea of an interesting progression
growing from within itself as it were , and thats probably why I haven't
forgotten those sounds ,the root note in that case was the sum of the twin
engine revs I suppose but it was conditioned by the structure of the plane
and the atmospheric pressure ,and the tweaked awareness riding in it , I'm
actually not bullshiting , it was lovely

>or maybe death metal

nothing hormonal in it at all

>Not sure which radio station is playing it....

 If you find out let me know and I'll start listening to the radio again .

   A light just went on ... it was fractal music wasn't it ... As soon as I
get this straightjacket off I'm gonna be a FRAC star .

                                                              Paul

Re: [L-OT] lighten up O rebellious one...

2002-07-11 by Hector

>    A light just went on ... it was fractal music wasn't it ... As soon as
I
> get this straightjacket off I'm gonna be a FRAC star .

No straightjacket necessary.   It _was_ fractal music, provided  that there
had been a little acid taking at your party before the flight. I had this
theory a few years back.  Why should only one sense, ie. eyesight, be
affected and fractalise its information?  Surely all senses are affected?
Most importantly our hearing, giving us fractalised, psychedelic and 'mind
expanding' music.   The acid sends the brain into a chaotic state.   The
brain reacts by trying to put order back in to the chaos using the fractal
mathmatics of nature.   In the same way as when looking at white noise on a
tv or the bobbled random surface of a plain carpet or painted wall, the
brain will generate a visual fractal plasma,   it will also also generate
fractal music out the info the ears send it.   Some musics work a lot better
than others. Psy-trance is written with this transformation in mind, using
timbres that work best.
Regards, Hector.

RE: [L-OT] lighten up O rebellious one...

2002-07-11 by Tim.Dylla@t-online.de

> -----Original Message-----
> From: Paul Wheeler&Kerry Ritson [mailto:hilltop@...]
> Sent: Thursday, July 11, 2002 2:29 PM
> To: logic-ot@yahoogroups.com
> Subject: Re: [L-OT] lighten up O rebellious one...
>
> > Unfortunately, its the corporate execs who thought us to
> classify music by
> > genera, I would classify yours under music concrete or noise
>
>      Music aluminium Perhaps , I like the idea of an interesting
> progression
> growing from within itself as it were , and thats probably why I haven't
> forgotten those sounds ,the root note in that case was the sum of the twin
> engine revs I suppose but it was conditioned by the structure of the plane
> and the atmospheric pressure ,and the tweaked awareness riding in it , I'm
> actually not bullshiting , it was lovely
>

As the Subjects implies: here's something to lighten up (for anybody who
just didn't know) ;o)...

the term 'Music concr\ufffdte' has it's roots in the thirties of the twentieth
Century in France. So, concr\ufffdte doesn't mean the grey, stonecold
Masonry-material, it means the other ;o)...

These french guys were pioneers of electronic musical arts. They worked with
any kind of generating sounds, and a lot of unusual techiques to alienate
them. They pushed the emancipation of noise in the art of music as a kind of
instrument. A new radical vision of music was born, which we all still pay
tribute to. So, the original poster was absolutely right! 'Natural' noise
(as your aircraft-music) was a main theme in music concr\ufffdte.

Anybody who is intrested in the roots of modern electronic music should have
a look at this - I had a lot of cool ideas only by reading some stuff about
the musical developments in Europe in the early twentieth Century!

without wanting to be a better-knower :),

		Tim

Re: [L-OT] lighten up O rebellious one...

2002-07-12 by Hendrik Jan Veenstra

Thoughts from the mind of TazmnianDv@..., 10-07-2002:

>Maybe some of this debate could be eased by the notion that dance music is
>sound composing, while music is melodic and harmonic composing? Its like we
>are trying to a judge a new type of entity which doesn't really fit the
>traditional definition.

I think this was exactly what I said in my longish post last Monday. 
Indeed I think you hit the mail on the head here.  Somehow 
trance-dance-etc is a new tool with which those of a more classical 
background still aren't comfortable.

>But clearly something is still lacking in oiur minds (at least mine)...just
>as we might feel that calling the writers of dance music "composers" is not
>quite right.

This, as I also tried to put forward earlier, has imo to do with the 
fact that the entire trance-dance movement is too limited.  To repeat 
a metaphore I used a few days ago: why stick to using a saw alone if 
you've also got a hammer and a screwdriver?  Trance brought composers 
the saw, which in the end is just a tool and shouldn't be a means in 
itself.

It's like Cage throwing dice to write a composition: doing that a 
couple of times can be (and probably has been) tremendously 
liberating for composers all around the world.  Keep on doing that 
for the next 10 years, and you're just plain silly.

-- 
Hendrik Jan Veenstra  <h@...>
Omega Art: http://www.ision.nl/users/h/index.html

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.