Need help with an Epson 1400
2010-11-26 by Scott
Hi everyone! I need some advice! I have an epson 1400 that I replaced carts on a couple of times. When I print I get drips across the page. The print seems to
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2010-11-26 by Scott
Hi everyone! I need some advice! I have an epson 1400 that I replaced carts on a couple of times. When I print I get drips across the page. The print seems to
2010-11-25 by Mark
That sounds interesting, I ve just had an Epson R200 donated to me and all of the 3k workflows I ve come across seemed to be pigment based so this could be a
2010-11-25 by Ernst Dinkla
... Like in more cases we must have watched the same developments. The dry minilabs got a lot of attention on the Photokina 2008. I didn t check them this
2010-11-25 by Gary
I have been using Red River Aurora Natural for 3 years and it makes a great proofing paper but does not have the weight or black density of Epson Hot Press
2010-11-25 by Michael
After reading the various comments about the referenced article, I think we can all agree that the article was well-intended but poorly worded. It s casual use
2010-11-25 by Paul
... I m not sure what all the consequences might be. I m following the http://www.aardenburg-imaging.com tests closely. The Canson Infinity Baryta
2010-11-25 by HarryB
... I ve been fooling around with K3 inks on a 3800 useing various glossy papers and ABW so I look forward to your totally different effort. I await your
2010-11-25 by hp9180profile
... Very interesting Paul. Will await further news with interest! Alistair
2010-11-25 by Ernst Dinkla
... Paul, will that also mean a return to gelatine/PVA coated papers to get the optimal conditions for the dye inks? -- Met vriendelijke groeten, Ernst
2010-11-25 by Paul
Now for something entirely different. While I m clearly an advocate of 100% carbon on natural (no OBA) cotton based paper for the most the most stable fine art
2010-11-25 by Allan Sutherland
... Thank you for your comments, they are much appreciated. By the way, I like your images of New York City. I recall many of my visits there, and can envisage
2010-11-25 by Paul
... There are both bright white and natural (no optical brightening agents) versions of the paper. OBAs are dyes that fade. So, for the most stable fine art
2010-11-25 by faeofavalon
I personally am using the Epson Hot Press Natural myself after liking the Cold Press a lot. I agree with the reviewer on the luminous-landscape.com site that
2010-11-24 by Allan Sutherland
... Perhaps awful was not precise, I was being more rhetorical in tone of voice. ... He seems to reluctantly like it. In essence I am curious about the nature
2010-11-24 by Allan Sutherland
... What about the comments on the bleach, the excess whiteness and the likely lack of longevity? Or did I misread those? Toodles-pip, Allan.
2010-11-24 by tboleyyh
well, just to add another perspective... don t count me amongst everyone . The paper seems to fit in with several other good performers and did not set any
2010-11-24 by Globe Trotteur
Thanks Ann, I already use the Kirkland paper. I use the one they used to sell before they changed manufacturing facility. I think the one i use is made in
2010-11-24 by Andrew Darlow
Hi Ann: I didn t realize Premium Luster was in the pack. Thanks for the correction. All the best, Andrew Andrew Darlow Editor, The Imaging Buffet
2010-11-24 by ann clancy
the Ultra Premium Luster does have the information on the back. I talked with the Epson rep at my vendors last Fri. about these papers, basically the luster
2010-11-24 by Globe Trotteur
Thanks...I will purchase their sample pack when it s available in the epson store. It s out of stock right now. PO To:
2010-11-24 by kwalsh74
Huh???? Maybe we read language differently, but how is this awful : This is a gorgeous paper. The Hot Press papers are my new favorite Fine Art
2010-11-24 by Andrew Darlow
Hi Pierre-Olivier: None of those papers have a watermark. All the best, Andrew Andrew Darlow Editor, The Imaging Buffet http://www.imagingbuffet.com Author,
2010-11-24 by edward wiseman
The EXHIBITION FIBRE does NOT.. I can t speak for the other paper, but iIwould suspect that it doesn t as well.. Eddie ... From: Globe Trotteur To: Digital
2010-11-24 by Globe Trotteur
I just got in the mail a brochure from epson with all their new signature papers. I would like to try the exhibition fiber and the ultra premium with digital
2010-11-24 by HarryB
... Maybe you and I are reading different reviews but I would hardly call that review awful. In fact, I would call it positive. Not glowing but hardly
2010-11-24 by Allan Sutherland
... There is an awful review of this Epson Hot Press natural here: http://www.luminous-landscape.com/reviews/printers/epson-papers-09.shtml Is this unfounded
2010-11-24 by Paul
... I do like the Epson Hot Press natural. With the Eboni-base inksets I use its relatively low increase in the Lab B (warmth) from the paper white to the
2010-11-24 by kwalsh74
I believe Epson Hot Press Natural is the new big kid on the block everyone likes. Plan to try it myself. Excellent Dmax and quite neutral. I have a 50 sheet
2010-11-24 by Michael
I ve not been able to keep up on all the great work being done here on papers for black & white printing and would like to hear where things are at and what
2010-11-23 by igor_mountain
I believe enabling High Point Shift may reduce gloss differential – it will use very light grey ink to shift high point (255) to a different value (e.g.,
2010-11-23 by Paul
Thank you Ernst (and son) for an excellent database of paper characteristics. Paul www.PaulRoark.com
2010-11-23 by Ernst Dinkla
and still growing. Spectral plots of +165 inkjet papers: http://www.pigment-print.com/spectralplots/spectrumviz_1.htm Photokina 2010 collected samples now for
2010-11-21 by Mark Tomlinson
Thanks, Paul. Good to know. Mark. ... [Non-text portions of this message have been removed]
2010-11-20 by Paul
Mark, ... I m not sure that is enough for the carts in a wide format printer. I don t use it. Paul www.PaulRoark.com
2010-11-20 by Paul
... I tested for that in the 7800 by letting the printer sit for 5 weeks and then immediately printing a test strip after turning the printer on. I graphed
2010-11-20 by Mark Tomlinson
Actually it s OK. I think your useful document has answered the questions I have. The autoprint programme looks like the way to go with eboni based ink. Best
2010-11-20 by m_r_tomlinson
Thanks, Paul. I guess I am worried about 2 things regarding agitation. First of all what happens in the lines? Does pigment settle in the lines requiring power
2010-11-19 by Paul
... I would not use Eboni-6 or any blended B&W inkset in a wide format printer without agitating the carts. See page 4 of
2010-11-19 by Paul
... I ve had 3 of these SuperjerUSA CISs work very well for me with MIS carbon-based inksets. On one I contacted their customer service and received a quick
2010-11-18 by arlenelove3@aol.com
What does this mean? Under Advanced BW Color Controls: There are choices below the vertical line on the right side. Highlight Tonality, Max Optical Density
2010-11-18 by m_r_tomlinson
I am thinking of converting my 7800 to mono. I have been using a 2100 with Paul Roark s eboni 6 and MIS UT 7. I am wondering whether to get refillable carts
2010-11-18 by Mel Levine
http://escrime-annonay.org/pain.php [Non-text portions of this message have been removed]
2010-11-17 by hflockwood
I too have the R2400 and considerable experience with CIS systems in general and Efillink in particular. More than a year ago, I bought the Efillink CIS with
2010-11-17 by mbrouphy
Does anyone have any experience with using Canson watercolor papers, specifically the XL paper. This paper is a relatively inexpensive paper that is a Cold
2010-11-17 by hjswim2@aol.com
... Yeah. I was there in NYC in the studios of Gabe Greenberg (Greenberg Editions) and Arkady Lvov (Platinum Editions) watching and observing (and documenting)
2010-11-16 by drumyon
This is an update in regards to purchasing what is called an 8-Ounce Set from a company called Efillink. This is essentially a refillable ink cartridge
2010-11-16 by Eric Neilsen
Going from a 8x10 to even 16x20 is not that hard, but going to a 30x40 doe stake a bit of practice and the known R&D time to coat a bigger piece of paper. Heck
2010-11-16 by hjswim2@aol.com
(I m on Digest mode) Eric:
2010-11-16 by E.Neilsen
John, Making platinum prints bigger than original negatives is easy enough with the older films that we had. With the loss of Kodak s 4125 in large sheets, the
2010-11-15 by John
Harald: Be interesting to know how the prints made with digital inter negatives, compared with those made using regular photo negatives? Have you seen any