Re: [Digital BW] Canon 5D MkII - Moisture Issues?
2009-04-10 by atodzia@cox.net
I have used mine in the snow using a storm jacket and have not had any problems. Although, I would be out with it for 10 - 20 minutes then back into the car to
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2009-04-10 by atodzia@cox.net
I have used mine in the snow using a storm jacket and have not had any problems. Although, I would be out with it for 10 - 20 minutes then back into the car to
2009-04-10 by Andrew Darlow
Hi David: Thanks for the encouragement! I ll let you know if I go on tour. I agree with David Tobie. There are some very good live workshops out west at places
2009-04-10 by Mark Savoia
LG= less good ... Mark http://www.stillrivereditions.com ... [Non-text portions of this message have been removed]
2009-04-10 by C D Tobie
... You can just barely see the pop-top tab showing in this one. (Pardon my architectural criticism...) C. David Tobie Global Product Technology Manager
2009-04-10 by C D Tobie
... Is this a Moses on the Mount reference, or an NRA one? C. David Tobie Global Product Technology Manager Digital Imaging & Home Theater
2009-04-10 by Michael King
It is a real issue - I was on the trip. Basically you can t safely take a 5DMk2 out in the rain - even with a plastic cover on it (condensation). But you get
2009-04-10 by C D Tobie
... Actually, one of Epson s more bizarre products was a large screen TV (back when such devices were multiple feet deep, and very expensive) that contained...
2009-04-10 by Louis Dina
I was all set to buy a 5D MkII awhile back, when I heard complaints about weather proofing and failures in light moisture and cold weather (Luminous Landscape
2009-04-10 by C D Tobie
... Understood, and agreed. But there is a tendency to talk about prints turning red, like its a daily occurance, guaranteed to happen to everything not
2009-04-10 by C D Tobie
... You will notice that Andrew s workshops are very affordable. Thats the new wave in, well, most everything: eat locally, teach locally, etc... which allows
2009-04-10 by C D Tobie
... Companies like Olympus have been saying that as well; but their flagship camera is a 4/3 system, easy to carry, camera thats also easy on disk space, with
2009-04-10 by C D Tobie
... I ve been a DSLR enthusiast for many years, but there s no doubt that the 5D Mark ll brings it to a new level. Meaningful increase in resolution (to the
2009-04-10 by Steve Woolfenden
You were right to keep the highlight - it really lifts the print IMHO - I m guessing the material is Titanium , like the Guggenheim in Bilbao? Either way its a
2009-04-10 by Clayton Price
Hi Paul - On the screen image, there really no indication of burned out highlights - It s really quite beautiful, with just the right tonal range for the
2009-04-10 by Joost Horsten
... I have my 5DII for a month now, it replaced my 20D so I was converted already. But the 5DII is major step. In terms of resolution, but also in high ISO
2009-04-10 by Ernst Dinkla
... Paul, Good to see the perfect picture and to read the above. I have the 5D2 here too for 10 days now. Had to wait two months before it arrived though. For
2009-04-10 by Kip Babington
Like the highlight results you could (sometimes) get developing film in PMK Pyro. Like Ken, I appreciate the easy (dry, well lit, sitting down) although if I
2009-04-10 by Peter De Smidt
Great image, Paul!
2009-04-10 by pr_roark
... Thanks, but the real credit goes to Frank Gehry, the architect. I uploaded another one at http://paulroark.com/Disney-1.jpg On this one there was a
2009-04-10 by Jon Cone
Thanks John, I m obviously going to be the Charleton Heston of b&w printing. A weird thought but none the less satisfying to know. ROFL Jon paper evangelist
2009-04-10 by Jon Cone
David, Mayhaps not, but I would not suspect that you would notice any changes in your work in 5 years. But, it s not black and white like you are trying to
2009-04-10 by Tyler Boley
David, I have B&W darkroom RC prints that are decades old. Far far older than any 2 gray Epson prints we probably both have laying around. They look to me like
2009-04-10 by David Neely
Hey Andrew: You need to get off the east coast and come west! Lots of us out in AZ and Ca. David ... [Non-text portions of this message have been removed]
2009-04-10 by Richard Smallfield
Websites like dpreview.com have said for years that it s no longer about megapixels. I disagree - people like me are not aiming to print 4x6 snaps, but more
2009-04-10 by Andrew Darlow
Hi folks: This weekend is the last one in which a show of my prints will be on exhibit at Alfa Art Gallery in New Brunswick, NJ and I d like to invite Digital
2009-04-10 by Sarah Renkes
erm, sorry if that was a little too graphic. ;*)
2009-04-10 by Sarah Renkes
Thanks Paul, I ve been drooling over that camera. Now I need a bucket. Sarah
2009-04-10 by Ken Alexander
... That s a sexy looking building, and what a great shot! ... I dunno. Don t you think we deserve it after all these years fussing with film and nasty
2009-04-10 by pr_roark
I think I ve just become a believer -- that DSLRs have made the grade. I took my new Canon 5d2 to the Disney Concert Hall in L.A. on Monday, with just the
2009-04-10 by Gary Weaver
I had one particular single weight I loved to ferrotype, but no one else seems to like it. For matt, I have no complaints with ink. Peering into the baked
2009-04-10 by john dean
Well I wouldn t lump the HPZ in the same hole as Epson and Canon for black and white high end prints. I ve been doing some gelatin silver neutral knock offs
2009-04-09 by Cdtobie
Gosh, I ve been doing it as long as there gave been printers with two grays in them, on a wide range of media, some matted and framed, some not, and I ve never
2009-04-09 by Jon Cone
So Jah Say. Not one of my prints, shall sit in the light, and turn red. ;) Jon
2009-04-09 by Jon Cone
No, using Epson inks to make B&W is the road to color shifted images in a short time. :) What I was referring to was looking at prints or looking at computer
2009-04-09 by Gary Weaver
The silver print is still my standard. But I can t have everything at all times : ) I was into lamp blacks and india type inks way before I found
2009-04-09 by Michael Vendrell
Sorry - a few edits... Yes, agreed! With both The role of craft - that is the Hand of the Artist (or some facsimile of such) is in my opinion an integral
2009-04-09 by C D Tobie
... Thus says the Quadtone evangelist... C. David Tobie Global Product Technology Manager Digital Imaging & Home Theater CDTobie@datacolor.com ...
2009-04-09 by Michael Vendrell
Yes, agreed! With both. The role of craft - that is the Hand of the artist (or some facsimile of such) is in my opinion an integral part of art as we have
2009-04-09 by Tyler Boley
as long as communities like this list consider themselves an eccentric niche, instead of projecting outwards the way the likes of Adams and White did before
2009-04-09 by Mark Savoia
Almost Black and White Mark http://www.stillrivereditions.com ... [Non-text portions of this message have been removed]
2009-04-09 by Stephen Kobrin
Given what Mozart sounds like over an iPhone speaker that is a pretty harsh judgment. Are you saying that anyone who does not use Cone (or other carbon) inks
2009-04-09 by Bruce Watson
... Once again, hitting the nail squarely on the head. -- Bruce Watson
2009-04-09 by Mark Savoia
I was kind of wondering if the original post was a late April Fools joke, just posted to make the hair on the back of our necks stand up. The thread sure did
2009-04-09 by Jon Cone
At the risk of being accused of sarcasm, what about listening to a string orchestra in a concert hall or listening to a recording of a string orchestra in a
2009-04-09 by Peter Blaise Monahon
. Here s a nice Zeiss assessment of screen viewing of digitally captured images, extended quote: CLN_MTF_Kurven_2_en.pdf
2009-04-09 by Alan Scharf
I m pleased that many of you took a look at my Litho Legacy article. I wrote it just so I could share what I have learned. I believe it is the most inclusive
2009-04-08 by RobLee
oh, I forgot to ask you what do you mean by matte media selected (selected where?) and by gloss media ? I print these strips on Ilford Pearl Smooth. Please be
2009-04-08 by RobLee
what about photo black? ... From: Cdtobie Subject: Re: [Digital BW] color strips for testing nozzles To:
2009-04-08 by Cdtobie
Matte black is 0,0,0 with a matte media selected. GlosOp would be 255,255,255 with a gloss media and GlosOp enabled... C. D. Tobie Global Product Technology
2009-04-08 by RobLee
What are RGB values for matte black and gloss optimizer? I m trying to create in PS color strips for testing individual inks in my R1800. Thank you! [Non-text