MIS UT7 on 2200
2006-11-21 by a5aylmer
Hi- Am just now switching to B&W on 2200. Have bought cleaning carts and am wondering if anyone has experience with cleaning out colors. Can I use the old
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Re: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-21 by CDTobie@aol.com
... Or, ideally, move away until the image on screen is .8 inches high, between your finger and thumb at two feet out; if your room is large enough. C.
Re: Newbie
2006-11-21 by bvalente
... I am a huge fan of B&W Pro conversion - The best part is you have a large degree of intuitive control over the conversion of your color image to B&W. The
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-21 by John Moody
Anything less than 100% is throwing away image information. A better method would be to move 4X away from your monitor. Best regards, John Moody ... From:
Re: [Digital BW] ICC files
2006-11-21 by Tom Baker
Profiles carefully made for your specific paper/printer combination (that is, targets printed on your printer) will almost always be better than the stuff you
ICC files
2006-11-21 by David
Being relatively new at all this perhaps this question is old stuff and off topic to many here and I m showing off my ignorance on the subject, but here
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-21 by Paul Roark
Clayton, ... Yes, I think that might be the case. ... Depending on what details one looks at microscopically, one or another image will appear to be better.
RE: [Digital BW] Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by Paul Roark
... I m wondering what MIS shipped. In RGB mode, try printing a solid yellow patch and see what color is it. It should be warm -- that is, pure carbon ink.
Re: [Digital BW] Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by Diane Fields
I was curious why all the papers for the 3800 appear to have some permanence (though preliminary ) postings but the 2400 does not--both using K3 inks on the
Re: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-21 by Clayton Jones
Hello Paul, ... Thanks for posting these. FWIW I can see some finer detail resolution in your Standard ABW 2400 than in Tyler s 9800 shot. Perhaps there is a
Re: [SPAM:*] [Digital BW] Moab pa pers
2006-11-21 by CDTobie@aol.com
... Moab has changed the coating characteristics for the better; it now prints more carbon and less cool, and the d-max is a tenth darker with typical inks.
Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by Clayton Jones
mbutler, Glad you re better now [g]. ... Wilhelm rates 2400/ABW matte prints from 110 to 200 years depending on paper and display method - see page 3 at this
Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by Clayton Jones
Hello mbutler, ... When you get back and running with K3 inks try some VFA with ABW setting of 2h,8v. I find this make a very pretty tone, just slightly warm
Re: What happened to the Group Shot from the Bottle?
2006-11-21 by Amadou Diallo
Oh yeah, I had forgotten about that. I ll ask him for a link to the video as well.
Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by Clayton Jones
David, ... No, there is no option for it in the driver. I tried it using QTR. It worked, but the dither patterns were crude compared to the Epson driver BO
Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by mbutler355
... David and others: I should have taken that handful of Ambien and chill pills before I wrote that. My apologies. I m better now. I tried BO with the 2400
Re: [SPAM:*] [Digital BW] Moab papers
2006-11-21 by Clayton Jones
Brian, ... Something similar happened to me with Kayenta last year. I contacted Moab and they said no change had been made. But I described the differences I
Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by David Keenan
... Me too. I had an awful time over the weekend with the full set MIS K4 inks. They agreed to give full refund so that s to their credit so I m not going to
Re: R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-21 by mbutler355
... Hi Dave, I m just a newb here in the same boat as yourself. I, too, have tried the EZ Yellow system as described by Paul Roark. And I ve tried the 2400
Re: What happened to the Group Shot from the Bottle?
2006-11-21 by john dean
Yea, he took a video of us all and since I don t remember most of the people s name it would be nice to post the video. Love that tripod.. John
Re: What happened to the Group Shot from the Bottle?
2006-11-21 by Amadou Diallo
Eric, It was Jean Miele, a great photographer and PS instructor whom I invited. He s out of town for a few weeks. But I ll ask him about posting it when he
Re: Gradient provenance
2006-11-21 by Amadou Diallo
Thanks guys. I had forgotten to check the files section on the piezo group. That s where the 21 step file came from. One down, one to go...
What happened to the Group Shot from the Bottle?
2006-11-21 by Eric Neilsen
Who took the group shot with the bottle tripod? Where is that/those? Eric Neilsen Photography 4101 Commerce Street Suite 9 Dallas, TX 75226
Re: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by Tyler Boley
I need to correct a statement I made about Paul s work. In message #81389 I said Paul s results were the same as mine. Not only do we not have the same
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by Paul Roark
Yes, Best Photo was checked, High Speed was not checked. The file itself is a 1440 dpi file. Paul www.PaulRoark.com _____ From:
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by Paul Roark
Tom, The initial comparison I was making where I saw the shadow detail differences was between the 2400 K3 and the custom B&W inksets I have in the 220 (UT-3D)
Re: [SPAM:*] [Digital BW] Moab papers
2006-11-20 by Brian Ellis
I liked the Kayenta and Entrada papers very much after switching to the Hahnemuehle profiles (the moab ones were awful) . . . . That s interesting. I ve
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by John Moody
Paul, These were 1440 mode on matte paper? Best regards, John Moody ... From: DigitalBlackandWhiteThePrint@yahoogroups.com
RE: [Digital BW] Gradient provenance
2006-11-20 by Eric Neilsen Photo
Amadou, The top one (100 steps) is in QTR, I don t recall if it came with it but I use it to adjust ABW out put. The bottom one was a Cone iamge but I don t
Re: RGB or grayscale to film recorder
2006-11-20 by bwinkjet
Hi Mark, If the BW conversion results in R=G=B, then all three channels are the same, i.e., contain the same information. You can prove this to yourself by
Re: [Digital BW] Gradient provenance
2006-11-20 by Mark Savoia
One of those is either Cone s or StudioPrint s.
RGB or grayscale to film recorder
2006-11-20 by Mark Savoia
I know this is a bit off topic but just wanted to get a feel what most people think is the correct file to send to a film recorder when a black and white neg
Gradient provenance
2006-11-20 by Amadou Diallo
I m trying to track down the creators of these two gradients. http:// www.diallophotography.com/image1106/gradients.jpg I downloaded them from the files
Re: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by Greg
The 220 3D and the 2200 5K have a very similar look with the slice of the 220 possibly being the more pleasing (but I would really need to see the whole image
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by Tom Baker
Paul - ...When I initially did a visual comparison of a different file, I felt the shadow detail was the main difference between the K3 and quad images. ...
RE: [Digital BW] K3 vs. quad (Was Follow-up ...)
2006-11-20 by Paul Roark
Tyler was good enough to share the original file with which he made the images at http://tylerboley.com/info/RGB_Quad.jpg I was mostly curious how my latest
Re: [Digital BW] Moab papers
2006-11-20 by CDTobie@aol.com
... Very little change is to be expected at the moment... Greg Schern will still be in charge at Moab, and their focus will still be the same fine art market
Moab papers
2006-11-20 by mmrroott
Last week, I took the main advice from this group and replaced my broken 1280 with UT2 inks with a new R2400 and ordered the MIS K4+ inks as well. This is
Re: [Digital BW] R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-20 by CDTobie@aol.com
... Of course! The printer doesn t know that you ve removed yellow from its universe. The results I was reporting were based on building a new PrintFIX PRO 2.0
RE: [Digital BW] Hahnemuehle Fine Art Pearl and MIS UT2
2006-11-20 by Paul Roark
Ben, I think the Premier Semi Gloss curves might be the closest, but I have not tested it. In general, if you find the curve that has the tone you re looking
RE: [Digital BW] R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-20 by Paul Roark
Dave, ... With carbon in the yellow position, the print should be cooler than when the yellow is in that spot, assuming nothing else changed. The carbon is
[Digital BW] Re: Epson 2200 Piezography K7
2006-11-20 by john dean
Yes, that is one of the unique thing about this inkset. You can switch from the neutral, carbon sepia, and split tone set without having to clean out the
R2400 printing with MIS EZW-4Y in the Yellow slot
2006-11-20 by David Keenan
I just made a couple of prints to see the results of this alternate Y ink. With the K3 ink, the print looks as I expected it to. With the MIS EZW-4Y in place,
Re: [Digital BW] Re: Epson 2200 Piezography K7
2006-11-20 by Diane Fields
I was unaware of the new split tone set and when I read about it (just before your post coincidentally), I understood that you could use the same K7 curves in
Re: [Digital BW] Re: # grays to send to the printer driver: 8 bit vs 16 bit
2006-11-20 by Michael King
Roy, Thanks for your patience in trying to explain this. I am off to experiment and see what happens in practice. It may be a few weeks before I can report
Hahnemuehle Fine Art Pearl and MIS UT2
2006-11-20 by benc_1972
Hello all, This is my first post on this forum. I ve been printing with MIS UT2 inks in an Epson 1290 on Hahnemuehle Photo Rag using Paul Roark s premade
Re: [Digital BW] Re: Follow-up to Tyler's slithering from the cave
2006-11-20 by CDTobie@aol.com
... And human gray perception always involves averaging multiple dots on paper... C. David Tobie Product Technology Manager ColorVision Business Division
[Digital BW] Re: Follow-up to Tyler's slithering from the cave
2006-11-20 by Roy Harrington
... .. ... I just want to clarify what I ve said about bit depth. The point is that you don t need a large bit depth PER PIXEL to generate many more levels of
Re: [Digital BW] Re: Follow-up to Tyler's slithering from the cave
2006-11-20 by CDTobie@aol.com
... Well, lets see, I ve consulted on the development of specialty B&W inksets with more multiple ink companies over several years. I ve consulted with a
RE: [Digital BW] 1280, UT2, EEM can't print cool
2006-11-20 by Paul Roark
... I m assuming your nozzle checks are perfect. What sometimes happens is the 1280 screens in the head are partially clogged. They ll allow enough ink