Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Tyler Boley
... oh yeah, Epson s just been extremely supportive... back to fixing the plumbing. Tyler
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Epson 2200 OEM pigs now neutral?
2006-03-10 by djon43
Recent Black Only prints using Epson 2200 OEM matte black pigments seem perfectly neutral, not Epson-warm... ...in all sorts of light, including very warm
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Steve Kale
Printing is relatively easy. It s a craft and requires knowledge and skill but that should not take years to learn given the right tutelage, focus and
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by lulalake_1999
... archival ... even when I ... printer, MIS ... II for ... get to a ... that ... taste, risk, ... is the ... Yes Frank, only one thing,. . . . time. It s a
RE: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by John Moody
John, It seems there is generally agreement all around. Nearly all of the client files you see require various amounts, and often critical adjustments to
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Frank Vincent
I think there are a couple of questions to be answered here. First, what equipment is necessary to prevent reasonable hardware limitation? My answer has only
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Mark Savoia
I guess it s time for me to chime back in on this one. I am the one who stated that it takes years of experience to print at that level. Well of course we all
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by john dean
... to take ... Yes that is exactly what I am saying. Produce gallery quality prints. Well there are a multitude of bad galleries out there that have all
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Dan Koons
The book appears to be available on Amazon. Dan ... From: vartkes_peltekoglu To: Sent:
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by vartkes_peltekoglu
I totally concur with Bruce s comments below. I took the course with Jon Cone about 16 months ago. It is a great start; similar to the analogy of getting your
RE: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by John Moody
Bruce, You are right. I was not suggesting 4 days would make anyone a Tyler Boley, for example. I believe the tools to _produce_ prints acceptable to a
RE: [Digital BW] Australian Epson R230 and MIS inks
2006-03-10 by Paul Roark
Take the chips off Epson carts and reset them. Contact MIS. Paul www.PaulRoark.com
RE: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by John Moody
And I am in agreement with that as well. Even in printmaking, one can get a better result through creativity, hard work, and desire to advance their art. My
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Michael Vendrell
I ve done wet B&W darkroom and all film formats up to 8 x 10 view camera and for the last coupla years I ve been doing mostly digital capture, scanning of 6
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by hogarth@snappydsl.net
... I ve taken the Cone course. It was excellent - the best four day workshop I ve taken (from say 10 or 12 over the years) on *any* subject. Jon is an
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by bradspix
I think what he s saying, and I totally agree, is that photography is a creative process that starts with vision. Seeing, capturing and being able to express
RE: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by John Moody
John, Are you saying it’s not possible for a reasonably intelligent person to take the 4-day Black and White Digital Fine Print workshop (K7) at Cone’s and
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by john dean
It isn t any easier than anything else. When photography came along people thought it could make them instant artists; it didn t. When digital output came
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by elwood@wsnconsult.com
Robert You might want to go to www.luminous-landscape.com and review the new article on state of the art digital cameras. It is a huge investment and means
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by hogarth@snappydsl.net
... It depends on how you define good and gallery quality I think. If you are implying that anyone can rip an image onto paper and take it their local
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by CDTobie@aol.com
... The above comment represents one viewpoint about digital black and white, that its a journey, an advanced skill that only the initiated can expect to get
Re: [Digital BW] Re:Re: Blending BW and color in a single print
2006-03-10 by Larry Wangelin
Olivier, You will always have color dots in B&W with ImagePrint. I have a 2200 with ImagePrint and there is a surprisingly, to me, a large amount of cyan used
[Digital BW] Re:Re: Blending BW and color in a single print
2006-03-10 by Olivier
... Thanks Tina. Do you mind me asking if you have color dots in the BW- only parts ? Olivier
Re: [Digital BW] Re:Re: Blending BW and color in a single print
2006-03-10 by Tina Manley
... I have no idea, Olivier. I just follow the directions and it works. There is an ImagePrint forum that might have more information in the archives,
Australian Epson R230 and MIS inks
2006-03-10 by tafephoto
The australian Epson R230 doesn t want to recognize the chips on the MIS ink cartridges. Does anyone have any solutions?
[Digital BW] Re:Re: Blending BW and color in a single print
2006-03-10 by Olivier
... Tina, thanks for your input in the discussion. So if I follow the above, in fact it s just a multi-profiling process ; it is not done at the hardware level
Re: [Digital BW] Blending BW and color in a single print - profiling properly
2006-03-10 by Olivier
... Tyler thanks for indicating the workflow. Actually, I was thinking (PS Col Pref being AdobeRVB and G2.2) of separating the BW part on another document,
RE: [Digital BW] Re:Re: Blending BW and color in a single print
2006-03-10 by Eric Neilsen Photography
I find that working with a single color space and the B&W and colored areas of a file, I get better results without IP doing the coloration. It is quite simple
Re: [Digital BW] Re:Re: Blending BW and color in a single print
2006-03-10 by Tina Manley
... I m not sure what kind of magic they use but here is what the manual says: Equal channel RGB images with colored highlights can be printed using our
Re:Re: Blending BW and color in a single print
2006-03-10 by Frank Kolwicz
Thanks for the reply, Tina, but does ImagePrint actually apply different controls to printing B&W and color simultaneously? I wanted to be able to make
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-10 by Brian Ellis
Are you saying it s not possible for a reasonably intelligent person to take the 4-day Black and White Digital Fine Print workshop (K7) at Cone s and produce
RE: [Digital BW] state of the art archival b/w digital out put
2006-03-09 by Paul Roark
Robert, ... Well, an expensive scan back might be called for to get to that size. I m waiting for an affordable 32 MP for my 22 x 28 B&Ws. Scanning a good
Re: Blending BW and color in a single print
2006-03-09 by Olivier
Thanks to all for the interest and help. I see a real problem in operating in 2 passes : the trick appears obvious. As for Imageprint, thinking it twice, if
Re: [Digital BW] state of the art archival b/w digital out put
2006-03-09 by Mark Savoia
Robert, not to slam you but.... It s not like you just read some articles and buy some equipment, it takes years of experience to do what you want to do. You
state of the art archival b/w digital out put
2006-03-09 by robertrhite
Hey experts, Im a somewhat informed novice, who is embarking on a digital capture photography project which will culminate with what I need to have be a state
Re: Blending BW and color in a single print
2006-03-09 by Clayton Price
... Perhaps I m not understanding the premise here, but I ve done it two ways since inkjet printers were invented, and for many years before that in the
Selling *NEW* sealed Hahnemuhle Photo Rag if anyone needs 8.5X11 & 11X17
2006-03-09 by how786
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=6857475045&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
RE: [Digital BW] Solux Lamps
2006-03-09 by William Wilson
There were a few members looking for a UK supplier of Solux lamps http://www.triwholesale.co.uk/solux.htm have these from ?7.95 each. William [Non-text
Re: [Digital BW] Blending BW and color in a single print
2006-03-09 by Tina Manley
... ImagePrint can print BW and color in a single print easily. It seems to me that if you do a lot of BW and color combined, you would save enough in wasted
Blending BW and color in a single print
2006-03-09 by Frank Kolwicz
Olivier, It may sound or be impractical, but I ve done this most effectively by printing in two passes, one for B&W and one for color. I ve even done it with
Re: [Digital BW] QTR icc profiles with PrintFIX PRO
2006-03-09 by Keith Cooper
... The whole point with the stuff I was describing was that I was not actually printing using QTR to print at all - it was the use of the profiles to
Re: [Digital BW] Blending BW and color in a single print
2006-03-09 by Tyler Boley
... Bingo! If you want to take it a bit farther, convert your original as gray to that profile, then convert again from the color version to a profile perhaps
Re: [Digital BW] QTR icc profiles with PrintFIX PRO
2006-03-09 by Steve Kale
Sorry maybe my earlier post was based on a misunderstanding. I meant that ideally someone using QTR should linearise their greyscale ramp (fed into the
Re: [Digital BW] Blending BW and color in a single print
2006-03-09 by CDTobie@aol.com
... Black/gray/gray prints would be non-neutral, would show more tint on some media than others, and would not necessarily offer an even, intentional looking
Re: [Digital BW] QTR icc profiles with PrintFIX PRO
2006-03-09 by CDTobie@aol.com
... I believe one is linearlzing the prints (your method), the other is linearizing the print preview, after the fact. C. David Tobie Product Technology
"The Artist's Way" creative cluster meets 11:00am Sunday, 03/12/06 Kingston, NY
2006-03-09 by tgparker_nyc
The Artist s Way creative cluster meets 11:00am Sunday, 03/12/06 Kingston, NY Some of you writers, artists, musicians, crafters, and other creatives may
RE: [Digital BW] pictorico hi-gloss film
2006-03-09 by Jim Doyle
Well As for Silver Rag.. You wont find a lab for a few more days or weeks as I only got 17 & 44 inch rolls in this week and they all just left my building..as
Re: [Digital BW] QTR icc profiles with PrintFIX PRO
2006-03-09 by Steve Kale
Yes - considerable.
Re: [Digital BW] Blending BW and color in a single print
2006-03-09 by Olivier
Fist sorry for the double posting : I d better stop coffe, I m shaking !!! Yes BO was understood as referring to K only. I d agree on a RIP using all Ks
Re: [Digital BW] Blending BW and color in a single print
2006-03-09 by Ernst Dinkla
... My message may not be clear enough. The BO option is the usual output for greyscale images in RIPs. I m advocating an extra choice in the use of Kkk inks