Re: [motm] While Paul's away....
2000-05-18 by davevosh@aol.com
In a message dated 00-05-17 22:04:15 EDT, you write:
Yahoo Groups archive
Messages
Page 576 of 690 · 34488 messages matched
2000-05-18 by davevosh@aol.com
In a message dated 00-05-17 22:04:15 EDT, you write:
2000-05-18 by davevosh@aol.com
In a message dated 00-05-17 18:24:31 EDT, you write:
2000-05-18 by jwbarlow@aol.com
... and he did! While he didn t have time for a lengthy description (not that I would ve understood it anyway) he mentioned that in the 820 getting a pot to
2000-05-18 by jwbarlow@aol.com
OK, I m kind of lost here! You CAN run audio into both inputs of a S/H module. I used to do this A LOT to get a nastier timbre (than one of the four simple
2000-05-18 by jwbarlow@aol.com
... And I bet Crow could whip a 1U module (tap tempo) pretty quickly. Then one could plug the output into the sync in of the 320 for example. Not a bad idea
2000-05-17 by Charles McQuillan Jr.
I just happened to look at the back of my CD of Indeterminancy and found the Cage quote. It is; In Zen they say; If something is boring after two minutes,
2000-05-17 by Dave Bradley
My 100 doesn t do this at all. Pitch changes on a controlled VCO are absolutely clean. Seems that a few people s modules do have this problem, however. Paul
2000-05-17 by hodad1@mindspring.com
This makes me think: instead of having a groovebox & midi to cv converter to create tap tempo for an MOTM LFO, what about having some sort of dedicated
2000-05-17 by improv@peak.org
... This has me thinking down a similar path. I have a Roland MC-303 Groovebox. OK, you can stop laughing now. The groovebox has a tap tempo feature, and I ve
2000-05-17 by Dave Bradley
... OK, let s take a stab at this. You d need a digital counter to time the taps. That would be converted into a control voltage, by a ROM table/DAC or some
2000-05-17 by Dave Bradley
I haven t tried this, but it s my impression that the MOTM-100 and other traditional analog SH circuits are optimized for rather slow speed clocking, and are
2000-05-17 by ivancu@aol.com
In a message dated 05/17/2000 2:52:52 PM, velure@surfnj.net writes:
2000-05-17 by Dave Bradley
... True! Dave
2000-05-17 by velure
... the joys of digital LFOs. i personally don t like the electrix stuff. it seems very gimmick and not designed for integration into a professional studio
2000-05-17 by Brousseau, Paul E (Paul)
What does tap-tempo mean for an LFO? I understand the implications (I think?) for a delay module, where it echos when you tap, but what does it do for an LFO?
2000-05-17 by Brousseau, Paul E (Paul)
I think that would produce a different effect. What I m interested in is sampling the input at something like 2kHz, or 8kHz, so it gets that crappy
2000-05-17 by Charles Stella
Hello all. A friend of mine recently purchased an Electrix FilterFactory andI was showing him how to use filters and the various controls. While this unit
2000-05-17 by ivancu@aol.com
In a message dated 05/17/2000 2:01:49 PM, daveb@eai.com writes:
2000-05-17 by Doug Pearson
... You can if the attack & release are short enough and you re-trigger it quickly enough. I ve used auto-retriggering EG s that could go into audio range ...
2000-05-17 by Doug Pearson
You run the output of your unspecified audio source into the audio input of a VCF, and the S&H output into the 1V/Oct or FM input of the same VCF. -Doug
2000-05-17 by Brousseau, Paul E (Paul)
Really? I don t own one (yet), but I was expecting that I could route audio into it and listen to the results (at least, if it was sampling at an audio rate).
2000-05-17 by Dave Bradley
Yes, but this plays back into the original point: listening to dc voltages results in pops, thuds, or clicks. That smell you just smelled is your tweeter
2000-05-17 by ivancu@aol.com
In a message dated 05/17/2000 1:42:28 PM, daveb@eai.com writes:
2000-05-17 by hodad1@mindspring.com
Since it s slow I thought I d pipe in: Am I the only one who sings into his modular? I ve been messing with this the past few days--filtering with 410 & 440
2000-05-17 by Tentochi
S/H into CV in of VCO..... --Shemp
2000-05-17 by Tentochi
Haven t put a scope on it yet, but I have it on the start of every new pitch (output) also. Very irritating sometimes most of the time. I was listening to it
2000-05-17 by Dave Bradley
Are you listening to the S&H output as an audio device? That s not what it is meant for! It generates control voltages to modulate filter and oscillator
2000-05-17 by mark scetta
i still get a glitch sound every time my S&H outputs, in both track and hold modes (much bigger glitch in track mode). try it: with nothing plugged into the
2000-05-17 by davevosh@aol.com
In a message dated 00-05-16 23:43:59 EDT, you write:
2000-05-17 by jwbarlow@aol.com
Sorry I wasn t more clear. Cage did say something like, (though I forget where) if something is boring after ten minutes, then repeat it for twenty and you ll
2000-05-17 by davevosh@aol.com
In a message dated 00-05-16 21:11:34 EDT, you write:
2000-05-17 by jwbarlow@aol.com
I used that one in an old paper I did about defining a postmodern music. It went something like, while a poststructuralist literary theorist might deconstruct
2000-05-16 by The Old Crow
... Does it require the presence of a network card? A popular unique-machine ID method is to use a network card s MAC address and hash something based on
2000-05-16 by The Old Crow
Now you know why I write embedded systems firmware for machines that have maybe 32K of ROM *max* and refuse to write desktop apps. This is also why my PCB CAD
2000-05-16 by Tkacs, Ken
I spent a lot of time in my youth trying to identify that soundtrack. I finally concluded, perhaps erroneously, that it is original music. I bought the
2000-05-16 by Tkacs, Ken
That s a DE-composer. ... From: jwbarlow@aol.com [mailto:jwbarlow@aol.com] Sent: Monday, 15 May, 2000 11:43 PM To: motm@egroups.com Subject: Re: [motm]
2000-05-16 by Tkacs, Ken
Okay, I just ordered four more boxed sets of the Python DVDs so that I can check this out. I do remember some heavy, cool organ music in that sketch,
2000-05-16 by elhardt@aol.com
... Antarctic. (Okay, before you start looking it up on the imdb, I *am* kidding.)
2000-05-16 by william Hanson
... William Hanson- Ah yes I know the music- it is good I like what Varese said when a critic and or media person of the time circa 1962 quipped- Your music
2000-05-16 by jwbarlow@aol.com
... Well, what s that smell then? JB
2000-05-16 by davevosh@aol.com
In a message dated 00-05-15 23:07:05 EDT, you write:
2000-05-16 by ivancu@aol.com
Hi Ivan, Well typical of prototyping a new product, we have run into a few things that need to be redone before the Mobius is ready for the world. This setback
2000-05-16 by Charles McQuillan Jr.
Dave, whadaya mean fossil ? Remember what the great man himself said... The present day composer refuses to die. ... Never one to mince words, Charles Ives
2000-05-16 by davevosh@aol.com
In a message dated 00-05-15 21:18:17 EDT, you write:
2000-05-16 by davevosh@aol.com
In a message dated 00-05-15 11:02:58 EDT, you write: dave, no....seems about normal to me for the list....
2000-05-16 by jwbarlow@aol.com
Maybe Juergen can answer this since Paul is away and the diy list is full of guitar talk. The only lag processor module I ve used a lot is the ( here he goes
2000-05-16 by jwbarlow@aol.com
... Didn t Virgil Thompson (a distant relative of Hunter S. possibly) do the score for Scott of the Antarctic -- only half joking here, there are two reasons
2000-05-15 by Celeste H
... [snip] ... I hate computers too. Marketting material promises you great wonders. learn to write in java and all your woes will disipate. try our new
2000-05-15 by Brousseau, Paul E (Paul)
I had asked about circuit design software last week, but it was buried at the bottom of a software rant which I rather doubt that anyone would want to read!
2000-05-15 by thomas white
I just got back from a DJ booking/4-day vacation in Maui. Paul is gonna love the weather over there right now! Very beautiful place for sure. I can t wait to