2006-11-30 by K2 Chittin
Florent Premium Glossy has worked fine for our customers and the profiles we ve made for them. I know others who use Premium Semigloss instead. I hope I m not
Thread view
Attachments: 0
2006-11-30 by Paul Roark
... How large you want to print is one of the first issues. At the 8x10 size, there are excellent and very cheap alternatives for the Epson C88 and R220. See
Thread view
Attachments: 0
2006-11-30 by frankg_photo
thanks, i ll try them
Thread view
Attachments: 0
2006-11-30 by Clayton Jones
Hello Tad, Welcome to the forum. ... One of the simplest approaches with full tone control is using the Epson R2400 with its K3 inks in ABW mode (Advanced
Thread view
Attachments: 0
2006-11-30 by mbutler355
... Hi Tad and welcome. With the r800, I think you d want to investigate the piezography system of black and white printing (piezography.com). On premium
Thread view
Attachments: 0
2006-11-30 by Tad Doxsee
Hello, This is my first post here. Sorry if I m going over old ground. I ve read many of the posts here but I m afraid most of them are over my head. (I
Thread view
Attachments: 0
2006-11-30 by lou4photo
Hello Frank: Check out Digital Art Supply in Southern California here: http://www.digitalartsupplies.com/jappapcoatfo.html They have a nice selection of 15 or
Thread view
Attachments: 0
2006-11-30 by deandadin@aol.com
Hello Frank, There are Japanese gampi papers that are coated. Contace Hiromi paper in Santa Monica cal. I print on this stuff and its beautiful. Hope this
Thread view
Attachments: 0
2006-11-30 by frankg_photo
i want to experiment with some new looks and wondered if there are any papers that look hand-made, sometimes called Japanese paper, that are coated for
Thread view
Attachments: 0
2006-11-30 by frankg_photo
i want to experiment with some new looks and wondered if there are any papers that look hand-made, sometimes called Japanese paper, that are coated for
Thread view
Attachments: 0
2006-11-30 by Harkey Edwards
Gary, I would agree with Jim - why limit your market to serious collectors only? Harkey ... From: DigitalBlackandWhiteThePrint@yahoogroups.com
Thread view
Attachments: 0
2006-11-30 by Greg
... of low ... difference ... indistinguishable) gray patches ... Thanks, I wasn t thinking of it correctly. I was thinking that you had probably used the
Thread view
Attachments: 0
2006-11-29 by Richard Wise
I own a DJ130 and can confirm that it is NOT a printer for black and white. (Color on the other hand. ) -Richard _____ From:
Thread view
Attachments: 0
2006-11-29 by CDTobie@aol.com
... Results would certainly differ. But as I noted the new Entrada prints warm, not cool. The older version would actually do better at offering neutrals with
Thread view
Attachments: 0
2006-11-29 by David Whistance
Hello Claudio I have both smaller Epson (R220, R800, 2100) and HP Designjet 130 printers. I think that the Epsons are much better for B&W as the newer models
Thread view
Attachments: 0
2006-11-29 by CDTobie@aol.com
... 225 patch. More patches could detail things further, but the range of low gamut inks is so limited, that its not typically necessary. The difference
Thread view
Attachments: 0
2006-11-29 by CDTobie@aol.com
... This isn t even a contest! The DJ90 is NOT a black and white capable printer... C. David Tobie Product Technology Manager ColorVision Business Unit
Thread view
Attachments: 0
2006-11-29 by gerdmuller535
... those ... couldn t be ... the UT3D ... support ... thing for ... the final ... reduced this ... best ... bit more range in ... curves ... colors!) to
Thread view
Attachments: 0
2006-11-29 by Daniel Staver
Couple of questions: I rembember Entrada printed significantly cooler and greener than other papers with the UT7 inks. Does it still do that? I m wondering if
Thread view
Attachments: 0
2006-11-29 by Greg
What size target was used?
Thread view
Attachments: 0
2006-11-29 by Greg
... relocating from California to Colorado last week. Wow. ... unpacking and want to add this to the mix. I m going to do a series of canvas on my 2200 and I m
Thread view
Attachments: 0
2006-11-29 by Claudio Valerio
According to you, what s better: Epson 4800 or HP Designjet 90 equipped with Vivera inks? Regards, Claudio
Thread view
Attachments: 0
2006-11-29 by scott_now_coming
Luminious Landscape has a nice video interview with pson rep concerning the new 3800. The discuss Epson technology vs. Canon and HP, clogging issues with all
Thread view
Attachments: 0
2006-11-29 by John Moody
Yeah, and when a client mounts it in an area without controlled lighting, or the lighting is not turned on, it still looks damn fine! The cost of this stuff is
Thread view
Attachments: 0
2006-11-29 by Paul Roark
CDTobie@aol.com wrote: ... ... But poorly, it sounds like. What UT7 and UT2 get one over UT-3D is sepia. Sepia ink, however, has significant amounts of yellow
Thread view
Attachments: 0
2006-11-29 by jim kitchen
Dear Gary, The gallery, requesting the Museum Glass, is unfortunately, very steadfast about this quality level of glass, when it comes to selling fine art
Thread view
Attachments: 0
2006-11-29 by Tom Baker
One would expect less color in a QTR print than from the Epson driver. Remember, however, that the user controls all of the inks, so one could put more
Thread view
Attachments: 0
2006-11-29 by CDTobie@aol.com
I ve just tested PrintFIX PRO 2.0 for profiling the MIS UT7 inks. For those who have expressed interest in this combination, here are my observations: First,
Thread view
Attachments: 0
2006-11-29 by Eric Neilsen
Gary, There are certainly times when the frame is as you say, just packaging. There are however, some that consider the framing an extension of the piece and
Thread view
Attachments: 0
2006-11-29 by Jim Doyle
I would use Premium Luster.. Jim Doyle Shades Of Paper 600 Deer Rd Unit 4 Cherry Hill NJ 08034 856-795-7780 www.shadesofpaper.com _____ From:
Thread view
Attachments: 0
2006-11-29 by Manuel Toledo Quinones
Hi! FYI http://www.amien.org/ Manuel
Thread view
Attachments: 0
2006-11-29 by Gary Brown
Jim I hope that for your sake the selling of your images is not dependent upon whether or not you use Tru Vue Museum glass. Any serious collector that I know,
Thread view
Attachments: 0
2006-11-29 by Richard Smallfield
Hi, is it true to say that an ultrachrome qtr print will have less of a colour shift with uv exposure than a print done with the epson driver, due to less
Thread view
Attachments: 0
2006-11-29 by bradspix
... Some info: http://www.viratec.com/downloads/museum_glass22.pdf Best - Brad Prison pix: http://www.citysnaps.net/AlcaBook/Alcatraz
Thread view
Attachments: 0
2006-11-29 by salongo lee
Hello, I m watching my first snow fall in 30 years and my first since relocating from California to Colorado last week. Wow. Any way I ve been watching this
Thread view
Attachments: 0
2006-11-29 by Greg
... Way off topic, is it really sputter coated or is it a sol-gel type of application?
Thread view
Attachments: 0
2006-11-29 by Sam McCandless
... I think you re right about all of that, Bob. ... Thanks again, Bob, and please sound off if you think you see me going astray. -- Sam
Thread view
Attachments: 0
2006-11-29 by lou4photo
I thought I would share what I think is a good deal to those who may be in the market for one of these printers. I was searching for a second one and was
Thread view
Attachments: 0
2006-11-29 by bradspix
Different strokes, apparently. Galleries I know do the framing/glazing for shows and consignments, not the artist. With co-op galleries (where the aritst is
Thread view
Attachments: 0
2006-11-29 by jim kitchen
Dear Tom, No upgrade, just Museum glass, or it does not go into the gallery... jim k ... [Non-text portions of this message have been removed]
Thread view
Attachments: 0
2006-11-29 by Tom Baker
Just out of curiosity, but if they consider Museum glass to be the minimum, what would be considered an upgrade. Museum glass is the best that one can get, as
Thread view
Attachments: 0
2006-11-29 by Jamie Creed
Paul, I ve had a slight rethink with regards to my choice of inks for the R220 that I hope to be setting up this weekend with UT-3D, i d really appreciate your
Thread view
Attachments: 0
2006-11-29 by jim kitchen
Dear Brad, I may be alone with this issue, but the galleries I work with, ask that my black and white carbon images be framed with Tru Vue Museum glass, and
Thread view
Attachments: 0
2006-11-29 by Tom Baker
Yep. Not many folks want to spend the money. I ve only seen on print in a gallery framed with Museum glass. It s sure is nice, though. Whatever is behind
Thread view
Attachments: 0
2006-11-29 by Tom Baker
Just one clarification. Some, if not many, on this list are not so much interested in the longevity for fine art as they are for family photos. Family
Thread view
Attachments: 0
2006-11-28 by Clayton Jones
Hello Francis, ... It s possible to combine the warm and cool versions of R2 and get a variable tone ink set. Details for how to do this can be found in
Thread view
Attachments: 0
2006-11-28 by l33ry
Of course you re right, Sam. I agree that they are, ultimately, merely steering customers to those of their papers that are best suited. But Epson s language
Thread view
Attachments: 0
2006-11-28 by Steve Gledhill
I know some of us are (rightly) obsessed with the longevity of our
prints. Here s and article entitled A Load of Rot from last week s
Sunday Telegraph in
Thread view
Attachments: 0
2006-11-28 by bradspix
Here s a 3 page Tru Vue brochure listing their glass products and properties if any one is interested: http://www.tru-vue.com/container/Glass%20charts.pdf Brad
Thread view
Attachments: 0
2006-11-28 by David Keenan
... What settings? What paper(s)? Dave. -- My Photography: http://www.david-keenan.com My Blog: http://www.david-keenan.com/euroblog [Non-text portions of this
Thread view
Attachments: 0