[Digital BW] Re: Suggested Monochrome Inkset for Epson 2200
2006-11-15 by john dean
The H. Museum Etching is 100% rag, and the German Etching is Alpha Cellulose (high grade wood pulp). The Museum E. has no oba s but is slightly brighter than
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2006-11-15 by john dean
The H. Museum Etching is 100% rag, and the German Etching is Alpha Cellulose (high grade wood pulp). The Museum E. has no oba s but is slightly brighter than
2006-11-15 by remkopieter
Paul, After following and participating this post I just ordered the UT7 MC2200UTK-PLUS inkset . So I decided to start using my 2200 dedicated for B&W. After
2006-11-15 by John Hollenberg
... How does Museum Etching differ from German Etching? Is the paper tone the same? I haven t seen either, but have a sheet of Mediastreet Royal Plush which
2006-11-15 by Clayton Jones
Hello C. David, ... Do you know anyone who could supply small sample prints from these printers (for a reasonable fee of course)? Regards, Clayton Info on
2006-11-15 by Clayton Jones
Hello Christopher, ... More than a few. There are lots of people in this category, you aren t alone. We just aren t very vocal. ... LOL! ... Theoretically,
2006-11-15 by Mark Stracke
... I d recommend starting with Photo Rag. It s the standard on which the ink color (or lack of color) was based. It s a fine paper too. My other suggestion is
2006-11-15 by nemoniemann
I recently bought IJM/OPM to use with my quad ink 7000 and UC inked 4000. So far I m fairly impressed. I ve used QTR for a little while, but I ve had
2006-11-15 by Paul Roark
Christopher, ... At normal viewing distance, the 2400 prints will look smooth and fine to most viewers. The excess color will give it more metamerism, and it
2006-11-15 by CDTobie@aol.com
... Yes, paper-tone is not directly related to ink-tone; a paper with a warm tone can take inks cooly; something that is most noticable in B&W printing. This
2006-11-15 by Richard Smallfield
Hi, Paul, you recommended the Premier Dual Sided Matte, which I found comes in 13 rolls ... so if I can get them to ship it down here, I will buy a roll. My
2006-11-15 by Michael King
Hi Roy, Can you help me reconcile your point below on mapping between the number of bits in an image and the number of bits used to control the inks in a
2006-11-15 by David Wroblewski
... Hi Tom, I do trust you! My apologies for jumping to the wrong conclusion. The fact is, I spent a fair amount of time trying to see if the glass or plexi (I
2006-11-15 by john dean
Hill was the fist head of the photo program at Yale after Evans died later replaced by Papageorge, the historian/photographer that has ruled the program since
2006-11-15 by john dean
Thanks Tom. That makes sense. I would have given Cone credit for the process, but then that s just me. It is a pretty big deal actually. Only the second large
2006-11-15 by Mark Savoia
I guess this explains that: In 1972 he met Walker Evans and worked under his direction, making prints from Evans’ negatives. After Evans’ death, Martson
2006-11-15 by Phil and Marilu
Mark Browse here: http://www.martsonhill.com/MHhome.html Phil Morse ... From: Mark Savoia To:
2006-11-15 by Mark Savoia
Martson/Hill must be a very quiet operation. I have been in business in Connecticut (just 45 minutes from where they are located) for 20 years and I have never
2006-11-15 by Arthur Fink
1. Print out the current settings by pressing the button on the back of the network card. Among others things, this will show you the mac address of the card.
2006-11-15 by Thomas Patsenka
Hello All, I can offer some details on the production of these prints. The paper is Hahnemuhle Photo Rag 308: the inks are Cone Warm Neutral: and most were
2006-11-15 by Clayton Jones
Hello Michael, ... EEM is not neutral (meaning black is black, not brown). Eboni on EEM will make a moderately warm print. ... Kayenta by Moab is less
2006-11-15 by colingruk
... light you use to judge ... mostly Ilford paper, I ... I think I have the English versions of these in 48 inch and 20 inch lengths
2006-11-15 by Ernst Dinkla
... If writing to the card doesn t work: Use Epson s network installer on your system and press the small black button on the card when the printer is on and
2006-11-15 by john eckenrode
I have playing with the K7 split tones lately and I second John s choices on paper, especially Museum Etching-great stuff, but expensive. I made a couple
2006-11-15 by namibiajohnston
I have been reading the discussions of late, particularly those surrounding the 2400/2200. I really am at a loss as to what I should do. There seems to be a
2006-11-15 by Daniel Staver
I ve got an Epson 3000 printer with a network card. I can t figure out how to connect it to a network though. I need to change the network settings on the
2006-11-15 by Tyler Boley
http://www.martsonhilleditions.com/process.html could be MIS too, they still have some quad sets. Maybe a custom mix, Mallonee may be doing that for his. Or,
2006-11-15 by john dean
What website are you referring to? I can t find out anything online. It s all a bunch of silly academic talk about the nature of photography. As if Evan would
2006-11-15 by Alan Zimmerman
I ve had good luck using the Reveal bulb series with standard base. They fit in most light fixtures and are daylight corrected. Available in 60,100 watts.
2006-11-15 by Tyler Boley
John, if you got to their website, it s hard to imagine the process they describe as anything but quads. No more details though. Tyler
2006-11-15 by John Moody
Solux desk lamp. Best regards, John Moody ... From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf
2006-11-15 by michael3442
Whew, reading these posts the last fews days has my brain near to a full meltdown. I m just getting myself oriented to start printing in this medium and need a
2006-11-15 by John Moody
http://www.mmdistributors.com It s ~$500/41 x71 sheet but you need to call for price. A full sheet is 72x120. You just need
2006-11-15 by mbutler355
Hi All, I bought an r2400 about 2 months ago, and I m having a good ole time with this thing. I ve been following Clayton s workflow for BW. Love it. But
2006-11-15 by Paul Roark
Is anyone using anti-reflective glazing? It looks like Tru Vue has a corner on the market these days. Denglas appears to be out of business. (I m not
2006-11-15 by john dean
Should have known that Jimmy sold em the paper. He also sold the guys the paper that did the Bill Brandt show I belive. You da man. Now that is amazing if they
2006-11-15 by john dean
Well I have three papers that I use with it primarily, but most everything works well. My favourite for my own work is Hahnemuhle Museum Etching (100 rag with
2006-11-15 by CorrPro96@aol.com
In a message dated 11/14/2006 9:36:21 P.M. Eastern Standard Time, jdoyle1713@comcast.net writes: And I Missed It to with all the Photo Plus Stuff that I had
2006-11-15 by sagaface
Strange...I still can t read it. There are a few letters and symbols that show up but mostly nothing. I wonder what the deal on my puter is. Oh well.
2006-11-15 by John Hollenberg
... $50.00. I ordered the Cone neutral K7 for my Epson 2200. I have some Red River Dourian Art (I think, the one that is a dead ringer for HPR per Clayton
2006-11-15 by Jim Doyle
Since I Supplied The Paper.. It ‘s Hahnemuhle Photo Rag 308 On Epson 9600 ( I Belive) With Good Ole Matte Black.. INK.. And I Missed It to with all the Photo
2006-11-15 by john dean
For some crazy reason I missed the Walker Evan show in Ny. I can t belive I was running all over the city and forgot about it. I TOO AM VERY INTERESTED IN
2006-11-15 by Paul Roark
Sarah, Try it now. The last time this happened there was some font incompatibility that was the source of the problem. So, I tried to make sure it s all
2006-11-15 by john dean
If you want an inkset that doesn t clog, has awesome smoothness of tone, especially in the high values,good dmax, and perfectly neutral color everytime, try
2006-11-14 by Tyler Boley
Anil Kapahi, the other half of Custom Digital, saw it and was very impressed. Tyler
2006-11-14 by Thomas Patsenka
Hello All, If any remember I had some small part to play in this fine presentation. John Hill, Sven Martson and I were at the exhibit last Thursday and and did
2006-11-14 by sagaface
Paul....I can t read your .pdf...it dowloads fine (I m on a mac), but reads as gobbledygook. anyplace else I could read this? thank you, Sarah
2006-11-14 by Michael King
Not sure what you concluded last time this was discussed, but I ve been printing a lot of 256 step gray wedges on luster paper and I can easily discern a
2006-11-14 by Clayton Jones
Hello Eddie, ... I ll take a stab at this and share my experiences, with the preface that neutral to me means that black is black, not brown, pink, green, or
2006-11-14 by Gary W. Weaver
Truely, the B&W got me excited!! gar ... From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of
2006-11-14 by Steve Kale
And presumably, limiting all of this is the eye¹s ability to discern a difference in luminance. Of course everyone¹s eyes are different but one could