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2006-03-05 by john dean
Yea, I ve been tossing around all my tests on Silver Rag and I ve yet to see one scratch or scuff mark on any of them. Their Museo Max paper is also very
2006-03-05 by mark_gatehouse
... for a ... heard ... response ... they were ... trouble I ... see here among others: http://largeformatphotography.info/lfforum/topic/504234.html
2006-03-05 by lestihor
I am new to the list and have been benefiting tremendously, although much is still over my head. I know that many of you have lots of experience with Epson
2006-03-05 by lou4photo
I ve never seen a perfect system, but the CM approaches are better than my custom curves. Just to add a note to Paul s point, I had my 4800 color profile
2006-03-05 by Steve Gledhill
After a few more prints I ve now seen how susceptible to abrasion of the surface the PermaJet Fibre Base Gloss is. When feeding A3 paper from the tray the
2006-03-05 by Eleanor Brown
You will see a lot of bronzing with the older inks. I would recommend the K3 inks for best results. I have been a beta tester with the silver rag and I have
2006-03-05 by Brian Ellis
I had my 4800 color profile made for me by Ethan Hanson at Dry Creek. In addition to the beautiful color profile he created (including a nice gamut chart of
2006-03-04 by Shilesh Jani
Yes, the older UC inks bronze badly on this paper - as bad or worse than Epson Premium Semi Gloss. ... that after all the reports I ve ... will show more gloss
2006-03-04 by Paul Roark
... The Epson Advanced B&W is not a color managed system. ... This is the step we re trying to get away from by using the color managed ( CM ) workflows. A
2006-03-04 by Paul Roark
... Several of the inksets I ve been involved with will run on the 7600. The MIS UT-7 is a variable-tone inkset that I used on a 7600, both with the Epson
2006-03-04 by Yoelis Diaz
Hi. I recived the photo is very nice!! and good challenge for me. Thank you. Clayton Jones wrote: Hello Yoelis, Thanks for your inquiry. I
2006-03-04 by sagaface
Hi All, I was just pricing the Silver Rag on several sites and realized that after all the reports I ve read about it here, it somehow didn t sink in whether
2006-03-04 by Leon Strembitsky
I m printing both colour and b&w on a 7600 using QTR RIP for the b&w. Only works with matte papers though... Leon ... set ... System
2006-03-04 by scott_now_coming
I think it may have been mentioned here, but a search returns no info, Costco now is selling Kirkland Signature in 4x6 sheets. HOWEVER, it s made in the
2006-03-04 by CDTobie@aol.com
... Certainly Spyder2PRO would allow you to choose a custom gamma, or even tweak your response curve to a non-gamma shape, which seems to be what you are
2006-03-04 by mxgo95747
... I have a Sypder2 for calibrating my Apple LCD, I then print an image on my Epson 2400 with an ABW setting of normal (or dark) and change, by eyeball, my
2006-03-04 by CDTobie@aol.com
... HP carts (for non-DesignJet models) contain the actual print heads, having those dry out is fatal. Epson carts are just containers full of ink... no
2006-03-04 by Shilesh Jani
Florian, Since you already have a very good b/w system in your 4800, I would explore the option of both matte and glossy (RC) printing on the same printer. To
2006-03-04 by CDTobie@aol.com
... For black and white visual monitor calibrators are... more acceptable? less unacceptable? something like that... than for color work. But this is still
2006-03-04 by Paul Roark
... The R220 can often be found for under $70. Some even sell the OEM inks on Ebay to reduce the price further. ... The 1280 can produce excellent results.
2006-03-04 by Adam Maas
... There s two solutions. The first is to use a coleder paper, like Moab Kayenta, which is what I do, which offsets the (very) warm OEM ink. The second is to
2006-03-04 by roschko_leolevin
hi, i am using the Epson 4800 and 7600. Now I am wondering, if I should set up the 7600 for BW printing only. But I have no Idea what BW-ink-System would be
2006-03-04 by Mark Savoia
He IS da man. Mark ... [Non-text portions of this message have been removed]
2006-03-04 by Ernst Dinkla
... John, That settles it. More or less a hybrid then with more 16 bit aspects than I expected. Ernst -- Ernst Dinkla www.pigment-print.com (
2006-03-04 by Dan Derby
First let me say that I m delighted to have my first post on this group answered by two of my B&W heros, Paul Roark and Clayton Jones. Secondly, as Clayton
2006-03-04 by Yoelis Diaz
I have HP printer and has one cartridge holder to use when we chage the blak cartridge back and forth. Why epson don t use one similar. Thank you. Paul Roark
2006-03-04 by Paul Roark
... Matte blacks tend to be warm. Carbon is warm by nature, although the C86 black appears to be a hybrid carbon-dye ink. MIS Eboni is the most neutral of the
2006-03-04 by Paul Roark
With this type of cartridge, I use a syringe full of water to rinse off the outlet. Then I just put some tape over it. My goal is to keep it clean and not
2006-03-04 by Paul Roark
... Most will say that a well-profiled monitor, using Spyder2Pro (which I have) or equivalent is required. I found that for B&W the Adobe Gamma, done
2006-03-04 by elwood@wsnconsult.com
Amen Cheers to Jim for the amazing work he has done to help us all. support his company and enjoy the results. Woody ... From: john dean
2006-03-04 by howg2211
Several days ago someone had posted a request to see if anyone wanted to sell a panorama head. I am toying with the idea of selling mine as I don t use it
2006-03-04 by Yoelis Diaz
Hi. I have epson 2400 and I change the matte black ink cartridge. Now I don t know how to storage this cartridge. Note. this cartridge is not enty. I want to
2006-03-04 by Leslie Otterbein
Hi Trotteur: I have this machine, and it does good scans. However, I use Vuescan instead of the Dimage software. There were problems with the usb connectivity
2006-03-04 by Greg
... Lyson ... them. ... Too bad Yahoo keeps breaking the long URLs, like the one that points to a searched page on this. Cut and paste both halves into a
2006-03-04 by john dean
Search the archives here and read about the metamerism that the Lyson monochrome has always exhibited. People on this list have seen them. john
2006-03-04 by bradspix
Thanks Dick. I use a USB-based Dymo LabelWriter printer. Makes it real easy. Also do the wall labels with a smaller label. It s a handy device. Brad Urban
2006-03-04 by jcap40
I do something similar on the back of my prints. Yours look very professional. Thanks for sharing. Dick Capuozzo ... with ... print, ... time ... the ...
2006-03-04 by Greg
... heard ... http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/messagesear ch/64388?query=lyson+darkroom&submit=Search+More
2006-03-04 by jcap40
Digital Photograph generally, in the last few gallery shows I ve done. Didn t have a problem with that. Usually people are attracted to the photograph, not
2006-03-04 by steveabrink
No, I have nt but would like to know also. Anyone tried it or heard anything?? They advertise a Dmax of 4.0 which is pretty amazing... Thanks! SteveB ...
2006-03-04 by mfriedberg
I ve started Black Only printing on an Epson C86 (OEM inks) and find that my prints on Epson Enhanced Matte and HW Matte are very warm compared to my screen
2006-03-03 by lulalake_1999
... the ... data on ... 2200 ... much ... too, so ... few ... Huh? Lighten up dude, it s a joke. Jules
2006-03-03 by Clayton Price
... So Jules, why do you really care about the archival data on the 2200 inks? Since you call your inkjet prints Mixed Media , you must know that much mixed
2006-03-03 by joshscapes
What type of calibration system is recommended for b&w work? thanks in advance, josh
2006-03-03 by Clayton Jones
Hello Dan, ... I spent the past four years doing mostly BO printing, all the while trying various other inks, workflows and approaches, including UT7 (the
2006-03-03 by CDTobie@aol.com
... This is a rather self serving suggestion, but even back when I was developing scanner-based printer profiling products, I always told people not to go out
2006-03-03 by Paul Roark
... 1) there would be a much greater probability of the print matching ... Yes. ... Yes. ... Or, buy the i1, or perhaps the ColorVision hardware that has been
2006-03-03 by Paul Roark
Dan, ... At this point in our B&W progress I don t think one should start with a 1280 and variable-tone approach. The problems of the hardware and
2006-03-03 by Stephen Kobrin
I print with a 1280 with U2 inks and either QTR or Paul Roark s curves. I just read Paul s note on making a B&W ICC with a scanner and here is the dumb
2006-03-03 by Paul Roark
Olivier, ... The only readme-tutorial files I ve posted are on the simpler grayscale (no *.acv curves) use of Create ICC. My R220 workflow at