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Digital BW, The Print

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Re[2]: [Digital BW] On film

2004-04-12 by Anthony G. Atkielski

... Inferior in the sense that the range of different results you can obtain from converting color images to grayscale is far, far smaller than the results you

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Re[2]: [Digital BW] On film

2004-04-12 by Anthony G. Atkielski

... Identical, from an information-processing standpoint. That is, both have the same serious drawbacks. A pure B&W digital camera would produce very nice B&W

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Epson 1270 vs 1280 for UT2 inkset

2004-04-12 by Arthur Fink

I m thinking of getting a used Epson 1270 on Ebay to dedicate to black and white printing. The 1270 seems like a good bargin right now. How does it compare

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Advice?

2004-04-12 by ayashko

Just joined the group - pleased to meet you all. Have a couple of questions, and I ll apologise upfront as they ve probably been asked before. I m currently

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Re: [Digital BW] On film

2004-04-12 by Clive Moss

... ... Consider another experiment. The image being recorded consists of two halves -- one red, one green. The intensity of each half just happens to be such

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Paper question

2004-04-12 by bfwoolner

I am trying to find a paper similar to Red River Lux Art or Hahnemuhle William Turner but in an 11x14 inch paper size. Any help appreciated. Barbara Woolner

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Re: [Digital BW] Ice4

2004-04-12 by Robert W. Shearer

Richard, I take it that ICE4 won t work as a plug in to photo shop. I went to the web site and downloaded ROC, SHO and GEM. They don t offer ICE4 as a plug in

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Re: [Digital BW] Ice4

2004-04-12 by Robert W. Shearer

Thanks Paul, I am starting to get some concept here. Kodak s website,(they now own digital ice) has no caveats. I believe that they are leaving out any

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Re: [Digital BW] Re: Scanning

2004-04-12 by Robert W. Shearer

This is excellent input and I appreciate it. Thanks Bob ... From: cirkutguy To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Sunday, April 11, 2004 3:21

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Re: [Digital BW] On film

2004-04-12 by Truman Prevatt

PS: That experiment has been performed many times - always with the same results. ... -- We imitate our masters only because we are not yet masters ourselves,

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Re: [Digital BW] On film

2004-04-12 by Jeff Magidson

... Anthony... I m trying to grasp your premiss. On practical terms how would the resulting images be Inferior? What would they be lacking? Would anyone but

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Re: [Digital BW] On film

2004-04-11 by Editor P.O.V. Image Service

... Wide in the sense that it is spectrally wide, yes. But shooting B&W digitally is much like converting a color slide to B&W... The exposure latitude, or

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Re: [Digital BW] On film

2004-04-11 by Truman Prevatt

Black and white film is an power sensor. It simply measurses the power (it counts photons) at a location on the film. A CCD is a power sensor. It only counts

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Re[2]: [Digital BW] On film

2004-04-11 by Anthony G. Atkielski

... The image is in color. You can use a monochrome sensor or B&W film to capture it in B&W. ... Yup, and they are a function of the _total_ spectrum included

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Re: [Digital BW] On film

2004-04-11 by Clive Moss

... You can t capture the original image in B&W. It is in color. Mapping it to B&W involves a series of implicit decisions about what brightnesss to assign

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Re: [Digital BW] Ice4

2004-04-11 by Richard Sintchak

Sunday, April 11, 2004, 12:20:05 PM, you wrote: RWS The marketing that I have seen is claiming that ICE4 will RWS work on Kodachrome slides. That is the real

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Re[2]: [Digital BW] On film

2004-04-11 by Anthony G. Atkielski

... Well, it s a long story ... The light in a real-world image consists of a blend of an (essentially) infinite number of frequencies at an infinite number of

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RE: [Digital BW] Ice4

2004-04-11 by Tom Baker

ICE4 claims to have solved that problem. I haven t seen anything that disputes the claimed results from ICE4. Tom Baker ... As I understand it, the ICE

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Re: [Digital BW] On film

2004-04-11 by Truman Prevatt

The question is a fairly simple one and relates to the physics of the situtation. It is - is all the energy of the visible spectrum reflected off a scene

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RE: [Digital BW] On film

2004-04-11 by Paul D. DeRocco

... A B&W image obviously doesn t contain more information than an RGB image, but the color light coming in the front of the lens certainly contains a lot more

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RE: [Digital BW] On film

2004-04-11 by Joe Dempsey

If you use Photoshop, correct the image the best you can in RGB and then convert the image to LAB color by going to Image Mode Lab color.. LAB color separates

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RE: [Digital BW] Ice4

2004-04-11 by Paul D. DeRocco

... As I understand it, the ICE functionality requires that the film be essentially transparent at the IR wavelengths used, so that scratches and dust can be

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RE: [Digital BW] Ice4

2004-04-11 by Paul D. DeRocco

... Perhaps they ve found a wavelength that penetrates Kodachrome better. If that s true, then it s good news. dICE is a very useful technology when it works.

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Re: MIS Eboni Black ink

2004-04-11 by edrudolpho

Hi... a quick search of the archives didn t give me the answer to this question. Is it possible to use Imageprint with an MIS Eboni black ink cartridge in

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Re: [Digital BW] On film

2004-04-11 by cirkutguy

... I m curious as to what information is missing from the color image that would be in the black and white. I too find that I often can t match the look of

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RE: [Digital BW] Ice4

2004-04-11 by Joe Dempsey

I have no experience with DI4. but plenty of experience with DI3. I have a Microtek Flatbed Scanmaker 9800 with DI for prints and it works great. I also have a

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Re: [Digital BW] Digest Number 2208

2004-04-11 by Roger Smith

DigitalBlackandWhiteThePrint@yahoogroups.comRBSmih4/11/04 7:50 AM1/03/2004DigitalBlackandWhiteThePrint@yahoogroups.comrbsmith252@comcast.ne t ... Not color,

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Re: Scanning

2004-04-11 by cirkutguy

... I just bought an Epson 4870 last week as an upgrade from my Epson 3200 (Buy.com had the 4870 for $390 with free ship). I can t help with you Digital Ice

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Ice4

2004-04-11 by Robert W. Shearer

The marketing that I have seen is claiming that ICE4 will work on Kodachrome slides. That is the real reason I have been taking a look at that software. Is

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Re[2]: [Digital BW] On film

2004-04-11 by Anthony G. Atkielski

... No, you don t. Why are photographers so fond of superstition and myth? ... But the whole point is that those renditions are exactly what you want. And you

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Re: [Digital BW] On film

2004-04-11 by Jeff Magidson

... You actually have MORE flexibility if you shoot in color and convert to B&W not less. If you shoot in B&W with a yellow, green or red filter in front of

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RE: [Digital BW] Scanning

2004-04-11 by Paul D. DeRocco

... Digital ICE uses an infrared channel in the scanner. Unfortunately, depending upon the wavelength used, this either doesn t work at all with Kodachrome

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Re: [Digital BW] Scanning

2004-04-11 by Max Clark

I would consider the Nikon Coolscan V. It definitely has Ice 4, and retail price is only $599. It is an excellent scanner (yes, I speak from experience)! ...

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Re[2]: [Digital BW] On film

2004-04-11 by Anthony G. Atkielski

... My understanding is excellent. I ve already explained why color film can never exactly duplicate the results obtained from true black and white film,

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Re: HEX ink for Epson 1200

2004-04-11 by Keith R.

In my 1200, I currently use the MIS UT(pigment)inks w/eboni, as I print on matte(cotton) papers, and utilize Paul Roarks curves. I like the results with the UT

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Eboni -vs- Cone Portfolio Black

2004-04-11 by Jeff Magidson

Has anyone gone from using Eboni black to Cone portfolio black in an effort to achieve better Dmax? I there a big difference between the two inks? Much better

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