Yahoo Groups archive

Digital BW, The Print

Index last updated: 2026-04-28 22:56 UTC

Thread

Neutral Prints On 2200

Neutral Prints On 2200

2003-12-09 by Shilesh Jani

Hello All,

I am fairly experienced with using numerous grayscale inks on a 
1280.  Having previously used color inks to print b/w, I know how 
challenging (and frustrating) it can be.  So I was impressed when a 
friend of mine recently showed me a 13 x 19 b/w print he made on his 
2200.  It was absolutely neutral and showed no evidence of metamerism.

I went to his home last night and saw first-hand how he stumbled upon 
this.  Here goes:

Paper:  DotWorks FineArt HeavyWeight paper
Printer Settings: Enhanced Matte media setting, 1440 dpi, ICM, NCA
Profile:  Downloaded from the dotworks.com website.

That is it!  The image space can be either grayscale or color RGB.

This was the best print I  have seen from a 2200 that did not use 
some fancy RIP.  I am not in anyway connected to DotWorks.  But I am 
sufficiently impressed and thought you 2200 owners may want to know.

I am going to play with his system some more and see if I can get 
such fine prints using the profile on other papers.

Regards.

Shilesh

Re: Neutral Prints On 2200

2003-12-09 by flyfishingusa2002

Shilesh,
If you are setting the printer to ICm then you are using the canned 
windows profiles to print with.In order to use the dotworks, or any 
other profile you need to set the printer output settings to "no 
icm" and select the profile from photoshop or convert you file in 
some way. 

Seirra Gold
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" 
<shilesh.jani@s...> wrote:
> Hello All,
> 
> I am fairly experienced with using numerous grayscale inks on a 
> 1280.  Having previously used color inks to print b/w, I know how 
> challenging (and frustrating) it can be.  So I was impressed when 
a 
> friend of mine recently showed me a 13 x 19 b/w print he made on 
his 
> 2200.  It was absolutely neutral and showed no evidence of 
metamerism.
> 
> I went to his home last night and saw first-hand how he stumbled 
upon 
> this.  Here goes:
> 
> Paper:  DotWorks FineArt HeavyWeight paper
> Printer Settings: Enhanced Matte media setting, 1440 dpi, ICM, NCA
> Profile:  Downloaded from the dotworks.com website.
> 
> That is it!  The image space can be either grayscale or color RGB.
> 
> This was the best print I  have seen from a 2200 that did not use 
> some fancy RIP.  I am not in anyway connected to DotWorks.  But I 
am 
> sufficiently impressed and thought you 2200 owners may want to 
know.
Show quoted textHide quoted text
> 
> I am going to play with his system some more and see if I can get 
> such fine prints using the profile on other papers.
> 
> Regards.
> 
> Shilesh

Re: [Digital BW] Neutral Prints On 2200

2003-12-10 by Richard Sintchak

Tuesday, December 9, 2003, 11:01:53 AM, you wrote:

SJ> Hello All,

SJ> I am fairly experienced with using numerous grayscale inks on a 
SJ> 1280.  Having previously used color inks to print b/w, I know how 
SJ> challenging (and frustrating) it can be.  So I was impressed when a
SJ> friend of mine recently showed me a 13 x 19 b/w print he made on his
SJ> 2200.  It was absolutely neutral and showed no evidence of metamerism.

SJ> I went to his home last night and saw first-hand how he stumbled upon
SJ> this.  Here goes:

SJ> Paper:  DotWorks FineArt HeavyWeight paper
SJ> Printer Settings: Enhanced Matte media setting, 1440 dpi, ICM, NCA
SJ> Profile:  Downloaded from the dotworks.com website.

SJ> That is it!  The image space can be either grayscale or color RGB.

SJ> This was the best print I  have seen from a 2200 that did not use 
SJ> some fancy RIP.  I am not in anyway connected to DotWorks.  But I am
SJ> sufficiently impressed and thought you 2200 owners may want to know.

SJ> I am going to play with his system some more and see if I can get 
SJ> such fine prints using the profile on other papers.

SJ> Regards.

SJ> Shilesh

Well, I do not see how one can use ICM and NCA at the same time so I
used NCA with the dotworks FHM profile (assuming that to be
Heavyweight Matte) and with Epson EEM on my 2200 my "neutral" B&W
print came out greenish under incandescent light, and even greener in
daylight....

Shilesh, can you expound a bit more on the workflow and did you truly
examine his print under vastly different lighting?  This sounds so
promising based on your enthusiastic comments but obviously so far I
am disappointed.

-- 
Best regards,
 Richard                            mailto:richard@...

Re: [Digital BW] Neutral Prints On 2200

2003-12-10 by Shilesh Jani

Richard,

My friend's system is a PC with Win XP, just so you know.  When 
setting up the printer, upon choosing ICM, a new set of controls 
opens up.  It is here, that NCA was checked.

Then, using "print with preview", keep your image source space 
to "grayscale" or "adobe RGB 1998", and print with the DotWorks 
profile.

A word of caution:  The profile is probably very specific to the 
paper, so unless EEM and the DotWorks paper are identical, you are 
highly unlikely to get the same results.

I will play with the printer some more and post any other 
clarifications, as necessary.

Regards.

Shilesh

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Richard Sintchak 
<richcontaxg@s...> wrote:
> 
> Tuesday, December 9, 2003, 11:01:53 AM, you wrote:
> 
> SJ> Hello All,
> 
> SJ> I am fairly experienced with using numerous grayscale inks on a 
> SJ> 1280.  Having previously used color inks to print b/w, I know 
how 
> SJ> challenging (and frustrating) it can be.  So I was impressed 
when a
> SJ> friend of mine recently showed me a 13 x 19 b/w print he made 
on his
> SJ> 2200.  It was absolutely neutral and showed no evidence of 
metamerism.
> 
> SJ> I went to his home last night and saw first-hand how he 
stumbled upon
> SJ> this.  Here goes:
> 
> SJ> Paper:  DotWorks FineArt HeavyWeight paper
> SJ> Printer Settings: Enhanced Matte media setting, 1440 dpi, ICM, 
NCA
> SJ> Profile:  Downloaded from the dotworks.com website.
> 
> SJ> That is it!  The image space can be either grayscale or color 
RGB.
> 
> SJ> This was the best print I  have seen from a 2200 that did not 
use 
> SJ> some fancy RIP.  I am not in anyway connected to DotWorks.  But 
I am
> SJ> sufficiently impressed and thought you 2200 owners may want to 
know.
> 
> SJ> I am going to play with his system some more and see if I can 
get 
> SJ> such fine prints using the profile on other papers.
> 
> SJ> Regards.
> 
> SJ> Shilesh
> 
> Well, I do not see how one can use ICM and NCA at the same time so I
> used NCA with the dotworks FHM profile (assuming that to be
> Heavyweight Matte) and with Epson EEM on my 2200 my "neutral" B&W
> print came out greenish under incandescent light, and even greener 
in
> daylight....
> 
> Shilesh, can you expound a bit more on the workflow and did you 
truly
Show quoted textHide quoted text
> examine his print under vastly different lighting?  This sounds so
> promising based on your enthusiastic comments but obviously so far I
> am disappointed.
> 
> -- 
> Best regards,
>  Richard                            mailto:richard@c...

Re: [Digital BW] Neutral Prints On 2200

2003-12-10 by flyfishingusa2002

I don't know what version of the Epson driver your friend is using, 
but on my XP systems when you select "ICM" no further controls are 
shown. Why would they? Choosing to use "ICM" means that you are 
wanting windows to select the printer colotr management.

You mail looks like a plug for dotworks papers to me. 

Injetmall has been trying to produce a ICC profile to obtain b/w 
prints from a 2200, so far they have not managed it.

They only way to do this is to use a RIP of somekind. QTR is my 
choice because it works and its free.

Sierra Gold

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" 
<shilesh.jani@s...> wrote:
> Richard,
> 
> My friend's system is a PC with Win XP, just so you know.  When 
> setting up the printer, upon choosing ICM, a new set of controls 
> opens up.  It is here, that NCA was checked.
> 
> Then, using "print with preview", keep your image source space 
> to "grayscale" or "adobe RGB 1998", and print with the DotWorks 
> profile.
> 
> A word of caution:  The profile is probably very specific to the 
> paper, so unless EEM and the DotWorks paper are identical, you are 
> highly unlikely to get the same results.
> 
> I will play with the printer some more and post any other 
> clarifications, as necessary.
> 
> Regards.
> 
> Shilesh
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Richard 
Sintchak 
> <richcontaxg@s...> wrote:
> > 
> > Tuesday, December 9, 2003, 11:01:53 AM, you wrote:
> > 
> > SJ> Hello All,
> > 
> > SJ> I am fairly experienced with using numerous grayscale inks 
on a 
> > SJ> 1280.  Having previously used color inks to print b/w, I 
know 
> how 
> > SJ> challenging (and frustrating) it can be.  So I was impressed 
> when a
> > SJ> friend of mine recently showed me a 13 x 19 b/w print he 
made 
> on his
> > SJ> 2200.  It was absolutely neutral and showed no evidence of 
> metamerism.
> > 
> > SJ> I went to his home last night and saw first-hand how he 
> stumbled upon
> > SJ> this.  Here goes:
> > 
> > SJ> Paper:  DotWorks FineArt HeavyWeight paper
> > SJ> Printer Settings: Enhanced Matte media setting, 1440 dpi, 
ICM, 
> NCA
> > SJ> Profile:  Downloaded from the dotworks.com website.
> > 
> > SJ> That is it!  The image space can be either grayscale or 
color 
> RGB.
> > 
> > SJ> This was the best print I  have seen from a 2200 that did 
not 
> use 
> > SJ> some fancy RIP.  I am not in anyway connected to DotWorks.  
But 
> I am
> > SJ> sufficiently impressed and thought you 2200 owners may want 
to 
> know.
> > 
> > SJ> I am going to play with his system some more and see if I 
can 
> get 
> > SJ> such fine prints using the profile on other papers.
> > 
> > SJ> Regards.
> > 
> > SJ> Shilesh
> > 
> > Well, I do not see how one can use ICM and NCA at the same time 
so I
> > used NCA with the dotworks FHM profile (assuming that to be
> > Heavyweight Matte) and with Epson EEM on my 2200 my "neutral" B&W
> > print came out greenish under incandescent light, and even 
greener 
> in
> > daylight....
> > 
> > Shilesh, can you expound a bit more on the workflow and did you 
> truly
> > examine his print under vastly different lighting?  This sounds 
so
> > promising based on your enthusiastic comments but obviously so 
far I
Show quoted textHide quoted text
> > am disappointed.
> > 
> > -- 
> > Best regards,
> >  Richard                            mailto:richard@c...

RE: [Digital BW] Neutral Prints On 2200

2003-12-10 by Daniel Staver

> I don't know what version of the Epson driver your friend is using, 
> but on my XP systems when you select "ICM" no further controls are 
> shown. Why would they? Choosing to use "ICM" means that you are 
> wanting windows to select the printer colotr management.

As far as I know the new version of the 2200 driver changed around the
controls a bit, and moved several options under the title "ICM". With
the 2100 (which I have) and the old 2200 driver "ICM" is just a single
option.

--
Daniel Staver
http://daniel.staver.no

Re: [Digital BW] Neutral Prints On 2200

2003-12-10 by Ken Schuster

Apparently so, if you don't want to consider Septone, PiezoTone and others.
Show quoted textHide quoted text
----- Original Message ----- 
From: flyfishingusa2002 
To: DigitalBlackandWhiteThePrint@yahoogroups.com 
Sent: Wednesday, December 10, 2003 1:16 PM
Subject: Re: [Digital BW] Neutral Prints On 2200
...snip...

"They only way to do this is to use a RIP of somekind. QTR is my 
choice because it works and its free."

...snip...

[Non-text portions of this message have been removed]

Re: [Digital BW] Neutral Prints On 2200

2003-12-10 by Richard Sintchak

Shilesh,

Something does not seem right here.  First I do not remember there 
being any options after I clicked ICM (not at my home computer right 
now) but you also mention to keep the image source space to grayscale 
or sdobe RGB, but if I do that where does one apply the dotworks 
profile?  Maybe I'm misunderstanding something here...

Richard


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" 
<shilesh.jani@s...> wrote:
> Richard,
> 
> My friend's system is a PC with Win XP, just so you know.  When 
> setting up the printer, upon choosing ICM, a new set of controls 
> opens up.  It is here, that NCA was checked.
> 
> Then, using "print with preview", keep your image source space 
> to "grayscale" or "adobe RGB 1998", and print with the DotWorks 
> profile.
> 
> A word of caution:  The profile is probably very specific to the 
> paper, so unless EEM and the DotWorks paper are identical, you are 
> highly unlikely to get the same results.
> 
> I will play with the printer some more and post any other 
> clarifications, as necessary.
> 
> Regards.
> 
> Shilesh
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Richard 
Sintchak 
> <richcontaxg@s...> wrote:
> > 
> > Tuesday, December 9, 2003, 11:01:53 AM, you wrote:
> > 
> > SJ> Hello All,
> > 
> > SJ> I am fairly experienced with using numerous grayscale inks on 
a 
> > SJ> 1280.  Having previously used color inks to print b/w, I know 
> how 
> > SJ> challenging (and frustrating) it can be.  So I was impressed 
> when a
> > SJ> friend of mine recently showed me a 13 x 19 b/w print he made 
> on his
> > SJ> 2200.  It was absolutely neutral and showed no evidence of 
> metamerism.
> > 
> > SJ> I went to his home last night and saw first-hand how he 
> stumbled upon
> > SJ> this.  Here goes:
> > 
> > SJ> Paper:  DotWorks FineArt HeavyWeight paper
> > SJ> Printer Settings: Enhanced Matte media setting, 1440 dpi, 
ICM, 
> NCA
> > SJ> Profile:  Downloaded from the dotworks.com website.
> > 
> > SJ> That is it!  The image space can be either grayscale or color 
> RGB.
> > 
> > SJ> This was the best print I  have seen from a 2200 that did not 
> use 
> > SJ> some fancy RIP.  I am not in anyway connected to DotWorks.  
But 
> I am
> > SJ> sufficiently impressed and thought you 2200 owners may want 
to 
> know.
> > 
> > SJ> I am going to play with his system some more and see if I can 
> get 
> > SJ> such fine prints using the profile on other papers.
> > 
> > SJ> Regards.
> > 
> > SJ> Shilesh
> > 
> > Well, I do not see how one can use ICM and NCA at the same time 
so I
> > used NCA with the dotworks FHM profile (assuming that to be
> > Heavyweight Matte) and with Epson EEM on my 2200 my "neutral" B&W
> > print came out greenish under incandescent light, and even 
greener 
> in
> > daylight....
> > 
> > Shilesh, can you expound a bit more on the workflow and did you 
> truly
> > examine his print under vastly different lighting?  This sounds so
> > promising based on your enthusiastic comments but obviously so 
far I
Show quoted textHide quoted text
> > am disappointed.
> > 
> > -- 
> > Best regards,
> >  Richard                            mailto:richard@c...

Re: [Digital BW] Neutral Prints On 2200

2003-12-10 by njfranknj

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Ken Schuster" 
<ken.schuster@a...> wrote:
> Apparently so, if you don't want to consider Septone, PiezoTone and 
others.
> 
> ----- Original Message ----- 
> From: flyfishingusa2002 
> To: DigitalBlackandWhiteThePrint@yahoogroups.com 
> Sent: Wednesday, December 10, 2003 1:16 PM
> Subject: Re: [Digital BW] Neutral Prints On 2200
> ...snip...
> 
> "They only way to do this is to use a RIP of somekind. QTR is my 
> choice because it works and its free."
> 
> ...snip...

May I again offer a different possibility?

I just printed a grayscale using the description of this method next 
to one of my 4 ink grayscale "duotones" on a 2200 with PS4.0 and MIS 
7600 inks and have to say that there is no comparison - the duotone 
method step scales have none of the color shifts that are quite 
obviously displayed by the RGB/ColorMatch method.

Is it as good as a RIP? I don't know. Septone? Probably nowhere near. 
Is it good enough for somebody who wants 1 printer to do both while 
giving the flexibility of making toned B&W prints? Well, how about 
checking it out for yourself?

My color vision in not good enough to see subtle tones or shifts, so, 
would someone using the same printer/ink setup please take the time 
to do a test. Since it requires curves and ink definitions that I 
have developed, you'll have to write me for a return e-mail with a 
description of the process and attached Photoshop curve/ink info. It 
is much simpler than the conversion needed for a quadtone ink printer.

By the way, this does not work on a 1200 and may not on the later 
12xx series, either.

Regards,

Frank

Re: [Digital BW] Neutral Prints On 2200

2003-12-11 by janishilesh

Hello Richard,

The 2200 driver used was version 5.40.  When you go into the 
click "advanced", the "ICM" option is bow available.  Upon 
cliccking "ICM", one of the options is "No Color Correction".  That 
is what I chose.  Then, in PS 7.0, "print with preview", and here is 
where you choose the profile.

Someone mentioned that the printer driver has been changes quite a 
bit recently.  But since I don't own a 2200, I cannot be sure.

Regards.

Shilesh

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Richard 
Sintchak" <richcontaxg@s...> wrote:
> Shilesh,
> 
> Something does not seem right here.  First I do not remember there 
> being any options after I clicked ICM (not at my home computer 
right 
> now) but you also mention to keep the image source space to 
grayscale 
> or sdobe RGB, but if I do that where does one apply the dotworks 
> profile?  Maybe I'm misunderstanding something here...
> 
> Richard
> 
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" 
> <shilesh.jani@s...> wrote:
> > Richard,
> > 
> > My friend's system is a PC with Win XP, just so you know.  When 
> > setting up the printer, upon choosing ICM, a new set of controls 
> > opens up.  It is here, that NCA was checked.
> > 
> > Then, using "print with preview", keep your image source space 
> > to "grayscale" or "adobe RGB 1998", and print with the DotWorks 
> > profile.
> > 
> > A word of caution:  The profile is probably very specific to the 
> > paper, so unless EEM and the DotWorks paper are identical, you 
are 
> > highly unlikely to get the same results.
> > 
> > I will play with the printer some more and post any other 
> > clarifications, as necessary.
> > 
> > Regards.
> > 
> > Shilesh
> > 
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Richard 
> Sintchak 
> > <richcontaxg@s...> wrote:
> > > 
> > > Tuesday, December 9, 2003, 11:01:53 AM, you wrote:
> > > 
> > > SJ> Hello All,
> > > 
> > > SJ> I am fairly experienced with using numerous grayscale inks 
on 
> a 
> > > SJ> 1280.  Having previously used color inks to print b/w, I 
know 
> > how 
> > > SJ> challenging (and frustrating) it can be.  So I was 
impressed 
> > when a
> > > SJ> friend of mine recently showed me a 13 x 19 b/w print he 
made 
> > on his
> > > SJ> 2200.  It was absolutely neutral and showed no evidence of 
> > metamerism.
> > > 
> > > SJ> I went to his home last night and saw first-hand how he 
> > stumbled upon
> > > SJ> this.  Here goes:
> > > 
> > > SJ> Paper:  DotWorks FineArt HeavyWeight paper
> > > SJ> Printer Settings: Enhanced Matte media setting, 1440 dpi, 
> ICM, 
> > NCA
> > > SJ> Profile:  Downloaded from the dotworks.com website.
> > > 
> > > SJ> That is it!  The image space can be either grayscale or 
color 
> > RGB.
> > > 
> > > SJ> This was the best print I  have seen from a 2200 that did 
not 
> > use 
> > > SJ> some fancy RIP.  I am not in anyway connected to DotWorks.  
> But 
> > I am
> > > SJ> sufficiently impressed and thought you 2200 owners may want 
> to 
> > know.
> > > 
> > > SJ> I am going to play with his system some more and see if I 
can 
> > get 
> > > SJ> such fine prints using the profile on other papers.
> > > 
> > > SJ> Regards.
> > > 
> > > SJ> Shilesh
> > > 
> > > Well, I do not see how one can use ICM and NCA at the same time 
> so I
> > > used NCA with the dotworks FHM profile (assuming that to be
> > > Heavyweight Matte) and with Epson EEM on my 2200 my "neutral" 
B&W
> > > print came out greenish under incandescent light, and even 
> greener 
> > in
> > > daylight....
> > > 
> > > Shilesh, can you expound a bit more on the workflow and did you 
> > truly
> > > examine his print under vastly different lighting?  This sounds 
so
Show quoted textHide quoted text
> > > promising based on your enthusiastic comments but obviously so 
> far I
> > > am disappointed.
> > > 
> > > -- 
> > > Best regards,
> > >  Richard                            mailto:richard@c...

Re: Neutral Prints On 2200

2003-12-13 by charliemb

I ordered the 15 mil Nature Jet Coated and downloaded the profile.  I 
could not find the paper on the dotworks site but after emailing them 
they pointed me to dotinkjet.com and the Nature Jet papers found 
under "Fine Art."  About a buck a sheet.

While I wait for it to arrive I am playing with the dotworks 
2200_FHM.icm profile on Epson Enh.Matte.  With this "wrong paper" I 
also am getting greenish print, but the density matches my 
clalibrated monitor well.

Regards, Charlie

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" 
<shilesh.jani@s...> wrote:
Show quoted textHide quoted text
> Paper:  DotWorks FineArt HeavyWeight paper
> Printer Settings: Enhanced Matte media setting, 1440 dpi, ICM, NCA
> Profile:  Downloaded from the dotworks.com website.

Re: Neutral Prints On 2200

2003-12-22 by Charlie Bustamante

This is my report on the dotworks paper and profile.  I ordered the 
paper as soon as I heard the report posted here.  The paper arrived 
promptly after ordering it, within the week.  The paper itself is 
very heavy and appears to be very nice.  Its white point is more 
yellow than the Epson enhanced Matte and that may be why it 
experiences less metamerizm.  That is, perhaps less yellow ink is 
needed since the paper is yellowish to begin with, and as a result, 
less metamerizm is produced.  Who knows, but it does appear to be the 
case that the paper exhibits less metamerizm than anything printed on 
the Epson enhanced Matte.

It turns out that on my printer, the prints turn out a little 
yellowish green.  Okay, more than just a little.  The prints appear 
less yellowish green than on Epson enhanced Matte paper using the 
same profile but still not quite neutral.  Your mileage may vary.

The exact name of the paper I am using is "Nature Jet Coated Inkjet 
Paper 100% Cotton 15 Mil."  I did experience a problem using the 
matte black cartridge on this dotworks paper.  It turns out the paper 
cannot handle too much of the matte black ink.  The darkest 1/8th of 
a gray test pattern that I use turns glossy and dMax is impaired. 
This problem is alleviated by using the photo black ink cart but then 
the dMax suffers because of the photo black on Matte paper (flat, 
very flat).  So, the bottom line for me is, I switched back over to 
the Epson enhanced Matte paper and this dotworks profile to see what 
I could do.

I have to say though, the prints are quite nice on Epson enhanced 
Matte paper with this profile (2200_FHM.icm).  For Qimage users who 
want to play around with this profile on Epson enhanced Matte paper, 
I developed a quick curve that tends to neutralize this profile 
on Epson enhanced Matte paper even further.  It is still a moss-toned 
print (mostly in the upper mids), but the overall print seems to 
work.  Actually I have three curves: '6, '4, and 'Latest, '6 should 
be more neutral than '4 and 'Latest is like '4 only warmer.  Just 
copy the files to the Qimage "filters" folder and apply the filter 
(which is a curve) either as a filter for the image or as a print 
filter.

You can find the Qimage curves here:
http://tiyoweh.ugate.net/2200_FHM6.flt
http://tiyoweh.ugate.net/2200_FHM4.flt
http://tiyoweh.ugate.net/2200_FHM-latest.flt

Regards,  Charlie

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Shilesh Jani" 
<shilesh.jani@s...> wrote:
> ...
> I went to his home last night and saw first-hand how he stumbled 
upon 
> this.  Here goes:
> 
> Paper:  DotWorks FineArt HeavyWeight paper
> Printer Settings: Enhanced Matte media setting, 1440 dpi, ICM, NCA
> Profile:  Downloaded from the dotworks.com website.
> 
> That is it!  The image space can be either grayscale or color RGB.
> 
> This was the best print I  have seen from a 2200 that did not use 
> some fancy RIP.  I am not in anyway connected to DotWorks.  But I 
am 
> sufficiently impressed and thought you 2200 owners may want to know.

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.