Re: New 1100 and EB4 user!
2011-07-23 by Paul
... We need a way to test that. If we use a standardized paper and separate C, M, and Y curves(straight line Red, Green, and Blue curves) with a standard
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2011-07-23 by Paul
... We need a way to test that. If we use a standardized paper and separate C, M, and Y curves(straight line Red, Green, and Blue curves) with a standard
2011-07-23 by mcrib13
... I know I said I didn t get any blocked blacks, but I guess once I printed an actual photo of something, it s a little bit of a different story. Using my
2011-07-23 by mcrib13
Hi Paul, I just tested the new aurora-w profile with the aurora-n. The dip is less drastic, but I m unfortunately still seeing it. I have a feeling my
2011-07-23 by Paul
... I put a new profile -- ICC as well as the curve -- in http://www.paulroark.com/BW-Info/MIS-WF1100-Profiles.zip In examining my test strip that showed the
2011-07-23 by Paul
... I just printed a 21-step test strip on Aurora-N with the Aurora-White ICC and had the same problem. I then printed an Aurora-W test strip with the ICC and
2011-07-23 by Ernst Dinkla
... Tyler, Is the problem related to big ink buffers in the head, near the head, that it would take a long time before a custom B&W inkset is totally free
2011-07-23 by mcrib13
Paul, I just tested the Aurora Natural paper using the Aurora White profile and the printed step wedge had that strange dip again. I also tried printing the
2011-07-23 by Paul
... By the way, to find where the final points on the curve ought to be, use this test strip: http://www.paulroark.com/BW-Info/80-100.jpg Print it with an RGB
2011-07-22 by Paul
It is g ood to hear that the seqential curve is flexible enough to handle the paper. With respect to agitation, I would avoid actions that might cause foam.
2011-07-22 by gerard
Robert, I just upgraded from the R1800..to the R3000. I do not see a HUGE improvement...but yes,there is a difference,again,I m comparing this to the R1800
2011-07-22 by mcrib13
Thanks Paul! The sequential curve worked beautifully with the epson presentation matte. No dip in the outputted curve, and final profile printed a nice step
2011-07-21 by dfaprinting
Not sure how many of you got the latest Hawk Mountain newsletter, or if any of you knew this first hand, but John Edmunds has passed. From the news letter: In
2011-07-20 by mccarvill
- Moab Entrada Fine Art Natural - 24 - 300 gsm - Epson premium luster photo - 24 Haven t measured how much is left on each roll; maybe 15-20 feet. If you re
2011-07-20 by Paul
... Try one of the sequential curves sets. It sounds like the curve needs to stop at 91 to hit the dmax and not overload the paper. Profiles are paper
2011-07-19 by mcrib13
Thank you Paul for all your help. ... I just tested the UPPM partition profile but I m still getting that weird dip. The blacks stopped blocking up though like
2011-07-19 by Marek
Hallo everybody, I m new on this group and hope you ll help me to start with B&W printing (which I also need to create digital negatives). Yesterday I bought
2011-07-19 by Paul
... The Zip file now has both a partitioned ICC and curve for UPPM and also what I call a sequential ICC and curve. What I do with these latter types of
2011-07-18 by Paul
... I ve never tested or profiled that paper, but I ve added a curve and ICC for Ultra Premium Presentation Matte ( UPPM ) paper that might be close. Go to
2011-07-18 by Michael-K
Lack of humidity plays a large part in head clogging, even with OEM inks. Air conditioning will dry out the air in the room and the ink in and around the head.
2011-07-17 by Cdtobie
... Positive, but not inexpensive. It s nice to be able to replace heads, but it s not something you ll do lightly, given the prices. C. D. Tobie Global
2011-07-17 by Richard Smallfield
Hi all, I wondered if anyone has experience of the Canon iPF 5100 with regard to print head reliability. I ve had three Epsons (currently the 3800) and they
2011-07-16 by mcrib13
Hello, First off, I wanted to thank Paul Roark for all the work he s done with getting this cheap printer working with the carbon inks! Anyways, I just set up
2011-07-13 by redden_ken
I have paper of these sizes. 8 1/2 x 11 , 11 x 17 , 13 x 19 , 17 x22 , 24 x30 , and rolls that are 20 x7 , 22 x 65.6 , 36 x 100 . The sheets are broken down
2011-07-13 by robertades
With the $200 Epson rebate, I m considering an upgrade from my R2400 to the R3000. I d be interested to know if anyone has first hand experience with both
2011-07-12 by Paul
I posted a brief PDF on this combination of WF30 plus the Noritsu-Epson B&W dyes I ve been using to make cards. See
2011-07-12 by jerryhadam
Bigger sizes sell better - at least for my uses. Maybe someone else is doing a book but ......chances are better to sell it in the larger sheet sizes and in
2011-07-11 by redden_ken
I have been asked by a Photographer to sell some digital photo paper that he was originally going to use for a book. Health has deteriorated and the book will
2011-07-10 by Paul Bien
I suppose you will be interesting how to improve your health!... http://team.prophet.free.fr/sites.friend.php?rewID=93c3
2011-07-10 by pdesmidt tds.net
*Capture Resolution*: the resolution of the file produced by your digital camera or scanner. With a digital camera, it s often at a low dpi, such as 72, but
2011-07-10 by mrjimbo
Scott, Their are several things to look at.. Lets look at stuff backwards ..First at the printer level it prints using one of a few selections from your
2011-07-10 by Mike Finley
see http://www.rideau-info.com/photos/mythdpi.html ... -- mike finley photography http://www.mikefinley.co.uk http://words.mikefinley.co.uk
2011-07-10 by robert fallis
... Scott, I use an epson 1400. but gimp not photoshop. I set the dpi on the printer. at maximum. so that the printer controls its dpi not the graphics
2011-07-10 by Scott
Hi All, I was reviewing some of my scans and noticed that there seemed to be a big difference in dpi on a lot of my final photoshop outputs. There are lots of
2011-07-09 by Bob Frost
... Mildew is a fungus! Specifically, powdery mildew or downy mildew refer to particular species of fungi that cause plant diseases, but the terms mold
2011-07-08 by Michael
Instead of mildew, I should have said fungus; I think it s white. When you get the print you might take a sharp point and try to scrape away some of the
2011-07-08 by Mark Savoia
All ideas and options are still on the table (gee, I sound like a politician). Mark http://www.stillrivereditions.com
2011-07-08 by Michael-K
When these scratches are described as being so small and nearly impossible to see, and being spidery in shape, I m wondering if mildew growing on or within
2011-07-07 by Paul
... [Unglazed glossy prints in shadow boxes]
2011-07-07 by mrjimbo
Probably more noticeable around the hinges then one just starts looking.. j ... From: David Kachel To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent:
2011-07-07 by Mark Savoia
He is younger then I and must have better eyesight, and so did the collector that was there to look at the print. I could barley see it with my glasses but
2011-07-07 by Paul
This discussion makes me want to go back to Arches un-coated Hot Press as my standard fine art display medium. I think with our best pigments the paper is
2011-07-07 by David Kachel
... too. Don t hold your breath on that one! Manufacturers are notorious for passing the blame as quickly as possible, especially when they envision the
2011-07-07 by E.Neilsen
How long do you expect prints to stay in the condition that they left the printer? Over the years I ve replaced prints too, and I get the standing behind your
2011-07-07 by David Kachel
... is this a spoiled homeowner used to throwing his financial weight around looking for a replacement print year after year? I see a slippery slope ahead. I
2011-07-07 by Mark Savoia
I don t think of it as a warranty but I do stand behind the product I produce and sell. It is not always about just resolving one issue but MY reputation. I
2011-07-07 by Gary Brown
2011-07-07 by E.Neilsen
Good points. With the prints being sold these days as lasting 100 to 200 years, are the customers expecting the print to look the same on day 1 as day 1000 or
2011-07-07 by Michael-K
How about this approach: The cracking gives the print character and further identifies it as a specific print within the series. If a crack develops in an oil
2011-07-07 by Mark Savoia
Well at some point over the next few moths I will have the print in my possession and it will go off to Hahnemuhle. I am just concerned about that the
2011-07-07 by mrjimbo
Hey Mark, I think at this point you have to many possible and not enough evidence to really say what the cause was. However I think their has been enough