Re: True B&W
2003-11-29 by Jerry in Houston
What IS true b&w ? Seems to me that if the final print is b&w, ... It is, but many kinds of black and white photos can be produced only with black and
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2003-11-29 by Jerry in Houston
What IS true b&w ? Seems to me that if the final print is b&w, ... It is, but many kinds of black and white photos can be produced only with black and
2003-11-29 by Mark Hahn
... ... ummm, I don t know who is who at this point:) ... ... because in my mind you aren t matching a film s character unless you capture the grain... and
2003-11-29 by Steven Karafyllakis
... Just Yesterday I got to see Clayton s first large print on the 2200. It is absolutely beautiful, a fine print by any standards. He s replaced the
2003-11-29 by Barrett Benton
Actually, if one looks at Kodak s product line-up, you ll find a *lot* of wet film product that doesn t even fit mainstream photography (some of which I
2003-11-29 by Mark Hahn
Yeah, right... maybe when they were staged! mark
2003-11-29 by Mark Hahn
so true! I can t say how many times I have wasted entire evenings with a negative or digital images struggling to fix it when the real answer was that it
2003-11-29 by Steven Karafyllakis
... wonder ... I just got an intresting bit of news from a local camera shop owner: as of Dec. 21 Kodak is going to drop 70% of their wet-film products; some
2003-11-29 by Barrett Benton
... Oh, dear...I think I m about to throw another spaniel in the works. This is the *other* aspect of digital which sort of makes my teeth itch: the idea,
2003-11-29 by Mark Hahn
You know, when I started studying photography I had my K1000 and endless bulk loads of Tri-X and probably shot as much as any new kid with a DSLR in art school
2003-11-29 by Tom Baker
What s next? Anything that doesn t produce the board s/stockholders profit expectations. I expect that you and I, as b&w people, don t contribute enough to
2003-11-29 by Mark Hahn
The people I know who take photography seriously don t shoot 500 digital images. They may be more tempted to experiment more since it doesn t cost alot, but
2003-11-29 by Tom Baker
True. As I said, I intend to do different things than I have done with film. Shooting in burt mode, etc., is a special case. All special cases have their
2003-11-29 by Mark Hahn
agfa just canceled APX100 in 4x5 (ie. abandoned LF)... gotta wonder what s next. mark
2003-11-29 by Anthony G. Atkielski
... I think it is more productive to choose the images wisely to begin with; then you don t have to worry about sorting through them or discarding them or
2003-11-29 by Tom Baker
I think I m just going to not open his posts anymore. Tom Baker ... You may be right, but he s no stranger to me. I m not arguing with him to prove _him_
2003-11-29 by Tom Baker
I have some vague recollection that these things exist and are used for scientific purposes. If some ACTUAL EXAMPLES of these in use for our type of work, it
2003-11-29 by Anthony G. Atkielski
... The photographer who coined the term typically only shot one.
2003-11-29 by Anthony G. Atkielski
... The same principle applies to any filter, actually ... it also applies in the absence of a filter. The narrowband yellow example just helps to make the
2003-11-29 by claudej1@aol.com
In a message dated 11/28/2003 5:47:47 PM Pacific Standard Time, ... I love the first part especially......................LOL....................good points.
2003-11-29 by claudej1@aol.com
In a message dated 11/28/2003 5:47:47 PM Pacific Standard Time, ... Neither can B &W film unless it s responsivity happens to be in that band. One of the
2003-11-29 by C J Morgan
... months), ... I just ... taking ... Then perhaps you might be missing out on one of the good advantages of working with a medium where we can erase our
2003-11-29 by Paul D. DeRocco
... You may be right, but he s no stranger to me. I m not arguing with him to prove _him_ wrong...I m arguing with him for the benefit of anyone else who might
2003-11-29 by Paul D. DeRocco
... Heck, I d like to see an example of a narrowband yellow filter. The yellow filters I m aware of are broadband low-pass filters, e.g.,
2003-11-29 by Roger L Sopher
I fully agree that culling is both necessary and time consuming. I can remember Fred Picker telling a story about teaching a friend s daughter to make
2003-11-29 by Anthony G. Atkielski
... Digital will not increase or decrease the number of serious photographers in the world. It will, however, greatly increase the number of very casual
2003-11-29 by jerdiakiw
I have a epson 2200 on my desk and have been reading forums and talking to folks. More I hear the less able I am to load the inks and software. Just read
2003-11-29 by Paul D. DeRocco
... The monitor gamma means nothing, if you re using color-managed applications like Photoshop. It only matters in non-color-managed applications, like Windows
2003-11-29 by C J Morgan
... Then again, sometimes we have to shoot 10 frames instead of just 1 to get the best decisive moment -- and which one of those frames is indeed the best
2003-11-29 by Roy Harrington
... You really don t need to do anything about it. If you look at any of the examples and plot the values, they are a curve rather than a straight line -- the
2003-11-29 by Jon
... Paul, He isn t arguing in order to prove you _wrong_... he is arguing with you because he wants to _argue_. This is a guy who argued on USENET for days
2003-11-29 by C J Morgan
... I don t know how others answer that question, but here is certainly one answer: I make color pictures when I want to emphasize color and I make black &
2003-11-29 by Truman Prevatt
Today, you can buy a digital camera, a book telling you how to use it and fire shots to your hearts content, and you will get some pretty good snap shots. I
2003-11-29 by Paul Roark
Bernhard, ... On Epson Enhanced/Archival Matte the FS-N is slightly cool. The Ultra Tone with the neutral curve is more neutral, with a hint of magenta,
2003-11-29 by Tom Baker
Anthony - I m essentially theorized to death. Show us some EXAMPLES of real life photography using the narrow band yellow filter. Tom Baker Anthony G.
2003-11-29 by Tom Baker
Truman - I don t yet own a digital camera. When I do get one (next couple of months), I hope to take the same approach that I take with the 6x9, 4x5, or
2003-11-29 by claudej1@aol.com
In a message dated 11/28/2003 10:16:30 AM Pacific Standard Time, ... I own 2 of the original Foveon prism cameras. I have also tested the Sigma SD-9 (SD-10
2003-11-29 by px3n120x
I made the effort to read all posts in this thread just to see how far something stupid can go and at one point I was wondering if most of the posters have had
2003-11-29 by Truman Prevatt
You jsut answered your won question. The IR and UV are outside the frequency response of the R, G, B filters. Same for the light passed through a narrow band
2003-11-29 by Anthony G. Atkielski
... I ve explained it as clearly as I can. It seems that this topic is one of those hard things that many people often never quite understand, like
2003-11-28 by Anthony G. Atkielski
... One of the reasons I don t zip through roll after roll of film when shooting is not the cost of film ... it s the cost of sorting through the results.
2003-11-28 by Tom Baker
You missed one. You said You can t get infrared B&W from any conversion of RGB, nor can you get UV from RGB conversion. The reason for this is the same as
2003-11-28 by Truman Prevatt
Barrett, Notice how people shooting digital shot large numbers of images. They need 1 Gig flash memory cards or micro drives. I ve never shot that much 35 mm
2003-11-28 by Barrett Benton
Springboard? More like trying to catapult across a mine field, in this case ;-) At least part of the problem, IMO, is how people regard black-and-white
2003-11-28 by Austin Franklin
Well, Kevin...not really. There are tonal separations that may not show up in RGB, that will using grayscale capture. Because of this, you may not get the
2003-11-28 by Bernhard Ess
Hi, my first set of UT bottles connected to my 1160 will run out soon, so I have to decide quickly what to go on with. Before the UT set I used the FSN inkset,
2003-11-28 by Anthony G. Atkielski
... The range of what you can obtain is much wider than it is in RGB conversion.
2003-11-28 by Anthony G. Atkielski
... I guess you missed my explanation about the narrowband yellow filter. Shoot a scene in straight B&W with a narrowband yellow filter. The result will be
2003-11-28 by Austin Franklin
Mark, ... Er, who are you talking to? I certainly am not hostile towards digital imaging in any way what so ever, and you are barking up the wrong tree with
2003-11-28 by Tom Baker
CJ - I do understand your point. And, that s as good a reason as any (better than most, actually) to use those tools. THX Tom Baker C J Morgan
2003-11-28 by Truman Prevatt
Try some lasers half way inbetween the wavelengths of the RGB sensor. Works fine with B&W but not so well if RGB (if the filters are any good). Of course