Signing Epson Coated Paper
2002-12-15 by Thomas Fors
I know the issue of signing prints has come up before, and I ve searched the archives, but I can t find any solutions to my specific problem. What do you use
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2002-12-15 by Thomas Fors
I know the issue of signing prints has come up before, and I ve searched the archives, but I can t find any solutions to my specific problem. What do you use
2002-12-15 by Tom <pouty_bob@yahoo.com>
Hi Austin, this is probably not the list you mean... and I wasn t the one you refer to, but I m on the nikon5000 list..! while it lacks the activity and
2002-12-15 by Ton Guiking
Hello, Pardon my ignorance, but I m not quite sure what process hot dry mounting involves. Anyway, I m just in the process of getting information on how to
2002-12-15 by dw_carter <davec52@attglobal.net>
I have used EAM in 24 rolls for some time with no problem getting flat. I usually cut pieces about 53 - 65 long by 24 wide and let them lay flat for
2002-12-15 by Phil Morse
... Yes. :(
2002-12-15 by Carolyn Frayn
Hi Frank, ... with all other adjustment layers off and your image background highlighted, click command + option + tilde on a mac... sorry, don t know Pc
2002-12-15 by Matt Haber
... I m using a 740 with MIS FS inks, and self-filled carts. There are curves for that printer can be found in the files section of the group. My experience
2002-12-15 by frankg_photo <fh.gross@sympatico.ca>
Carolyn, Thanks very much for your informative reply - I will work on trying your suggestions - 1. making a contrast mask on the overlay or soft light
2002-12-15 by Carolyn Frayn
... Sometimes, again image dependant, I ll add a multiply curve layer, using the inverse of the mask I created for the softlight/overlay or screen layer.
2002-12-15 by Austin Franklin
Jerry, ... As I ve said, EHWM. ... Er, the ink... ... If your prints get air pockets, they are done incorrectly. ... If you are getting bubbles, then something
2002-12-15 by Stephen Kobrin <skobrin@hotmail.com>
I use both Overlay and Soft Light blend modes, experimenting with each at various levels of opacity. I typically use the eraser to go back to the original
2002-12-15 by Jerry Olson
... Not mine, up to 13x18. Maybe you are using thinner paper. I m assuming you do NOT mean waves in the paper that sometimes appear in a print as it comes
2002-12-15 by tarntantikij <tarnt@vaja.com>
Date: Fri Dec 13, 2002 11:08 pm Subject: Group Purchase - Sign Ups Will End This Tuesday Hello, We will conclude our sign ups for the group purchase of the
2002-12-15 by Jerry Olson
And does it have the epson logo on the back? Jerry
2002-12-15 by Jerry Olson
Thanks Phil. Glad it was just a temporary thing... Jerry
2002-12-15 by Carolyn Frayn
You might also try a soft light blend rather than overlay, subtle, not so destructive to your histo... also try a contrast mask on the overlay or soft light so
2002-12-15 by randy laskody
I have had my quadtone 1160 with vari mix cfs sitting around for almost 2 years. I just started using it to do some serious printing, and after a few 8x10s,
2002-12-15 by frankg_photo <fh.gross@sympatico.ca>
In order to achieve a decent contrast range in any of my prints (on EAM or Photorag & MIS inks) I always have to duplicate the Background Layer (with varying
2002-12-15 by Austin Franklin
Hi Robert, Er, explains what? EAM was not available when I bought a bulk buy of HW matte...and I like the look of HW matte. I may or may not switch when I
2002-12-15 by frankg_photo <fh.gross@sympatico.ca>
In order to achieve a decent contrast range in any of my prints (on EAM or Photorag & MIS inks) I always have to duplicate the Background Layer (with varying
2002-12-15 by Ed Mathews
... From: dougndot [mailto:dougndot@yahoo.com] Sent: Sunday, December 15, 2002 5:10 AM To: DigitalBlackandWhiteThePrint@yahoogroups.com
2002-12-15 by dougndot <dougndot@yahoo.com>
Found your group from MIS website. I am re-activating old Epson 740 to try quad tone printing. Any input for this printer will be appreciated. Doug
2002-12-15 by dougndot <dougndot@yahoo.com>
... the press ... on the ... the 7 day ... can be processed at 130-150 degrees for 30 seconds which helps both r/c photo papers as well as coated ink jet
2002-12-15 by Paul Roark
... Yes. I ve dry mounted Hydrocote Polyshield coated prints. I keep the press to 180 and use Seal Colormount. Use a fairly fresh release sheet on the top.
2002-12-15 by Robert Morrison
On 12/14/02 7:17 PM, Austin Franklin wrote: Ah, that explains it. Why do you use HW matte instead of EAM? Robert
2002-12-15 by Austin Franklin
I believe someone in this group recommended the Nikon digital discussion list, d1scussion. Who, on this group, is on that list? Austin
2002-12-15 by Austin Franklin
Hi Robert, Epson HW Matte. I use a pair of 3000s. I like the images I get on this paper, and don t mind drymounting one bit. Austin
2002-12-15 by Austin Franklin
Hi Jerry, ... I don t know what paper you use, Jerry...or what your images look like, or what size you print, but anything I print above 8.5 x 11 has
2002-12-15 by Phil Morse
Richard, Three new boxes = 02DE2001M I had a box of the warmer stuff but it is gone. Phil
2002-12-15 by Richard Sintchak
Saturday, December 14, 2002, 4:35:57 PM, Phil Morse wrote: PM Jerry, PM I got three packages about a month ago and it was fine. PM Phil Morse Phil, What s
2002-12-15 by Mark Tucker <mark@marktucker.com>
... what you ... I have found this to be true as well. In the larger sizes, especially after being coating with Hydrocote, the prints tend to dry with a wave
2002-12-15 by Phil Morse
Jerry, I got three packages about a month ago and it was fine. Phil Morse
2002-12-15 by Jerry Olson
Hi Group. A couple months ago, it seems like Atlex got some bad EAM paper, and it was yellower than normal and the blacks weren t as deep. I am about to order
2002-12-15 by Robert Morrison
... Acrylics are made to be used on watercolor paper. I am aware of the basic chemistry in the ink receptive layers on these matte papers and there is nothing
2002-12-15 by Jerry Olson
I ve never had a buckle, Austin. Humidity must play a part in this process. A lot of galleries won t accept dry mounting any more. Of course I m not in that
2002-12-14 by Roger L Sopher
Hi Robert, I think you missed my point. Acrylic paints are somewhat a different kettle of fish than coating a sheet of what is appreciably watercolor paper
2002-12-14 by Jim Respess
Let me add my 2¢. It s a great book and I envision that it will have a life of it s own, with periodic revisions. It is the definitive source of digital
2002-12-14 by Robert Morrison
... I can t speak for Hydrocote...because it is a completely unknown quantity in the museum realm, but if you go for the acrylic route these are already
2002-12-14 by Roger L Sopher
Hi BJ, Makes good sense to me if that s your approach and I certainly have no criticism of it. I usually print, trim, mount, cut the widow to be slightly
2002-12-14 by Robert Morrison
Correct, if you dry mount for an archival application, it needs to be removable. Robert On 12/13/02 10:53 PM, Mark Tucker
2002-12-14 by Robert Morrison
What paper are you using that you have this problem Austin? I m in the 300gm weight papers...and never have buckling issues. In the end I think its a lot
2002-12-14 by Robert Morrison
No, I would coat first, drymount second. Robert
2002-12-14 by bjpm77 <fnbjm1@uaf.edu>
Hey Roger -- I would prefer to coat first, trim the print flush and then mount. My overmats usually have 3/8 to 1/2 border, allowing my signature to show. I
2002-12-14 by Paul Roark
Barry, ... I just received the 3 black inks -- matte k, photo k, and light k. I assume that MIS has the color positions also. Right now the clone chips are
2002-12-14 by Roger L Sopher
Hi BJ, Just winging it since I don t coat my prints except for a quick spray of printguard if I am using dye based inks. it seems to me that it shouldn t make
2002-12-14 by flyfishingusa2002 <tflyfish@citlink.net>
Paul, You have got me confused. Are the inks you mentions B/W inks for the 2200 ie for all positions, or just the black ink postions? Are they in carts with
2002-12-14 by Edward Wiseman
I don t know if it can be accommodated in the workflow, but I think I would drymount the prints FIRST, and THEN go for the coating....NO??YES?? Eddie Wiseman
2002-12-14 by bjpm77 <fnbjm1@uaf.edu>
I ve been dry mounting ink prints for over a year and it works very well indeed. I prefer the look and stability of dry mounted photographic prints, and I have
2002-12-14 by John Labovitz
... The Visual Studies Workshop in Rochester, NY also has bookarts workshops. http://vsw.org/ -- John Labovitz johnl@johnlabovitz.com www.johnlabovitz.com
2002-12-14 by George Hartzell
... I don t think that I ve seen this on the list, but these workshops might be useful. You can get more info at: http://www.sjphoto.com/workshops.html