2002-10-12 by Jeff Randall
Shelesh: Thanks for sharing your results. In regards to Jon Cone s experiment, he said he followed the Woolf workflow which turns on the color controls, sets
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2002-10-12 by Jeff Randall
Best place to start is to see how other folks have constructed RGB partitioned workflows for the Epson driver. Especially look at the individual R,G,B
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2002-10-12 by Mark
Hey Folks, Is there anyway to apply curves with Photoshop Elements 2.0 on the Mac? I can t seem to find a way. Mark
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2002-10-12 by Shilesh Jani
This post was very interesting to me because although I own Piezography 6.04, I prefer to use my own Epson driver workflow. This is not because Piezography is
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2002-10-12 by thronxx
Hi all, I ve read various threads regarding the compatabilty of these inks. One can change from MIS to Generations straight away, without cleaning or flushing.
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2002-10-12 by gaberegalbuto
Anyone out there able to point me to directions/theory for creating an RGB/Curves workflow? There are some excelent ones out there, but my Epson is dying and
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2002-10-12 by Austin Franklin
... Absolutely, Martin. Say your 12 bits is 1001_0110_1110. If you want to convert it to 16 bits, high justified, you simply add four bits to the bottom
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2002-10-12 by Jeff Randall
... this should be of interest to them. Make sure to click on link. The pictures are cool. ... monochromatic image. SNIP The results are interesting and
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2002-10-12 by Martin Wesley
... From: thedigitaldog To: Sent: Saturday, October 12, 2002 11:11 AM Subject:
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2002-10-12 by KAPTJON
Martin, Will do, will do! Jonathan
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2002-10-12 by hogarth1x
I just posted this to the Piezography3000 list, and thought that I might better post it here too. If you read both lists, I appologize. I m just hoping that
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2002-10-12 by thedigitaldog
... What functionality is missing? You have all the tools (levels, curves, Hue/Sat, resize, conversions, spotting etc) in high bit be it grayscale or color.
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2002-10-12 by Martin Wesley
... From: Austin Franklin To: Sent: Saturday, October 12, 2002 6:24 AM Subject: RE:
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2002-10-12 by Jamie Drouin
Has anyone else successfully printed images over 8x10 using OSX and their Epson 1160? Best, Jamie. Jamie Drouin : Photographs http://www.jamiedrouin.com
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2002-10-12 by Austin Franklin
... Yes, and just how do you think it does that? It chops off the lower 8 bits of the data values then counts the number of pixels that have each value and
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2002-10-12 by thedigitaldog
... image file. What else would it do? You are seeing 65000 levels represented as 256. As I said, if Photoshop could draw a black line in the Histogram for
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2002-10-12 by JimD
Well, from my perspective, that s the rub. I have an 1160 for BW and a 1270 for color. Color is my primary interest. Using the 1270 for color with OEM inks,
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2002-10-12 by treadwinkle
I ll be brief. First of all, this site has helped me a lot, but all I want to understand is... Can I just print an b&w image and NOT be a mathmetician? I am
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2002-10-12 by Bruce Kinch
... For photographers not used to reading characteristic curves (not meaning Martin here, of course), the graphs provided by the manufacturers can be
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2002-10-12 by Austin Franklin
Hi Martin, ... Exactly. ... Exactly correct again, except that there is no such thing as 12 bit space, 12 bit space IS 16 bit space. ... Nope...it is simply
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2002-10-12 by Austin Franklin
... Jon, Please explain the basis for this claim. Regards, Austin
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2002-10-12 by Austin Franklin
Hi Gus, ... If they are raw images, that, in my experience, would not be the case...and to get that bit depth, I believe you have to use raw data, at least
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2002-10-12 by Stephen Petegorsky
Mike - I don t mean to avoid giving your question a direct answer, but it would depend on the nature of the negative and the skills one would have as a
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2002-10-12 by Martin Wesley
... From: Jon Dubovsky To: Sent: Friday, October 11, 2002 9:49 PM Subject: Re:
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2002-10-12 by Martin Wesley
... From: Bruce Kinch To: Sent: Friday, October 11, 2002 9:08 PM Subject: Re: [Digital BW] Film
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2002-10-12 by Tyler Boley
... Is that a question or a statement with a what now ? If it s already unchecked, well, it was worth a shot. If adjustments are putting tonal holes in 16 bit
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2002-10-12 by Bug Noir
If one were to use the same 35mm b&w negative to make an 11x14 print in a traditional chemical based darkroom and an 11x14 ink jet print (300 ppi) that came
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2002-10-12 by Gus J Grubba
Jumping in the middle of this not having really read much of the start... What about the source image. Was it truly 16 bits per channel? Most scanners output
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2002-10-12 by magerabamb
The following was published on the Piezography3000 users list.
Because so many users in this group use these workflows I though this
should be of interest
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2002-10-12 by frankg_photo
... smooth ... It is Un-checked ?
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2002-10-12 by Jon Dubovsky
... All other facts and misinformation aside, here is a bit of information which should give you pause: 8 bits per channel of RGB data gives you (only) 9 bits
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2002-10-12 by Martin Wesley
... From: thedigitaldog To: Sent: Friday, October 11, 2002 2:18 PM Subject: [Digital
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2002-10-12 by Martin Wesley
Jonathan, Once you get the article let us know what you think of the workflow. Martin ... From: KAPTJON To:
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2002-10-12 by Martin Wesley
... From: Austin Franklin To: Sent: Friday, October 11, 2002 12:26 PM Subject: RE:
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2002-10-12 by Bruce Kinch
... I m afraid this is incorrect. Characteristic curves for virtually all films are available on the manufacturers web sites, and comparisons are informative.
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2002-10-12 by Bruce Kinch
... EK has just done this with the TMAX family, TX, and PX. Newbase, new times, new boxes. Enjoy:-) -- Bruce C. Kinch Associate Professor of Photography The
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2002-10-12 by Tyler Boley
... In Photoshop- Edit/ Preferences/ Image Cache- uncheck use cache for histograms Tyler
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2002-10-12 by Robert Morrison
For those that are interested, a little bird has just whispered in my year that Epson Velvet Fine Art Paper and Somerset Velvet for Epson are the same paper
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2002-10-12 by mfp90021
Robert, It seemed to me that you were looking for a paper to use with the Ultrachrome inks because you had read that the matte black ink doesn t have a good
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2002-10-12 by KAPTJON
Hey John, Long time no speak! Thanks for the info. I have this article, it is a very informative and great article however it focuses on scanning with the
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2002-10-12 by Robert Morrison
Dmax is visual density and it is a property specifically of the inks laid down when you print 100% black (and of course the whiteness of the paper). The
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2002-10-11 by frankg_photo
once you convert down to 8 bits and you should see a nice, ... But I dont, and I d like to understand why I dont have a nice smooth histogram ? As I said in
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2002-10-11 by mfp90021
... Photorag...as the ... dmax of ... from the ... however. But ... be much more ... I m not sure where those numbers came from. You prompted me to take some
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2002-10-11 by John Vitollo
... I came across this 12 page PDF on Polaroid 55 by George DeWolfe...
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2002-10-11 by Austin Franklin
... Exactly what I was pointing out. ... Why not? You SHOULD be seeing only the top 8 significant bits of the image file. What else would it do? ... I don t
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2002-10-11 by Douglas Anthony Cooper
Thank you for all the responses. I m convinced that I probably require a Nikon 4000, to complete my lightroom. If anyone has one to trade for Leica
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2002-10-11 by thedigitaldog
... Photoshop shows all histograms as 8 bit. If it had to show you a level for every possible step in 16 bit (64000 odd levels), the display would have to be
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2002-10-11 by KAPTJON
Martin, Thank-you very much for that tidbit of information. It is a gem of information for me if I can get my hands on that article. I called up VIEW CAMERA
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2002-10-11 by Robert Morrison
... I couldn t tell from your email whether you were using Photorag...as the subject line suggests, or EAM. It is certainly not true that the dmax of the
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2002-10-11 by Robert Morrison
Has any one used either Epson Velvet Fine Art Paper or Somerset Velvet for Epson with the Ultrachrome inks? I m particularly interested in dmax numbers for
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