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2002-10-10 by Truman Prevatt
I believe that. Even the best digital recievers only use about 3/4s of the dynamic range. Even at that we are taking 11 or 12 bits. If you scan a 8 bits you
2002-10-10 by Douglas Anthony Cooper
... Is the Nikon 4000 state of the art? Anything cheaper? Essentially what you re saying, as I understand it, is that for considerably less than two grand I
2002-10-10 by Jon Zax
Hey watch what you say, Zhiad the rug merchant Date: Wed, 09 Oct 2002 17:27:03 -0400 From: Truman Prevatt
2002-10-10 by Vincent Orlando
Epson just replaced 2 boxes of the bad EAM for me. I don t think it has anything to do with Atlex. Vinny http://www.wulfsden.com ... they ... is
2002-10-10 by Austin Franklin
Hi Roger, Why do you believe there aren t? I always shoot using the Zone System (which means different things to different people) and compensation
2002-10-10 by Austin Franklin
Hi Truman, Typically, when you scan in high bit mode, the data only occupies a small portion of the actual 16 bits, for example, values 876 to 2982. You can
2002-10-10 by uda123cat
... Currently, I ... usually ... this ... greatly ... the image ... I am using a 6X7 black and white negative scanned at 4000 ppi on a nikon 8000 ed. dan
2002-10-10 by George Hartzell
... I m not using OSX yet, but I think that I rememember that one of the fixes/new-features in OSX 10.2 (or whatever number Jaguar is...) is some fix for
2002-10-10 by Shilesh Jani
Bill, I found EAM at CompUSa that just as yellow as the batch I received from Atlex. It is apparently an Epson issue. Shilesh ... they ... is
2002-10-10 by Truman Prevatt
That s basically the way I worked when I was printing silver prints. And it works quite well. But given the extra control one has when the image is in the
2002-10-10 by Roger L Sopher
Hi Truman, To be honest, I have done all of my B&W film calibration work via a wet darkroom and a borrowed densitometer. I have gone on the assumption that a
2002-10-10 by Truman Prevatt
I ve always done this. I ve been experimenting a bit lately. If a scanner is in the loop and it is a 16 bit scanner, I have been making sure zone 3 has good
2002-10-10 by Roger L Sopher
Ain t there any zonies left out there? I was taught to set the asa (for use in an individual camera) of a B&W film to the value that produces a densitiy of
2002-10-10 by frankg_photo
Thanks Shilesh - therein lies the difficullty - I didn t know it was called Enhanced now ... on ... ... the ... SO41341
2002-10-10 by KAPTJON
Does anyone here have a track record of scanning Polaroid PN 665 Film on an Epson 1680?? Any articles? Profiles?? etc.?? Looking forward to hearing from you!
2002-10-10 by Roger L Sopher
Hi Tom, I use a Canon S9000 as a color printer for dye based inks. I switched to Lyson s Fotonic inks because they have a bit better gamut and possibly better
2002-10-10 by Truman Prevatt
I used to use the Mamiya RB 67 almost exclusively. I d set it on a tripod and operate it in the mirror up mode using a cable release most of the time. I
2002-10-10 by Ton Guiking
It happens that I plan to buy a Canon S900 tomorrow, mainly for color and ordinary jobs. It s a dedicated photo printer, so not really top notch for text but
2002-10-10 by Bill Agee
... I thought some of you got a bad batch of paper from Atlex. Are they set up to store them properly? It will be no bargain if the paper is damaged by heat
2002-10-10 by Shire,Stanley
Robert: Amen. I m scanning my Mamiya 7ii images on an Imacon 848 and printing (40x60) on the EP10000archival. Magnificent quality (this from a long-time large
2002-10-10 by gaberegalbuto
I m leaning towards picking up a Canon printer for doing color work primarily for its speed (as much as 5-7x faster than a 1280 with equal quality), individual
2002-10-10 by Ton Guiking
You know what? I ve been using Kodak Plus X, Tri X, T-max 100 and 400, with Rodinal, T-max and D 76. I ended up with the age old combination of Tri X and D 76
2002-10-10 by Shilesh Jani
The same great prices? I am not sure you will find anything approaching Atlex s prices. I certainly have not. Sorry! Shilesh ... that ll ... and ... it.
2002-10-10 by Shilesh Jani
Frank, I don t know how to attach a lnk :-( But go to Atlex, click on Epson, scroll down to Epson Paper, click on Archival Matte (left colum, third from
2002-10-10 by Austin Franklin
... Hi Robert, I typically rate film for it s rating, so 100 at 100, 400 at 400...and adjust my developing times so I get exactly what I want. I don t know if
2002-10-10 by frankg_photo
Shilesh, I tried atlex again and dont see it - please provide a link to the EAM page ...
2002-10-10 by frankg_photo
Thanks Shilesh - just found it at Atlex - can t understand why my first search for it didn t find it? duh. Now I have to try and find another supplier with
2002-10-10 by Shilesh Jani
Frank, Epson and Atlex still list Archival Matte SO41341. This is definitely NOT the same as Heavy Weight Matte. The latter is supposedely designed for dye
2002-10-10 by Craig Sterling
Robert, Look into Agfa 100(APX100) developed in Rodinal 1:75 or 1:100. Smooth as silk and very forgiving on highlights. I have been using it in 120 for
2002-10-10 by frankg_photo
can anyone suggest an alternative EAM supplier that approaches Atlex s great prices - Atlex will not sell/ship to Canada thanks frank
2002-10-10 by Robert Morrison
... Thanks, D-76 1:1 has been what I ve been getting good results with using the Delta 400. Do you shoot the Delta 100 at 100...or lower? How about cook
2002-10-10 by Ton Guiking
... Pardon my ignorance, but what do you mean? I read other messages too, suggesting this printer (in Europe it s called the 2100 AFAIK) can have both. Does
2002-10-10 by frankg_photo
Last time I bought, it was called Archival Matte paper SO41341 (8.5x11) - this isnt listed. What is it called now ? Is it the S041257 Heavy Weight Matte Paper
2002-10-10 by Austin Franklin
... Hi Robert, I shoot using a camera ;-), for 35mm, typically a Contax RTS III or a Leica M6...and appropriate Zeiss or Leica lense... I develop in D-76 1:1
2002-10-10 by Robert Morrison
... Austin, Can you remind me how you are shooting and developing your Delta 100. I ve recently been shooting Delta 400 pulled to 250 with good success...but
2002-10-10 by Robert Morrison
... Absolutely, and consider using a rangefinder instead of an SLR (either 35 or medium format). I ve recently started shooting a Mamiya 7II for some
2002-10-10 by Tyler Boley
... wrote: snip... ... that my ... a few ... ability ... Keith, can you elaborate at all. Is Gimp-print truely a CMYK driver? Will it pass
2002-10-10 by Martin Wesley
... From: Albert Wang To: Sent: Thursday, October 10, 2002 7:46 AM Subject: Re:
2002-10-10 by Austin Franklin
... Doug, Though I agree with you completely in principle, there are ways of getting amazing results from 35mm, and one is to use a tripod. You won t get
2002-10-10 by Lawrence Smith
... A drum scan is going to pull more detail out the densest areas of the film than one of the 4000 dpi dedicated film scanners. It s also going to have less
2002-10-10 by Jamie Drouin
Here s a strange problem: I cannot seem to print to anything other than letter-size using the new 1160 OSX driver. When I try printing on Super A3/B (13x19) I
2002-10-10 by Tim Atherton
... According to a post on the LF List; 1: Light Impressions, a division of Centis is in Bankruptcy. http://www.centis.com/reorg.asp which isn t to say they
2002-10-10 by Albert Wang
Hi Martin, Thanks for your advice. Of course doing color prints is just as hard as black and white printing to be honest :)... I m just trying to figure out
2002-10-10 by Doug I.
... [snip] ... IMO, if you are regularly attempting to push 35mm beyond its limits (e.g., huge prints), no amount of drum scanning, prayer or voodoo magic can
2002-10-10 by Keith Cooper
Hello I ve recently moved my file/print server up to Mac OS X 10.2.1, it has my Small Gamut 1160 attached. Using the latest Mac OS X drivers from Epson I m
2002-10-10 by knightmaer35@aol.com
I was under the impression that the Classic Pearl wasn t a go with the 2200, but the Smooth Pearl was recommended. But while waiting on my Ilford sample pack
2002-10-10 by Loris Medici
... From: Austin Franklin To: Sent: Thursday, October 10, 2002 5:43 AM Subject: RE:
2002-10-10 by David Wroblewski
... I spoke with someone at ColorByte yesterday (don t have her name) and was told that they have stopped distributing the trial version because it was too
2002-10-10 by Austin Franklin
... Hi Carolyn, The sensors to operate that fast, have to give somewhere, and one of the degradations is noise. Regards, Austin
2002-10-10 by Martin Wesley
Dan, What driver or workflow are you using with the printer? Martin Wesley http://www.borderless-photos.de/guests.html ... From: uda123cat