Image quality display differences
2010-02-03 by paulekohl
I just noticed something that I can t figure out. Perhaps everyone knows about this and I am just very slow on the uptake. I have been working in Camera Raw
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Lumijet Lumiflo
2010-02-03 by David Kachel
I just stumbled across a mention of this. There seem to be lots of people selling it, but there is no Lumijet web site that I can find. Are they out of
MIS inks
2010-02-03 by David Kachel
Am I missing something or does inksupply.com not offer a B&W ink set for the Epson 3800/3880? These web pages appear to be severely out of date and very
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-03 by David Kachel
... As you probably have guessed, I am a bit out of my element here. Are you referring to Lab A and B as in convert the image in Photoshop and measure there?
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-03 by pr_roark
... Do you have the Lab A and B values for a 50% midtone of your ideal warm tone? What I suspect is that the brown you are looking for is both warmer than the
Re: Canson Baryta Photographique and other F type papers.
2010-02-03 by john
I was over at Ruth Bernhard s home in San Francisco in the late 70 s and she showed me how you could totally transform Portriga Rapid by just adding a touch of
Re: Canson Baryta Photographique and other F type papers.
2010-02-03 by tboleyyh
... I agree, and love the paper. THere s just a certain look with a very particular image hue, that with a slight warmer base, gives a look I ve only ever seen
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by john
Yea, but Mark only one those two are independent of big corporate money, and his name isn t Henry. john
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by Mark Savoia
It is not what the manufactures say, it is the independent testing facilities say. http://www.wilhelm-research.com/ http://www.aardenburg-imaging.com/ Mark
Re: Canson Baryta Photographique and other F type papers.
2010-02-02 by john
Well that s amazing you didn t spray it. That is the absolute smoothest fiber gloss I ve seen with K3 inks and no spray. I don t think there is anything the HP
Re: Red River Aurora Natural
2010-02-02 by met.graphix
1.64 - 1.64 are quite decent number. I could certainly live with that. OK, I hope it was a bad batch as it s otherwise a very nice paper. I ll order some more
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by David Kachel
... I put a lot of effort into getting the exact shade of brown I desire and don t want it to change to some other brown in ten or twenty years. David Kachel
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by David Kachel
... No. And I have been around the photographic industry long enough to know that whatever claims a manufacturer makes, divide by 5 and you will be a lot
Re: [Digital BW] Re: Brown Tones w/ Carbon inks
2010-02-02 by David Kachel
... Thanks, I appreciate that. David Kachel [Non-text portions of this message have been removed]
Re: Brown Tones w/ Carbon inks
2010-02-02 by tritz333
... Jon Cone has said that his Selenium toned K7 / K6 set looks like chocolate when printed on Canson papers (Rag Photographique I believe). Seems to be a
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by C D Tobie
... Right, they are not dead neutral, but the tint varies, and tends to be fairly subtle. Certainly not anything I would call brown ... ... Hmmm... sounds
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by Mark Savoia
100-200 years is not long enough? Mark http://www.stillrivereditions.com
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by David Kachel
... Of course you may be right, but I was under the impression that carbon inks tended quite naturally to brown and that one of the difficulties in creating
Re: [Digital BW] Brown Tones w/ Carbon inks
2010-02-02 by C D Tobie
... Carbon will only give carbon-tone, which will vary from fairly neutral to a bit warm, depending on media. You will need other formulations to create
Brown Tones w/ Carbon inks
2010-02-02 by David Kachel
I have come to the conclusion that HP is never going to offer the printer I need and Epson and Canon inks are unacceptable, so... Does anyone know of a
Re: Red River Aurora Natural
2010-02-02 by pr_roark
Aurora Natural Lab L = 16.65 - 17 with QTR, 7800, & Eboni. That s 1.65 - 1.64. I have not worked with enough batches to know what to expect with respect to
Re: Red River Aurora Natural
2010-02-02 by met.graphix
I ve had a box sitting around here for a while and got hold of it a couple of days ago to create some QTR profiles. I was surprised at the dmax I m getting (or
Re: [Digital BW] Re: Canson Baryta Photographique and other F type papers.
2010-02-02 by Ernst Dinkla
... Recently the acronyms in this list start to become too confusing. A first proposal: Hahnemühle: HM Photo Rag: PR Hewlett Packerd: HP Baryta, Baryte,
Re: [Digital BW] Re: Canson Baryta Photographique and other F type papers.
2010-02-02 by Terry Ritz
I have some Cone Type 5 coming. I m hoping to use it with both K7 and K3 inks, and possibly replace Silver Rag with it. Is it truly as warm as Silver Rag, or
Re: MIS inks and Epson 7800
2010-02-02 by pr_roark
... See http://www.inksupply.com/eb6.cfm for Eboni-6 bulk inks. MIS wants to be sure people understand what they are buying. Basically, that means they want
Re: find I prefer matte
2010-02-02 by Paul
... I use Premier Art s PrintShield myself, on matte paper. It s not at all glossy or even a semi-glossy spray, the print shows no difference before and after.
Re:Matte FiberGloss Like Tri-X Experience
2010-02-02 by pr_roark
... The Premier Art Smooth Hot Press 325 appears to have an upgraded coating relative to the 205. The 205 is the Epson Premier Art Scrapbook paper. When a
Re: [Digital BW] Re: Canson Baryta Photographique and other F type papers.
2010-02-02 by Marks
John, For HPR Baryta I m using the HPR B preset from HP and then calibrated and profiled with that setting with about 102% GO setting. Have a good match with
Re:Matte FiberGloss Like Tri-X Experience
2010-02-01 by ClaytonJ
... Yikes! I hope not. It s already too complicated . ... Good, I ll be interested as well. ... Right. I m just trying to provide some info, both
Re: find I prefer matte
2010-02-01 by john
Is that Clearshield LL varnish in an aerosol solvent spray can or how did you apply it? I have never been successful with spraying on any of the canvas
Re: Canson Baryta Photographique and other F type papers.
2010-02-01 by john
Just out of curiosity Mark, what settings ARE you using for HPR Baryta on the Z? I ve been seeing no real difference between the HP Baryta media setting and
Re: [Digital BW] MIS inks and Epson 7800
2010-02-01 by Richard Sintchak
Do you mean they are not selling Eboni-6 carts for the 7800? I just bought (last week) 4 oz bottles of Eboni-6 to re-fill the pre-filled Eboni-6 carts I
Re:Matte FiberGloss Like Tri-X Experience
2010-02-01 by Paul
Hello Clayton, ... Ah... I see. I only downloaded and printed out the Eboni chart way back when I first perused your site! ... One would hope there wouldn t be
MIS inks and Epson 7800
2010-02-01 by edgarangelone
I appreciate your responses in previous topic regarding MIS inks and Epson 7800. I have contacted MIS (inksupplies.com)and they do not sale Ebony inks any
Re:Matte FiberGloss Like Tri-X Experience
2010-02-01 by ClaytonJ
Hello Paul, ... Yes I am, sorry for the confusion. The 325 is listed in the Eboni chart, the 270 is in the K3 chart. Those have both been there for several
Re: [Digital BW] find I prefer matte
2010-02-01 by pr_roark
I ll add my voice to those who prefer matte papers. For me, glossy is for brochures. ... I was enthused by Hydrocote water based polyurethane for a while.
find I prefer matte
2010-02-01 by Richard King
I use Jon Cone s Special Edition inks in my 4800 and I get gorgeous results using Innova FibaPrint white matte they I apply 2 coats of Clear Shield liquid
Re:Matte FiberGloss Like Tri-X Experience
2010-02-01 by Paul
Hello Clayton, I m a little puzzled, perhaps there s something I m not getting here. When I look at your Great Paper Chase, I see this Premier Art 325 paper
Re: Canson Baryta Photographique and other F type papers.
2010-02-01 by Marks
Yes you can vary the GO on the HP, with paper settings, and I tried a range of settings but could not get either bronzing or differential to disappear like
Re: Canson Baryta Photographique and other F type papers.
2010-02-01 by tboleyyh
it may require some experimentation, I get the impression you can vary GO with media settings on the HP? The paper really responds to after-treatment. The
Re: [Digital BW] Re: Canson Baryta Photographique and other F type papers.
2010-02-01 by Walker Blackwell
Yeah. Double-sided Fgloss would be nice if just to keep the sheets flat. I tested the T5. Nice paper. Sharper than Silver Rag with Cone ink. Walker ... Walker
[Digital BW] Re: Canson Baryta Photographique and other F type papers.
2010-01-31 by john
I just picked up a used 20x24 dry mount press. I didn t have a choice, people aren t going to put up with that curl and I wouldn t either. Innova f gloss is
Re: Canson Baryta Photographique and other F type papers.
2010-01-31 by john
I spoke too soon Mark, Tyler sent me a black and white print done on his 9800 on the type 5 and it looked very good indeed for this type media. He sent me some
RE: [Digital BW] find I prefer matte
2010-01-31 by E.Neilsen
I find that William Turner 190 with a 1:3 (gloss:matte) spray is a great use of matte paper with a slight shine; my attempt to match Agfa 118 semi matte. The
Re: [Digital BW] find I prefer matte
2010-01-31 by dlruckus
Yes.I find that this is the most significant reason why I prefer matte papers. It is the surface itself that enhances on the best of them. I suspect this is
Re:Matte FiberGloss Like Tri-X Experience
2010-01-31 by ClaytonJ
Hello mark, ... First, there are a couple of things to consider: 1) Which paper one prefers depends a lot on what ink is used. For example, with Eboni-based
Re: find I prefer matte
2010-01-31 by Paul
I neglected to say that PrintShield imparts no gloss... so as far I can tell there is nothing visible that interferes with the depth of the matte image I find
Re: [Digital BW] find I prefer matte
2010-01-31 by tboleyyh
and interestingly, a well varnished good matte print can bear more resemblance to what many of us like about silver, than the PK inkjet papers. In the early
Re: Canson Baryta Photographique and other F type papers.
2010-01-31 by andre1moreau
Hello Phil, Thanks for your reply. It is greatly appreciated as I was about to look at the F type paper for testing even though it would have meant extra time
Re: [Digital BW] find I prefer matte
2010-01-31 by C D Tobie
... Many of the characteristics that make matte media desirable are lost to the varnish, which makes them into a gloss media, or a gloss media with a semigloss