Re: Epson 1400 vs 1800
2007-05-31 by dlruckus
Yes. Thanks again. I think I see what you are saying and it would effectively be the same. I was looking for a way to have some control, however slight, over
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2007-05-31 by dlruckus
Yes. Thanks again. I think I see what you are saying and it would effectively be the same. I was looking for a way to have some control, however slight, over
2007-05-31 by Eric Neilsen
I have held off here but I can’t resist any longer. I was working in California back in the early 80’s and we made up to 40x50 silver gelatin prints, 24x30
2007-05-31 by Bob Marsolais
... image processing ... includes some ... I asked Jonathan Saks, the author of PictureWindowPro, whether PWP recognized gray scale ICC s. His answer was, No
2007-05-31 by djon43
Over the years I ve observed that the arguments for small (and miniature prints were mostly made by people who aspired to Ansel Adams but used 35mm. Good
2007-05-30 by steveh0607
... I just picked up this thread and I also prefer smaller prints. Printing on 11x17 paper gives me a print big enough for me. I like to get close to prints -
2007-05-30 by Tyler Boley
Thanks Roy. It makes sense of course, and I thought that would be the case. It does somehow make the issue of coverage, or how it is neasured, or dot area, or
2007-05-30 by Roy Harrington
Hi Tyler, Yes, the transistions between dot sizes are blended -- much like the transitions between partitioned inks. Every kind of transition has to be
2007-05-30 by Tyler Boley
Roy, something I ve been wondering about, and perhaps you know- Do the dots have blended transitional areas? In other words, when increasing density requires
2007-05-30 by Roy Harrington
I not sure I follow you exactly but I think what you want is already the way it works. You always use the small dots first anyway so if you keep the amount of
2007-05-30 by dlruckus
Thanks Roy. I guess I worded that badly. What I had in mind actually was fixing the dot size at only one, usually the smallest, as an option, rather than a
2007-05-30 by Wayne J. Cosshall
Hi Peter, Thanks. You have some great stuff on your site. I ve bookmarked it to consider in my next round of awards. Cheers, Wayne Wayne J. Cosshall Publisher,
2007-05-30 by CDTobie@aol.com
... No, I m building a color profile where the color data is minimal (the target print was approximately monochrome) and irrelevant (since the driver won t pay
2007-05-30 by CorrPro96@aol.com
Imageprint 6.1 or 7.0 with PTAPP does allow softproofing in Photoshop. It is an extra $200. but well worth it to me. Richard (Brooklyn) The disadvantages I
2007-05-30 by Roy Harrington
... What more can I say -- this is what I said: For this reason there is a variation called QTR-Create-ICC-RGB which still creates an ICC profile for grayscale
2007-05-30 by CDTobie@aol.com
... Agreed. But its necessary to specify that they are grayscale profiles, even if built as RGB. ... There are a couple of tags listed as required, and a
2007-05-30 by bfwoolner
... tape. ... Thanks, Michael. I have added tape to my inadvertant solution. Barbara
2007-05-30 by Paul Grant
I have recently started to use the MIS UTFSN inks in my old Epson 1270. So far I have been pleasantly surprised by the results using the Epson Drivers. I am
2007-05-30 by Alan Kearney
Whoa there Larry, some of the very BEST color monitors were CRT s!! I think most would agree the old Sony Artisan (20 inch?) with hood and it s own colormeter
2007-05-30 by Roy Harrington
... The word color is everywhere: ICC -- International Color Consortium, Color Management, Colorsync, ... I m not about to try to coin new names. Grayscale
2007-05-30 by bfwoolner
Thanks, Lou. I, too applied some additional pressure. My outcome was different. The latch popped out allowing the lid to close without pressure on the carts.
2007-05-30 by daniel
I m considering a change of inkset to UT-3D, using the PrintFIX Pro with the extended grays target to generate a color profile, printing with the standard
2007-05-30 by Peter De Smidt
... Hi Wayne, I enjoyed your site. I haven t had a chance to look at all of the sites you ve reviewed, but it s good stuff so far. If you like you can check
2007-05-30 by CDTobie@aol.com
... No, this does not bring full color management to the process, it brings full grayscale managment to the process. If you poke out one eye, and say you still
2007-05-30 by Lou Meluso
Hello Barbara: I experienced this myself just recently. The top of the cart cage just would not latch on the R2400 after converting to MIS carts. I applied
2007-05-30 by Mark Savoia
Yikes! Flashback. Don t do that, freaky! Mark ... [Non-text portions of this message have been removed]
2007-05-30 by amadou diallo
This is going back a few years but you can print a 0-100% gradient (with input values marked) and create a custom dot gain in PS where you adjust the curve
2007-05-30 by RobLee
Hey Peter, Nice photos. Good work. Keep it up. Can you tell me what equipment do you use? Peter De Smidt wrote:
2007-05-30 by Larry Ostrom
Alan you certainly are right,,, the CRT is not as sharp... reading this I can see the difference.. I guess it is also time for a new LCD monitor. thanks again
2007-05-30 by eappert
Thank you for your book recommendations. I am familiar with Color Management (Fraser, Murphy Bunting) and this book is of course crucial for colour management,
2007-05-30 by Olivier
... Ernst, I remember once you mentionned dot gain is proportionally higher with small dots than larger ones. My memory is not always correct, can you please
2007-05-30 by Wayne J. Cosshall
Hi All, Here s another one for some of your to criticise :) The latest Art/Photo website award profile is of Eirik Holmoyvik s website and great BW and color
2007-05-30 by Ernst Dinkla
... It isn t restricted to photography or California either. In the early 80 s I was one of the founders of a graphic artist s workshop here in the
2007-05-30 by Ernst Dinkla
... On the HP Z3100 models there are just two droplet sizes available: 4 and 6 picoliter. Some heads like the MK head and the GE + some light inks only squirt
2007-05-30 by pekozip93
... hi - Id add that though the stipple is there, it is less objectionable, I guess just due to the paper texture, to me HPR pearl scores a bit higher than the
2007-05-30 by Roy Harrington
They are all standard ICC profiles. The ICC spec defines three major types of profiles -- CMYK, RGB and Gray. For all printing profiles the type of the
2007-05-30 by Roy Harrington
... For the R800/R1800 you need 2880 or 1440x1440 to get the 1.5pl drop. At 1440x720 you need a bigger big dot and that goes with a bigger small dot. The R260
2007-05-30 by jimz_Goog
Earl, I have seven landscape prints in a small cafe (great coffee) in Albany, just north of Berkeley in the East Bay. Black and white inkjet prints, on Epson
2007-05-30 by Roy Harrington
Duane, The set of dotsizes applies for all the channels on a page, so there is no variation per channel. I really don t think you d find much benefit messing
2007-05-30 by sagaface
John, you re absolutely right that this is a continuing trend, not something new. I did not word that well. I guess what I am a little discouraged by is not so
2007-05-30 by James Irelan
One gallery owner I talked to surprised me. I had thought that galleries were impressed with large sizes only. He asked me well, how big are your prints? ,
2007-05-30 by dlruckus
Hi Roy. Any chance selectable dot size per channel could be used with QTR in that context? I ve often thought that utilizing the multi BO concept Paul is
2007-05-30 by Alan Kearney
Larry, somehow I missed that you re using a CRT with your laptop! IMHO you ll NEVER get the CRT to match your laptop LCD, no matter how good the CRT is. A CRT
2007-05-29 by Alan Kearney
... Yes, a new G5 would make a great fix:)
2007-05-29 by Larry Ostrom
thanks Alan the one thing I am really noticing is the difference between laptop LCD screen and the viewsonic CRT,, the laptop has much more contrast and
2007-05-29 by Alan Kearney
I ve a G5 with a 20 inch cinema display and a EIZO CG210. I use the Apple display for most of the mundane work, text, email, surfing, etc. When I work with PS
2007-05-29 by Larry Ostrom
I am using a macbook pro and a viewsonic G810 monitor . when using photoshop the viewsonic is my monitor for the image and the macbook pro is for the tools
2007-05-29 by Michael Ring
Had the same problem, I fixed it with a 5cm long strip of adhesive tape. I placed it on the left side of the lid. The tape is stong enough to keep the lid
2007-05-29 by Paul Roark
This weekend a couple of us went to a wonderful, new B&W gallery near Atascadero, CA. See http://www.b-wgallery.com/ They have one of the nicest B&W
2007-05-29 by jerry rushing
no sorry just a comment what i am interested in is how to keep my highlight under control right now i am trying a ND filter on my camera and this seems to be
2007-05-29 by Bruce Watson
... That, I think, is the heart of the issue. Small for small s sake is just as bad as large for large s sake. Print size should serve the image. Part of what